2010

UNDERSTANDING VACUUM TUBE GUITAR AMPLIFIERS Gerald Weber DVD

UNDERSTANDING VACUUM TUBE GUITAR AMPLIFIERS, Gerald Weber. DVD

Series: DVD
Author: Gerald Weber

Kendrick Amplifiers President Gerald Weber has overhauled and serviced over 15,000 vacuum tube guitar amplifiers, designed dozens of new model amplifiers and has produced thousands of boutique tube guitar amplifiers. This DVD will transform your experience of tube guitar amplifiers forever. Whether you are a beginner or a seasoned pro, you will never see tube guitar amplifiers the same again. Topics covered include: AC and DC voltage and current - resistance - capacitance - capacitive reactance and how this affects frequency response - voltage division and how this principle is used over and over again in an amp - rectification (half-wave and full wave) - tone shaping (how to sculpt tone from a tube circuit) - Ohm's law and its variations - vacuum tube types and how they work (diode, triode, tetrode, pentode) - preamps and the anatomy of a gain stage - Class A and Class AB differences - single-ended output stages and push-pull output stages (how they work and how to recognize them) - five types of phase inverters (advantages and disadvantages of each) - power supplies (economy, half-wave, full-wave, full-wave bridge) - applications of these principles (anatomy of the Tweed Deluxe, Tweed Bassman and Blackface Super Reverb) - and much, much more !

Prezzo: €199,99
€199,99

WEEZER, GUITAR PLAY-ALONG VOLUME 106. CD TABLATURE

WEEZER, GUITAR PLAY-ALONG VOLUME 106. CD TAB.

Series: Guitar Play-Along
Softcover with CD - TAB
Artist: Weezer

The Guitar Play-Along series will help you play your favorites songs quickly and easily. Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate, sound-alike backing tracks! Melody and lyrics are also included in case you want to sing, or to simply help you follow along.

The CD is playable on any CD player, and is also enhanced so Mac and PC users can adjust the recording to any tempo without changing the pitch!

Songs:

Beverly Hills
Buddy Holly
Dope Nose
Hash Pipe
My Name Is Jonas
Pork And Beans
Say It Ain't So
Undone - The Sweater Song

Prezzo: €15,00
€15,00

MOCK DON MOCK'S MODAL MOJO CD TABLATURE LIBRO SPARTITI METODO MUSICA CHITARRA

MOCK DON, MOCK'S MODAL MOJO. The "No Mystery" Approach to Modal Improvising. CD TABLATURE

LIBRO METODO DI MUSICA, CON CD. MP3 AUDIO DI 8 ORE.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA E TABLATURE. 

CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Modal Theory

Modal Fingerboard Patterns

Modal Comping and Rhythm Patterns

Challenging Modal Etudes

Substitute and Optional Modal Scales

Arpeggios and Pentatonic i Modes

28 Practice Grooves with Complete Play-Along Tracks in Major, Minorm and Dominant 7th Modes


Modal Mojo is an in-depth and complete lesson on modes for modern guitarists. With its 84-page book, and over eight hours of audio instruction, demonstration, and play-along tracks, this is truly one of the most complete studies of the modes available for players of any level. Mock includes etudes and rhythm examples for each mode as he takes you step-by-step through all 28 modal grooves. He demonstrates the use of arpeggios, sequences, intervals, chromatics, and optional scales to make your modal improvising more melodic and interesting. The book also features a special Resource Section, which illustrates the best scale patterns for the modes and important modal chord substitution concepts.

The 28 play-along grooves are performed live by guitarist Don Mock, bassist Steve Kim, and drummer Dave Coleman, and cover all the common and not-so-common Dominant 7th, Major and Minor modes. The tracks are creative real-world performances with dynamic and color changes, which can inspire new ideas from the practicing musician. The trio performs the grooves using contemporary jazz, Latin, fusion, and rock feels in various tempos and keys. Not only are the play-along grooves a valuable resource for developing improvisational skills, but also offer a wealth of ideas for rhythm and comping.

 

With over eight hours of audio instruction, demonstrations, and play-along tracks, as well as an 84-page book, this is one of the most complete studies of modes available for modern guitarists of any level. Don Mock includes etudes and rhythm examples for each mode as he takes you step-by-step through 28 modal grooves. He demonstrates the use of arpeggios, sequences, intervals, chromatics, and optional scales to make your modal improvising more melodic and interesting. The book's special resource section illustrates the best scale patterns for the modes and important modal chord substitution concepts.

