MEL BAY

WELL-TEMPERED BLUES, 8 New Blues Tunes for Classical & Fingerstyle Guitar. William Beauvais. CD TABLATURE

WELL-TEMPERED BLUES, 8 new tunes for classical & fingerstyle guitar. W. Beauvais. CD TAB.

Product Description:
The blues present an opportunity to be deeply expressive. Every note can be colored with pitch bends, slides, vibrato, and all manner of attacks. The style makes it easy to own the music, to close your eyes and play as if you wrote it. These pieces are designed to be fun and entertaining as they work through the sharp keys, which are most friendly to the guitar. By working through these keys however, they develop a player's awareness of the different tonalities and the way patterns may be altered to facilitate key changes. Written in notation and tablature.

Format: Book/CD Set

Song Title: Composer/Source:
Chicago Style Blues William Beauvais
Cutback Blues William Beauvais
Deep Down Blues William Beauvais
Drinking Water Blues William Beauvais
Gridlock Blues William Beauvais
Rainy Weekend Blues William Beauvais
Snaky Blue Line William Beauvais
Twisted Fingers William Beauvais

Price: €15,99
€15,99

JORGENSON JOHN INTERMEDIATE GYPSY JAZZ GUITAR CD DVD TABLATURE CHITARRA METODO MANOUCHE

JORGENSON JOHN, INTERMEDIATE GYPSY JAZZ GUITAR. CD DVD 2-hour TAB.

Now that you have laid a foundation by completing the material in Intro to Gypsy Jazz Guitar, the second volume Intermediate Gypsy Jazz Guitar, also presented in the DVD/CD/Book format, continues by presenting you with characteristic Gypsy style licks and techniques that are based on the arpeggios and patterns taught in the first volume. Once again Jorgenson presents a very systematic learning method by first teaching simple licks and techniques and then gradually building to more complex material. In studying the left and right hand techniques and ornamentations presented in the second volume, the student will gain an understanding of how to play the guitar with the Gypsy "accent."

Jorgenson also begins the study of Django Reinhardt's playing here by teaching an improvised chorus that Django played on a recorded version of the song "Undecided." Two other songs, Raul Reynoso's "Waneta's Waltz" and Jorgenson's "Snowflake Waltz" are also studied.
Introduction/Acknowledgements
An Interview with John Jorgenson
Licks 1 Amp; 2
Licks 3, 4 Amp; 5
Lick 6
Licks 7 Amp; 8
Lick 9
Licks 10 Amp; 11
Licks 12, 13 Amp; 14
Licks 15 Amp; 16
Licks 17 Amp; 18
Licks 19, 20 Amp; 21
Lick 22
Licks 23, 24 Amp; 25
Licks 26, 27 Amp; 28
Licks 29 Amp; 30
Lick 31
Licks 32 Amp; 33
Lick 34
Licks 35, 36 Amp; 37
Licks 38, 39 Amp; 40
Licks 41, 42 Amp; 43
Licks 44, 45 Amp; 46
Licks 47 Amp; 48
Undecided Melody
Undecided
Undecided (cont.)
Undecided Chord Forms
Licks 52 Amp; 53
Licks 54 Amp; 55
Licks 56 Amp; 57
Snowflake Waltz Introduction
Snowflake Waltz
Snowflake Waltz (cont.)
Snowflake Waltz (cont.)
Snowflake Waltz Chord Shapes
Snowflake Waltz Chord Shapes (cont.)
D minor voicings Amp; Lick 58
Appendix

DVD Content
Jorgenson in Paris (J'Attendral)
Introduction
Welcome
Lick 1-Lick 48
Undecided
Lick 49-Lick 51
Waneta's Waltz
Lick 52-Lick 57
Snowflake Waltz
Lick 58
Closing

Audio CD Contents
1: G diminished rhythm
2: Am Rhythm
3: Am/Dm Rhythm
4: Am Blues Progression Rhythm
5: Straight Blues Rhythm
6: "Undecided" Rhythm
7: "Waneta's Waltz" Rhythm
8: Alternate C and G Chord Progression
9: "Snowflake Waltz" Rhythm

Price: €139,99
€139,99

JORGENSON JOHN INTRO TO GYPSY JAZZ GUITAR LIBRO CD DVD TABLATURE SPARTITI ACCORDI

JORGENSON JOHN, INTRO TO GYPSY JAZZ GUITAR. CD DVD2-hour TAB.

