LIBRO

LED ZEPPELIN MOTHERSHIP LIBRO GUITAR TABLATURE Jimmy Page Whole Lotta Love-Stairway to Heaven

LED ZEPPELIN, MOTHERSHIP. TABLATURE

LIBRO DI MUSICA PER CHITARRA CON TABLATURE.

It was a modest announcement, a two-page press release issued in November 1968: "Atlantic Records has signed the hot, new English group Led Zeppelin to a long-term exclusive recording contract. Although the exact terms of the deal are secret, it can be disclosed that it is one of most substantial deals Atlantic has ever made."
Most of what followed was quick biography-Jimmy Page's history with The Yard birds, where he had succeeded Eric Clapton and Jeff Beck as lead guitarist, and as one of the best and busiest session musicians in Britain; bassist John Paul Jones' success as an arranger of hit records for Donovan and The Rolling Stones, among many others. There were references to drummer John Bonham's already notorious solos as a member of American singer Tim Rose's touring band and to Robert Plant's blooming reputation as "one of England's outstanding young blues singers."
There was a promise too. "Top English and American rock musicians who have heard the tracks," the release said, referring to Zeppelin's imminent debut album, "have compared the LP to the best of Cream and Jimi Hendrix and have called Led Zeppelin the next group to reach the heights achieved by Cream and Hendrix."
That was audacious talk, a fat power chord in the face, at a time when Hendrix still walked the Earth and Cream were a fresh memory-the latter played their farewell shows that ,'ery month at London's Royal Albert Hall. In comparison, when Lcd Zeppelin opened their first North American tour in Denver, Colorado, on December 26, 1968, they were third on a bill to Vanilla Fudge and Spirit and treated like a doormat. The promoter, Plant told me years later, deducted the cost of the backstage grub" this four-Ioaves-and-fivc-fishes thing"-from the band's pay.
At other dates, Plant operated Zeppelin's PA. system himself, onstage, and Bonham often played without miking his kit (a minor annoyance as he was loud enough without electricity). In Detroit a local newspaper ad for Zeppelin's three-night stand at the Grande Ballroom announced the appearance of "Led Zeptlin." But as Page said later, recalling that tour, "You could feel something happening-first this row, then that row. It was like a tornado, and it went rolijng across the country." By the end of 1969, Page, Plant, Jones, and Bonham had torn through North America four times, each time to bigger, sold-out audiences. In Britain, where they had been in clubs as The ew Yard birds as late as October 1968, Zeppelin quickly followed Cream into the Royal Albert Hall, ftlling it in June 1969 (and again in January 1970). 
In that first whiplash year, Led Zeppelin also released two of the most exciting and important rock albums ever made, Led Zeppen fill and Led Zeppelin II-together, the fundamental bones of hard rock and heay\ metal for the next four decades.
From the start, Led Zeppelin were working warriors. They toured like dogs-albeit in wild-boy luxury, fiercely protected by their manager, Peter Grant-and made eight studio albums (one a double LP) at a pace that now seems superhuman. Page claimed the total recording time for Led Zeppelin was 30 hours. The band made II on rare off days berwcen shows in the summer of '69, in nearly a dozen different studios. "I remember we did vocal overdubs in an eight-track studio in Vancouver where they didn't even have proper headphones," Page rccalled in a 1977 interview with Dave Schulps for the American magazine Trails-Oceanic Trouser Press. "Can you imagine that?"
Actually, yes. Even the band's harshest critics-and there were armies of thcm at the time-could not deny that Led Zeppelin had a rare drive to excel and conljuer. "So many people are frightened to take a chance in life," Page told Rolling Stone's Cameron Crowe in 1975, "and there's so many chances you have to take." Jones did not hesitate to give up the regular, lucrative checks from his studio gigs to be in Led Zeppelin; as soon as he heard about Page's plans for a new group, in the late summer of '68, he called Page and asked to join. Page himself was throwing dice when, on the recommendation of Terry Reid (who turned down Page's offer to be vocalist), he checked out and hired Plant, just 20 and unknown beyond the club grind in England's industrial Midlands. Page then took Plant's advice and grabbed the singer's friend, Bonham.
"It was a series of intense, dynamic crescendos, one right after the other;' Plant told me, describing Zeppelin's first American shows in 1968 and '69. "There was no room for the letdown."
That is also a perfect description of the power, confidence, and desire-the lust for liftoff-in these songs and performances. Led Zeppelin wanted everything, in record time. And they were afraid of nothing. Mothership--the peak of their canon-is what No Fear sounds like.
The first four songs here, all from Led Zeppelin, are the work of a new band racing against clock and budget to connect their individual histories and collective passions into a new, huge music.
The roots are unmistakeable, the combination unprecedented: the blues, twang, and holler of America's Deep South and black urban neighborhoods, especially anything bearing the classic Chess, Sun, and Atlantic labels; the British folk renaissance; California Day-Glo psychedelia.
So are the ambitions. "Good Times Bad Times" and "Communication Breakdown" are as tightly arranged as any candy-pop 45 Page and Jones played on as hired guns. But the details are explosive: Bonham's ayalanche rolls and Jones' pummeling bass outbursts in "Good Times Bad Times"; the nuclear buckshot of Page's chords behind Plant's arcing wail in ... 


