LIBRO

FAITH NO MORE THE REAL THING BASS TABLATURE LIBRO PLAY IT LIKE IT IS War Pigs Black Sabbath

FAITH NO MORE, THE REAL THING. SHEET MUSIC BOOK WITH BASS TABLATURE. 

PLAY LIKE IT IS

LIBRO DI MUSICA ROCK METAL,

SPARTITI PER VOCE E BASSO CON:

ACCORDI, PENTAGRAMMA, TABLATURE. 

TRANSCIPTIONS AND INTRODUCTION BY STEVE GORENGERG.

AS RECORDED. 

FULL COLOR FOLD-OUT INSIDE. 

BASS GUITAR SERIES

CHERRY LANE MUSIC

AUTHORIZED EDITION : GUITAR, FOR THE PRACTICING MUSICIAN. 

72 PAGES.

 

CONTENTS

Introduction by Steve Gorenberg
From Out Of Nowhere
Epic
Surprise! You're Dead !
Falling To Pieces
Zombie Eaters
The Real Thing
Underwater Love
The Morning After
Woodpecker From Mars
War Pigs
Edge Of The World
Tablature Explanation
Full Color Fold-Out Follows Page 16
As recorded by FAITH NO MORE On SLASH Records
Management: \ Warren Entner Management, Inc.

Transcribed by Steve Gorenberg

Music Engraving by W.R. Music

Copy .Editor: Cathy Cassinos-carr

Production Manager: Daniel Rosenbaum

Art Direction; Kerstin Fairbend

Administration: Monica Corton

Director of Music: Mark Phillips 

The editors gratefully acknowledge Bill Gould for his help in preparing these transcriptions

Cover photography by Ken Settle .

fold-Out by William Hames

ISBN: 0-89524 61 1 -2
Copyright © .1 991 Cherry Lane Music Company, Inc

International Copyright Secured All Rights' Reserved

EXECUTIVE
 

 

Publisher: Cherry Lane Music (March 1, 1991)
Language: English
ISBN-10: 0895246112
ISBN-13: 978-0895246110

TITLES: 
From Out of Nowhere
Epic
Falling to Pieces
Surprise! You're Dead!
Zombie Eaters
The Real Thing
Underwater Love
The Morning After
Woodpecker from Mars
War Pigs (Black Sabbath)
Edge of the World

TABLATURE EXPLANATION

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FAITH NO MORE THE REAL THING GUITAR TABLATURE LIBRO-Epic-Underwater Love-The Morning After

FAITH NO MORE, THE REAL THING. TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA E VOCE. PENTAGRAMMA, ACCORDI E TABLATURE. 

Sono di San Francisco e il loro strano e originale incrocio di "strade" rap, jazz, funk, metal, di questo album del 1989, sembra rispecchiare i caratteri di ogni componente del gruppo. 

