LIBRO

SATRIANI JOE SUPER COLOSSAL Play It Like It Is TABLATURE libro chitarra-It's So Good-Just Like Lightnin'-

SATRIANI JOE, SUPER COLOSSAL. 136 pages. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

LIBRO DI MUSICA ROCK .

SPARTITI PER CHITARRA CON TABLATURE :

ACCORDI, PENTAGRAMMA, TABLATURE.

 

ARTIST APPROVED !

 

Serie: Play It Like It Is
Editore: Cherry Lane Music
Copertina morbida - TABLATURE
Artista: Joe Satriani

APPROVATO DALL'ARTISTA

This book was approved by Joe Satriani

 

Matching folio to Satch's 2006 release featuring 13 more tracks from the guitar virtuoso, including:

 

It's been 20 years since guitar monster Joe Satriani shook the world with his debut solo release, Not of This Earth. But when we broke this news to Satch himself, he couldn't believe it. 'Wow," he marvels. "I had no idea." Quickly he logs onto his website, satriani.com. "Whaddya know! You're absolutely right!" Of course, this just proves that Satriani isn't the type to look back-especially when he's got something like Super Colossal on his mind. Who can blame him? Even in a catalog that's overflowing with some of the most amazing six-string wizardry ever documented, Super Colossal, his newest Epic release, stands out. Whether you're a connoisseur of the guitaristic arts or someone who simply digs great grooves and passion in music, this CD lives up to its name. In fact, though Satriani has had a dream career that's ranged from building a reputation as the teacher that the greatest guitarists sought out for lessons, to exploding all over the map with more than ten million sales of eleven solo albums (two platinum, four gold), thirteen Grammy nominations, three platinum DVD's, the historic G3 guitar summits, and tours/sessions with everyone from Mick Jagger to Deep Purple to Spinal Tap, Super Colossal is an unprecedented achievement. Why? Because it's about more than playing guitar. It's about the magic in music. More precisely, it's about finding that sweet spot where sweeping gestures and a craftsman's attention to detail enrich each other. You hear it in the title track's thundering, foot-stomp beat and intricately textured lead line; in the spiritual intensity of "A Love Eternal"; in the raucous, party-down exhilaration of "Crowd Chant"; and in the cinematic menace of "One Robot's Dream:' And especially, you feel it because Satriani is digging-aown, finding the right note and letting.Jt fly, and focusing more on touching hearts than blowing minds. Super Colossal, then, completes his transformation, long in progress, from stunning instrumentalist to fully realized artistl "People who picked up on my records ear19on knew that I couldn't be easily pigeonholed;' Satriani says. "I was never a metal player or a fusion player or a straight-ahead rock player, though these are all elements of my personality. I think I just go further into each of those places now, especially on Super Colossal. To me, there's more variety here than on any other album I've done:' The title reflects the ambition that Satriani brought to this project from its first conceptual glimmer. In the spring of 2005 he was winding down the tour behind his previbus album, Is There Love in Space?, a marathon that had him playing 115 shows in 25 coun· tries over 14 months. His plan was to head home to San Francisco after the last show in India, wrap up a few projects-the G3 Live in Tokyo DVD, music for a NASCAR video game-and then start cutting a live CD. Maybe that was his road adrenaline talking, for once he allowed himself a short vacation, a different picture took shape. "It dawned on me that I didn't want to do that live album right now;' he explains. "In fact, I was totally against it. Instead, I wanted to stay in my little cave-my home studio-and build a beautiful t powerful record, one that sounds big on the su ce but also has details hidden inside that you hear after listening for maybe the tenth time.” With that, Satriani combed through more than 30 of his latest songs. As he whittled this list down, he backed away even further from the live concept, to the point that he decided to do the record, aside from the drum tracks, on his own. "I couldn't let any of them go," he admits. And so the hard work began. In early morning and late evening sessions, recording digitally in the cozy facility he'd built next to his son's playroom, shaping each sound carefully through familiar and new equipment, Satriani addressed his songs, beginning with a guide track that he'd lay down on electronic drums. The keyboard and guitar followed, with the bass coming in at the end. The further he got, the better he felt about working on his own. 'When you're a multi-instrumentalist, layering each part, you have lots of time to reflect," he says. "After a few months you're dying to take the music out in front of an audience and slam it out. But the opportunity to get really subtle and delicate exists only when you're recording these songs for the first time. Also, you learn from it. You're fully engaged, so that you wake up in the middle of the night thinking about it.You worry and agonize over every detail, but six months later all that fades and you're in love with what you've done." This attention to detail shines throughout Super Colossal. Encouraged by the sounds he was discovering through the interplay of instrument, amp, speaker simulators, and processors, Satriani found ways to express himself through long notes, perfectly selected and caressed, as well as the occasional blinding run. "It was a journey for me to playa song like 'Ten Words,'" he points out, "to learn how to be restrained. You're not just wailing. It's hard to make an instrumental that really says something; that's not just background music or some superficial 'get up and dance' thing. There's nothing wrong with either of those forms; it's just that I'm not doing tI1at. I'm going deeper. "Besides, after making records for-now that you've pointed it out-20 years;' he adds, just a bit wryly, "I'd feel bad if somebody said, 'Man, you're just playing indiscriminately: You're supposed to get better and to learn how to make the music work, and sometimes that does mean laying back and really speaking through your guitar instead of treating it as a vehicle that lets you play realt fast, which increasingly means less and less to me:' After finishing his tracks, he sent them out for live drum overdubs: Four-"A Cool New Way;' "One Robot's Dream," "The Meaning of Love," and "Made of Tears"-went to session giant Simon Phillips in L.A.; the rest were cut by Satriani's longtime associate Jeff Campitelli in Vancouver, at the Armoury, a studic that co-producer Mike Fraser (AC/DC) recommended. The acoustics of its main room yielded exactly what Satriani wanted for the rhythm track: a big, brawny resonance that complemented the power of his most aggressive lines, and a rich whisper for softer moments. "I wanted a sound that was complex and emotional but never revealed the technology behind it," the guitarist explains. "As a result, I managed to find the best guitar tones I've ever put on record. The sound of this album, the incredible variety that somehow fits under this umbrella of uper Colossal, a it special in our book. “And he reminds us, ”I didn't even know I was celebrating 20 years”

