LIBRO

SURF & SPY GUITAR, WHERE ARE THEY NOW? TABLATURE Tequila-Wipeout-Mystery Train-James Bond Theme-Pink Panther

SURF & SPY GUITAR, WHERE ARE THEY NOW?

17 TITOLI STRUMENTALI.

Austin's Theme -Batman Theme -Espionage -Forty Miles Of Bad Road -Hawaii Five-O -James Bond Theme, Misirlou, Mystery Train, Out Of Limits -Peter Gunn -Pink Panther Theme -Pipeline -Ramrod -Rebel Rouser -Secret Agent Man -Telstar -Tequila - Wipeout. TABLATURE 

Where Are They Now?: Surf & Spy Guitar
Instrumental TWANG Guitar Classics

Surf & Spy Guitar: Instrumental TWANG Guitar Classics (Where Are They Now?)

SERIES: Where Are They Now?
CATEGORY: Guitar Mixed Folio
VERSION: Guitar/Vocal with Tablature
FORMAT: Book

Each book in the Where Are They Now? series contains over 50 songs by the artists who defined the music of the era. Plus, each book contains an essay about the times and a special "Where Are They Now?" update section on the songs and the artists.

All of the songs in this one-of-a-kind collection represent the golden age of instrumental guitar music. Titles include:

includes the Following Selection:
Title Composer

AUSTINS THEME
CLINTON, GEORGE

BATMAN THEME
HEFTI, NEAL

CANNONBALL
HAZLEWOOD, LEE/EDDY, DUANE

ESPIONAGE
L: ARMSTRONG, BILLIE JOE/WRIGHT, FRANK E.,
III/PRITCHARD, MICHAEL

FORTY MILES OF BAD ROAD
CASEY, AL/EDDY, DUANE

HAWAII FIVE-O (MAIN TITLE)
MORT STEVENS

JAMES BOND THEME
NORMAN, MONTY

MISIRLOU

OUT OF LIMITS
GORDON, MICHAEL

PETER GUNN (FROM "PETER GUNN")
MANCINI HENRY

RAMROD
CASEY, AL

REBEL-ROUSER
HAZLEWOOD, LEE/EDDY, DUANE

SECRET AGENT MAN
P F SLOAN, STEVE BARRI

TELSTAR
MEEK, JOE

TEQUILA 
CHUCK RIO

THE PINK PANTHER (FROM "THE PINK PANTHER")
MANCINI, HENRY

WIPE OUT
SURFARIS, THE

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SURF GUITAR, Authentic Note-for-Note TABLATURE Tequila-Wipe Out-Misirlou-Torquay-Eight Miles High-Ventures

SURF GUITAR. 30 "onde" californiane. TABLATURE

Authentic note-for-note transcriptions straight off the original recordings for 30 of the best surf guitar songs ever! Includes: Also features a souvenir photo section and playing notes on each song. Includes TAB 144 pages.

LETS GO - There's a lot of imaginative soloing in this one. Try the 16th note licks very slowly at first and try to maintain clarity as you pick up speed. (With 16th notes, each beat is divided into four. Count it as "one-e-and-a, two-e-and-a", etc.) Toward the end, the basic theme is broadened so that you hold the whole chord down while you pick the single notes. The tablature is done for a "Drop D" tuning where the 6th string is tuned down a whole step.

LETS GO TRIPPIN' -A playful tune with a lot of octaves, syncopated rhythms and quick arpeggios over three-note chords. The staccato notes and chords (with the dots above them) should be played as quick bursts, silenced as soon as they're played by lifting the left-hand fingers just enough to deaden the strings.

MISIRLOU -Tremolo City. It's all up and down one string, so the left hand is no problem, but it can be exhausting to keep that flutter picking going with the right hand. Hang on tight to the pick and make the action comefrom your wrist not from your elbow.

OUT OF LIMITS -A quirky record with a strangely familiar touch of eeriness. I've written two lines of music at once at the organ entrance. but they can be played by one guitar at the same time.

PENETRATION -Who knows what they were referring to with the title. The whole song is relatively easy. unless you're playing on an acoustic and can't reach the 22nd fret. The muted sections represent a rhythm guitar part which continues throughout.

