LIBRO

METHENY PAT GROUP, THE WAY UP GUITAR Transcribed score LYLE MAYS

METHENY PAT GROUP, THE WAY UP. Transcribed score.

THE COMPLETE SCORE COMPOSED BY: PAT METHENY, LYLE MAYS
EDITED BY: STEVE RODBY FOR ALL INSTRUMENTS


Artist: Pat Metheny
This is the complete score for the four-part composition from this new release by the Pat Metheny Group. NPR says the album has an ambitious compositional style that amounts to an epic journey. 256 pages, NO TABLATURE

Songlist:
Opening - PAT METHENY, LYLE MAYS - 2005
Part One - PAT METHENY, LYLE MAYS - 2005
Part Three - PAT METHENY, LYLE MAYS - 2005
Part Two - PAT METHENY, LYLE MAYS - 2005

Prezzo: €21,00
€21,00

OLD TIME COUNTRY GUITAR BACKUP BASICS, Joseph Weidlich. Hal Leonard TABLATURE

OLD TIME COUNTRY GUITAR BACKUP BASICS, Joseph Weidlich. Based on commercial recordings of the 1920's & early 1930's. TABLATURE
 

Old Time Country Guitar Backup Basics
Series: Guitar
Publisher: Centerstream Publications
Author: Joseph Weidlich

This instructional book uses commercial recordings from 70 different “sides” from the 1920s and early 1930s as its basis to learn the principal guitar backup techniques commonly used in old-time country music. Topics covered include: boom-chick patterns • bass runs • uses of the pentatonic scale • rhythmic variations • minor chromatic nuances • the use of chromatic passing tones • licks based on chords or chord progressions • and more.

Inventory #HL 00000389
ISBN: 9781574241488
UPC: 073999501247
Width: 9.0"
Length: 12.0"
84 pages

In the rural setting of the South the singing of old songs was often unaccompanied. When music was played away from the home it tended to be for dancing or some kind of contest. The" core" instruments used were usually the fiddle and banjo, where the banjo "seconded" the fiddle. This style goes back to the early 19th century minstrel show [ca. 1843] whose standard instrumentation were the fiddle, banjo, bones and tambourine.

Fiddle. The principal instrument of the old-time music genre was the fiddle, seemingly always the lead instrument. The fiddle served several functions: to provide dance music, to provide accompaniment to the voice, or solo fiddle music without a particular social function, e.g., for their own enjoyment. The fiddle was particularly important in accompanying vocal music as it could be used to imitate, i.e., "double" the vocal line, thereby reinforcing the primary contours of the melody or to provide ornamentation, based on the melodic line. As the melodies of the songs became simpler, in the sense of using less vocal ornamentation, the fiddle style likewise became simpler. This transition was aided by the addition of the banjo and guitar, which provided additional decorative elements, thus freeing the fiddle to focus primarily on lead melodic functions.

Banjo. Besides the fiddle, the mountain banjo was the most important ensemble instrument, as it was used to reinforce the main notes of the melodies played by the fiddle. The banjo introduced a steady, strong rhythm to maintain the beat, so important when playing for dances. In fact, the clawhammer banjo style, in particular, was, and still is, highly regarded for this role. While the 19th century minstrel banjoists traditionally used two basic tunings (what today would be equivalent to the natural C tuning and open G tuning) an interesting feature of the Southern mountain banjo was the development of several additional tunings to suit the modal character of the traditional melodies being sung and played. Scholars seem to think that these systems of altered tunings HLP 8005 may have been worked out by the turn of the 19th century, perhaps influenced by open guitar tunings needed for playing certain parlor guitar songs (e.g., the Spanish fandango) and the beginning of the African-American blues guitar styles. These modal melodies would then be accompanied on the banjo so that the principal melodic notes could be played without the need to play harmonic chords or shift up and down the fingerboard, whose chord voicings would not be practical most of the time playing in these altered tunings (the newly introduced guitar would now supply this harmonic accompaniment). Occasionally, the banjo was used as a solo instrument on early commercial recordings (e.g., by Charlie Poole using fingerstyle techniques); however, its usual role was to support the fiddler. Guitar. While guitars had been available in the United States for most of the 19th century, principally in urban industrialized areas, e.g., by c.P. Martin, Ashborn, 55. Stewart, and Washburn, by the end of that century guitars were beginning to become available in even greater numbers, aided in part by a much improved mass transportation system, the advent of the industrial revolution, and mail-order houses like Sears Roebuck. In the last decade of that century the guitar was gaining rapidly in mass popularity due to its usage in mandolin bands, glee clubs, and university banjo bands, thus not just for use in its traditional 19th century environment, the parlor.