AUTHORIZED EDITION GUITAR for the Practicing Musician

FAITH NO MORE

There's a new wave of bands emerging to divert the course of rock music for the 90's. They share a common thread-they take chances, eschew the obvious, and refuse to bow down to formulas. They explore a wider range of influences and sonic tangents than most of their contemporaries, resulting in a far richer final product, artistically and conceptually. King's X is such a band. So is Tesla. And so is San Francisco's Faith No More.
Their sound has been described as eclectic, though it is more-polymorphic, uncategorizable. Successfully merging a plethora of seemingly incongruous styles, it is-depending on which track you hear-thrash or heavy metal, rap, power pop, experimental psychedelia, textural modern rock or even revisited nostalgia. The band was formed in the early 80's around the kinetic rhythm section of drummer Mike Borodin (who had been digesting African rhythms in addition to standard hard rock and metal grooves) and punk-funk bassist Bill Gould. Classically trained keyboardist Roddy Bottum was inducted by Gould; the two had known each other since grade school in L.A. This core trio persevered until they joined forces with guitarist Jim Martin and vocalist Chuck Mosley. The fusion of punk, rap and metal was heard as early as their first offering, "We Care a Lot,"which achieved national recognition as a hit 12-inch dance single, of all things. The song was rerecorded for their 1987 debut, Introduce Yourself. By the time the third LP was to be recorded (1988), they had fired Mosley, and proceeded to hit the studio without a lead singer, building the tracks as instrumental backdrops for the "vocalist to be named later." Enter Mike Patton (formerly of Mr. Bungle), who wrote all the lyrics for the songs in two weeks, and provided the unusual vocal approach which was to redefine the band's sound. The definitive Faith No More was born by December 1988, and was unleashed on the world in their appropriately titled 1989 release, The Real Thing.
The music on this record surpasses all their previous work in terms of sophistication, adventurousness and sheer diversity. Consider the expansion of the punklsci-fi power pop genre (as exemplified in the mid 80's by Billy Idol and Steve Stevens) in such pieces as "From Out of Nowhere," "The Real Thing" and "Underwater Love." Here the futuristic synth/textural trappings are beautifully held in check by Martin's metal-edged power chords, galloping rhythm riffs (as in the title track) and ultra-fat, distorted guitar tone. This allows the synthesized and sampled keyboard parts-which normally undermine the rock impact of most contemporary bands-to contribute meaningfully to the sonic whole.
"Epic" celebrates the marriage of rap music and heavy metal. Verses are dominated by the characteristic rhythmical considerations of the rap style (sparse, repetitive percussion figures on drums and bass and a monotone vocal chant spoken as much as sung), while heavy rhythm guitar riffs provide a well-conceived contrast in the choruses, bridge and outro. Check out the thick palm muting and power chording of Rhy. Figs. 3 & 4 as well as the Randy Rhoads-inspired intervallic shapes found in the last bar of Rhy. Fig. 2 (containing chromatically ascending stacks of fourths and tritones).
Allusions to the speed metal/thrash genre are heard in "Surprise! You're Dead!" and "Zombie Eaters." In "Surprise!," one can detect a number of unmistakable traits: heavily accented, dissonant chromatic riffs, multiple meter changes, use of the Phrygian mode, lockstep ensemble passages throughout, and vocals ranging from a raspy monotone to overanxious Halfordesque shouting and demented laughter. "Zombie Eaters" combines light acoustic textures (Rhy. Figs. 1- 7) with aggressive heavy metal sounds (Riff A, for instance). Note also the unusual blend of synth pads and metal chords during Rhy. Fig. 8. The closing cod etta is a bizarre reworking of the immortal "Stairway to Heaven" chord intro, transformed into an equally evocative Faith No More moment. "Falling to Pieces" fuses a variety of influences. The rhythmic intro of pocketed bass and drums recalls the space funk of Parliament-Funkadelic, while the verse lays down an animated groove in the vein of Led Zeppelin (see Rhy. Fig. 1), complemented still further by the Van Halenesque triad comping in the second section of the verses (bars 9-12). The outro is purely textural, with keyboards adding coloristic arpeggiations over a funky bass/drums ostinato-the section seeming to grow organically from the power pop, hooky, outchorus vamp.
"Edge of the World," "Woodpeckers from Mars" and "War Pigs" represent three distinctly different musical directions handled by Faith No More with remarkable ease. "Edge" invokes a vintage 40's50's r&b/jazz mood, complete with bluesy acoustic piano accompaniment and ad-libbing, an implied shuffle pulse (slow 12/8), sax/horn section colors and hipster fingersnaps. The ingenuous minor/seventh (both Am and A7 as tonic) blues changes and nostalgic arrangement lend an eerie touch. "Woodpeckers from Mars" (and why not?) creates a surreal instrumental soundscape of otherworldly images evoked in the curious opening resonant synth riff (Riff A), intriguing ethnic main melody (based on the E Phrygian-Dominant scale: E F G# ABC D), and the twisted avante garde guitar effects in the 4/4 section, the latter providing an aleatoric interlude of frenzied and chaotic guitar noise instead of the predictable guitar solo of instrumental rock music. But then, Faith No More is hardly predictable-the only thing predictable is their unpredictability. "War Pigs" reappraises the metal roots of the band. Faith No More expands on the Black Sabbath classic in terms of modern recording sonics and technique, using a bigger, heavier 80's tone, but still remaining faithful to the details of the composition-reflected particularly in the paraphrase recreation of the signature Tony lommi guitarwork (even down to the overlapped double solos). For the studio and live stage, guitarist Jim Martin keeps his equipmentdeceptivelysimple. His main guitar is a 1971 Gibson Flying V, personalized with a chrome pickguard and truss rod cover. It is fitted with a Kahler tremolo system and a DiMarzio Super Distortion humbucker in the bridge position. Another Gibson V and a Les Paul round out the electric guitar line-up. These are played into three ancient Morley pedals (Power-Wah-Fuzz, Volume Depressor and an Echo-Chorus- Vibrato) and then straight into Marshall amps. Two acoustics, a banjo and a mandolin augment the guitar/string arrangements as needed.

the song Epic, transcribed by Matt Mitchell

 

From Out of Nowhere - 1989
Epic
Falling to Pieces
Surprise! You're Dead!
Zombie Eaters
The Real Thing
Underwater Love
The Morning After
Woodpecker from Mars
War Pigs (Black Sabbath) - Words and Music: Frank Iommi, John Osbourne, William Ward, Terence Butler - 1970
Edge of the World

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EXTREME II PORNOGRAFFITTI GUITAR TABLATURE LIBRO Nuno Bettencourt-MORE THAN WORDS SPARTITO

EXTREME, II PORNOGRAFFITTI. SHEET MUSIC BOOK WITH GUITAR TABLATURE . 