PEPPERMINT MAN -The tendency here will be to rush ahead of the beat. Lay back on it and try to play on the late side of every beat (although rushing is so common on Surf Era recordings that it couId be considered a stylistic feature). There's a 6th string hammer-on on an F7 chord. Grab the whole chord first then hammer from the open 6th string to the 1st fret.

RUMBLE - Link Wray's classic of no-frills roots rock. There are a couple of measures of "scooped tremolos” in the second ending. Keep the rapid up and down strokes going with the right hand while sliding up to the twelfth fret. rapidly down to the eleventh and up to the twelfth. then again. etc.

RUNAWAY - Another song in which the strumming guitar is prominent in the mix. The organ solo sounds terrific on guitar and is impressive at parties.

SLOOP JOHN B - A Calypso/Folk strum works well against the melody. The broken-chord organ line at the beginning makes a good accompaniment pattern for other songs as well.

SURF BEAT - Basic Garage-Surf. you could almost play it all on one string. Don't. The tremolo over the B chods is fast flutter-picking. down-u[X1own-up. four strokes per beat. Mind the 3rd string bends. Whole step or half step. and strive not to overbend the pitch.

SURFER'S STOMP - Same drum beat as in "Balboa Blue". and written by the same guy, oddly enough. The toughest thing here is the tremolo technique, flutter-picking a melody. Tighten your wrist, but try not to tense up your whole arm.

SURFIN' SAFARI - If you've got a garage. you can play this song. Finger the whole bar chord, then play just the indicated strings. The solo, like most surf guitar solos. can all be played at one position on the neck.

TEQUILA - The strident strumming that starts this tune can be played throughout. Some of the accompaniment figures are muted - that is muffled while you play them by pressing the heal of your right hand on the bridge.

TORQUAY - Start this one with the heal of your right hand dampening the strings at the bridge. If you play in acoustic guitar. this technique will mean you pick behind the sound hole. Later. when the main theme returns, let the strings ring. This is a good study in contrast between low single notes ... 


Balboa Blue
Beethoven Five-O
Bulldog
Eight Miles High
Honky Tonk
K-39
King Of The Surf Guitar
Let's Go
Let's Go Trippin'
The Lonely Surfer
Lonesome Town
Misirlou
Mr. Moto
Out Of Limits
Penetration
Peppermint Man
Poor Little Fool
Rumble
Runaway
Sloop John B
Sugar Shack
Surf Beat
Surfer Joe
Surfer's Stomp
Surfin' Safari
Tall Cool One
Tequila
Torquay
Wipe Out

Authentic Note-for-Note Guitar / Tab Transcriptions Off The Original Recordings!

Contents:

PLAYING TIPS - HOW TO READ THE GUITAR TABLATURE NOTATION

ARRANGER'S PLAYINGNOTES ON EACH SONG by Roy Zimmerman .

SOUVENIR PHOTOSECTION

BALBOA BLUE / The Mar-Kets .

BEETHOVEN FIVE-O / The Ventures

BULLDOG / The Fireballs

EIGHT MILES HIGH / The Ventures and The Byrds .

HONKY TONK / Duane Eddy

HOUSE OF THE RISING SUN / Surf-Rock .

K-39 / The Challengers .

KING OF THE SURF GUITAR/ Dick Dale & The Del-Tones .

LET'S GO / The Routers

LET'S GO TRIPPIN' / Dick Dale & The Del-Tones .

LONELY SURFER / Jack Nitzsche

LONESOME TOWN / Ricky Nelson .

MISIRLOU/ The Beach Boys and by Dick Dale & The Del-Tones .

MR. MOTO / The Bel-Airs .

OUT OF LIMITS / The Mar-Kets

PENETRATION/ The Pyramids .

PEPPERMINT MAN / Dick Dale & The Del-Tones .

POOR LITTLE FOOL / Ricky Nelson

RUMBLE / Link Wray & The Ray-Men .

RUNAWAY/ Del Shannon .

SLOOP JOHN B / The Beach Boys .

SUGAR SHACK / Jimmy Gilmer & The Fireballs .

SURF BEAT / Dick Dale & The Del-Tones .

SURFER JOE I The Surfaris .

SURFER'S STOMP / The Mar-Kets

SURFIN' SAFARI/The Beach Boys .

