LIBRO

VIVALDI CLASSICAL GUITAR MUSIC OF Joseph Harris TABLATURE GARDELLINO CHITARRA LIBRO SPARTITI

VIVALDI, CLASSICAL GUITAR MUSIC OF.  SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA CLASSICA. 
SPARTITI  PER CHITARRA CON:
PENTAGRAMMA, E TABLATURE.

 

CONCERT MASTERWORKS

Classical Guitar Music of Vivaldi
Series: Creative Concepts Publishing
Publisher: Creative Concepts TAB
Artist: Antonio Vivaldi
Arranger: Joseph Harris

Features 31 pieces by Antonio Vivaldi arranged for solo guitar with tablature. Includes historical notes, performance suggestions, explanation of ornaments, and more.

Inventory #HL 00315187
ISBN: 9781569221945
UPC: 073999158755
Publisher Code: 074090
Width: 9.0"
Length: 12.0"
80 pages

About Classical Guitar Music Of Vivaldi - Guitar Solo
By Antonio Vivaldi (1678-1741), arranged by Joseph Harris. Guitar tablature songbook for guitar. 80 pages.
With standard guitar notation, guitar tablature, introductory text and instructional text. Baroque. 9x12 inches.

Features 31 pieces by Antonio Vivaldi arranged for solo guitar with tablature. Includes historical notes, performance suggestions, explanation of ornaments, and more.

For many years remembered only for his contribution of hundreds of violin concertos, Antonio Vivaldi is regarded today as a key musical figure of the Italian Baroque. Although his most visible and enduring influence was indeed in the development of the solo concerto, Vivaldi was also admired in his day as a composer of excellent chamber music, a stunning violinist and a popular composer of Italian opera. This composer of "The Four Seasons" was a bold and impetuous individual who managed to focus his musical impulses in a unique voice that was consistent yet expressive. Vivaldi was born in Venice in 1678 and trained for the priesthood, but ended up practicing this vocation for only a brief time. Vivaldi served for nearly forty years (from 1703 until just before his death in 1741) as musical director of the Conservatorio dell'Ospedale della Pieta, one of four girls' orphanages in Venice. The Ospedale provided outstanding musical instruction and under Vivaldi's direction created quite a musical sensation. Vivaldi's tasks at the Ospedale included teaching private lessons, composing music for both concerts and church services, repairing musical instruments and commissioning works from other composers for concerts at the Ospedale. Vivaldi was extremely prolific, composing over 50 operas, 90 sonatas and 450 concertos. Despite the apparent ease with which he could produce a composition (he once boasted he could compose a piece faster than it could be copied), Vivaldi is criticized sometimes for being too predictable. The twentieth century Italian composer Luigi Dallapiccola once asserted that Vivaldi did not compose 450 separate concertos, but wrote the same concerto 450 times. Whereas during the Baroque many musicians believed that the particular intent of a composition (church, chamber or theatre) should dictate its musical language, Vivaldi's style varied little between genres and even between mediums. His vocal music and instrumental music share similar musical characteristics, as do his sacred and secular works. Furthermore, Vivaldi's compositional style remained remarkably consistent throughout his career and evolved very little. The only major variances one finds are in surface details, such as melodic contour, which tended to reflect public tastes. However, it is a tribute to Vivaldi's skill as a composer that within such a limited musical vocabulary he exhibited a virtually inexhaustible variety of invention.

Sonatas for Violin, Op. 2
The 12 Sonatas for Violin, Op. 2 were Vivaldi's first solo sonatas. The Sonatas were published in Italy in 1709 and dedicated to Frederick IV of Denmark on the occasion of his visit to Venice. For the Sonatas, Vivaldi drew upon models of Arcangelo Corelli, a conservative Italian composer whose works are tidily constructed, yet highly expressive. Vivaldi's Sonatas are a composite of church and chamber styles, demonstrating his tendency to blur boundaries between genres. In the Sonatas, dance movements intermingle with abstract movements (those with only tempo designations). Baroque dances of the Italian variety differ considerably from their French or German equivalents. The slight differences in the names of dances (for example, compare the Italian giga to the French gigue) do not signify nationality only, but salient musical traits. Whereas the French gigue is a lively, bouncy dance in an imitative texture, the Italian giga has a more restrained sense of pulse, a less rhythmically active bass line and little or no imitation between voices. The Italian gavotta lacks the characteristic two upbeats and musette-like middle section of the French gavotte. The Italian corrente is faster and more "running" in character than the French courante. Also, the French courante may emphasize dotted rhythms and an alternation between duple and triple meter, while the corrente is more rhythmically consistent and metrically stable.