 

A Cool New Way

Crowd Chant
It's So Good
Just Like Lightnin'
A Love Eternal
Made Of Tears
The Meaning Of Love
Movin' On
One Robot's Dream
Redshift Riders
Super Colossal
Ten Words
Theme For A Strange World

136 pages

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MALMSTEEN YNGWIE ANTHOLOGY TABLATURE-Trilogy Suite Op 5 Icarus Dream Suite-Black Star

MALMSTEEN YNGWIE, ANTHOLOGY. 22 titoli del maestro neo-classical. 272 pagine. SHEET MUSIC BOOK FOR VOCAL & GUITAR WITH TABLATURE.

LIBRO DI MUSICA ROCK.
SPARTITI PER CHITARRA E VOCE CON:
TESTI DELLE CANZONI, ACCORDI, PENTAGRAMMA E TABLATURE.

 

Yngwie Malmsteen Anthology

Series: Guitar Recorded Version TAB
Artist: Yngwie Malmsteen
Music Transciptions: Andy Aledort, Mike Butzen, Wolf Marshall

Tab transcriptions for 22 tunes from the original shred master who brought the neo-classical style into the forefront of the metal movement. Songs include: Bedroom Eyes • Black Star • Deja Vu • Dreaming (Tell Me) • Eclipse • Far Beyond the Sun • Heaven Tonight • I'll See the Light Tonight • Icarus Dream Suite Opus 4 • Liar • Marching Out • Rising Force • You Don't Remember I'll Never Forget • more.

Inventory #HL 00690577
ISBN: 9780634049873
UPC: 073999905779
Width: 9.0"
Length: 12.0"
272 pages