TALL COOL ONE / The Ventures and The Wailers

TEQUILA / The Champs

TORQUAY/ The Fireballs

VIPE OUT / The Surfaris

 

Produced By John L Haag

catalog 107-4026

ISBN# 1-56922.074-3

 

CREATIVE CONCEPTS PUBLISHING

Ventura

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ROCK AND ROLL CLASSICS TABLATURE Hound Dog-Louie Louie-Rock around the clock-Twist And Shout-Wooly Bully

ROCK AND ROLL CLASSICS. guitar TABLATURE

EASY GUITAR RECORDED VERSIONS

EASY GUITAR TRANSCRIPTIONS WITH LESSONS

Product Description

10 of the best rockin' hits from the early days of rock, including:

* All Shook Up
* Do Wah Diddy Diddy
* Good Lovin'
* Hang on Sloopy
* Hawaii Five-O
* Hound Dog
* Louie Louie
* Rock around the clock 
* Twist And Shout
* Wooly Bully
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ROCKABILLY REBELS TABLATURE Elvis Presley Tryin' to get to you-Jerry Lee Lewis-Carl Perkins guitar

ROCKABILLY REBELS. NOTE FOR NOTE GUITAR TABLATURE TRANSCRIPTIONS

25 titoli, con una bella canzone di Elvis Presley, "Tryin' to get to you". Contiene: baby let's play house (Elvis Presley) -belive what you say (R. Nelson) -bird dog (E. Brothers) -cut across shorty (E. Cochran) -danny boy (Conway Twitty) -hambone (Carl Perkins) -here comes the weekend (Dave Edmunds) -Hey baby (B. Channel) -high school confidential (Jerry Lee Lewis) -hippy, hippy shake (Swinging blue jeans) -honey 'cause I love you (C. Perkins) -I got it (G. Vincent) -I'm gonna set down right down and cry over you (Elvis Presley) -It's late (R. Nelson) -Jennie, Jennie, Jennie (E. Cochran) -lotta lovin' (G. Vincent) -Mary you (R. Hawkins) -midnight specials (J. Rivers) -My Babe (R. Nelson) -poor little fool (R. Nelson) -queen of heart (J. Newton) -shake your hips (Rolling Stones) -six days on the road (D. Dudley) -Tryin' to get to you (Elvis Presley) -wake up little Susie (E. Brothers). 

ULTIMA COPIE DISPONIBILE, LIBRO FUORI CATALOGO

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CLASSIC ROCK INSTRUMENTALS Guitar Recorded Version TABLATURE LIBRO Sleepwalk-Santo Farina

CLASSIC ROCK INSTRUMENTALS 2ND EDITION. GUITAR RECORDED VERSION. TABLATURE

LIBRO

Format: Softcover - TAB
Artist: Various

This second edition features nearly 30 tunes that have become classics because of their searing guitar riffs. Includes: Eruption - Frankenstein - (Ghost) Riders in the Sky - Green Onions - Hawaii Five-O - Misirlou - Peter Gunn - Pipeline - Raunchy - Rawhide - Rebel 'Rouser - Rumble - Scuttle Buttin' - Sleepwalk - Tequila - Wipe Out - and more. Also includes an introduction and song notes by Fred Sokolow.

160 pages

Apache
Beck's Bolero
Dee
Eruption
Frankenstein
Green Onions
Guitar Boogie Shuffle
Hawaii Five-O Theme
Hide Away
Jessica
Just Like A Woman
Misirlou
Peter Gunn
Pipeline
Ramrod
Raunchy
Rawhide
Rebel 'Rouser
Red River Rock
(Ghost) Riders In The Sky (A Cowboy Legend)
Rumble
San-Ho-Zay
Scuttle Buttin'
Sleepwalk
Tequila
Walk Don't Run
Wham
Wipe Out

 

 

PRIMA EDIZIONE

CLASSIC ROCK INSTRUMENTALS. GUITAR TABLATURE

LIBRO DI MUSICA ROCK.
SPARTITI PER CHITARRA.
ACCORDI, PENTAGRAMMA E TABLATURE

30 Songs ove lei è tutto, solamente lei. E' lei che canta, che ritma, è lei che urla, ti parla con dolcezza senza dire verbo, è lei con le sue corde che ti rasserena, e da brio, gioia. Apache -Beck's bolero -Bo's guitar -Dee -(ghost) riders in the sky -guitar boogie shuffle -Hawaii five-0 -hideway -Jessica -misiriou -mumblin' guitar -pipeline -put it where you want it -ramrod -raunchy -rawhide -rebel 'rouser -red river rock -rumble -sabre dance -san-hu-zay -scuttle buttin' -slaughter on tenth Avenue -sleepwalk -tequila -walk don't run -wham -wheels -wipe out. 144 pagine. TABLATURE