Sonata No.3
In the Adagio (found on page 7), the bass line should be played with a warm tone, especially in areas where it is exposed (as in the opening and in measure 9). To achieve a warm tone on the guitar, play with the right hand close to the fretboard and strike the string with the side of the thumb, using as much flesh as possible. The Giga (found on page 8) should be played dynamically strong throughout and in a lightning fast tempo.

Sonata No.6
The Preludio (found on page 12) should sound very elegant and graceful. Exaggerate the dotted rhythms by playing the long notes longer and the short notes shorter. The Giga (found on page 16) should be played in a moderately fast tempo. Count two beats per measure, not four, to give the piece a stronger and more stable sense of forward motion

Sonata No.7
The tempo of the Corrente (found on page 19) should be very fast. However, in areas where the bass line becomes more active (especially in mm. 17-21), make sure that neither voice breaks down.

Sonata No.9
The Preludio (found on page 23) is an energetic and dramatic piece. The movement contains elements of a "learned" style, which show off a composer's contrapuntal skills. Be sure to emphasize the points of imitation (as in the first few measures).

Sonata No. 11
The abundance of syncopated rhythms presents an interesting technical problem for the solo performer in the Gavotta (found on page 28). In order toconvey the meter clearly, keep the tempo steady and count two beats per measure. Hold on to notes with the left hand for as long as possible before fingering new notes.

Sonatas for One or Two Violins, Ope 5
The Six Sonatas, Op. 5 were first published in 1716. By this time, Vivaldi had chosen a new publisher, Etienne Roger in Amsterdam. There were at least two significant reasons for the switch: superior printing methods and an increased demand for the music of Vivaldi and other Italians in northern Europe. The Sonatas, Op. 5 were actually engraved and published at Roger's own expense. Such a practice was quite rare in Vivaldi's time and testifies to his immense popularity.

Sonata No. 13
The Sarabanda (found on page 30) lacks the lasciviously strong accent on the second beat characteristic of the Spanish sarabande. Keep the tempo slow, the meter even and play with as much vibrato as possible. Sonata No. 14

For the Gavotta (found on page 32), the left-hand slurs (as in mm. 7-9 and 39-41) may require some extra attention during practice. Isolate each slur and treat it as a trilling exercise. Devote a few minutes each day to these passages until they sound crisp and clear.

Sonata No. 16
In the Preludio (found on page 35), exaggerate the dotted rhythms and apply vibrato liberally. Because of the slow tempo, it will be necessary to think ahead and be aware of the melody's direction and shape. At some point, you may want to do a simple phrase analysis of the Preludio. Break the piece into small phrases, study how they relate to one another and then group them into longer phrases. The longer the phrases you envision, the better the sense of forward motion you will convey.

Sonata No. 18
The Air-Minuet (found on page 38) demonstrates an ambiguity in Vivaldi's choice of titles for movements. The designation "Air" suggests the vocal-like quality of the melody. The piece is also an instrumental dance movement, containing the clear four-bar phrasing and clear cadences typical of a minuet. Overall, the piece should sound stately, yet singing.

II cimento dell'armonia e dell'inventione, Op. 8
The Concertos, Op. 8 were first published in 1725 and dedicated to the Bohemian Count Wenzeslaus von Morzin. The first four concertos are collectively known as "The Four Seasons." A significant feature in each of these concertos is the inclusion of an explanatory sonnet, each line of poetry corresponding to a particular passage in the music.

Il cimento dell'armonia e dell'invenzione, Op. 8
Pubblicati per la prima volta nel 1725, i primi 4 concerti sono conosciuti come "Le quattro stagioni".