To Plant, the essence and promise of Led Zeppelin was in "the quest, the travels and explorations that Page and I went on to far climes well off the beaten track," he told me in a 1988 inten·iew. \X'orld domination obvioush' had its benefits. "I had a dream/Crazy dream/Anything I wanted to know, any place I needed to go," Plant crowed in "The Song Remains The Same" on 1973's Houses Of The Holy'. Except it was no dream. By then, Bron-Yr-Aur, a remote cottage in southern Wales,was famous for the songs Page and Plant wrote there in 1970 and '71; Page and Plant had also recorded in India with members of the Bombay Symphony. "D'yer Mak'er" may have been tongue-in-cheek reggae (say the title real fast), but the blunt-instrument treble of Jones' bass was authentic homage to the trull- heavy bottom and primitive fidelity of Jamaican records and rhythm sections. (page often put Jones way up in Zeppelin mixes; in "I houses Of The Holy," originally cut for that album, the chugging bass is louder and dirtier than Page's guitar.)
"Of course, we only touched the surface," Plant said of those excursions with Page between records and tours. "W'e weren't anthropologists. But we were allowed, because we were musicians, to be invited in societies that people don't normally witness, It was quite a remarkable time, to open your eyes and see how Berber tribesmen lived in the northern Sahara"-a memorable trip that inspired the thundering march and orchestral sandstorm of "Kashmir" on the 1975 double album Phpica! Graffiti. 
Jones' skills as an orchesrrator and multi-instrumentalist, rarely mentioned even in ra\'e reviews of the band's records, were pivotal in Zeppelin's songs of pilgrimage (real and imagined). The
mounting doom of "No Quarter" on Houses Of The Holy starts with the simple, compelling black-liquid ripple of his electric piano.
In "Kashmir" staccato strings march alongside Page's climbing guitar, and long mellotron chords roll O\'er the horizon like clouds of dust. \X'hen I asked Plant, in 1988, about "Stairway To Heaven" and its status as the definitive Zeppelin song, he immediately corrected me, "It's not," he said, "'Kashmir' is."
Ultimately, everything here is definitive Zeppelin, in some way: the rude, thundering funk of "Trampled Under Foot," driven by Jones' percolating c1a\'inet and Bonham's merciless drumming; the ferocious, prolonged assault of "Achilles Last Stand" (page told Dave Schulps that he meticulously orchestrated the song's horde of guitars "in my mind," then recorded "all the overdubs in one night"); and the elegant sweep and memorial tenderness of "All My Love."
Then, suddenly, there was no Zeppelin, On September 25, 1980, a day after the group convened to rehearse for yet another Korth American tour, Bonham was found dead at Page's home, following a mammoth drinking binge. "The band didn't exist," Plant said later, "the minute Bonzo died."
The music and history were left unfinished. On December 4 Atlantic Records issued a one-sentence press release: "We wish it to be known that the loss of our dear friend and the deep respect we have for his family, together with the sense of undi\'ided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were," It was simply signed "Led Zeppelin."
The end came with ironic timing-12 years almost to the day after Atlantic sent out that first announcement in 1968. It also scaled the purity and power of everything Jimmy Page, Robert Plant, John Paul Jones, and John Bonham wrote and played together in what now seems like a very short time. Led Zeppelin did not last long enough to faiLInstead, they have a unique, eternal life in this music that can never be tainted and will never be topped. The band is gone. The thrill is not.