Performed live by guitarist Don Mock, bassist Steve Kim, and drummer Dave Coleman, the 28 play-along grooves cover the dominant 7th, major, and minor modes. The trio performs the grooves using contemporary jazz, Latin, fusion, and rock feels in various tempos and keys. The play-along grooves are a valuable resource for developing improvisational skills and offer a wealth of ideas for rhythm and comping.

Modal Mojo is an in-depth lesson on modes for contemporary guitarists. Each of the 13 modes on the play-along CD is explored from both a single-note improvisational and rhythm guitar point of view. You'll notice that this book contains very little text; it's intended to be used for reference to show the modes, patterns, scale harmonies, examples, and etudes in music notation and tablature. Join me on the audio CD, where you will find the demonstrations and my discussions about each example. And we'll do a lot of playing, too: we'll learn the correct mode, its fingerings, and some optional scales for each of the 28 tracks on the play-along CD. The modes are divided into three sections: minor, major, and dominant. I'll demonstrate each mode and talk about concepts you can use to make your modal playing melodic and interesting. I've also included an etude for each mode. The etudes, which are sample solos from 8 to 32 bars in length, include intervals, arpeggios, chromatics, and rhythms: all the ingredients for an interesting improvised solo. I'll take you through each etude slowly, then we'll play it up to tempo with the corresponding modal groove. Next, we'll get into the details about how to play interesting modal rhythm parts. We'll look at the scale harmony and theory for each mode, and discover ways to use extended and substitute chords to create convincing rhythm parts. In the Resource Section, you'll find fingering patterns for all the primary "parent" scales that the modes are derived from. These include the major scale, harmonic and melodic minor scales, and pentatonic scales. I've also included a hybrid scale called a minor sixth pentatonic. The Resource Section also includes the most useful patterns for the symmetrical diminished and whole tone scales, as well as a special chapter on the three principles of chord substitution. Modal Mojo addresses the most common modes a modem guitar player might encounter. All seven modes derived from the major scale are included. From the melodic minor scale we'll look at the Lydian #5, Lydian/Dominant, and Super-Locrian modes. We'll study the Ionian #5 and the Phrygian/Dominant modes from the harmonic minor scale, as well as one other modal groove, which is not really considered a mode: the Dominant 7#9. You'll find this popular groove discussed in both the dominant modes section and the minor modes section. The study and understanding of modes and the scale harmonies derived from them is truly a study of the workings of music. Although our emphasis is on playing rhythm and soloing on single-chord extended modal grooves, the knowledge you'll gain will go a long way toward understanding key centers, theory, and how chords work together in progressions. Be sure to understand the mode, what its parent scale or key center is, and the chords that are built off of its scale tones. Make it a point to notice the sound and color modes create. And don't forget to take advantage of the guitar fingerboard as a guide to find solutions: think of it as a slide rule, remembering that chord shapes and scale patterns can be moved up or down to new locations. Modal Mojo is organized in a way that allows you to start with any mode you choose. If modes are new to you, I would recommend tackling the modes of the major scale first. From the minor category, these include Dorian, Phrygian, Aeolian, and Locrian. The major mode category includes Ionian and Lydian, and the dominant group includes Mixolydian.

 

 

CONTENTS:

 

CD #1

Title Example MP3 File Page Title Example MP3 File Page

Introduction

Modes: An Overview

The Modal Naming Game

 

Minor Modes

Track I

A Dorian

A Dorian Rhythms

A Dorian Etude

 

Track 2

D Dorian

D Dorian Rhythms

 

Track 3

E Dorian

E Dorian Rhythms

 

Track 4

C Aeolian

C Aeolean Rhythms

C Aeolian Etude

 

Track 5

A Aeolian

A Aeolian Rhythms

 

Track 6

B Phrygian

B Phrygian Rhythms

 

Track 7

A Phrygian

A Phrygian Rhythms

A Phrygian Etude

 

Track 8

B Locrian

B Locrian Rhythms

B Locrian Etude

 

Track 9

E Locrian

E Locrian Rhythms

 

Track 10

Dominant 7(#9)

Dominant 7(#9) Rhythms

A7(#9) Etude

 

Major Modes

 