String Bands. From the 1920s, with the introduction of the guitar into the string band ensemble, the emphasis, at least in terms of recording, shifted from providing music for dances to the accompaniment of vocal songs and fiddle tunes. That necessarily changed the function of the string band instruments, freeing up the ensemble for various duties. The guitar was now used to mark out the...

 

 

TABLE OF CONTENTS
Biography .
A Brief Introduction To "Old-Time Music" .
Introduction to Old-Time Country Guitar Backup Basics .
 
PART ONE: BACKUP BASICS .
Lesson 1 Boom-Chick Patterns .
Lesson 2 Alternating Between Root and Fifth of a Chord .
Lesson 3 6-7-8 Bass Run Connectors .
Lesson 4 Golden Age Lick ,
Lesson 5 Third of the Chord in Back-Ups .
Lesson 6 3-2-1 Bass Run Connector .
Lesson 7 Pentatonic Scale .
Lesson 8 Ascending and Descending Triad Usage .
Lesson 9 Reinforce Melodic Line .
Lesson 10 Scales .
Lesson 11 Chord Progression Lick .
Lesson 12 5-6-7-8Bass Run Connector .
Lesson 13 Varied Golden Age Lick .
Lesson 14 Leading Tone Usage .
Lesson 15 Concluding Thoughts .
 
PART TWO: .
Variations On Backup Basics
Transcribed from Commercial Recordings of the 1920s and Early 1930s
Epilogue.
Song Reference List .
Prezzo: €16,99
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QUEEN BEST OF TRANSCRIBED SCORES TABLATURE SPARTITI CHITARRA Crazy Little Thing Called Love

QUEEN, BEST OF. TRANSCRIBED SCORES. BOOK WITH GUITAR & BASS TABLATURE

LIBRO DI MUSICA ROCK, 

SPARTITI DI OGNI STRUMENTO: CHITARRA, VOCE, CHITARRA BASSO, TASTIERE, BATTERIA, ECC.

TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA, NOTE, CHITARRA E BASSO CON TABLATURE.

 
Series: Transcribed Score TAB
Artist: Queen
 
Play 15 Queen classics note-for-note with these detailed transcriptions that match every instrument used on the original recordings. Songs include: Bohemian Rhapsody - Crazy Little Thing Called Love - I Want It All - I Was Born to Love You - Killer Queen - Somebody to Love - Stone Cold Crazy - Tie Your Mother Down - We Are the Champions - We Will Rock You - and more. 224 pages.
 
Inventory #HL 00672538
ISBN: 9780634087943
UPC: 073999725384
Width: 8.5"
Length: 11.0"
224 pages
 
Songs include:
Bohemian Rhapsody
Crazy Little Thing Called Love
Hammer To Fall
Headlong
I Want It All
I Was Born To Love You
Keep Yourself Alive
Killer Queen
Now I'm Here
Seven Seas Of Rhye
Somebody To Love
Stone Cold Crazy
Tie Your Mother Down
We Are The Champions
We Will Rock You
 
 
 
Songs include:
Bohemian Rhapsody - Words and Music: Freddie Mercury - 1975
Crazy Little Thing Called Love - Words and Music: Freddie Mercury - 1979
Hammer To Fall - Words and Music: Brian May - 1984
Headlong - Words and Music: Freddie Mercury, Brian May, Roger Taylor, John Deacon - 1991
I Want It All - Words and Music: Freddie Mercury, Brian May, Roger Taylor, John Deacon - 1989
I Was Born To Love You - Words and Music: Freddie Mercury - 1995
Keep Yourself Alive - Words and Music: Brian May - 1972
Killer Queen - Words and Music: Freddie Mercury - 1974
Now I'm Here - Words and Music: Brian May - 1974
Seven Seas Of Rhye - Words and Music: Freddie Mercury - 1973
Somebody To Love - Words and Music: Freddie Mercury - 1976
Stone Cold Crazy - Words and Music: Freddie Mercury, Brian May, Roger Taylor, John Deacon - 1974
Tie Your Mother Down - Words and Music: Brian May - 1976
We Are The Champions - Words and Music: Freddie Mercury - 1977
We Will Rock You - Words and Music: Brian May - 1977
Prezzo: €31,99
€31,99