Series: Guitar Book
Medium: BOOK
Artist: Led Zeppelin
232 pages
24 of their biggest hits from the mult-platinum collection, spanning their entire career. Good Times Bad Times - Communication Breakdown - Dazed and Confused - Babe I'm Gonna Leave You - Whole Lotta Love - Ramble On - Heartbreaker - Immigrant Song - Since I've Been Loving You - Rock and Roll - Black Dog - When The Levee Breaks - Stairway to Heaven - The Song Remains the Same - Over the Hills and Far Away - D'yer Mak'er - No Quarter - Trampled Under Foot - Houses of the Holy - Kashmir - Nobody's Fault but Mine - Achilles Last Stand - In the Evening - All My Love.

 

TITLE COMPOSER
Ramble On Jimmy Page (composer); Robert Plant (composer)
Since I've Been Loving You Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
No Quarter Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
When the Levee Breaks Jimmy Page (composer); Robert Plant (composer); Memphis Minnie (composer)
The Song Remains the Same Jimmy Page (composer); Robert Plant (composer)
Heartbreaker Jimmy Page (composer); John Bonham (composer); Robert Plant (composer); John Paul Jones (composer)
Immigrant Song Jimmy Page (composer); Robert Plant (composer)
Whole Lotta Love Jimmy Page (composer); John Bonham (composer); Willie Dixon (composer); Robert Plant (composer); John Paul Jones (composer)
Babe I'm Gonna Leave You Jimmy Page (composer); Robert Plant (composer); Anne Bredon (composer)
Communication Breakdown Jimmy Page (composer); John Bonham (composer); John Paul Jones (composer)
Dazed and Confused Jimmy Page (composer)
Good Times, Bad Times Jimmy Page (composer); John Bonham (composer); John Paul Jones (composer)
Black Dog Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
Rock and Roll Jimmy Page (composer); John Bonham (composer); Robert Plant (composer); John Paul Jones (composer)
All My Love Robert Plant (composer); John Paul Jones (composer)
In the Evening Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
Stairway to Heaven Jimmy Page (composer); Robert Plant (composer)
D'yer Mak'er Jimmy Page (composer); John Bonham (composer); Robert Plant (composer); John Paul Jones (composer)
Kashmir Jimmy Page (composer); John Bonham (composer); Robert Plant (composer)
Trampled Under Foot Jimmy Page (composer); Robert Plant (composer); John Paul Jones (composer)
Houses of the Holy Jimmy Page (composer); Robert Plant (composer)
Achilles Last Stand Jimmy Page (composer); Robert Plant (composer)
Nobody's Fault but Mine Jimmy Page (composer); Robert Plant (composer)
Over the Hills and Far Away Jimmy Page (composer); Robert Plant (composer)
 

Prezzo: €35,70
€35,70

PORCUPINE TREE DEADWING GUITAR TABLATURE BOOK CHITARRA LIBRO SPARTITI Authentic Guitar TAB

PORCUPINE TREE, DEADWING. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA ROCK. 

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

CATEGORY: Guitar Personality
VERSION: Authentic Guitar TAB
FORMAT: Book

Includes the Following Selections:
Title Composer
ARRIVING SOMEWHERE BUT NOT HERE
WILSON, STEVEN
DEADWING
WILSON, STEVEN
GLASS ARM SHATTERING
HARRISON, GAVIN/WILSON, STEVEN/BARBIERI, RICHARD/BALCH, COLIN
HALO
HARRISON, GAVIN/WILSON, STEVEN/BARBIERI, RICHARD/BALCH, COLIN
LAZARUS
WILSON, STEVEN
MELLOTRON SCRATCH
WILSON, STEVEN
OPEN CAR
WILSON, STEVEN
SHALLOW
WILSON, STEVEN
START OF SOMETHING BEAUTIFUL
HARRISON, GAVIN/WILSON, STEVEN

Prezzo: €24,99
€24,99

RACONTEURS THE-BROKEN BOY SOLDIERS-GUITAR TABLATURE LIBRO SPARTITI CHITARRA JACK WHITE

RACONTEURS THE, BROKEN BOY SOLDIERS. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA ROCK. 