Track 1

D Ionian

D Ionian Rhythms

D Ionian Etude

 

Track 2

Bb Ionian 4

Bb Ionian Rhythms

 

Track 3

A Lydian

A Lydian Rhythms

 

Track 4

G Lydian

G Lydian Rhythms

 

Track 5

C Lydian

C Lydian Rhythms

C Lydian Etude

 

Track 6

F Lydian (#5)

F Lydian (#5)Rhythms

F Lydian (#5)Etude

 

Track 7

C Lydian (#5)

C Lydian (#5)Rhythms

 

Track 8

F Ionian (#5)

F Ionian (#5)Rhythms

F Ionian (#5)Etude

 

Dominant Modes

 

Track I

G Mixolydian

G Mixolydian Rhythms

G Mixolydian Etude

 

Track 2

E Mixolydian

E Mixolydian Rhythms

 

Track 3

B Mixolydian

B Mixolydian Rhythms

 

Track 4

C Lydian/Dominant

C Lydian/Dominant Rhythms

 

Track5

Bb Lydian/Dominant.

Bb Lydian/Dominant Rhythms

Bb Lydian/Dominant Etude

 

Track 6

A Phrygian/Dominant

A Phrygian/Dominant Rhythms

A Phrygian/Dominant Etude

 

Track 7

F#Phrygian/Dominant.

F#Phrygian/Dominant Rhythms

 

Track 8

Dominant 7(#9)

C7(#9)Rhythms

 

Track 9

Dominant 7(#9)

G7(#9) Rhythms

G7(#9) Etude

 

Track 10

Altered Dominant

B7 Altered Rhythms

B7 Altered Etude

Resource Section

 

PLAY-ALONG TRACKS MENU

CD#2

Minor Modal Grooves

MP3 Track Title Time Tempo (bpm) Style

1 Dorian Am7 12:42  118  Bossa

2 Dorian Dm7 6:28  110  Swing

3 Dorian Em7 6: 13  112  Rock/Funk

4 Aeolian Cm7 8:51  101  Light Rock

5 Aeolian Am7 6:22  128 Quasi-Reggae

6 Phrygian 8m7 5:10  170  6/4Rock

7 Phrygian Am7 6:30  96  Funk

8 Locrian 8m 7(b5) 7:26  112  Funk

9 Locrian Em7(b5) 6:53  128  Rock

10 Dominant 7(#9)A7(#9) 9:47  98  Funk

 

Major Modal Grooves

MP3Track Title Time Tempo (bpm) Style

1 Ionian Dmaj7 5:32 105 R&B

2 Ionian amaj7 10:24 128 Light Rock/Funk

3 Lydian Amaj7(#11) 5:58 166 Fast 8th

4 Lydian Gmaj7(#11) 9: 17 90 Slow Rock

5 Lydian Cmaj7(#11) 9:04 101 Funky

6 Lydian (#5)Fmaj7(#5) 6:16 94 Funk

7 Lydian (#5)Cmaj7(#5) 5:55 98 Medium 3,4 Swing

8 Ionian (#5)Fmaj7(#5) 7:09 94 Modern Swing

 

Dominant Modal Grooves

MP3 Track Title Time Tempo (bpm) Style

1 Mixolydian G7 5:31 115 Latin/Rock

2 Mixolydian E7 5:52 112 Medium Shuffle

3 Mixolydian 87 7:20 108 7/4 Medium Rock

4 Lydian/Dominant C7(#11) 8:28 94 Medium Funk/Rock

5 Lydian/Dominant Bb7(#11) 5:34 104 Swing

6 Phrygian/Dominant A7(b9) 6:31 110 Fusion

7 Phrygian/Dominant F(#7,b9) 5:42 117 Latin

8 Dominant 7(#9)C7(#9) 7:04 90 Funk

9 Dominant 7(#9)G7(#9) 8:07 108 Shuffle

10 Altered Dominant 7 87 7:29 126 Funk/Rock

Prezzo: €27,99
€27,99

GALLAGHER RORY, THE ESSENTIAL VOLUME 2. GUITAR TAB EDITION TABLATURE

GALLAGHER RORY, THE ESSENTIAL VOLUME 2. TABLATURE

L'innovativo chitarrista irlandese tra i famosi degli anni '70, ha ispirato molti musicisti venuti dopo come il chitarrista degli U2, The Edge. Questo volume segue The Essential Rory Gallagher Volume 1 e contiene 12 canzoni trascritte per la chitarra con i testi, pentagramma standard e tablature. 128 pagine