In this first of three volumes of Flatpicking Guitar Magazine's new Gypsy Jazz Guitar instructional series, "Intro to Gypsy Jazz Guitar," Jorgenson provides the foundational information and practice material necessary for you to gain an understanding of the Gypsy jazz guitar style. The first half of this volume addresses the important element of Gypsy jazz rhythm. The second half of this first volume addresses soloing. Each volume of this three-part series includes a 2-hour instructional DVD, an audio CD with practice audio tracks, and a full format book which presents all of the theoretical information, chord charts, fret board diagrams, music notation, and tablature for the material presented on the DVD.

Song Title: Composer/Source:
1-4-5 Blues Progression
A Minor Pattern
Adding C#dim7
Adding the A and E& chords
Adding the Daug
Adding the G9
An Interview with John Jorgenson
Appendix
Audio CD Contents/Forward
Basic Strum Patters
C Major Note Map
C Minor 6
Changing the C7 to C6
Chromatic Pattern 1
Chromatic Pattern 2
Chromatic Pattern 3
Chromatic Scale
Chromatic Scale moving up the neck
Chromatics
D augmented Arpeggio
D Major
D Major Pattern 1
D Major Pattern 2
D Major Pattern 3
Downstroke Exercise
DVD Contents
F Major
F Major Pattern 1
F Major Pattern 2
G Major
G Major Arpeggio
G Major Pattern 1
G Major Pattern 10
G Major Pattern 2
G Major Pattern 3
G Major Pattern 4
G Major Pattern 5
G Major Pattern 6
G Major Pattern 7
G Major Pattern 8
G Major Pattern 9
G Minor
G Minor 6
G Minor 6 Pattern 1
G Minor 6 Pattern 2
G Minor 6 Pattern 3
G Minor Pattern
Gypsy Jazz Rhythm Details
In-between Notes
Introduction/Acknowledgements
Lead Playing
Minor Blues Progression
Minor Blues with 3-Note Chords
Open Strings, Unison, & Dissonance
Rhythm Example #1
Rhythm Example #2
Rocking the bass on C7 & D7
Simple Minor Blues Progression

John Jorgenson is perhpas best known as a founding member of the Desert Rose Band, for his dazzling fretwork with the super guitar trio The Hellecasters, from his six-year stint as a member of Elton John's band, and his session work with a diverse range of artists including rock icons Elton John, Bob Dylan, Bonnie Raitt and Bob Seger, country legends Willie Nelson, Johnny Cash, Emmy Lou Harris and Hand Williams Jr., and international superstars like Barbara Streisand and Luciano Pavarotti. Even though he has made his living playing primarily rock, country, and pop music John's love for jazz and swing music dates back to his youth when his father, James, was conductiong for Benny Goodman. John, who idolized Goodman, actually got to play with his hero while his father led the way. As accomplished on clarinet as he is on guitar, Jorgenson's first swing recording After You've Gone was a tribute to both his heroes, Django Reinhardt and Benny Goodman. Released in 1985, John played Django style Gypsy jazz ont he first side of the LP and recreated the sound of the Benny Goodman Quintet, playing both Charlie Christian's electric guitar parts and Goodman's swinging clarinet style, on the other. His 2004 release Franco-American Swing, which primarily features John's original swing music, has received rave reviews. In the world of Gypsy jazz music, John Jorgenson has long been known as one of the true American masters of the Django Reinhardt guitar style. In 2003, when the musical director for John Duigan's film Head In The Clouds was looking for someone who could faithfully re-record two tracks from the Quintet of the Hot Club of France for use in the film Guitar Player Magazine's editor recommended Jorgenson. John not only transcribed and recorded the Hot Club's "Blue Drag" and "Minor Swing" for use in the film, he also played the role of Django Reinhardt in the movie. John has also performed with leading European Gypsy jazz artists Bireli Lagrene and Romane, appeared on recordings with Babik Reinhardt and Angelo Debarre, and has written many articles and lessons for national and international guitar magazines. Three guitar virtuosos: John Jorgenson, Jerry Donahue, and Will Ray - collaborated for a one-time-only performance which eventually grew into a 10-year partnership.