GOOD CHARLOTTE THE CHRONICLES OF LIFE AND DEATH GUITAR TABLATURE LIBRO CHITARRA hal leonard

GOOD CHARLOTTE, THE CHRONICLES OF LIFE AND DEATH. TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA E VOCE. PENTAGRAMMA, ACCORDI E TABLATURE

Series: Guitar Recorded Version TAB
Artist: Good Charlotte

MUSIC TRANSCRIPTIONS BY PETE BILLMANN, ADDI BOOTH, RYAN MAZIARZ, PAUL PAPPAS. 
 
All 15 tracks from the 2005 release by this East Coast post-grunge group. Includes:
128 pages

Table of contents:
The Chronicles Of Life & Death
Falling Away
Ghost Of You
I Just Wanna Live
In This World (Murder)
It Wasn't Enough
Meet My Maker
Mountain
Predictable
S.O.S.
Secrets
The Truth
Walk Away (Maybe)
We Believe
The World Is Black

Prezzo: €49,99
€49,99

CLAPTON ERIC ME AND MR. JOHNSON GUITAR TABLATURE LIBRO SPARTITI Come On In My Kitchen

CLAPTON ERIC, ME AND MR. JOHNSON. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA BLUES. 

SPARTITI PER VOCE E CHITARRA CON:

ACCORDI, PENTAGRAMMA E TABLATURE. 

32-20 Blues -Come On In My Kitchen -Hell Hound On My Trail -If I Had Possession Over Judgment Day -Kind Hearted Woman Blues -Last Fair Deal Gone Down -Little Queen Of Spades -Love In Vain Blues -Me And The Devil Blues -Milkcow's Calf Blues -Stop Breakin' Down Blues -They're Red Hot -Traveling Riverside Blues -When You Got A Good Friend. GUITAR TABLATURE

Series: Guitar Recorded Version TAB
Artist: Eric Clapton
Clapton's tribute to his guitar hero Robert Johnson features 14 classic blues tracks, all transcribed here note for note with tab. 104 pages

Prezzo: €169,99
€169,99

THE ART AND CRAFT OF MAKING CLASSICAL GUITARS Manuel Rodríguez FLAMENCO chitarra classica liutaio

THE ART AND CRAFT OF MAKING CLASSICAL GUITARS, Manuel Rodríguez.

LIBRO BIOGRAFIA DEL LIUTAIO DI CHITARRE CLASSICHE E FLAMENCO.

IN ITALIANO

 

DISPONIBILE ANCHE IN INGLESE. € 25.99

Rich in beauty, sound and history, Manuel Rodríguez and Sons' classical and flamenco guitars have been lovingly hand-crafted in Madrid since 1905. The company's remarkable creations are just as acclaimed today, capturing the 2000 Player's Choice Award from Acoustic Guitar magazine for its nylon-string model. New from Hal Leonard and for the first time available in English, The Art and Craft of Making Classical Guitars presents master luthier Manuel Rodríguez's thoughts on the history of the instrument he loves, and how the guitar attained its prominent position among musical instruments. Filled with fabulous historical photos, priceless memorabilia, abundant diagrams and more, the book covers topics such as the art and development of the guitar, materials used in construction, and much more. Essential for all admirers of the guitar. 168 pages.

Prezzo: €44,99
€44,99

VAI STEVE SELECTIONS FROM THE ELUSIVE LIGHT AND SOUND VOL. 1 Guitar Recorded Version TABLATURE

VAI STEVE, SELECTIONS FROM THE ELUSIVE LIGHT AND SOUND, VOL. 1. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA ROCK.