As a young guitarist, I really got into the way Rory Gallagher played. I found his phrasing fascinating; importantly, I also found it accessible. I would sit in my bedroom for hours figuring out what he was doing. His playing had a beautiful elegance to it. There were never too many notes; just the right amount to get the message across. This was Dublin, Ireland, in the mid-seventies: a grey place offering little to kids like me other than music. On the weekend I would go and hang out with friends and just listen to records and talk, sometimes until the sun came up. Music was our signifier - the way we defined ourselves - but most of the bands we were into back then were from Britain or America. Rory Gallagher was one of the exceptions. Everyone loved Rory. He was so important for my generation: the Irish guitarist up on the international stage with all the greats. Albums like Live In Europe and Against The Grain sat next to Sgt. Pepper's ... and Dark Side Of The Moon, and probably spent more time on the turntable. There was a huge sense of pride in his achievements. He had done the impossible: come out of Ireland and gone all the way, playing on the same stage at the Isle Of Wight Festival as Jimi Hendrix, and taking most of the world by storm with his band Taste, before starting his hugely successful solo career. He showed us all what was possible. He also did it with great integrity, keeping true to the essence of who he was as an artist and a person. Rory was about the Blues as a heart-cry: the truthful unadorned telling of how it is, not how it should be. What was most interesting about Rory's particular version of the blues - a form that is purely Afro-American - was how Irish it was. Through subtle inflections and nuances, his roots came through. Maybe something in the Irish experience gave him access to the spirit of the blues, giving his music an authenticity that eluded many other white bluesmen. Believability - the rarest of all things - came to Rory without any effort at all, because he didn't know how to make music in any other way other than with total commitment and passion. He remains a giant of a musical influence for all those who pick up the guitar, but particularly for any young boy or girl from Ireland who hears something calling to them in the music of the Mississippi  Blues.

Elenco delle canzoni

Anno - Titolo 

1976 - Barley & Grape Rag
1976 - Calling Card -
1988 - Continental Op
1976 - Do You Read Me
1971 - I Fall Apart
1971 - In Your Town
(2002) - Lonesome Highway
1976 - Moonchild
1979 - Shadow Play
1978 - Shinkicker
1988 - The Loop
1973 - Who's That Coming

Prezzo: €24,95
€24,95

GUITARFACE USB INTERFACCIA PER CHITARRA CAVO JACK REGISTRA MULTITRACCIA

GUITARFACE USB

Interfaccia Midi per Digitalizzare in pochi minuti la propria chitarra! E con il sequencer incluso potrete registrare facilmente fino a 16 traccie, e suonare con voi stessi, o con amici, per creare la vostra musica, inserire ritmi, traccie, registrare idee, Jam, audio da fonte esterna, ecc. ecc. . L’interfaccia USB per chitarra ti permette di suonare e registrare usando ampli modeling ed effetti senza bisogno di altri strumenti oltre alla tua normale chitarra. Compatta, collegata al Jack della tua chitarra elettrica e a un PC o Mac tramite un comune cavo USB allegato, ti consente di suonare con sofisticati software inclusi: incl. IK Multimedia "AMPLITUBE 2 duo" e il sequencer Samplitude SE.

E' una interfaccia stereo specifica per chitarristi e bassisti (tastiera, microfono, o qualunque altra sorgente audio: radio, stereo, amp, mixer) ma è stata pensata appositamente per la chitarra. Chiaramente prima puoi usare tutti gli effetti che vuoi, il suono del tuo vero ampli, dei tuoi effetti, dei tuoi pedali, amp, preamp, e poi se vuoi, puoi usare AMPLITUBE 2 duo, compreso nella confezione, che è un amplificatore virtuale che offre molte varietà di suono. Insieme c'è anche il software Samplitude SE, un potente sequencer per registrare con facilità le traccie, ritmica, solista, le basi audio, CD, altri strumenti, Mp3-players, cassette, radio, tutta la musica e tutti i suoni che ascolti dal computer, youtube, ecc. ecc. E' molto compatta, tascabile (9cm 6,5cm 2,5cm 90Gr.) la puoi portare dove vuoi ! Semplice da installare, 3 minuti e poi inserisci il Jack della chitarra e suoni subito. La puoi usare con windows XP e con Vista. Led: verde per il segnale, Led rosso per i picchi, volume di entrata. Uscita per la cuffia con volume. Uscita stereo RCA.