Price: €69,99
€69,99

GETTING INTO GYPSY JAZZ GUITAR Stephane Wrembel CD TABLATURE CHITARRA LIBRO METODO SPARTITI

GETTING INTO GYPSY JAZZ GUITAR. CD TAB.

Product Description:
This book focuses on the key elements of the Django Reinhardt Gypsy jazz or jazz Manouche guitar style. The information revealed here was gleaned from years of experience jamming with French Gypsies and studying with masters of the style. A native of France, Stephane Wrembel acquired his skills entirely by ear and has taught scores of musicians worldwide using the method that appears here in text and notation for the first time. Written in English, German and French with all musical examples in standard notation and tablature, Wrembel conveys his knowledge in a logical step by step manner, exposing the reader to the authentic Manouche style as it continues to evolve in France and Holland. Medium to advanced in difficulty, this method is designed for the guitarist who is already familiar with jazz harmony and note locations on the fretboard.

Format: Book/CD Set
Series: Getting Into

Contents:

CD Contents
Acknowledgements
Introduction
About the Author
Part One: Technique and Rhythm
Chapter 1: Right Hand Technique and Warm-Up
Chapter 2: Voicings
Chapter 3: Accompaniment
Part Two: Improvisation
6 Basic Shapes for Improvisation
Expanding on the Subject Matter: Complete Shapes
A Plan of Approach Essential to Gypsy Jazz
Arpeggio Extensions: Adding Color
Diminished Arpeggio - 7th Chord Arpeggio Mix
4 Measures Examples, V7 1 Progression
"Gypsy Swing in Minor"
Harmonic Minor Scale
Melodic Minor Scale
Whole-Tone Scale
Concepts in One or Two Notes Per String Groupings
The Chromatic Scale
Chromatic Approach and Three Notes Per String Grouping Concept
Combining Fingerings for 2 and 3 Notes Per String
Substitutions
Transcribing

Price: €27,99
€27,99

WESTERN SWING GUITAR STYLE by Joe Carr BOOK CD TABLATURE CHITARRA LIBRO SPARTITI

WESTERN SWING GUITAR STYLE. Joe Carr. La parola swing deriva dal verbo dondare, e in musica, è quel senso di oscillazione della parte ritmica, con accenti, anticipi, pause, ritardi, note staccate, e questo benchè il ritmo sia costante e uniforme. 40 accompagnamenti ritmici completi, con griglia degli accordi nello stile swing anni '30 '40 del musicista Bob Wills. CD TAB.

Product Description:
If you have ever heard the sound of rhythm guitar in a good western swing band, you may have wondered how the guitarist achieved that unique chordal sound. While the song might be a simple one--playable with only two or three chords--the western swing guitarist changes chords every two beats, providing a driving and harmonically interesting background for the singers and instrumentalists. This book is designed for intermediate players who have a basic understanding of open chords. It begins with study of the Texas fiddle back-up style and the chords used to enhance this music. The chords and progressions explained in this book can be used in many types of music in addition to western swing and would serve as an excellent transition from open-string folk chords to more of a jazz approach.