IT's ONLY NATURAL THAT INSTRUMENTALS WERE HITS AT THE DAWN OF ROCK HISTORY. ROCK WAS ALWAYS DANCE MUSIC, AND THE MUSICAL STYLES IT DREW UPON - BLUES, R&B, COUNTRY AND SWING - HAD STRONG BEATS AND ENGENDERED DANCEABLE INSTRUMENTALS THEMSELVES. BECAUSE ROCK IS ECLECTIC, MANY INSTRUMENTS CAN TAKE THEIR PLACE IN THE SPOTLIGHT. SAXOPHONE PLAYERS - THOSE HEROES OF JAZZ AND SWING - WERE THE STARS OF MANY EARLY ROCK INSTRUMENTALS ("RAUNCHY" AND "TEQUILA," FOR EXAMPLE). ORGANISTS AND DRUMMERS WERE LEADERS OF SOME COMBOS (IN "RED RIVER ROCK" AND "TOPSY II"). HOWEVER, GUITAR PLAYERS WERE IMPORTANT SOLOISTS IN COUNTRY, BLUES AND R&B, SO IT DIDN'T TAKE LONG FOR ROCK TO CREATE A NEW POP HERO, THE ELECTRIC GUITAR PLAYER.

INTO ROCK CAME GUITAR HEROES FROM AN R&B BACKGROUND, LIKE CHUCK BERRY AND Bo DIDDLEY, COUNTRY-INFLUENCED STARS LIKE CARL PERKINS AND DUANE EDDY, AND MAVERICKS WHO BRIDGED THE GAPS BETWEEN STYLES, LIKE LONNIE MACK. THEN AT THE BEGINNING OF THE '60s THERE WAS THE VENTURES, A GUITAR INSTRUMENTAL BAND THAT SPAWNED COUNTLESS GUITAR/BAR BANDS ALL OVER THE COUNTRY. A FEW YEARS LATER, DICK DALE, THE BEACH BOYS AND OTHER SOUTHERN CALIFORNIA GROUPS TURNED THE WHOLE COUNTRY ON TO SURF MUSIC, WHICH, INSTRUMENTALLY, WAS JUST LIKE THE VENTURES: A COMBINATION OF POP INFLUENCES WITH GUITAR IN THE FOREFRONT AND POUNDING DRUMS BEHIND.

SOME OF THE EARLY ROCK INSTRUMENTALS WERE RECORDED BY GROUPS WHO WERE THROWN TOGETHER BY A STUDIO PRO OR PRODUCER ("TEQUILA" AND "RAUNCHY" WERE TWO EXAMPLES). OTHERS WERE THE PRODUCT OF TEEN HIGH SCHOOL BANDS LIKE THE CHANTAYS OR JOHNNY AND THE HURRICANES. OTHERS CAME FROM POWERHOUSE INNOVATORS LIKE DUANE EDDY AND LONNIE MACK WHOSE PLAYING WOULD INSPIRE FUTURE GENERATIONS OF GUITARISTS. TOGETHER, THEY ESTABLISHED A ROCK TRADITION, AND THEIR ROCK INSTRUMENTALS STILL APPEAR ON THE CHARTS OVER THREE DECADES LATER.

IT's INTERESTING THAT MANY OF THE CLASSIC INSTRUMENTALS IN THIS COLLECTION CAME NOT FROM HOLLYWOOD OR NEW YORK CITY, BUT FROM TOLEDO, CINCINNATI AND SEATILE ... AND ANYWHERE FOLKS DANCED TO ROCK AND ROLL IN BARS! MANY CLASSIC HITS ("TEQUILA," "WIPE OUT," "HIDEAWAY") WERE THROWAWAYS, B-SIDES RECORDED HASTILY IN ONE OR TWO TAKES, AS BIG A SURPRISE TO THE RECORDING ARTIST AS THEY WERE TO THE PUBLIC-WHICH ONLY PROVES THAT THE PUBLIC LIKES A SIMPLE, UNPRETENTIOUS GROOVE TUNE!