Anguish And Fear - Words and Music: Yngwie Malmsteen, Jeff Scott Soto - from: MARCHING OUT - 1985 
Bedroom Eyes - Words and Music: Yngwie Malmsteen, Goran Edman - from: ECLIPSE - 1990  
Black Star - Music: Yngwie Malmsteen - from: RISING FORCE - 1985 
Brothers - Words and Music: Yngwie Malmsteen - from: SEVENTH SIGN - 1994 
Deja Vu - Words and Music: Yngwie Malmsteen, Joe Lynn Turner - from: ODISSEY - 1988 
Dreaming (Tell Me) - Words and Music: Yngwie Malmsteen, Joe Lynn Turner - from: ODISSEY - 1988
Eclipse - Words and Music: Yngwie Malmsteen - from: ECLIPSE - 1990 
Far Beyond The Sun - Music: Yngwie Malmsteen - from: RISING FORCE - 1985 
Heaven Tonight - Words and Music: Yngwie Malmsteen, Joe Lynn Turner - from: ODISSEY - 1988 
Hold On  - Words and Music: Yngwie Malmsteen, Joe Lynn Turner - from: ODISSEY - 1988 
I Am A Viking - Words and Music: Yngwie Malmsteen - from: MARCHING OUT - 1985 
I'll See The Light Tonight - Words and Music: Yngwie Malmsteen, Jeff Scott Soto - from: MARCHING OUT - 1985 
Icarus Dream Suite Opus 4 - Words and Music: Yngwie Malmsteen - from: RISING FORCE - 1985 
Liar - Words and Music: Yngwie Malmsteen - from: TRILOGY - 1986
Making Love - Words: Yngwie Malmsteen Goran Edman - Music: Yngwie Malmsteen - from: ECLIPSE - 1990
Marching Out - Words and Music: Yngwie Malmsteen - from: MARCHING OUT - 1985 
Never Die - Words and Music: Yngwie Malmsteen - from: SEVENTH SIGN - 1994
Queen In Love - Words and Music: Yngwie Malmsteen - from: TRILOGY - 1986
Rising Force - Words and Music: Yngwie Malmsteen, Joe Lynn Turner - from: ODISSEY - 1988 
Seventh Sign - Words and Music: Yngwie Malmsteen - from: SEVENTH SIGN - 1994
Trilogy Suite Op. 5 - Words and Music: Yngwie Malmsteen - from: TRILOGY - 1986
You Don't Remember I'll Never Forget - Words and Music: Yngwie Malmsteen - from: TRILOGY - 1986

272 pages.

Prezzo: €31,99
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THE CAPO An Essential Resource for the Guitarist LIBRO capotasto CD CHITARRA Foreword ADRIAN LEGG Finding key to fit your voice

THE CAPO An Essential Resource for the Guitarist. 24 Pagine. capotasto CD

LIBRO CON CD E CAPOTASTO

 

The Capo

An Essential Resource for the Guitarist
Series: Guitar Educational
Format: Softcover with CD - TAB
Author: Randall Williams
Foreword by ADRIAN LEGG

Learn how to get the most out of your guitar with a capo! This cool pack has everything you need to get started, including a high-quality Kyser capo and a demo CD. The book will teach you how to find keys to fit your voice, play with other guitarists, and all the other basics, and introduce you to the world of partial capos. 24 pages.

Inventory #HL 00695964
ISBN: 9781423421375
UPC: 884088113377
Width: 9.0"
Length: 12.0"
24 pages

CONTENTS:

- Introduction
- About the Author
- A Word About Capo Placement and Intonation
- The Roadmap: What a Capo Does
- Changing Pitch
- Changing Voicing
- Capos and Chord Charts
- Listening for Capos
- Thinking in Numbers
- Demystifying Transposition
- Major Keys
- Minor Keys
- Partial Capos: A Whole New World
- Review Exercises

Conclusion
- Other Resources
- Answer Key
- CD Track List
Audio recorded by Peter Stevens at Freedlight Sanies, St. Louis

 

Get the MOST out of your Guitar with Capo!
- Finding key to fit your voice
- Playinq with other guitarists
- The world of partial CAPOs


FOREWORD

by Adrian Legg
Emotions live in more detail in different keys, and songs happen in different harmonic shapes.
A guitar is a small and frequently deficient platform on which we try to build sonic structures
that we hope will have emotional significance. A capo is a small step-stool on that platforma
leg up for a piece of music to help it into a new space where it can be emotionally effective
while developing its harmonic shape.
But perhaps we feel we should have to struggle to attain some kind of mortified purity? A
guitar without a capo is like a pew without a hassock. If you've got housemaid's knee, you
care more immediately about your knee hurting than God.
Depth of creative vision has never come to me when I've had a physical difficulty with which
to contend. It has come, though, after I've moved things around.

 

INTRODUCTION

"At one time, people probably thought frets were cheating, too." - David Wilcox

Abeginning guitarist goes from wanting to practice guitar to needing to practice once the
guitar becomes soul food. For many players, a capo is fundamental to that process.
Sure, a capo is just a little clamp that helps you change pitch easily. But that pitch change
can make a world of difference. The most obvious reason to change the pitch of a song is
so that you can sing along to it. So many people are sure they can't sing, when it's most
likely that they've been trying to sing along with a song that isn't in their vocal range.
Once you find your vocal range, suddenly it becomes fun to sing, and thus fun to play-the
guitar becomes a vehicle for expressing yourself vocally.
But there's much more to the capo than that. The basics of transposing and partial capo
work open up whole new worlds. This book makes it easy.