TABLE OF CONTENTS: 
Historical Notes & Performance Suggestions
Explanation of Ornaments
Adagio Sonata for Violin, Op. 2, No.3
Giga from Sonata for Violin, Ope 2, No. 3
Preludio from Sonata for Violin, Ope 2, No. 6
Giga from Sonata for Violin, Ope 2, No. 6
Corrente from Sonata for Violin, Ope 2, No. 7
Largo from Concerto for Flute, Op. 10, NO.3 (''il Gardellino") ,
Preludio from Sonata for Violin, Op. 2, No. 9 ,
Gavotta from Sonata for Violin, Ope 2, No. 11
Sarabanda from Sonata for Violin, Ope 5, No. 13
Gavotta from Sonata for Violin, Ope 5, No. 14 .
Preludio from Sonata for Violin, Ope 5, No. 16 .
Air-Menuet from Sonata for Two Violins, Op. 5, No. 18 .
Allegro non molto From the Four Seasons, Op. 8, NO.2 (Summer) .
Largo From The Four Seasons, Op. 8, NO.4 (Winter) .
Affettuoso From Sonata for Flute, RV 48 .
Allegro assai From Sonata for Flute, RV 48 .
Allegro Sonata for Flute, RV48 .
Preludio from Sonata for Flute, RV 49 .
Sarabanda from Sonata for Flute, RV 49 .
Siciliana from Sonata for Flute, RV 49 .
Preludio from Sonata for Recorder, RV 52 .
Allemanda from Sonata for Recorder, RV 52 .
Aria di Giga from Sonata for Recorder, RV 52 .
Largo from Concerto for Lute and Two Violins, RV93 .
Largo from Concerto for Flute and Oboe, RV95 ("La Pastorella") .
Andante from Concerto for Flute, RV429 .
Grave from Concerto for Violin and Organ, RV541 .
Allegro alla Francese Violin and Oboe, RV 543
Largo from Concerto for Oboe and Violin, RV 548 .
Largo from Concerto for Flute, Op. 10, No.4 .
Largo from Sonata for Musette, Vielle, Flute, Oboe or Violin, Op. 13, No.6

Catalog #07- 4090
ISBN# 1-56922-194-4
CREATIVE CONCEPTS PUBLISHING CORPORATION
Creative Concepts Publishing Corp.

Prezzo: €19,99
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GUITAR SOLO JAZZ STANDARDS Silverman TABLATURE SPARTITI LIBRO CHITARRA

GUITAR SOLO JAZZ STANDARDS. Silverman. TABLATURE

LIBRO DI SPARTITI PER CHITARRA IN NOTAZIONE E TABLATURE. 

Guitar Solo Jazz Standards
Arr. Jerry Silverman and Gregory Coleman
SERIES: Guitar Solo
CATEGORY: Guitar Mixed Folio
FORMAT: Book
Nineteen classic jazz standards in beautiful and playable solo guitar arrangements. 82 Pages.Titles include:

Ain't She Sweet
Bess, You Is My Woman
Body And Soul
The Boulevard Of Broken Dreams
Don't Get Around Much Anymore
Emily
Fascinating Rhythm
In A Mellow Tone
In A Sentimental Mood
It Don't Mean A Thing (If It Ain't Got That Swing)
Li'l Darlin'
Mood Indigo
The More I See You
Mood Indigo
The More I See You
'Round Midnight
Skylark
Solitude
Sophisticated Lady
Take Five
Stardust

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ROLLING STONES GUITAR ANTHOLOGY TABLATURE Angie-It's Only Rock 'N' Roll-Start Me Up-HAPPY-LIBRO

ROLLING STONES, GUITAR ANTHOLOGY. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA ROCK,

SPARTITI PER VOCE E CHITARRA CON:  

ACCORDI, CHORDS, PENTAGRAMMA E TABLATURE. 

The Rolling Stones Guitar Anthology
Series: Guitar Recorded Version TAB
Artist: Rolling Stones

Note-for-note transcriptions with tab for more than two dozen hits from the Stones, who had the audacity to deem themselves The World's Greatest Rock & Roll Band – and the raw, intense talent to back up the claim. Includes: Angie - Beast of Burden - Emotional Rescue - Hang Fire - Happy - The Harlem Shuffle - It's Only Rock 'N' Roll - Miss You - Rocks Off - Shattered - She Was Hot - Start Me Up - Time Is on My Side - Tumbling Dice - Waiting on a Friend - and more, plus a special 8-page color photo section!
Inventory #HL 00690631
ISBN: 9780634062865
UPC: 073999906318
Width: 9.0"
Length: 12.0"
304 pages