SPARTITI PER CHITARRA, BASSO, PIANOFORTE, VOCE, BATTERIA, STRINGS, BRASS, ECC. CON: 

ACCORDI, PENTAGRAMMA, CHITARRA E BASSO CON TABLATURE.

 


32 lavori che Vai ha preparato per film e TV, con la trascrizione della famosa scena del "duello" tra Vai e Ry Cooder, ispirato al capriccio n.5 di Paganini, dal film Crossroads. 256 pagine. Air Guitar Hell -Amazing Grace -Fried Chicken (da Crossroads) -Butler's Bag (due Tab, Vai e Ry Cooder da Crossroads) -Head Cuttin' Duel (due Tab, di Vai e Ry Cooder da Crossroads) -Eugene's Trick Bag (due Tab, William Kanengiser e Vai da Crossroads) -Don't Sweat It -Drive The Hell Out Of Here -Final Guitar Solo -Find The Meat -Get The Hell Out Of Here -Hey Jack -How Hidge -Initiation -Introducing The Wylde Stallions -Louisiana Swamp Swank -Love Blood -Meet The Reaper -Now We Run -Pins & Needles -Plug My Ass In -See Ya Next Year -Still Running -The Ax Will Fall -The Battle -The Cause Heads -The Dark Hallway -The Reaper -The Reaper Rap -We're Not Gonna Protest -Welcome Pre-Frosh -What! TABLATURE

32 tunes from all of Vai's work for film and TV soundtracks - including transcriptions of the searing duel scene in Crossroads between Vai and Ry Cooder. 256 Pages.

 

Le parti di chitarra che suona Macchio nel film Crossroads del 1986, sono in realtà suonate da Ry Cooder.

Ry Cooder plays Macchio's guitar parts throughout the movie.

Most of the battle is played by Vai, except for Eugene's blues parts at the beginning of the duel which are played by Ry Cooder and can be heard on Vai's album The Elusive Light and Sound, volume 1.

Macchio's fingering on the guitar was a studied acting job in itself because he didn't know how to play guitar prior to taking on the part of a guitarist. He received intensive training from classical guitarist William Kanengiser of the Los Angeles Guitar Quartet and Blues guitar Master Arlen Roth to approximate playing realistically enough to hide his inexperience.

William Kanengiser can be heard playing his version of Mozart's Rondo Alla Turca (Turkish March) in the beginning of the movie.

Musician Tom Morello has stated that Crossroads is one of his favorite movies.

Blues guitarist Joe Bonamassa said he was influenced by the movie after hearing the song "feelin' bad blues" and learning by ear on guitar.

The classical-influenced piece played by Eugene during the climactic scene is based on the Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach. The piece also contains parts of Caprice No. 5 by Nicolo Paganini.
There was no classical guitar program at the Juilliard School during the creation of the movie, but the school has since added one.
The guitar used by Jack Butler (Steve Vai) is a Charvel San Dimas.

La chitarra usata da Jack Butler (Steve Vai) è una Charvel San Dimas.

The guitar amplifier used by Jack Butler (Steve Vai) is a Carvin X100B.

The guitar used by Macchio is a Fender Telecaster.
The battery-powered guitar amplifier used by Macchio is Pignose Legendary 7-100.
In reality Willie Brown played the guitar, not the harmonica as stated in the film. He also died in 1952, so the premise of such a story is impossible.
The Notes and tab for all songs from the movie can be found in the Elusive Light and Sound Volume One book.
In the beginning of the guitar duel, Butler (Steve Vai) plays a riff that he later reused for his song "Bad Horsie" from his 1995 E.P Alien Love Secrets.
The movie was filmed in some of the same Mississippi Delta locations where screenwriter Fusco once hitchhiked and hopped trains, searching for lost blues legends much like his characters.

 

Air Guitar Hell
Amazing Grace
The Ax Will Fall
The Battle
Butler's Bag
The Cause Heads
The Dark Hallway
Don't Sweat It
Drive The Hell Out Of Here
Eugene's Trick Bag
Final Guitar Solo
Find The Meat
Fried Chicken
Get The Hell Out Of Here
Head Cuttin' Duel
Hey Jack
How Hidge
Initiation
Introducing The Wylde Stallions
Louisiana Swamp Swank
Love Blood
Meet The Reaper
Now We Run
Pins & Needles
Plug My Ass In
The Reaper
The Reaper Rap
See Ya Next Year
Still Running
We're Not Gonna Protest
Welcome Pre-Frosh
What!