I HOPE YOU ENJOY THIS COLLECTION OF CLASSIC ROCK INSTRUMENTALS. THE TRADITION OF ROCK INSTRUMENTALS IS ALIVE AND WELL, AND INCLUDES A WIDE RANGE OF GUITAR STYLES, AS THIS BOOK PROVES. IT ALSO INCLUDES ESSENTIAL KNOWLEDGE FOR YOU ROCK GUITAR ADDICTS: YOUR MUSICAL EDUCATION IS FAR FROM COMPLETE IF YOU CAN'T PLAY "WIPE OUT," "REBEL 'ROUSER," "WALK DON'T RUN" OR "PIPELINE!"


Series: Guitar Recorded Version TAB
Artist: Various

A big collection of 29 songs that have become classics because of their guitar riffs, including:


1960 - Apache - Jerry Lordan
1967 - Beck's Bolero - Jimmy Page  
1959 - Bo's Guitar - Ellas McDaniel e Clifton James
1985 - Dee - Randy Rhoads
1946 - Guitar Boogie Shuffle - Arthur Smith
1968 - Hawaii Five-O Theme - Mort Stevens
1961 - Hide Away - Freddy King e Sonny Thompson
1973 - Jessica - Dickey Betts
1941 - Misirlou - N. Rubanis
1959 - Mumblin' Guitar - Ellas McDaniel
1962 - Pipeline - Bob Spickard e Brian Carman
1972 - Put It Where You Want It - Joe Sample
1957 - Ramrod - Al Casey
1957 - Raunchy - William Justis e Sidney Manker
1958 - Rawhide - Link Wray e Milt Grant
1956 - Rebel 'Rouser - Duane Eddy e Lee Hazlewood
1959 - Red River Rock - Tom King, Ira Mack e Fred Menfelsohn
1949 - (Ghost) Riders In The Sky (A Cowboy Legend) - Stan Jones
1958 - Rumble - Link Wray e Milt Grant
Sabre Dance - Aram Khatchaturian
1961 - San-Ho-Zay - Sonny Thompson
1984 - Scuttle Buttin' - Stevie Ray Vaughan
1936 - Slaughter On Tenth Avenue - Richard Rodgers
1959 - Sleepwalk - Santo Farina, John Farina, Ann Farina
1955 - Tequila - Chack Rio
1960 - Walk Don't Run - John Smith
1956 - Wham - Lonnie Mack
1960 - Wheels - Norman Petty
1963 - Wipe Out - The Surfaris

144 pages

 

Song List:
Apache
Beck's Bolero
Dee
Eruption
Frankenstein
Green Onions
Guitar Boogie Shuffle
Hawaii Five-O Theme
Hide Away
Jessica
Just Like A Woman
Misirlou
Peter Gunn
Pipeline
Ramrod
Raunchy
Rawhide
Rebel 'Rouser
Red River Rock
(Ghost) Riders In The Sky (A Cowboy Legend)
Rumble
San-Ho-Zay
Scuttle Buttin'
Sleepwalk
Tequila
Walk Don't Run
Wham
Wipe Out

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GENUINE ROCKABILLY GUITAR HITS Guitar Recorded Version TABLATURE Rock this town-rock around the clock CHITARRA

GENUINE ROCKABILLY GUITAR HITS. Contiene 24 canzoni:

LIBRO PER CHITARRA CON TABLATURE

Il mondo ha conosciuto la prima volta rock and roll nella seconda meta degli anni '50 quando sono arrivati i primi hits di Elvis Presley, Buddy Holly e Carl Perkins. I chitarristi rockabilly di quel periodo - Scotty Moore, Eddy Cochran, Cliff Gallup, Carl Perkins, Paul Burlison, James Burton, Buddy Holly e altri - sono diventati gli Idoli dei musicisti rock negli anni '60, '70 e '80, e la loro musica sarà sempre la pietra di paragone per la chitarra rock. Nelle pagine del libro troverete la trascrizione di tutte le parti di chitarra, l'accompagnamento, e i solo completi. Ci sarà anche qualche trascrizione musicale dei loro discepoli - musicisti contemporanei come Albert Lee, Dave e Phil Alvin dei Blasters e gli The Stray Cats.