Format: Book/CD Set
Series: Texas Music and Video

Song Title: Composer/Source:
Ballad (:39) Arr. By: Joe Carr
Beaumont Rag (:37) Arr. By: Joe Carr
Blues (1:01) Arr. By: Joe Carr
Columbus Stockade Blues (1:07) Arr. By: Joe Carr
Corrina (:29) Arr. By: Joe Carr
Cowtown (:32) Arr. By: Joe Carr
Durang's Hornpipe (:26) Arr. By: Joe Carr
Dusty Miller (:29) Arr. By: Joe Carr
Ida Red (:26) Arr. By: Joe Carr
Kind Of Love (:38) Arr. By: Joe Carr
Leather Britches (:28) Arr. By: Joe Carr
Lily (1:09) Arr. By: Joe Carr
Pipeline (:38) Arr. By: Joe Carr
Sally Goodin 1,2,3 (:37) Arr. By: Joe Carr
Sally Goodin 4 (:28) Arr. By: Joe Carr
Sally Johnson (:28) Arr. By: Joe Carr
San Antonio Rag (:35) Arr. By: Joe Carr
South (1:06) Arr. By: Joe Carr
Sugar (1:03) Arr. By: Joe Carr
Time/Just A Closer (:36) Arr. By: Joe Carr
Wesphalia Waltz (:54) Arr. By: Joe Carr

Price: €27,99
€27,99

BAROQUE GUITAR IN SPAIN AND THE NEW WORLD BY FRANK KOONCE

BAROQUE GUITAR IN SPAIN AND THE NEW WORLD, BY FRANK KOONCE. 

Product Description:
A substantial amount of early music for the guitar remains unknown to modern performers and audiences. In recent years, however, musicologists, scholars and performers on period instruments have provided a wealth of accessible new source materials which players can now begin to interpret in convincing and effective ways. Nevertheless, many still feel intimidated by the prospect of sorting through and learning to use these resources for the first time. For the uninitiated, just knowing where to start can be difficult.

This anthology contains representative selections from the publications and manuscripts of four important Spanish Baroque guitarists: Gaspar Sanz, Antonio de Santa Cruz, Francisco Guerau, and Santiago de Murcia. In addition to being fun and entertaining music for all to enjoy, this collection is intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance on the modern guitar.

Contents:
Preface
Acknowledgements
Dedication
1. Evolution of the Five-Course Guitar
1.1. Transition from the Vihuela and Four-Course Guitar
1.2. Dominance of the Five-Course Guitar
2. Tuning of the Five-Course Guitar
2.1. Terms Pertaining to Stringing and Tuning
2.2. Different Tunings for the Baroque Guitar
2.3. Issues and Opinions on Tuning Practices in Spain
2.4. Relevance of Baroque Tuning Practices to Modern Performers
3. Reading Baroque Guitar Tablature
3.1. Tablature and Transcription
3.2. Punteado Notation
3.3. Rasgueado Notation
3.4. Mixed Tablatures
4. Interpretation and Performance
4.1. Octave Selection and Voice Leading
4.2. Punteado Ornaments
4.3. Campanelas
4.4. Meter and Tempo
4.5. Hemiola and Syncopation
4.6. Rasgueado Techniques
4.7. Rasgueado Ornaments
5. Editorial Procedures
5.1. Philosophy and Intent
5.2. The Voicing and Notation of Strummed Chords
5.3. Editorial Notation
6. Gaspar Sanz
6.1-9. La cavalleria de Napoles con dos clarines, Rujero, Paradetas, Folías, Las Hachas, Zarabanda, La Esfachata de Napoles,La Miñona de Cataluña, Canarios
6.10-14. Pavanas, Españoletas, Matachín, Villanos, Passacalles
7. Antonio de Santa Cruz
7.1-3. Jácaras, Villano, Canario
8. Francisco Guerau
8.1-4. Marionas, Villano, Canario, Passacalles in B minor
9. Santiago de Murcia
9.1. Resumen de acompañar
La Guastala, Menuet, Preludio in D minor
9.2. Códice Saldívar No. 4
Marionas, Fandango, Jácaras, Zangarilleja, Cumbées
9.3. Passacalles y obras
Passacalles in G minor, Suite in G Major, Suite in D minor
10. Facsimiles

Selected Bibliography

Music
Gaspar Sanz
La cavalleria de Napoles con dos clarines
Rujero
Paradetas
Folías
Las Hachas
Zarabanda
La Esfachata de Napoles
La Miñona de Cataluña
Canarios
Pavanas
Españoletas
Matachín
Villanos
Passacalles