Series: Guitar Recorded Version

Prezzo: €31,99
€31,99

TROWER ROBIN, BRIDGE OF SIGHS. Guitar Recorded Version TABLATURE

TROWER ROBIN, BRIDGE OF SIGHS. TABLATURE

Robin Trower - Bridge of Sighs

Series: Guitar Recorded Version TAB
Artist: Robin Trower

All 8 songs from the 1974 recording by this bluesy psychedelic British guitarist. Includes: About to Begin • Bridge of Sighs • Day of the Eagle • The Fool and Me • In This Place • Lady Love • Little Bit of Sympathy • Too Rolling Stoned. The first Robin Trower songbook ever!

Inventory #HL 00690683
ISBN: 9780634078491
UPC: 073999172058
Width: 9.0"
Length: 12.0"
80 pages

Song List:
About To Begin
Bridge Of Sighs
Day Of The Eagle
The Fool And Me
In This Place
Lady Love
Little Bit Of Sympathy
Too Rolling Stoned

 

ROBIN TROWER

BRIDGE OF SIGHS
(CHRYSALIS, 1974)
PRODUCED BY MATTHEW FISHER

ROBIN TROWER KNOWS that Twice Removed from Yesterday,
the 1973 solo debut he made after leaving Procol
Harum, painted the picture of a guitarist very
much obsessed with Jimi Hendrix. "I think I had to
really go through the Jimi Hendrix sort of thing,"
Trower says of the Jimi tones that screamed from the
strings of his Stratocaster on that album. The homage
was a good one, establishing Trower as a guitar force
to be reckoned with after four years of his wallowing
in the keyboard-heavy arrangements of Procol Harum.
But Trower knew that he needed to make more of
an original statement with his sophomore effort. "I
had to develop my own thing for Bridge of Sighs, in
terms of writing and coming up with ideas," he says.
"I'm not saying Bridge of Sighs is not Hendrix-influenced,
but 1think I took it a lot further."
Indeed, the album remains Trower's defining moment,
the quintessential statement of a 25-year career in which
he's played rock, funk, jazz and blues. The Hendrixisms
are still part of his repertoire, but Bridge of Sighs shows
Trower finding a distinctive voice, mixing lightning riffs
with aching, bent-note solos and bluesy vamps-all
within the context of solid, memorable songs.
"I was trying to do what I would call a modern
blueslr&blrock album," Trower explains. '" felt like
I wanted to write a modern blues song, a song that
was like a Bobby Bland, B.B. King kind of thing combined
with some really modern sounds."
Some of the songs on Bridge of Sighs were already
in the works before Trower and his band-singerbassist
James Dewar and drummer Reg Isadorebegan
recording the album. Two of the songs, "Lady
Love" and "Little Bit of Sympathy," were leftovers
from the Twice Removed from Yesterday sessions,
and the trio had been playing them in their live S'et.
The title track, meanwhile, was written on the
road. "The first time we played it was in San Francisco,
at Winterland," Trower remembers. "I only had
one verse, so Jimmy had to sing the same verse twice.
"We got a standing ovation in the middle of the set
that first time, so we knew we had something there."
"Too Rolling Stoned" was another road song, and
Trower fesses up to copping one of the song's trademark
licks from a James Brown tune. "It was called
'Down and Out in New York City,' and it was from the
movie Black Caesar," Trower says. "I lifted the chord
changes of what I call the 'kind of bridge part' •.. the
turnaround in the song. It's not an uncommon chord
sequence; it's just that I heard it there and thought,
'Well, that's nice. That would work really nice.' It's
a bit naughty to do that, but .. ."
He credits another soul singer, Donny Hathaway,
along with the group War as the inspirations for "In
This Place." "I was really into 'The World is a Ghetto'
at that time," he says. "I used to play it all the time."
And "Day of the Eagle," the album's lead-off track
and single, was simply "one of those songs where
you come up with a giant riff, basically," Trower
says. "I remember coming up with it and thinking,
'Yes, please .. : and came up with the lyric pretty
quickly. It's an anti-war song, obviously, isn't it?"
With the trio already tight from months of touring,
and with many of the songs road-tested--including the
two already in the can-Trower says the Bridge of
Sighs sessions went "swimmingly easy." By his recollection,
the group blew into Air London Studios with
producer Matthew Fisher and engineer Geoff Emerick,
and blew out 17 days later with a finished product
Released in early 1974, Bridge of Sighs hit Number
7 on the Billboard charts. Its follow-up, For Earth
Below, actually peaked two places higher, but Bridge
remains the seminal work. Trower freely acknowledges
its stature, still playing four or five of the
album's songs at his shows.
"It's very powerful," says the guitarist. "You listen
to it, and it sounds very complete-just the
strength of the writing, more than any other thing.
That's what sets it apart from perhaps all my other
albums. I just think the writing was very strong."
But, he adds with a laugh, "I can't listen to the
guitar playing on it, not now. I hear it and I just say,
'Oh no, no no. That's no good.' But overall, it just really
works, and I'm glad for that:'