ABOUT THE AUTHOR
Randall Williams holds undergraduate and conservatory degrees in music. He's a classically trained baritone who specializes in teaching structure for the acoustic guitar through partial capo work and open tunings. More often than the classical stage, Randall can be found performing on the international singer-songwriter circuit promoting his four Cds. Listen to music and see teaching videos at Randall.
 

Prezzo: €16,99
€16,99

DEEP PURPLE-BURN BAND SCORE GUITAR TABLATURE MISTREATED-BURN-SPARTITI LIBRO CHITARRA

DEEP PURPLE, BURN. BAND SCORE GUITAR TABLATURE

LIBRO DI MUSICA HARD ROCK, 

SPARTITI DI OGNI STRUMENTO: CHITARRA, VOCE, CHITARRA BASSO, TASTIERE, BATTERIA, ECC.

TESTI DELLE CANZONI, ACCORDI, NOTE, PENTAGRAMMA E TABLATURE

 

CHITARRA: RITCHIE BLACKMORE

 

TITOLI:

- BURN

- MIGHT JUST TAKE YOUR LIFE

- LAY DOWN, STAY DOWN

- SAIL AWAY

- YOU FOOL NO ONE

- WHAT'S GOING ON HERE

- MISTREATED

- "A" 200  

Prezzo: €99,99
€99,99

BOWIE DAVID, BEST OF, The Definitive Collection for Guitar. Guitar Recorded Version TABLATURE

BOWIE DAVID, BEST OF, The Definitive Collection for Guitar. TABLATURE

Series: Guitar Recorded Version TAB
Artist: David Bowie

Note-for-note transcriptions with tab for 13 top hits spanning the eclectic career of this innovative and influential artist. Includes:

1971 - Changes - Changesbowie - David Bowie
1990 - China Girl - Changesbowie - Iggy Pop, David Bowie  
1974 - Diamond Dogs - Changesbowie - David Bowie
1975 - Fame - Young Americans - John Lennon, David Bowie, Carlos Alomar 
1977 - Heroes - Changesbowie - David Bowie, Brian Eno
1977 - I'm Afraid Of Americans - Earthling - David Bowie, Brian Eno
1974 - Rebel, Rebel - Changesbowie - David Bowie
1969 - Space Oddity - Changesbowie - David Bowie
1976 - Station To Station - Station To Station - David Bowie
1972 - Suffragette City - Changesbowie - David Bowie
1975 - TVC 15 - Station To Station - David Bowie
1974 - Young Americans - Young Americans - David Bowie
1972 - Ziggy Stardust - Changesbowie - David Bowie

112 pages.

Prezzo: €20,99
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KING ALBERT THE VERY BEST OF GUITAR Recorded Version TABLATURE CHITARRA SPARTITI LIBRO

KING ALBERT, THE VERY BEST OF. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA BLUES. 

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: Albert King

Albert King was one of the greatest and most important guitarists of all time. He not only changed the blues world, but also influenced most modern guitar playing – whether today's players realize it or not! This collection assembles 15 of his finest pieces transcribed note-for-note with tab. Includes:

Angel Of Mercy
Answer To The Laundromat Blues
Blues Power
Born Under A Bad Sign
Crosscut Saw
Don't Throw Your Love On Me So Strong
Everybody Wants To Go To Heaven
The Hunter
I Wanna Get Funky
I'll Play The Blues For You
Killing Floor
Laundromat Blues
Oh Pretty Woman
Personal Manager
The Sky Is Crying

128 pages.

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SWING & JAZZ VOL1 BACKUP TRAX GUITAR VIOLINO MANDOLINO BANJO FLAUTO CD TABLATURE SPARTITI

BACK-UP TRAX/ SWING & JAZZ FOR GUITAR, VIOLIN, MANDOLIN, BANJO, FLUTE, AND OTHER INSTRUMENTS IN C. CD TABLATURE

 

LIBRO DI MUSICA SWING - JAZZ CON CD.

SPARTITI PER CHITARRA, VIOLINO, MANDOLINO, BANJO, FLUTE, E ALTRI STRUMENTI MUSICALI IN DO.