Antonio de Santa Cruz
Jácaras
Villano
Canario

Francisco Guerau
Marionas
Villano
Canario
Passacalles in B minor

Santiago de Murcia
La Guastala
Menuet(s)
Preludio in D minor
Marionas
Fandango
Jácaras
Zangarilleja
Cumbées
Passacalles in G minor
Suite in G Major
Suite in D minor

Facsimile Reproductions
Gaspar Sanz
Instruccion de musica
Antonio de Santa Cruz
Libro donde se veran pazacalles
Francisco Guerau
Poema harmonico
Santiago de Murcia
Resumen de acompañar
Códice Saldívar No. 4
Passacalles y obras

Price: €34,99
€34,99

CLASSIC TANGOS FOR GUITAR Òle Halen Mel Bay TABLATURE SPARTITI CHITARRA 'O sole mio LIBRO

CLASSIC TANGOS FOR GUITAR. TAB.

Product Description:
Due to some deep-seated cultural irony known only to its native population, the Argentine tango has a profound grip on Finland where dance clubs and popular singers thrive on this particular style of music. In this collection, Finnish guitarist Òle Halen shares his enthusiasm for the genre by presenting tangos for solo guitar by some of the best Latin American and Spanish tango composer/guitarists, plus transcriptions and arrangements by such luminaries as Francisco Tárrega and Daniel Fortea of Spanish and Italian works originally composed for instruments other than the guitar. Written in standard notation and tablature. 128 Pages.

Contents:

Lagrima -- Francisco Tarrega
Danza Espanola No. 5 -- E. Granados
Don Perez Freire -- Agustin Barrios Mangore
Ayer se la IIevaron -- Daniel Fortea
Musa Argentina (Celebre Tango Argentino) -- Espiga - Fortea
Tango -- Francesco Tarrega
La Paloma -- S. Yradier and F. Tarrega
O sole mio -- E. di Ccapua, Transcription by F. Tarrega
Del Ferrol a La Habana (Coll. of Tangos for Guitar) -- J. Parga
A ti solita...(Habanera) -- F. P. Spreafico
Clarita (Tango, Opus 3) -- Julian Ortiz
Anhelando -- Julian Ortiz
Junta al Farol (Tango Criollo) -- Vincente Caprino M.
Don Martin (Tango Criollo) -- Vincente Caprino M.
D. Juan Carlos (Tango Criollo) -- Vincente Caprino M.
Romero -- A. Galluzo
El Alero (Tango Pajuerano) -- Juan Maglio
Tango Espanol -- Isaac Alneniz
Tango No. 2 -- Agustin Barrios Mangore

Price: €24,99
€24,99

POPULAR GUITAR STYLES LATIN & SALSA Burkhard Buck Wolters FINGERSTYLE CD TABLATURE LIBRO

POPULAR GUITAR STYLES, LATIN & SALSA. Burkhard Buck Wolters. CD TAB.

Product Description:
Popular Guitar Styles: Latin & Salsa reflect recent popular styles and transfer them to classical or fingerstyle technique. Guitar players who want to add Latin and salsa music to their solo-repertoire will find an original and unique collection of compositions which will give joy to both players and listeners. The playing-level is intermediate to advance. Left-hand difficulties like barrés and stretches are minimized as much as possible to make it easy to make the music groove. Written in standard and TABLATURE notation.

Format: Book/CD Set

Contents:

Luna Cubana -- Buck Wolters
Zapato Blanco -- Buck Wolters
El Alma de Agustin -- Buck Wolters
Bella Bailadora -- Buck Wolters
Merenguitis -- Buck Wolters

Price: €21,99
€21,99

FLUID SOLOING BOOK 1 ARPEGGIOS FOR LEAD ROCK GUITAR Tim Quinn CD TABLATURE CHITARRA

FLUID SOLOING BOOK 1, ARPEGGIOS FOR LEAD ROCK GUITAR. Tim Quinn. CD TAB.