Features:
16 Bit/48 kHz USB stereo interface
Adjustable TRS stereo-input
HI-Z Guitar/Bass, dynamic MIC
MIC with 48 V phantom power, LINE
Adjustable headphone output
Signal- and peak LED
USB buspowered
"Class Compliant" USB audio interface
ASIO driver for Windows XP/Vista available!
MANUALE IN ITALIANO

Specifications:
- 16 Bit / 48 kHz line in and line out stereo interface
- Class Compliant (no drivers necessary for Windows XP or Windows Vista/Windows 7 32 bit or 64 bit)
- adjustable 1/8" headphone output
- adjustable 1/4" TRS stereo input (HI-Z Guitar / Bass, dynamic Mic, Mic with 48V phantom power, LINE)
- mic preamp with switchable phantom power
- Signal- and peak LED
- USB-bus powered
- includes USB cable
- low latency ASIO Driver available for download for Windows XP or Vista 32 bit
- Amplitube Duo 2 from IK Multimedia

Technical data:
- Frequency response 20 Hz to 20 kHz, ± 1 dB @ 44.1 kHz sample rate - 20 Hz to 22 kHz, ± 1dB @ 48.0 kHz sample rate
- THD 0.05 % typical. @ -10 dBV, 1kHz
- Crosstalk -77 dB @ 0 dBV, 1 kHz
- Signal-to-noise ratio A/D 89 dB typical. @ 1 kHz, A-weighted - D/A 96 dB typical. @ 1 kHz,A-weighted
- Dynamic range: >86 dB (A)
Inclusive: USB-cable and PC-software Magix Samplitude SE
Inclusive: IK Multimedia "Amplitube 2 Duo" !!!

"Class Compliant" USB Audio Interface
(WinXP/Vista no drivers necessary)
16 Bit/ 48 kHz resolution LINE stereo interface
HI-Z instrument preamp
MIC preamp with 48V phantom power
Signal and peak indicator LEDs
Adjustable stereo headphone output
Full duplex with compatible recording software
USB powered
Incl. Magix Samplitude SE and IK Multimedia Amplitube 2 Duo
Typical applications:
LINE, instruments and MIC recordings
Low latency playing of VST instruments

Guitarface Technical data:
Simple computer connection via USB
"Class Compliant" device - NO driver installation necessary, runs directly under Windows
2000 SP4, Windows XP SP2 and Windows Vista
16 Bit AD/DA Converters
Sample rate 32.0 kHz, 44.1 kHz, 48.0 kHz
Frequency response 20 Hz to 20 kHz, ± 1 dB @ 44.1 kHz sample rate - 20 Hz to 22 kHz, ± 1
dB @ 48.0 kHz sample rate
THD 0.05 % typical. @ -10 dBV, 1kHz
Crosstalk -77 dB @ 0 dBV, 1 kHz
Signal-to-noise ratio A/D 89 dB typical. @ 1 kHz, A-weighted - D/A 96 dB typical. @ 1 kHz,
A-weighted
Dynamic range: >86 dB (A)
Adjustable stereo input for LINE level devices
Stereo output for LINE level devices
HI-Z instrument input
Balanced MIC input and MIC with +48V phantom power input switchable
Adjustable stereo headphone output for headphones
USB Powered, i.e. power supplied via USB connection of the computer
Indicator-LEDs for peak and signal
 

ASIO Driver available for download for Windows XP or Vista 32 bit

Prezzo: €64,95
€64,95

HALL JIM, 1 JAZZ BASICS: THE PRINCIPLES OF IMPROVISATION. TABLATURE DVD

HALL JIM, JAZZ BASICS: THE PRINCIPLES OF IMPROVISATION, 1. TABLATURE DVD

 

 

Prezzo: €40,00
€40,00

LYNYRD SKYNYRD ALL-TIME GREATEST HITS Guitar Recorded Version TABLATURE LIBRO SPARTITI

LYNYRD SKYNYRD, ALL-TIME GREATEST HITS. SHEET MUSIC BOOK WITH GUITAR TABLATURE .

LIBRO DI MUSICA ROCK.