Il Rockabilly ebbe inizio quando i musicisti bianchi del Sud iniziano a suonare il Rhythm and Blues eletrico. Hanno registrato  le "cover" hits di "Good rockin' tonight" (la versione di Wynonie Harris fu il più grande record di ascolto nel 1948). Hanno anche scritto le proprie melodie e riproposto le canzoni country e bluegrass in stile rockabilly. In ogni caso conservavano il sapore e lo stile degli artisti Afro-Americani la cui musica non arrivava all'audience bianca. Naturalmente, i musicisti rockabilly anno portato le proprie radici country, bluegrass e gospel music nel R&B. La musica nuova che è emersa era il ROCK AND ROLL. Per Alan Freed e altri disc jockey che la promuovevano, la formula era chiara: far suonare ai musicisti bianchi la musica popolare nera degli anni '50.

Una delle differenze tra il Rockabilly e il R&B era che la chitarra era molto prominente. Le prime rockabilly band erano composte dal basso verticale, la chitarra elettrica, il cantante e la batteria. La chitarra ritmica spesso acustica e il piano erano optional, gli ottoni erano rari; qualche gruppo composto da due chitarre non avevano la batteria. Quasi tutti i solos venivano suonati con la chitarra elettrica. La chitarra solista imitava molto lo stile delgli assoli a double-note di Chuck Berry e T-Bone Walker, il fingerpicking di Merle Travis, e il fingerpicking blues di Lightin' Hopkins e Big Bill Bronzy. E a tutto questo miscuglio un poco di aggiunta di stile Jazz di Les Paul.

 

GENUINE ROCKABILLY GUITAR HITS. Contiene 24 canzoni: -American music (the Blaster) -believe what you say (Rick Nelson) -bluejean bop (Gene Vincent) -boppin' the blues (Carl Perkins) -boppin' the blues (Rick Nelson) -everybody's tryin to be my baby (Carl Perkins) -good rockin' tonight (Elvis Presley, Scotty Moore) -holly hop (Buddy Holly) -Marie, Marie (The Blaster) -my baby thinks he's a train (Rosanne Cash) -Oh bay babe (Johnny Burnette) -put your cat closes on (Carl Perkins) -rock around the clock (Bill Haley and the comets) -rock billy boogie (Johnny Burnette) -Rock this town (Stray cats) -rockabilly music (Ray Campi) -skinny Jim (Eddie Cochran) -strollin guitar (Eddie Cochran) -summertime blues (Eddie Cochran) -Susie-Q (Dale Hawkins) -tear it up (Johnny Burnette) -train kept a rollin' (Johnny Burnette) -twenty flight rock (Eddie Cochran) -wake up little Susie (the Everly brothers). TABLTURE

Most of the world first learned about rock and roll in the second half of the '50s when Elvis Presley, Buddy Holly and Carl Perkins had their first hits. The rockabilly guitarists of this period - Scotty Moore, Eddie Cochran, Cliff Gallup, Carl Perkins, Paul Burlison, James Burton, Buddy Holly and the rest - became the idols of '60s, '70s and '80s rockers, and their music will always be the touchstone for rock guitar. You'll find their solos and backup playing transcribed and their style analyzed in the pages that follow. There are also some transcriptions of music from their disciples - contemporary players like Albert Lee, Dave and Phil Alvin of the Blasters, and The Stray Cats. Rockabilly started when white Southern performers began playing electric rhythm and blues. They recorded "covers" of R&B hits, like "Good Rockin' Tonight" (Wynonie Harris' version was the biggest R&B record of '48). They also wrote their own tunes and covered country and bluegrass songs. In all cases, they borrowed the flavor and styles of African-American artists, whose music was unlikely to reach white audiences. Naturally, the rockabilly players brought their country, bluegrass and gospel music roots to R&B. The new music that emerged was ROCK AND ROLL. To Alan Freed and other disc jockeys who promoted it, the formula was clear: get white musicians to play popular '50s race music.

