TESTI DELLE CANZONI - ACCORDI - PENTAGRAMMA - TABLATURE

ROLLING STONES, ULTIMATE GUITAR PLAY-ALONG. SHEET MUSIC BOOK WITH 2 CD & GUITAR TABLATURE .

LIBRO DI MUSICA ROCK, CON 2 CD.

2 CD DI BASI PER VOCE E VOCE E CHITARRA.  

SPARTITI PER VOCE E CHITARRA CON : 

ACCORDI / CHORDS, PENTAGRAMMA E TABLATURE . 

Rolling Stones
Series: Ultimate Play-Along
Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
Version: Authentic Guitar TAB
Music Transcribed: Dan Begelman, Jack Allen, Aaron Stang 

Alfred's Ultimate Play-Along series gives you everything you need to jam with your favorite songs. This book includes

(I Can't Get No) Satisfaction. 

I can't get no satisfaction 
I can't get no satisfaction 
'Cause I try and I try and I try and I try 
I can't get no, I can't get no 

When I'm drivin' in my car 
And that man comes on the radio 
He's tellin' me more and more 
About some useless information 
Supposed to fire my imagination 
I can't get no, oh no no no 
Hey hey hey, that's what I say 

I can't get no satisfaction 
I can't get no satisfaction 
'Cause I try and I try and I try and I try 
I can't get no, I can't get no 

When I'm watchin' my TV 
And that man comes on to tell me 
How white my shirts can be 
But he can't be a man 'cause he doesn't smoke 
The same cigarrettes as me 
I can't get no, oh no no no 
Hey hey hey, that's what I say 

I can't get no satisfaction 
I can't get no girl reaction 
'Cause I try and I try and I try and I try 
I can't get no, I can't get no 

When I'm ridin' round the world 
And I'm doin' this and I'm signing that 
And I'm tryin' to make some girl 
Who tells me baby better come back later next week 
'Cause you see I'm on losing streak 
I can't get no, oh no no no 
Hey hey hey, that's what I say 

I can't get no, I can't get no 
I can't get no satisfaction 
No satisfaction, no satisfaction, no satisfaction 

non riesco ad avere nessuna soddisfazione 
non riesco ad avere nessuna soddisfazione 
e ci provo e ci provo e ci provo e ci provo 
non ci riesco, non ci riesco 

quando sto guidando nella mia macchina 
e quell'uomo salta fuori alla radio 
e mi dà sempre più elementi 
supponendo di accendere la mia immaginazione 
non ci riesco, oh, no 
hei, questo è quello che dico 

non riesco ad avere nessuna soddisfazione 
non riesco a davere nessuna soddisfazione 
e ci provo e ci provo e ci provo e ci provo 
non ci riesco, non ci riesco 

quando sto guardando la mia tv 
e salta fuori quell'uomo per dirmi 
come possono essere bianche le mie camicie 
bene, lui non può esere un uomo 
perchè non fuma 
le mie stese sigarette 
non ci riesco,oh no 
hei, questo e quello che dico 

non riesco ad avere nessuna soddisfazione 
non riesco ad avere nessuna soddisfazione e ci provo e ci provo e ci 
provo e ci provo 
non ci riesco non ci riesco 

quando viaggio intorno al mondo 
e faccio questo firmo quello 
e cerco di farmi qualche ragazza. 

Dopo un deludente concerto, finito con la Polizia che ha fermato lo show, Keith si sveglia nella sua stanza del Jack Tar Harrison Hotel in Clearwater Florida, con nella testa un insistente riff a 3 note. Richards registra la musica su nastro e il giorno dopo insieme a Jagger completa quasi la canzone, una critica alla società del consumismo.

In questo libro troverete tutte le indicazioni per suonare come Keith, con capotasti mobili e le accordare aperte in:

OPEN G TUNING,
Questa accordatura è quella che Richard usa più frequentemente nei suoi famosi riff sincopati, su una Telecaster e togliendo la corda più bassa, suonando solo con 5 corde. 

OPEN E TUNING, 

OPEN C TUNING

utilizzate spesso in combinazione con l'accordatura standard della seconda chitarra.   

il famoso Riff della chitarra all'inizio della canzone Brown Sugar, sembra che sia di Jagger e non Keith !!! incredibile !

After a disappointing gig that ended with the police stopping the show, Keith Richards awoke in his room at the Jack Tar Harrison Hotel in Clearwater, Florida, with an insistent three-note riff and the words "I can't get no satisfaction" rolling around in his head. Fortunately, Richards committed these thoughts to tape and they were fleshed out the following day with his bandmate, Mick Jagger. The song was recorded at RCA Studios in Hollywood, California, on May 12, 1965, with Keith playing his dream-inspired riff on an electric guitar through a Maestro FZ-1 fuzz pedal. It was Richards's intent to replace the guitar riff with a horn section, but, before that could happen, "Satisfaction" was released as a single and the song raced up the charts. In the succeeding four and a half decades, with its now immortal rift "(I Can't Get No) Satisfaction" has become an indictment on commercialism, a cross-generational anthem, a guaranteed show closer at any Stones concert and a bona fide cultural icon. Note: In the original recording, listen for the telltale click of the footswitch as the fuzz effect is engaged at 0:35 and 2:35.