Product Description:
A modern arpeggio handbook and comprehensive training manual for developing fast, flowing arpeggio runs that connect the entire fretboard. Emphasis is on developing fluid, non-shifting arpeggio patterns (across the neck) using hammer-ons and pull-offs for speed and fluidity; and also on developing smooth position-shifting arpeggios (along the length of the neck) using slides. These two types of motion are then connected and combined in an extensive collection of soloing etudes for full assimilation. The result is a complete system of arpeggio pathways that connects every part of the fretboard and facilitates maximum speed, fluidity, and range. Complete whole-neck connections are presented for major 7th, dominant 7th, minor 7th, minor 6th, half-diminished, diminished 7th, major triadic and minor triadic arpeggios.

This book is for all guitarists who are serious about improving their ability to solo over chord progressions using arpeggios, in any style of music; including rock, jazz, fusion, blues, country or pop. Having the ability to instantly outline any chord in a song with a fluid arpeggio run (no matter where your hand is on the neck) is immensely valuable for every guitarist. This book methodically teaches you the skills that make this possible. Loaded with melodic arpeggio passages that can be applied to your music immediately, this is perhaps the most practical and powerful arpeggio book ever written. CD included. Standard notation and Tablature.

Format: Book/CD Set

introduction
section one: RAPID FIRE ARPEGGIOS
NON-SHIFTING - Fast & fluid arpeggio patterns for Minor 7, Dominant 7, Major 7, Diminished 7, Minor 7(b5), Minor 6, Major Triadic, Minor Triadic chords. Arpeggios are presented in seven different sets. Each set is identified by a number that indicates the string with the lowest root and the finger that plays it in that set (for example, Set 5-1 arpeggios have the root on the 5th string fretted with the 1st finger).Set 5-1 Arpeggios
Set 6-1 Arpeggios
Set 5-4 Arpeggios
Set 6-4 Arpeggios
Set 4-1 Arpeggios
Set 6-2 Arpeggios
Set 5-2 Arpeggios

Practice Suggestions
Soloing Etudes
section two: EXTENDED ARPEGGIO RUNS
POSITION-SHIFTING - Fluid, melodic exercises for whole-neck motion.

Arpeggio Runs with a 16th Note Feel
(3 runs each for: Minor 7, Dominant 7, Major 7, Diminished 7, Minor 7(f5), Minor 6, Major Triadic, Minor Triadic)
Arpeggio Runs with a Triplet Feel
(3 runs each for: Minor 7, Dominant 7, Major 7, Diminished 7, Minor 7(f5), Minor 6, Major Triad, Minor Triad)

Practice Suggestions
Soloing Etudes

Appendix: "Guide For Using This Book"
Tablature Symbols Key
106 PAGES

Price: €29,99
€29,99

MARTIN JUAN ANDALUCIAN SUITE NO. 1 LIBRO CD TABLATURE CHITARRA SPARTITI FLAMENCO BULERIAS

MARTIN JUAN, ANDALUCIAN SUITE, NO. 1. CD TAB.

Product Description:
Four exciting concert solos for flamenco guitar from Juan Martín’s best-selling album ‘The Andalucian Suites’. This is the first of the four suites on the album. These suites are transcribed into standard notation and flamenco tablature (cifra), with introductory playing notes by Juan Martín. The four solos on the accompanying CD are performed by Juan.

The complementary and contrasting variety of styles and rhythms of the four solos provide a brilliant display of Juan’s artistry and the expressive capabilities of the flamenco guitar. Each solo is complete in itself. A powerfully evocative Zambra Mora is followed by the much-requested rumba ‘La Feria’, then a gently melancholic Milonga and finally a thrilling Bulerías, which combines modern elements with pure gypsy falsetas from Moron del la Frontera. These solos provide an exceptional opportunity to learn and enjoy the music of a master flamenco guitarist, whose two volumes of graded ‘Solos Flamencos’ are already Mel Bay best-sellers.
Format: Book/CD Set 48 pages

Contents:

Biographical Note
The Four Solos, with playing notes
Key to Symbols and Notation
Evocación de la Invasión Árabe AD 711 (Zambra Mora)
La Feria (Rumba)
Alborada (Milonga)
Gitanos (Bulerías)

Price: €25,99
€25,99
Syndicate content