DE LUCIA PACO, FUENTE Y CAUDAL. SHEET MUSIC BOOK WITH GUITAR TABLATURE .
LIBRO DI MUSICA FLAMENCA.
SPARTITI PER CHITARRA :
ACCORDI, PENTAGRAMMA E TABLATURE.
Partitura en nota y cifra transcritas por Juan Manuel Cañizares.
Temas:
FOREWORD
This book is the transcription of the work "Fuente y Caudal" of the master Paco
de Lucia, in which the rhythms, harmonies and melodies are gathered of deep
way. Basically it is written for guitar but not for that reason exclusively for
guitarists. Instrumentalist of different instruments and styles they could also use
it, since when containing harmonic coding, the themes songs could be
interpreted by different musicians in formation instrumental.
One of my priorities when transcribing these works has been to be most faithful
possible to the interpretation that the master Paco de Lucia made in the
recording of "Fuente y Caudal". In order to obtain this intention I have used
myself new symbols that at its moment I will explain widely. I believe that these
symbols and the concept that there is behind such, will help the guitarists what
is passing in both hands when making different musical passages. In certain
way this book could be considered a hidden "treaty" of flamenco technique.
At no moment I have tried to reflect in the stave the soul of musical notes (it
would be an impossible work) but I think to have approached myself enough to
the dynamic movement of both hands in its flight by the mast.
Music is a language and as so it is learned by imitation. I firmly recommend
imitating the shades of meaning (not only the notes) of the master Paco de
Lucia in the original recording. To play jointly with the disc is an excellent
method to obtain this intention.
In the "free" touches as taranta "Fuente y Caudal" and the granafna "Reflejo de
la Luna" is advisable to imitate the rhythmical space, to give character and
structure to these touches. There are things that musically cannot be written
and single they are had outside the score, in these cases of listening to the
recording is indispensable.
The education of the musical ear is of a high importance for a musician. A good
exercise which I advise is that before reading the score, to try to remove from
ear one melody or any part that wishes of the original recording, to make their
own transcription and soon they compare it with the transcription of this book.
I want to thank to the teacher Ramon de Algeciras and my friend Juan Estrada
to make this great project and for his patience. Also, thanks to Mariko Ogura to
copy and to order all the manuscripts and to design and to organize all the
material contained in this book.
Special thanks to the master Paco de Lucia for entrusting totally me to
transcribe this work. From very young I began to play its music, soon I had the
honour to share during many tours, scenes and recordings next to him. Thanks
to all those wonderful experiences I have learned many things that have
enriched my musical life for better.
June 2005
Juan Manuel Caiiizares
Product Description:
Third in a series of OFFICIAL chronological transcriptions of the recordings of renowned flamenco guitarist Paco de Lucia, this book presents eight pieces from his album, Fuente y Caudal de Paco de Lucia. Meticulously transcribed in standard notation and tablature, selections include: Entre dos agues; Aires choqueros; Reflejo de Luna; Solera; Fuente y caudal; Cepa andaluza; Los Pinares and Plaza de San Juan. A foreword, explanation of notation symbols, helpful tips and generous performance notes are provided in English, Spanish and French.
Entre dos aguas (Rumba)
Aires choqueros (Fandangos de Huelva)
Reflejo de luna (Granaína)
Solera (Bulerías por Soleá)
Fuente y caudal (Taranta)
Cepa andaluza (Bulerías)
Los pinares (Tangos)
Plaza de San Juan (Alegrías).
Formato A4
220 Páginas
Italiano
English