LIBRO DI MUSICA ROCK,

SPARTITI PER CHITARRA E VOCE CON : 

PENTAGRAMMA, ACCORDI, TABLATURE. 

A Funked Up Fairy Tale
Series: Guitar Recorded Version TAB
Artist: Extreme

Note-for-note transcriptions with tab of all of Nuno Bettencourt's guitar work on Extreme's highly successful second album. Includes the moving mega-hit "More Than Words" and a dozen more:

Decadence Dance
Get The Funk Out
He-Man Woman Hater
Hole Hearted
It ('s A Monster)
Li'l Jack Horney
Money (In God We Trust)
More Than Words
Pornograffitti
Song For Love
Suzi (Wants Her All Day What?)
When I First Kissed You
When I'm President

120 pages.

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€27,99

EXTREME RUNNING GAG BAND SCORE GUITAR TABLATURE BASS CHITARRA LIBRO SPARTITI NUNO BETTENCOURT

EXTREME, RUNNING GAG. BAND SCORE - SHEET MUSIC BOOK - GUITAR & BASS WITH TABLATURE .

LIBRO DI MUSICA ROCK. 

SPARTITI DI OGNI STRUMENTO. 

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

SONGS TITLES: 

- Unconditionally (Chr Edit)
- Am I Ever Gonna Change (Live)
- Tell Me Something I Don't Know (Live)
- Naked (Live)
- When Will It Rain

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EXTREME COLLECTION BAND SCORE GUITAR TABLATURE BASSO CHITARRA LIBRO SPARTITI DRUMS

EXTREME, COLLECTION. Never been funked -there is no god -better off dead -nice place to visit -when I'm president (live) -where are you going? -bumble bee (crash landing). SHEET MUSIC BOOK BAND SCORE TABLATURE. 

SHEET MUSIC BOOK WITH BASS & GUITAR TABLATURE.
 
LIBRO DI MUSICA ROCK. 
 
SPARTITI PER OGNI STRUMENTO: VOCE, CHITARRA, BASSO, BATTERIA, ECC.
 
ACCORDI, PENTAGRAMMA, BASSO E CHITARRA CON TABLATURE. 
NUNO BETTENCOURT
 
VOCAL -
GUITAR 1 WITH TABLATURE -
GUITAR 2 WITH TABLATURE -
BASS WITH TABLATURE -
DRUMS -
OTHERS -
 
SONGS TITLES : 
- Never been funked - THERE IS NO GOD - 
- there is no god - THERE IS NO GOD - 
- better off dead - THERE IS NO GOD - 
- nice place to visit - EXTRAGRAFFITTI - 
- when I'm president (Live) - TRACIC COMIC - 
- where are you going? - SUPER MARIO BROS - 
- bumble bee (crash landing). - GUITARS THAT RULE THE WORLD -
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€67,00

FAIR WARNING GO! BAND SCORE GUITAR TABLATURE CHITARRA LIBRO SPARTITI BASSO Angels of Heaven

FAIR WARNING, GO. BAND SCORE, GUITAR & BASS WITH TABLATURE

LIBRO DI MUSICA HEAVY METAL,

SPARTITI, PARTITURA DI TUTTI GLI STRUMENTI: VOCE, CHITARRA 1, CHITARRA 2, BASS, DRUMS, OTHERS,  

CON: ACCORDI, PENTAGRAMMA, NOTE, TABLATURE.

 

Released 1997

All songs written by Ule W. Ritgen except where noted.

"Angels of Heaven" –  (Helge Engelke)
"Save Me" –  (Engelke)
"All On Your Own" – 
"I'll Be There" – 
"Man On the Moon" –  (Engelke)
"Without You" – 
"Follow My Heart" – 
"Rivers of Love" – 
"Somewhere" – 
"Eyes of a Stranger" – 
"Sailing Home" –  (Engelke)
"The Way You Want It" – 
"The Love Song" – 

 

Tommy Heart – vocals
Helge Engelke – guitars
Andy Malecek – guitars
Ule W. Ritgen – bass guitar
C. C. Behrens – drums

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EXTREME II PORNOGRAFFITTI BAND TABLATURE BASS GUITAR CHITARRA SPARTITI LIBRO

EXTREME, II PORNOGRAFFITTI. BAND. SHEET MUSIC BOOK WITH BASS & GUITAR TABLATURE.

 
LIBRO DI MUSICA ROCK. 
SPARTITI PER OGNI STRUMENTO: VOCE, CHITARRA, BASSO, BATTERIA, ECC.
ACCORDI, PENTAGRAMMA, BASSO E CHITARRA CON TABLATURE. 
Prezzo: €99,99
€99,99

EVERLY BROTHERS GUITAR SERIES TABLATURE LIBRO-Bye Bye Love-Wake Up, Little Susie

EVERLY BROTHERS, GUITAR ANTHOLOGY SERIES. TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA E VOCE. PENTAGRAMMA, ACCORDI E TABLATURE. 