All The Way Down
Angie
Beast Of Burden
Black Limousine
Doo Doo Doo Doo Doo (Heartbreaker)
Emotional Rescue
Fool To Cry
Hang Fire
Happy
It's Only Rock 'N' Roll (But I Like It)
Miss You
Not Fade Away
Respectable
Rocks Off
Shattered
She Was Hot
She's So Cold
Start Me Up
The Harlem Shuffle
Time Is On My Side
Tumbling Dice
Undercover (Of The Night)
Waiting On A Friend
When The Whip Comes Down
Worried About You

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3 DOORS DOWN SEVENTEEN DAYS GUITAR TABLATURE SPARTITI CHITARRA LIBRO ACCORDI BOOK

3 DOORS DOWN, SEVENTEEN DAYS. TABLATURE

LIBRO DI MUSICA ROCK.
SPARTITI PER CHITARRA E VOCE.
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE. 

Be Somebody
Behind Those Eyes
Father's Sons
Here By Me
It's Not Me
Landing In London
Let Me Go
Live For Today
My World - Bigger Than Me
Never Will I Break
The Real Life
Right Where I Belong

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ACOUSTIC GUITAR Composition, Construction Evolution One World's Most Beloved Instruments chitarra

ACOUSTIC GUITAR, The Composition, Construction, and Evolution of One of World's Most Beloved Instruments.

Series: Guitar Reference
Medium: Softcover
Author: Frank Ford
Author: Michael Simmons
Author: Richard Johnston
Author: Teja Gerken

Foreword by C.F. Martin IV. This comprehensive guide explains how to buy and maintain the guitar that matches your needs. From its beginning in European classical music, through American innovations like blues, jazz, country, and all the way to rock, pop and folk, the acoustic guitar's versatility is remarkable. This book covers all types of models with an emphasis placed on steel-string flattops, archtops and classical guitars. Topics covered include: How to tell the difference between a good sounding and bad sounding instrument; How much of the sound is determined by the wood; How to amplify and maintain its natural sound; How much money to spend in order to get an instrument that matches your level of playing; A color section illustrates historically significant instruments. 396 pages.

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CROCE JIM, THE VERY BEST OF. Guitar Recorded Version TABLATURE

CROCE JIM, THE VERY BEST OF. TABLATURE

1972 - Bad, Bad Leroy Brown - Words and Music Jim Croce
1972 - Careful Man - Words and Music Jim Croce
1973 - I Got A Name - Words by Norman Gimbel - Music: Charles Fox
1973 - I'll Have To Say I Love You In A Song - Words and Music Jim Croce
1972 - It Doesn't Have To Be That Way - Words and Music Jim Croce
1972 - One Less Set Of Footsteps - Words and Music Jim Croce
1971 - Operator (That's Not The Way It Feels) - Words and Music Jim Croce
1971 - Photographs And Memories - Words and Music Jim Croce
1972 - These Dreams - Words and Music Jim Croce
1971 - Time In A Bottle - Words and Music Jim Croce
1973 - Workin' At The Car Wash Blues - Words and Music Jim Croce
1971 - You Don't Mess Around With Jim - Words and Music Jim Croce


Series: Guitar Recorded Version
Softcover - TAB
Artist: Jim Croce
Music Transcriptions: Pete Billmann, Paul Pappas, David Stocker, Jeff Story

12 timeless classics from the late Jim Croce: 104 pages

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CROSBY, STILLS & NASH, BEST OF Guitar Recorded Version Hal Leonard LIBRO TABLATURE CHITARRA

CROSBY, STILLS & NASH, BEST OF. GUITAR TABLATURE

LIBRO DI MUSICA ROCK.

SPARTITI PER VOCE E CHITARRA.

ACCORDI, PENTAGRAMMA, TABLATURE.

Carry Me -Carry On -Change Partners -Chicago -Dark Star -Deja Vu -Got It Made -Guinnevere -Helplessly Hoping -Just A Song Before I Go -Long Time Gone -Love The One You're With -Marrakesh Express -Our House -Shadow Captain -Southern Cross -Suite: Judy Blue Eyes -Teach Your Children -Wasted On The Way. 160 pages. TABLATURE


Best of Crosby, Stills & Nash

Series: Guitar Recorded Version TAB
Artist: Crosby, Stills & Nash

19 of CSN's best in note-for-note guitar notation with tablature. Includes: Carry Me • Carry On • Chicago • Got It Made • Long Time Gone • Love the One You're With • Our House • Suite: Judy Blue Eyes • Teach Your Children • and more.
157 pages