Jumpin' Jack Flash. Like "Satisfaction," the origins of "Jumpin' Jack Flash" can be traced to the dreamy half-awake state of its creators. After a very late night at Keith Richards's country house, Mick Jagger was startled by the sound of Keith's gardener working outside the window. When Jagger asked about the noise, Richards replied, "Oh, that's jumpin' Jack Dyer." Recorded at Olympic Studio in London in the spring of 1968, the song features a unique guitar tone that Keith Richards has revealed to be a Gibson Hummingbird acoustic in open Etuning played into a small Philips cassette recorder. The guitar was very close to the recorder's onboard microphone and deliberately overloaded the input producing an overdriven sound. This effect was also used on "Street Fighting Man" from the same sessions. Note: As mentioned, the guitars on the original studio recording of "Jumpin' Jack Flash" are in open Etuning (as transcribed in this book), shown in Fig. 1, below. However, in December 1968, both Keith Richards and Brian Jones performed the song in standard tuning for The Rolling Stones Rock and Roll Circus concert film. At this show, the main riff of the song was played at the 2nd fret, as in Fig. 2. By July 1969, Keith Richards had begun performing the song in open G tuning with a capo on the 4th fret shown in Fig. 3. He continues to use this method to this day. Fig. 3 also shows the second guitar in standard tuning, playing the riff at the 7th fret.

Eight classic Stones songs with full TAB. The CD contains a complete version of each song and a play-along version without guitar. Plus, the CD contains embedded software that allows you to access the full-performance version, or to selectively mute Guitar 1, Guitar 2, or both. Plus you can easily loop sections, slow tracks without changing pitch and even change key. Matching bass and drum editions available! Titles:

1971 - Brown Sugar - parole e musica: Mick Jagger & Keith Richards

1969 - Gimme Shelter - parole e musica: Mick Jagger & Keith Richards

1969 - Honky Tonk Women - parole e musica: Mick Jagger & Keith Richards

1968 - Jumpin' Jack Flash - parole e musica: Mick Jagger & Keith Richards

1969 - Let it Bleed - parole e musica: Mick Jagger & Keith Richards

1966 - Paint it, Black - parole e musica: Mick Jagger & Keith Richards

1965 - (I Can't Get No) Satisfaction - parole e musica: Mick Jagger & Keith Richards

1969 - You Can’t Always Get What You Want - parole e musica: Mick Jagger & Keith Richards

ALLMAN DUANE, GUITAR ANTHOLOGY. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI SPARTITI ROCK BLUES. 

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Recorded Version
Format: Softcover - TAB
Artist : Duane Allman

Best known for his role in the Allman Brothers Band, guitar virtuoso Duane Allman became a Southern rock legend after his tragic death at age 24. This anthology brings together his work with the band, as well as hits from his time spent backing other artists such as Derek and the Dominos. This folio features 20 songs, including: Don't Want You No More - Hot 'Lanta - Layla - Little Martha - Mountain Jam - Somebody Loan Me a Dime - Statesboro Blues - Whipping Post , and more.

Song List:

Black Hearted Woman
Blue Sky
Don't Keep Me Wonderin'
Don't Want You No More
Done Somebody Wrong
Dreams I'll Never See
Happily Married Man
Hot 'Lanta
In Memory Of Elizabeth Reed
It's Not My Cross To Bear
Layla
Little Martha
Mountain Jam
Revival
Somebody Loan Me A Dime
Stand Back
Statesboro Blues
(They Call It) Stormy Monday (Stormy Monday Blues)
Trouble No More (Someday Baby)
Whipping Post

280 pages

JEFFERSON AIRPLANE, GUITAR TAB ANTHOLOGY. SHEET MUSIC BOOK WITH GUITAR TABLATURE . 

LIBRO DI MUSICA ROCK. 

SPARTITI PER VOCE E CHITARRA : 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Serie: Guitar TAB Anthology
Categoria: Guitar Personality
Formato: LIBRO CON TABLATURE

Con la legendaria voce di Grace Slick  e il brillante chitarra di Jorma Kaukonan, il Jefferson Airplane era il gruppo che si distingueva nel movimento psichedelico tra le band di San Francisco degli anni 60.