Prezzo: €20,99
€20,99

SATRIANI JOE, IS THERE LOVE IN SPACE? Play It Like It Is-Cherry Lane Music GUITAR TABLATURE SPARTITI

SATRIANI JOE, IS THERE LOVE IN SPACE? 

SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA ROCK.
SPARTITI PER VOCE E CHITARRA CON:
ACCORDI, PENTAGRAMMA, TABLATURE.

 

Matching Folio with Note for Note Transcriptions and Tablature for Joe Satriani's Is There Love in Space. Includes the songs: Gnaahh -Up in Flames -Hands in the Air -Lifestyle -Is There Love in Space? -If I Could Fly -The Souls of Distortion -Just Look Up -I Like the Rain -Searching -Bamboo. TABLATURE

Series: Play It Like It Is
Publisher: Cherry Lane Music TAB
Artist: Joe Satriani

fotografie di Greg Watermann

 

 

Since his guitar skills often sound like they come from another planet, it's no wonder that Joe Satriani seems the ideal person to ponder Is there Love in Space? Joining such Satriani classics as Not of This earth and Surfing with the Alien, his latest Epic Records endeavor further explores his extra-terrestrial mastery of the instrument-albeit while working in a more comfortably grounded environment. People have heard my bluesy side, my metal side, and my techno side," he says. "I guess this is my rockin' side."

the 11 diverse cuts on Is There Love in Space? range from the pulsating, brash opener, "Gnaahh," to the seven-string menace of "Hands in the Air," to the poignant ballad "Just Look Up." Yet all the tracks are unified by Satriani's love of old-school hard rock.

“I've taken a lot of my cues recently from live performance more than anything else," he says of solo tours and those shared with fellow virtuosos in the evolving project G3. "Standing on stage has made me feel freer to explore some places I've been before and to look for some avenues I haven't."

One of those avenues that is rather novel to Satriani is vocal duties. Is There Love in Space? includes two compositions that feature the instrumentalist taking command of the mic. "I usually try to find a character to sing through as a method of creating a vibe on the song," he explains.

Over the hammering riff of "Lifestyle," Satriani summons the same style he adopted when covering Neil Young during the G3 tour, while on the swamprocker "I Like the Rain," he dons a ZZ Top hat "like a junior Billy Gibbons." “My fans know I'm just using the vocals as an effect to create an interesting song,” he says. "Just like if I'm playing slide guitar, they know I'm not a dedicated slide player. I'm not going to make it part of my signature. What we arrive at is somewhat cathartic for someone who doesn't sing." “I Like the Rain” also features the album's most eccentric moment, when the engine revving of a Harley Davidson becomes an integral part of the song. ("It's a little synchronicity combined with serendipity," Satriani says of the circumstances that spawned the recording.) Apparently, while waiting for a guitar tech to return to the studio with a piece of gear, the band could hear his motorcycle's rumble signaling the arrival. The crew ran some cables out the control room doors and into the street to pop the sound onto tape. "It was perfect because it went with the attitude of the vocals," Satriani says. Another notable guest appearance involves the musician's young son, who turns up on the moody-and downright spacey-closer, "Bamboo." "I coaxed him into lying on the floor with an electric bass and playing a couple notes with his violin bow," he remembers. "It turned out to be great. It was the first thing that we had really done together that I knew would wind up on a record, so it was exciting for me. Obviously, he couldn't care less."