One of the ways rockabilly differed from R&B was that the guitar was more prominent. The early rockabilly band consisted of an upright bass, electric guitar, a singer and a drummer. Rhythm guitar (often acoustic) and piano were optional, horns were rare; some two-guitar bands even lacked a drummer. Nearly all solos were played on electric guitar. The lead guitar borrowed heavily from the single and double-note styles of Chuck Berry and T-Bone Walker, the up-the-neck fingerpicking of Merle Travis, and the more basic fingerpicking blues styles of acoustic blues guitarists like Lightnin' Hopkins and Big Bill Broonzy. A little Les Paul-style jazz added to the brew.
THE TWELVE BAR BLUES. Most of the early rockabilly hits were twelve-bar blues tunes, or were based on that form. In this book, "American Music," "Boppin' The Blues," "Everybody's Tryin' To Be My Baby," "Holly Hop," "My Baby Thinks He's A Train," "Put Your Cat Clothes On," "Rock Around The Clock," "Oh Baby Babe," "Rock Billy Boogie," "Skinny Jim," "Tear It Up," "Train Kept A-Rollin" and "Twenty Flight Rock" are all twelve-bar blues tunes and five others are only slight variants of the blues format! Here's the twelve-bar form, expressed in terms of I, IV and V chords (tonic, subdominant and dominant) in the key of E. The final bar of this twelve-bar form is often called a "turnaround," because the V chord "turns the progression around" and leads the ear back to a repeat of the whole twelve bars or to an ending. 

IL BLUES A 12 BATTUTE.

La maggioranza dei primi Hits Rockabilly erano in 12 battute, o leggete variazioni della progressione armonica Blues.

L'ultima battuta è chiamata anche TURNAROUND, perchè riporta all'inizio del pezzo.

 

Boogie Woogie Bass Figures 

Per l'accompagnamento e in certi casi per i solo, i chitarristi rockabilly spesso eseguono i modelli boogie sulle corde basse. Hanno preso questa tecnica d'accompaniamento dai chitarristi blues come Big Bill Broozy, Lightnin' Hopkins e John Lee Hooker i quali, probabilmente imitavano la mano  sinistra dei pianisti boogie-woogie. Piu fhits  cile eseguire questi Modelli nella tonalità MI e LA perchè MI e LA sono le corde basse aperte.

 

Blues Fingerpicking

Lightnin' Hopkins e molti altri chitarristi del Texas blues hanno popolarizzato lo stile fingerpicking dove il pollice suona un'accompagnamento continuo di quattro accenti per battuta sulle note basse mentre medio e indice suonano la melodia sincopata sulle corde alte. Il fraseggio musicale della chitarra di James Burton in “Susie-Q” il suo ritmo e la melodia sono un tipico esempio di questo stile chitarristico del pollice.

 

ASSOLI AD ACCORDI

Spesso i chitarristi Rockabilly suonano gli assoli con gli accordi "CHORD SOLOS", usandoli in prima posizione o spostando una parte dell'accordo.

 

TITOLI:

-American music (The Blaster - Dave and Phil Alvin)

-believe what you say (Rick Nelson - James Burton)

-bluejean bop (Gene Vincent - Cliff Gallup)

-boppin' the blues (Carl Perkins)

-boppin' the blues (Rick Nelson - Joe Maphis)

-everybody's tryin to be my baby (Carl Perkins)

-good rockin' tonight (Elvis Presley - Scotty Moore)

-holly hop (Buddy Holly)

-Marie, Marie (The Blaster - Dave and Phil Alvin)

-my baby thinks he's a train (Rosanne Cash - Albert Lee)

-Oh bay babe (Johnny Burnette and Rock and Roll Trio -Paul Burlison)

-put your cat closes on (Carl Perkins)

-rock around the clock (Bill Haley and the comets - Danny Cedrone)

-rock billy boogie (Johnny Burnette and Rock and Roll Trio -Paul Burlison)

-Rock this town (Stray Cats -Brian Setzer)

-rockabilly music (Ray Campi - Richard Bennett)

-skinny Jim (Eddie Cochran)

-strollin guitar (Eddie Cochran)

-summertime blues (Eddie Cochran)

-Susie-Q (Dale Hawkins - James Burton)

-tear it up (Johnny Burnette and Rock and Roll Trio -Paul Burlison)

-train kept a rollin' (Johnny Burnette - and Rock and Roll Trio -Paul Burlison - Paul Burlison)

-twenty flight rock (Eddie Cochran)

-wake up little Susie (the Everly brothers - Chet Atkins).

 

151 pagine. TABLATURE

Serie: Guitar Recorded Version TABLATURE

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RHYTHM & BLUES BEST-GUITAR LIBRO SPARTITI TABLATURE CHITARRA SOUL MAN-STAND BY ME

RHYTHM & BLUES BEST. BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA R&B. 