The Everly Brothers began their climb to pop music immortality in the small town of Brownie, Kentucky. As children of mid-western country stars Ike and Margaret Everly, they were exposed to music in a big way and appeared frequently on their parents' 1940's radio show. In 1955, the teenaged Phil and Don left for Nashville and landed a song-writing gig with Roy Acuff's publishing company. With the release of "Bye Bye, Love" in the fall of 1957, the Everly Brothers were on their way to become the reigning kings of pop music. The song became an international smash and established the Everly's style of close country harmonies over a rock beat.

Over the next five years the Everly Brothers produced a hit record every three months, often topping the pop, country, and r&b charts simultaneously. They established themselves as the premier purveyors of a unique rock 'n roll, country, blues and gospel blend with songs like "('Til) I Kissed You," (written by Don), "When Will I Be Loved" (penned by Phil), "All I Have to Do Is Dream," and "Wake Up Little Susie," which sold over two million copies in the U.S. alone. In 1960, they signed with Warner Bros. Records and recorded their biggest single ever, "Cathy's Clown," which also sold over two million copies in the U.S. alone. During that incredible period of hit-making, the Everlys sold millions upon millions of records world-wide and influenced the sound of popular music for all time.

While Don and Phil were in the marines during 1962, their moving song, "Crying In The Rain," was in the Top Ten. Later on, their magnificent Roots album (released in 1968), received vast critical acclaim and sparked a new interest in the group. The album triggered a rejuvenation for the Everlys as performers, enough to make the albums that followed - "Stories We Could Tell" and "Pass The Chicken And Listen" (their final release of the 70's) - successful as well. The Everlys gave their last performance in July 1973, marking the end of an era.

Ten years and eight solo albums between them followed, then a dramatic, emotion-filled reunion concert at London's Royal Albert Hall in September 1983 returned the Everly Brothers to their rightful place in contemporary music. "It was as if they had never been away," enthused People magazine in a review of the resulant HBO special.

The excitement generated by the Everly Brothers live reunion, however, merely set the stage for their "comeack" and the phenomenally successful Reunion Concert Tour, which helped create a new popularity for the duo akin to their unbridled success in the 1950's and 60's. Their resurgence delighted fans new and old. 1985 saw another major tour by the Everlys (taking them throughout the United States, Great Britain and Australia), and the release of a spate of reissues and compilations of Everly Brothers classics. The brothers were back for sure, and more than ready to step into the future. Today the Everly Brothers rank as a consistent touring group, habi!ually selling out halls across the U.S., Great Britain and Australia. They are also among the first ten inductees recently voted into the Rock and Roll all of Fame. The Everlys are without a doubt one of the few original rock groups to remain a viable, evoluting unit. Don and Phil Everly, once and forever a cornerstone of popular music, are making their presence strongly felt in the Nineties. As Don says, "As long as it continues to be as much fun as it's been, we'll go on. Our reunion has been a gift ... you can call it manna from heaven."

 

Titoles:

- All I Have to Do Is Dream
- Be-Bop-A-Lula
- Bird Dog
- Bye Bye Love
- Cathy's clown
- Crying in the rain
- Devoted to You
- ('Til) I Kissed You
- Let It Be Me
- Problems
- Take a Message to Mary
- Wake Up, Little Susie
- Walk Right back
- When will I be loved
 

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EXTREME SCORE BASS & GUITAR TABLATURE CHITARRA BASSO SPARTITI LIBRO

EXTREME, EXTREME. BAND

SHEET MUSIC BOOK WITH BASS & GUITAR  TABLATURE.

LIBRO DI MUSICA ROCK. 

SPARTITI PER OGNI STRUMENTO: 

ACCORDI, PENTAGRAMMA, BASSO E CHITARRA CON TABLATURE. 

Prezzo: €69,99
€69,99

EUROPE OUT OF THIS WORLD VOCE CHITARRA BASSO NO TABLATURE OFF THE RECORD LIBRO

EUROPE, OUT OF THIS WORLD. Senza TABLATURE, per chitarra, basso e piano. (OFF THE RECORD).

LIBRO DI MUSICA, SPARTITI PER CHITARRA, CHITARRA BASSO, VOCE, TASTIERA.
PENTAGRAMMA, ACCORDI E TABLATURE. 

Europe Off the Record Songbook, Piano, Vocal, Guitars (sheet music, not Tablature).

Songs include:

- Superstitious

- Let the Good times Rock

- Open Your Heart

- More Than Meets The Eye

- Coast to Coast

- Ready Or Not

- Sign of the Times

- Just the Beginning

- Never Say Die

- Light and Shadows

- Tower's Callin'

- Tomorrow

Prezzo: €34,99
€34,99
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