Is There Love in Space? is produced by Satriani, recorded by longtime collaborator John Cuniberti, and mixed by Mike Fraser. The album features the performer's core trio of Matt Bissonette on bass and Jeff Campitelli behind the drums. With this release, the New York native now boasts 11 solo albums to his credit-and a staggering 13 Grammy nominations to go along with them. His records have sold over 10 million copies worldwide. In fact, his sophomore effort, Surfing With the Alien, became the first instrumental guitar album to crack the Top 40. His Live in San Francisco DVD hit the gold mark, and the first G3 Live in Concert DVD went platinum. In addition to his own material, Satriani has recorded and toured with such artists as Mick Jagger, Deep Purple, Alice Cooper, and even Spinal Tap. Even before his 1986 debut Not of This Earth, Satriani had become something of a cult legend as the guitar teacher to such future stars as Steve Vai, Metallica's Kirk Hammett, Counting Crows' David Bryson, and jazz artist Charlie Hunter. Satriani has also become a hometown hero in the Bay Area, where he resides. He has been recruited to render the national anthem before San Francisco 4gers and Giants games, as well as for acrossthe- bridge neighbors, the Oakland As. It's no wonder he is listed at NO.8 in Guitar Player magazine's "Top 50 Greatest Guitarists Poll." "My ultimate goal is to continue playing forever," Satriani says. "I hope to never be tired of it and to always be searching to express the life I lead by taking those experiences and turning them into music. Hopefully, the guitar "II be my ongoing ment of expression."  

 

Searching (7-STRING low B)

Bamboo

Gnaahh

Hands In The Air (6 & 7-STRING low B)

I Like The Rain

If I Could Fly (6 & 12 string)

Is There Love In Space?

Just Look Up

Lifestyle  (6 & 7-STRING low B)

The Souls Of Distortion (6 & 7-STRING low B)

Up In Flames (DROP D TUNING: D-A-D-G-B-E)


The All Music Guide says that Satriani has "explored many directions, mashing together rock, blues, jazz, and pure technical proficiency in a dizzying blend that bears his unique signature." This matching folio to his 9th album, released in 2004, includes 11 tracks, 112 pages.

Titoli:

Searching

Bamboo

Gnaahh

Hands In The Air

I Like The Rain

If I Could Fly

Is There Love In Space?

Just Look Up

Lifestyle

The Souls Of Distortion

Up In Flames

Prezzo: €24,99
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ATKINS CHET IN THREE DIMENSIONS VOLUME 2 TABLATURE CHITARRA SPARTITI LIBRO FINGERPICKING

ATKINS CHET, IN THREE DIMENSIONS VOLUME 2. GUITAR TABLATURE

LIBRO DI MUSICA FINGERSTYLE.
SPARTITI PER CHITARRA.
ACCORDI, PENTAGRAMMA E TABLATURE

CON FOTOGRAFIE DI CHET ATKINS INSIEME AL PRESIDENTE DEGLI STATI UNITI D'AMERICA JIMMY CARTER, MARK KNOPFLER, PAUL YANDELL, JERRY REED, E ALTRI, COME RITA PAVONE. 