Carry Me - words and music: David Crosby - from CSN (box set) - 1975
Carry On - words and music: Stephen Stills - from Déjà Vu - 1971
Change Partners - words and music: Stephen Stills - from Carry on - 1971
Chicago - words and music: Graham Nash - from Carry on - 1971
Dark Star - words and music: Stephen Stills - from CSN - 1977
Deja Vu - words and music: David Crosby - from Déjà Vu - 1970
Got It Made - words and music: Stephen Stills and Neil Young - from American Dream - 1988
Guinnevere- words and music: David Crosby - from Crosby, Stills & Nash - 1973
Helplessly Hoping - words and music: Stephen Stills - from Crosby, Stills & Nash - 1969
Just A Song Before I Go - words and music: Graham Nash - CSN - 1976
Long Time Gone - words and music: David Crosby - from Crosby, Stills & Nash - 1968
Love The One You're With - words and music: Stephen Stills - from Carry on - 1970
Marrakesh Express - words and music: Graham Nash - from Crosby, Stills & Nash - 1969
Our House - words and music: Graham Nash - from  Déjà Vu - 1970
Shadow Captain - words and music: David Crosby, Craig Doerge - from CSN - 1987
Southern Cross - words and music: Stephen Stills, Richard Curtis, Michael Curtis - from Carry on - 1974
Suite: Judy Blue Eyes - words and music: David Crosby - from Crosby Stills & Nash - 1970
Teach Your Children - words and music: Graham Nash - from  Déjà Vu - 1970 
Wasted On The Way - words and music: Graham Nash - Daylight again - 1982

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VAI STEVE DAVID LEE ROTH EAT 'EM AND SMILE Guitar Recorded Version TABLATURE LIBRO SPARTITI

VAI STEVE, DAVID LEE ROTH, EAT 'EM AND SMILE. TABLATURE 

Guitar Recorded Version

LIBRO DI MUSICA HEAVY METAL.

SPARTITI PER VOCE E CHITARRA. 

ACCORDI, PENTAGRAMMA, TABLATURE. 


This songbook matches Diamond Dave's first full-length album featuring Steve Vai, Billy Sheehan, and Gregg Bissonette as his back-up band. 10 songs. 104 pages.

Big Trouble
Bump And Grind
Elephant Gun
Goin' Crazy
I'm Easy
Ladies' Nite In Buffalo?
Shy Boy
That's Life
Tobacco Road
Yankee Rose

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METHENY PAT-ONE QUIET NIGHT-GUITAR RECORDED VERSION TABLATURE LIBRO SPARTITI CHITARRA BOOK

METHENY PAT, ONE QUIET NIGHT. BOOK SHEET MUSIC WITH GUITAR TABLATURE

LIBRO DI MUSICA ROCK JAZZ FUSION. 

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE.   


Series: Guitar Recorded Version
All 12 songs from the 2003 acoustic guitar recording by Metheny: Another Chance -Don't Know Why -Ferry 'Cross The Mersey -I Will Find The Way -Last Train Home -My Song -North To South, East To West -One Quiet Night -Over On 4th Street -Peace Memory -Song For The Boys -Time Goes On. 88 pages.

Another Chance
Don't Know Why
Ferry 'Cross The Mersey
I Will Find The Way
Last Train Home
My Song
North To South, East To West
One Quiet Night
Over On 4th Street
Peace Memory
Song For The Boys
Time Goes On

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METHENY PAT GROUP, THE WAY UP GUITAR Transcribed score LYLE MAYS

METHENY PAT GROUP, THE WAY UP. Transcribed score.

THE COMPLETE SCORE COMPOSED BY: PAT METHENY, LYLE MAYS
EDITED BY: STEVE RODBY FOR ALL INSTRUMENTS


Artist: Pat Metheny
This is the complete score for the four-part composition from this new release by the Pat Metheny Group. NPR says the album has an ambitious compositional style that amounts to an epic journey. 256 pages, NO TABLATURE

Songlist:
Opening - PAT METHENY, LYLE MAYS - 2005
Part One - PAT METHENY, LYLE MAYS - 2005
Part Three - PAT METHENY, LYLE MAYS - 2005
Part Two - PAT METHENY, LYLE MAYS - 2005

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€21,00
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