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 


Notes & tab for all 10 tunes off the debut from Jack White and Brendan Benson's side-project band. Includes the title track, the hit single "Steady, as She Goes"

Blue Veins
Broken Boy Soldier
Call It A Day
Hands
Intimate Secretary
Level
Steady, As She Goes
Store Bought Bones
Together
Yellow Sun

Prezzo: €26,99
€26,99

RACONTEURS-CONSOLERS OF THE LONELY-GUITAR TABLATURE LIBRO SPARTITI CHITARRA JACK WHITE

RACONTEURS, CONSOLERS OF THE LONELY. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA ROCK. 

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

 


Artist: The Raconteurs
Matching folio to the second album from Jack White's "other" band. Includes 14 songs including: 96 pages

Attention
Carolina Drama
Consoler Of The Lonely
Five On The Five
Hold Up
Many Shades Of Black
Old Enough
Pull This Blanket Off
Rich Kid Blues
Salute Your Solution
The Switch And The Spur
These Stones Will Shout
Top Yourself
You Don't Understand Me

Prezzo: €26,99
€26,99

FINGERSTYLE LOVE SONGS-15 Classic Arranged for Solo Guitar-Bill Piburn CD TABLATURE SPARTITI

FINGERSTYLE LOVE SONGS, 15 Classic Songs Arranged for Solo Guitar. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO DI MUSICA CON CD.

SPARTITI PER CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE.

Arranger: Bill Piburn
Artist: Various

"Bill Piburn is one of the best players, arrangers and teachers I have known." Chet Atkins

15 love songs masterfully arranged by Bill Piburn, editor of Fingerstyle Guitar magazine. Includes:

1971  -  Always On My Mind  -  Wayne Thompson, Mark James, Johnny Christopher
1970  -  And I Love You So  -  Don McLean
1930  -  Dream A Little Dream Of Me  -  Wilbur Schwandt, Fabian Andree
1991  -  Beauty And The Beast  -  Alan Menken, dal film della Disney
1979  -  How Deep Is Your Love  -  Gibb Brothers, dal film "Saturday night fever"
1961  -  I Love How You Love Me  -  Barry Mann, Larry Kolber
1968  -  I Will  -  John Lennon & Paul McCartney
1977  -  Just The Way You Are  -  Billy Joel
1968  -  My Cherie Amour  -  Stevie Wonder, Sylvia Moy, Henry Cosby
1955  -  Only You (And You Alone)  -  Buck Ram, Ande Rand
1962  -  Our Day Will Come  -  Garson
1968  -  This Guy's In Love With You  -  Burt Bacharach
1955  -  True Love  -  Cole Porter
1955  -  Unchained Melody  -  Alex North
1934  -  The Very Thought Of You  -  Ray Noble

48 pages

Prezzo: €24,99
€24,99

ELECTRIC LIGHT ORCHESTRA GUITAR COLLECTION Recorded Version TABLATURE SPARTITI LIBRO

ELECTRIC LIGHT ORCHESTRA, GUITAR COLLECTION 13 classic hits. TABLATURE

LIBRO DI MUSICA.

SPARTITI PER VOCE E CHITARRA.

ACCORDI, PENTAGRAMMA E TABLATURE.


ELECTRIC LIGHT ORCHESTRA GUITAR COLLECTION
Series: Guitar Recorded Version TAB
Artist: Electric Light Orchestra
Music Transcriptions by: Pete Billmann, Paul Pappas, David Stocker, and Jeff Story

In 1970, four blokes from Birmingham formed ELO "to pick up where 'I Am the Walrus' left off." This GRV collection features note-for-note transcriptions with tab for 13 top hits from guitarist Jeff Lynne & crew:


1974  -  Can't Get It Out Of My Head  -  Jeff Lynne
1979  -  Don't Bring Me Down  -  Jeff Lynne
1975  -  Evil Woman  -  Jeff Lynne
1983  -  Four Little Diamonds  -  Jeff Lynne
1981  -  Hold On Tight  -  Jeff Lynne
1976  -  Livin' Thing  -  Jeff Lynne
1977  -  Mr. Blue Sky  -  Jeff Lynne
1983  -  Rock 'N' Roll Is King  -  Jeff Lynne
1979  -  Shine A Little Love  -  Jeff Lynne
1975  -  Strange Magic  -  Jeff Lynne
1977  -  Sweet Talkin' Woman  -  Jeff Lynne
1977  -  Turn To Stone  -  Jeff Lynne
1980  -  Xanadu  -  Jeff Lynne

96 pages

Il Leader degli E.L.O., Lynne è nato in Inghilterra il 30 dicembre 1947, è stato il produttore dei: Beatles, Brian Wilson, Roy Orbison, e altri. E' stato co-autore delle canzoni di Tom Petty, e di George Harrison, è stato uno dei fondatori dei Traveling Wilburys con Bob Dylan.

Prezzo: €26,99
€26,99

A PERFECT CIRCLE THIRTEENTH STEP GUITAR TABLATURE SPARTITI CHITARRA ACCORDI CANTO

A PERFECT CIRCLE, THIRTEENTH STEP. TABLATURE

LIBRO DI MUSICA ROCK.
SPARTITI PER CHITARRA E VOCE.
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: A Perfect Circle

The second release from these alt-metal rockers is a conceptual exploration of the darker side of the human psyche. Includes 12 songs:

Blue
Crimes
Gravity
Lullaby
The Noose
The Nurse Who Loved Me
The Outsider
The Package
Pet
A Stranger
Vanishing
Weak And Powerless

96 pages

Prezzo: €20,00
€20,00

SANTANA-ALL THAT I AM-Authentic BOOK GUITAR TABLATURE LIBRO SPARTITI CHITARRA CARLOS

SANTANA, ALL THAT I AM. MUSIC SHEET BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA ROCK.

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

Authentic Guitar TABLATURE

About All That I Am
By Carlos Santana. Guitar tablature songbook for guitar and voice. Series: Authentic Guitar-Tab Editions. 136 pages. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams and guitar tab glossary. Rock, Pop Rock and Latin Pop.

the album-matching folio for Santana's CD All That I Am. The latest release from Santana, featuring legendary guitarist Carlos Santana, All That I Am reached the No. 2 spot on Billboard's Top 200 Chart in 2005 and has produced the hit singles "I'm Feeling You" (featuring Michelle Branch and The Wreckers) and "Just Feel Better" (featuring Steven Tyler). This edition provides complete note-for-note guitar TAB transciptions, inlcuding all of Carlos Santana's stunning guitar work on every song. Titles are:

Contents:
Hermes
El Feugo
I'm Feeling You
My Man
Just Feel Better
I Am Somebody
Con Cantana
Twisted
Trinity
Cry Baby Cry
Brown Skin Girl
I Don't Wanna Lose Your Love
Da Tu Amor

Prezzo: €34,99
€34,99

BOSTON, BASS COLLECTION. Bass Recorded Versions TABLATURE

BOSTON, BASS COLLECTION. TABLATURE

Series:  
Softcover - TAB
Artist: Boston

Ten top hits from these arena rock legends! Includes bass transcriptions in notes & tab for:

Amanda
Don't Look Back
Feelin' Satisfied
Hitch A Ride
Let Me Take You Home Tonight
Foreplay/Long Time (Long Time)
More Than A Feeling
Peace Of Mind
Smokin'
Something About You

96 pages

Prezzo: €19,99
€19,99

HENDERSON SCOTT BLUES GUITAR COLLECTION Recorded Version TABLATURE LIBRO SPARTITI

HENDERSON SCOTT BLUES GUITAR COLLECTION Recorded Version TABLATURE

LIBRO DI MUSICA FUSION.

SPARTITI PER CHITARRA.

ACCORDI, PENTAGRAMMA E TABLATURE.


Series: Recorded Version (Guitar)
Softcover - TAB
Artist: Scott Henderson

10 note-for-note transcriptions of Henderson's unique blues-rock fusion tunes, 144 pages, including:

Ashes
Dog Party
Dolemite
Hole Diggin'
Lady P
Meter Maid
Same As You
That Hurts
Tore Down House
Well To The Bone

Prezzo: €26,99
€26,99
Condividi contenuti