Rare photographs. Presents the much-anticipated second book in the highly acclaimed series that showcases personal insights into the life and music of "Mr. Guitar." Chet Atkins was a man of many layers: producer, record executive, friend and one of the greatest all-round guitarist in music history. This book is dedicated to the musicians and songwriters that meant so much to him. Interviews include: Dolly Parton, Steve Wariner, John D. Loudermilk, Mark Knopfler, Paul Yandell, Jerry Byrd, Janis Ian, Boots Randolph, Wayne Carson and many more of Chet's closest friends. As in Volume 1, Chet Atkins in Three Dimensions, Volume 2 provides definitive transcriptions (many for the first time) of 26 of Chet's greatest solos and duets such as "Gallopin' on the Guitar," "Liza," "Muskrat Ramble," "Frankie and Johnny," "Mister Sandman," "Smile," "Sweet Georgia Brown," "The Early Dawn," "The Entertainer," "Stump Water," "Dark Eyes," "Winter Walkin'," "Embraceable You," the tour de force piece- Jerry Reed's "Lightning Rod" (a work recorded by Jerry Reed and produced by Chet Atkins) and many other great pieces . Rare photographs, loving tributes and great music are the heart of this wonderful volume-a must for all fans of the guitar.
Song Title: Alice Blue Gown -Autumn Leaves, Joseph Kosma -Black Mountain Rag -Cancion del Viento "Song Of The Wind", arr. by Jorge Morel -Canned Heat, Chet Atkins -Dark Eyes -Embraceable You, George and Ira Gershwin -Estudio Brillante, Francisco Tarrega -Flop Eared Mule (and Other Classics) -Frankie and Johnny -Gallopin' On The Guitar, Chet Atkins -La Madrugada (The Early Dawn), Jerry Hubbard -Levee Walking, Jerry Reed and Henry Strzelecki -Lightning Rod, Jerry Hubbard -Little Music Box "La Alborada", Francisco Tarrega -Liza, George Gershwin -Long Long Ago, Thomas Bayly -Mister Sandman, Pat BallardMuskrat Ramble, Edward "Kid" Ory -Rainbow -Smile, Charles Chaplin -Stump Water, Jerry Reed -Sweet Georgia Brown, Ben Bernie, Kenneth Casey, and Maceo Pinkard -The Entertainer, Scott Joplin (arranged by John Knowles) -Winter Walkin', Jerry Reed. 375 pages. TAB.

By John McClellan and Deyan Bratic. For Guitar (Fingerpicking). Transcribed solos. Country. Book. Level: Advanced. The much-anticipated second book in the highly acclaimed series that showcases personal insights into the life and music of 'Mr. Guitar.' Chet Atkins was a man of many layers: producer, record executive, friend and one of the greatest all-round guitarist in music history. This book is dedicated to the musicians and songwriters that meant so much to him. Interviews include: Dolly Parton, Steve Wariner, John D. Loudermilk, Mark Knopfler, Paul Yandell, Jerry Byrd, Janis Ian, Boots Randolph, Wayne Carson and many more of Chet!s closest friends. As in Volume 1, Chet Atkins in Three Dimensions, Volume 2 provides definitive transcriptions (many for the first time) of 26 of Chet!s greatest solos and duets such as Gallopin on the Guitar, Liza, Muskrat Ramble, Frankie and Johnny, Mister Sandman, Smile, Sweet Georgia Brown, The Early Dawn, The Entertainer, Stump Water, Dark Eyes, Winter Walkin, Embraceable You, the tour de force piece- Jerry Reed's Lightning Rod (a work recorded by Jerry Reed and produced by Chet Atkins) and many other great pieces . Rare photographs, loving tributes and great music are the heart of this wonderful volume-a must for all fans of the guitar.

Song Title: Composer/Source:
Alice Blue Gown
Autumn Leaves Joseph Kosma
Black Mountain Rag
Cancion del Viento "Song Of The Wind" arr. by Jorge Morel
Canned Heat Chet Atkins
Dark Eyes
Embraceable You George and Ira Gershwin
Estudio Brillante Francisco Tarrega
Flop Eared Mule (and Other Classics)
Frankie and Johnny
Gallopin' On The Guitar Chet Atkins
La Madrugada (The Early Dawn) Jerry Hubbard
Levee Walking Jerry Reed and Henry Strzelecki
Lightning Rod Jerry Hubbard
Little Music Box "La Alborada" Francisco Tarrega
Liza George Gershwin
Long Long Ago Thomas Bayly
Mister Sandman Pat Ballard
Muskrat Ramble Edward "Kid" Ory
Rainbow
Smile Charles Chaplin
Stump Water Jerry Reed
Sweet Georgia Brown Ben Bernie, Kenneth Casey, and Maceo Pinkard
The Entertainer Scott Joplin (arranged by John Knowles)
Winter Walkin' Jerry Reed

Prezzo: €58,99
€58,99
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