SPARTITI PER VOCE E CHITARRA. 

 

TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA, NOTE, TABLATURE.

 

Contiene:

-(sitting' on) the dock of the bay/Otis Redding -hard to handle/Otis Redding -I can't turn you loose/Otis Redding -you send me/Sam Cooke -chain gang/Sam Cooke -land of a thousand dances/Wilson Pickett -in the midnight hour/Wilson Pickett -Bo Diddley/Bo Diddley

-who do you love/Bo Diddley

-soul man/Sam & Dave

-hold on, I'm comin'/Sam & Dave

-stand by me/Ben E. King

-my girl/the temptations

-reach out I'll be there/four tops

-only you/the platters -pround Mary/Ike & Tina Turner

-what's going on/Marvin Gaye

-when a man loves a woman/Percy Sledge. 

Prezzo: €109,99
€109,99

SOUL FUNK & DISCO BEST BAND SCORE TABLATURE SPARTITI CHITARRA LIBRO BASSO BATTERIA TAB

SOUL & FUNK & DISCO BEST. BAND SCORE TABLATURE 

LIBRO DI MUSICA SOUL, FUNK, DISCO. 

SPARTITI DI OGNI STRUMENTO: VOCE, CHITARRA 1, CHITARRA 2, CHITARRA BASSO, TASTIERE, BATTERIA, ECC.

TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA, NOTE, CHITARRA E BASSO CON TABLATURE.

 

Contiene:

-get up (I feel like being a) sex machine/ JAMES BROWN

-le freak/Chic -fantasy/september/ Earth, wind & fire

-respect/A. Franklin

-pow/L. Graham and G.C.S.

-what's goin' on/Donny N. -once you get started/Rufus, C. Khan

-what is hip/Tower of power

-play that funky music/Wild Cherry

-Sir. Duke/isn't she lovely/S. Wonder. 

Prezzo: €139,99
€139,99

FUNK GUITAR COLLECTION 18 titoli get up LIBRO CHITARRA TABLATURE

FUNK GUITAR COLLECTION. 18 titoli, inclusa: get up (sex machine) TABLATURE

AUTHENTIC TRANSCRIPTIONS NOTES AND TABLATURE

APACHE ROSE PEACOCK - RED HOT CHILI PEPPERS
BELIEVE - LENNY KRAVITZ
BIG FAT FUNKY BOOTY - SPIN DOCTORS
BU IT'S ALRIGHT J. J. JACKSON
CHANGES - JIMI HENDRIX
COLD SWEAT, PI. 1 - JAMES BROWN
FREE RIDE - EDGAR WINTER GROUP
FUNK #49 - THE JAMES GANG
GET UP I FEEL LIKE BEING A SEX MACHINE - JAMES BROWN
I GOT THE FEELIN' - JAMES BROWN
ICE PICK - ALBERT COLLINS
IT'S YOUR THING - THE ISLEY BROTHERS
KNOW YOUR ENEMY - RAGE AGAINST THE MACHINE
LET'S START THE DANCE - BOHANNON
LOVE REARS ITS UGLY HEAD - LIVING COLOUR
SHINING STAR - EARTH, WIND & FIRE
SNORTIN' WHISKEY - PAT TRAVERS BAND

GUITAR NOTATION LEGEND

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€39,99

TITANIC TABLATURE arranged for fingerstyle guitar Hymn to the Sea-My Heart Will Go On (Love Theme from Titanic)-Never an Absolution-Rose-Southampton

TITANIC. SELECTIONS FOR FINGERSTYLE GUITAR. TABLATURE

LIBRO PER CHITARRA CON TABLATURE

Includes 5 selections from the blockbuster film arranged for fingerstyle guitar:

* Hymn to the Sea - JAMES HORNER - 1997

* My Heart Will Go On (Love Theme from Titanic) - MUSIC: JAMES HORNER - LYRIC: WILL JENNINGS - 1997 

* Never an Absolution - JAMES HORNER - 1997

* Rose - JAMES HORNER - 1997 

* Southampton - JAMES HORNER - 1997 

La colonna sonora del Film di James Cameron con l'attore Leonardo DiCaprio, arrangiata per chitarra fingerstyle. 

 

ULTIMA COPIA, LIBRO FUORI PRODUZIONE

Prezzo: €59,99
€59,99
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