SPARTITI PER VOCE E CHITARRA :

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Recorded Version
Format: Softcover - TAB
Artist : Lynyrd Skynyrd

Inventory #HL 00690955
ISBN: 9781423458067
UPC: 884088260163
Width: 9.0"
Length: 12.0"
192 pages

Transcriptions for 14 favorites from the hard-living kings of Southern rock. Hits include: Call Me the Breeze - Free Bird - Gimme Three Steps - Saturday Night Special - Swamp Music - Sweet Home Alabama - That Smell - What's Your Name - You Got That Right - and more. 192 pages .

Song List:

All I Can Do Is Write About It
The Ballad Of Curtis Loew
Call Me The Breeze
Comin' Home
Free Bird
Gimme Back My Bullets
Gimme Three Steps
Saturday Night Special
Simple Man
Swamp Music
Sweet Home Alabama
That Smell
What's Your Name
You Got That Right

Prezzo: €32,99
€32,99

FLATPICKING GUITAR FESTIVAL, Stefan Grossman, David Bromberg, Dick Fegy. CD TABLATURE

FLATPICKING GUITAR FESTIVAL, Stefan Grossman, David Bromberg, Dick Fegy. CD TABLATURE

Product Description:
A collection of 16 hot, intermediate-level flatpicking guitar solos from five of the leading exponents of this technique, plus a CD featuring performances of all of the tunes. David Bromberg is known as the leader of one of the most successful acoustic bands of the 1970's and 1980's. The Kitchen Girl, a fine Kentucky tune, is an example of Bromberg's good taste in choosing material. Dick Fegy is a master picker of fiddle tunes and is the most heavily-featured player in the collection. San Francisco Bay area favorite Eric Thompson crosses old-time with traditional Irish playing. Michael Aumen contributes three tunes associated with Clarence White and a very interesting version of Soldier's Joy, with a flair that pushes the limits of the hot country style. Richard Lieberson is a fine bluegrass picker who has developed a convincing swing jazz style with exciting results, and a touch of humor. Written in notation and tablature.

Possum Up A Gum Stump - Arr. By Dick Fegy
Alabama Jubilee - Arr. By Michael Aumen
El Chicken Real - Arr. By Richard Lieberson
Hippodrome Reel - Arr. By Dick Fegy
Paddy On The Swingpipe - Arr. By Richard Lieberson
Port Arthur Blues - Arr. By Eric Thompson
Texas Gals - Arr. By Eric Thompson
Drunken Billy Goat - Arr. By Dick Fegy
Big Sandy River - Arr. By Dick Fegy
The Kitchen Girl - Arr. By David Bromberg
Beaumont Rag - Arr. By Michael Aumen
Irish Reels - Arr. By Eric Thompson
Red Haired Boy - Arr. By Dick Fegy
Soldier's Joy - Arr. By Michael Aumen
Indian Killed A Woodcock - Arr. By Richard Lieberson
Fire Hose Reel - Arr. By Dick Fegy

Prezzo: €19,00
€19,00

GUY BUDDY ANTHOLOGY Guitar Recorded Version TABLATURE LIBRO SPARTITI CHITARRA BLUES

GUY BUDDY, ANTHOLOGY. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA BLUES. 

SPARTITI PER VOCE E CHITARRA, CON: 

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE. 

 

Buddy Guy Anthology

Series: Guitar Recorded Version
Format: Softcover - TAB
Artist: Buddy Guy

Contains 20 of the bluesmaster's classics transcribed note for note with tab: Damn Right, I've Got the Blues • First Time I Met the Blues • Five Long Years • I Smell a Rat • Leave My Girl Alone • Let Me Love You Baby • Midnight Train • My Time After Awhile • She Suits Me to a Tee • Stone Crazy • and more.

Width: 9.0"
Length: 12.0"
208 pages

Are You Losing Your Mind?
Blues At My Baby's House
Buddy's Blues (Buddy's Boogie)
Damn Right, I've Got The Blues
First Time I Met The Blues
Five Long Years
I Smell A Rat
Just Playing My Axe
Leave My Girl Alone
Let Me Love You Baby
A Man And The Blues
Man Of Many Words
Mary Had A Little Lamb
Midnight Train
My Time After Awhile
$100 Bill
Rememberin' Stevie
She Suits Me To A Tee
She's Out There Somewhere
Stone Crazy

Prezzo: €32,99
€32,99
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