Featuring the legendary Grace Slick on vocals and the brilliant guitar work of Jorma Kaukonan, Jefferson Airplane was the defining band of the '60s San Francisco psychedelic movement. Titles:

Titoli:                               Album:

Comin' Back to Me - Surrealistic Pillow

Embryonic Journey - Surrealistic Pillow

Good Shepherd - Volunteers

Lather - Crown of Creation

Plastic Fantastic Lover - Surrealistic Pillow

She Has Funny Cars - Surrealistic Pillow

Somebody to Love - Surrealistic Pillow

Three-Fifths of a Mile in 10 Seconds - Surrealistic Pillow

Today - Surrealistic Pillow

Volunteers - Volunteers

We Can Be Together - Volunteers

White Rabbit - Surrealistic Pillow

Wooden Ships - Volunteers

SMITH ELLIOTT, SONGBOOK. BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA POP. 

SPARTITI PER VOCE E CHITARRA CON : 

ACCORDI, NOTE, PENTAGRAMMA, TABLATURE. 

Series: Guitar Collection
Format: Softcover - TAB
Artist : Elliott Smith
Arranger : Fred Sokolow

A fixture on the Portland indie music scene, singer-songwriter Elliott Smith was introduced to the mainstream via his Oscar-nominated song -Miss Misery from the Good Will Hunting soundtrack. This collection features that song and 17 others, from his first CD, through tracks released after his tragic and untimely death. Includes: Angeles -Clementine -Everything Means Nothing to Me -Pretty (Ugly Before) -Say Yes -Son of Sam -Waltz #2 (XO) and more, plus a discography and an intro. 80 pages

INTRODUCTION

Elliott Smith said that the Beatles' multi-faceted White Album inspired him to be a musician, so it's not surprising that the six albums he released during his short life (1969-2003) reveal an eclectic, varied musical taste. Pop, folk, classical, and punk sensibilities abound. Lyrically, the songs are full of pain, disillusionment, and despair, but also beauty, humor, and sometimes hope. Above all, the nihilism and anguish of his words are belied by the musical craftsmanship he poured into his compositions and performances, both live and recorded. He wrote every song on his albums, played most of the instruments, sang all the lead vocals, and most of the vocal harmonies. The obvious commitment he made to his art is in itself a statement of hope and value. In the early 1990s, when Smith's band Heatmiser was building a following in Portland, his girlfriend talked him into sending a demo of eight original songs he had cobbled together on borrowed equipment to Cavity Search Records; so began his career as a solo artist. Four years later, in 1998, he signed with DreamWorks. Smith came close to achieving pop stardom. His song, "Miss Misery" was nominated for a "Best Original Song" Oscar in 1998 for its use in the film Good Will Hunting. He appeared on Saturday Night Live, The Letterman Show and other TV shows, and by the time of his death in 2003, he had attained quite a large following as an indie-pop hero. Two biographies have been written and a number of tribute albums have been released by other indie artists, as well as tribute songs by Rilo Kiley, Third Eye Blind, Ben Folds, Rhett Miller, Earlimart, and others. He continues to inspire a great amount of web activity among his fans. Smith's main instrument was guitar, but he also played bass, drums, clarinet and had some classical piano chops (there's a YouTube video of him playing Rachmaninoff). He performed both as a solo acoustic act and with a full band on electric guitar. He usually played with his fingers, in a unique style that blended folk/blues fingerpicking with strumming. A Dylan "Don't Think Twice" influence is evident in songs like "Somebody That I Used to Know" and "Memory Lane," while "Condor Avenue" is reminiscent of Simon and Garfunkel. The a copella "1 Didn't Understand" shows his classical roots (as well as an affinity for the Beatles and the Beach Boys). Other, fullyproduced rock offerings like "Son of Sam" and "Pretty (Ugly Before)" reveal all kinds of pop influences spanning the Sixties, Seventies, Eighties, and Nineties. Smith also employed some unusual open guitar tunings that added to the individuality and uniqueness of his sound. Despite the indie and punk influences in Smith's music, his songs are more harmonically complex than most pop or rock. There are more chords per tune, including jazz or orchestral chords, more unique and rambling progressions, and ascending or descending bass lines. Above all, he created his own sound (which he described as "impressionistic") and presented his work with the commitment and passion of a genuine, authentic artist. This book is an offering to make his music and guitar styling accessible to his fans, to keep his songs circulating, and to spread the word about the legacy he left behind.

KNOPFLER MARK, GET LUCKY. TABLATURE

Get Lucky is Knopfler's fifth studio album of the decade and was recorded at his award-winning British Grove Studios in West London and co-produced with long-time cohorts Chuck Ainlay and Guy Fletcher.

It is a beautifully crafted exploration of a lifetime of musical roots, fluently combining folk and blues with his original song writing and vivid observational lyricism.

He will be starting a 'Get Lucky' world tour in the spring of 2010.

All the songs from the album arranged for Guitar tab, complete with full lyrics and melody line.

Before Gas & TV
Border Reiver
Cleaning My Gun
Get Lucky
Hard Shoulder
Monteleone
Piper To The End
Remembrance Day
So Far From The Clyde
The Car Was The One
You Can't Beat The House