ACCORDI, PENTAGRAMMA E TABLATURE.

by Dix Bruce. Product Description:
With this book/CD package you'll learn melodies and practice soloing on 12 of the most popular and important chord progressions in the swing and jazz repertoire - cycle of fifths; major and minor progressions with II-V-I, I-VI-II-V-I, I-III-VI-II-V chord changes; major, minor, and 6/8 blues; and much more-- all based on favorite swing and jazz hits. Play along with a hot string rhythm section: featuring guitar, mandolin and bass with lead melodies played on tenor sax. Each melody appears in standard notation for C instruments, guitar tablature, and mandolin tablature. The recording features all of the tunes at slow and regular speeds. Melodies to the tunes are recorded at about one-half speed with only guitar accompaniment before each track with the full band. Instruments are isolated for maximum flexibility. By adjusting the balance control on your stereo you can hear 1) the full band; 2) guitar and bass only (you play the lead melody from the book); or 3) mandolin, melody, and bass only (you play rhythm).

Format: Book/CD Set

Song Title: Composer/Source:
6/8 Blues
Blues In C Minor
Blues In G
Cycles
Fast Blues
Fast Rhythm
Gal Be Bad
Hollyhock Tulip
Michigan
Slow Rhythm
Solo The Sun
Yellowstone

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IRON MAIDEN-SOMEWHERE BACK IN TIME THE BEST OF 1980-1989-TABLATURE LIBRO CHITARRA SPARTITI

IRON MAIDEN, SOMEWHERE BACK IN TIME THE BEST OF 1980-1989. BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA HEAVY METAL. 

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE.

 

All the songs from the album, arranged for Guitar tab, complete with full lyrics. This book is specially bound to help the pages lie flat while you are playing.

2 Minutes To Midnight
Aces High
Can I Play With Madness
Children Of The Damned
Hallowed Be Thy Name
Iron Maiden
Phantom Of The Opera
Powerslave
Run To The Hills
The Evil That Men Do
The Number Of The Beast
The Trooper
Wasted Years
Wrathchild

Prezzo: €34,99
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Dowland John-Lute Songs of The Original First and Second Books Dowland’s Original Lute Tablature

Dowland John, Lute Songs of The Original First and Second Books Including Dowland’s Original Lute Tablature. TABLATURE. per liuto. TRANSCRIBED FOR VOICE AND GUITAR.

LIBRO DI MUSICA BAROCCA.

SPARTITI PER VOCE E CHITARRA, O VOCE E LIUTO

PENTAGRAMMA, TABLATURE PER LIUTO.

COPIA AGGIORNATA DEL LIBRO STAMPATO DA MORLEY A LONDRA NEL 1600 E 1613.


The preeminent lute virtuoso and composer of the early 17th century, John Dowland wrote numerous songs, both gay and melancholy, that dazzled the courts of England and Europe. This rare compilation features 43 of these splendid works in transcriptions for voice and guitar, plus two dances. Original lute tablature and complete song texts included.

Table of Contents for Lute Songs of John Dowland: The Original First and Second Books Including Dowland’s Original Lute Tablature Introduction
About the Transcriptions
THE FIRST BOOK OF SONGS
I. Unquiet thoughts
II. Who ever thinks or hopes of love
III. My thoughts are wing'd with hopes
IV. If my complaints could passions move
V. Can she excuse my wrongs?
VI. "Now, O now, I needs must part"
VII. "Dear, if you change"
VIII. "Burst forth, my tears"
IX. Go crystal tears
X. Think'st thou then by thy feigning
XI. "Come away, come sweet love"
XII. Rest awhile you cruel cares
XIII. "Sleep, wayward thoughts"
XIV. "All ye, whom Love or Fortune"
XIVa. "All ye, whom Love or Fortune"
XV. "Wilt thou, unkind, thus reave me"
XVI. Would my conceit
XVII. Come again
XVIII. His golden locks
XIX. "Awake, sweet love, thou art return'd"
XX. "Come, heavy Sleep"
XXI. Away with these self-loving lads
My Lord Chamberlain his Galliard
(For two to play...)

THE SECOND BOOK OF SONGS
I. I saw my Lady weep
II. Flow my tears
III. "Sorrow, stay"
IV. Die not before thy day
V. "Mourn, day is with darkness fled"
VI. "Time's eldest son, Old Age (The first part)"
VII. Then sit thee down (The second part)
VIII. When others sing Venite (The third part)
IX. Praise blindness eyes
X. O sweet woods
XI. If floods of tears
XII. Fine knacks for ladies
XIII. Now cease my wand'ring eyes
XIV. Come ye heavy states of night
XV. White as lilies was her face
XVI. Woeful heart
XVII. A shepherd in a shade
XVIII. Faction that ever dwells
XIX. Shall I sue
XX. Toss not my soul
XXI. Clear or cloudy
XXIa. Clear or cloudy
XXII. Humour say what mak'st thou here (a Dialogue) Dowland's adieu for Master Oliver Cromwell

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HOW THE FENDER BASS CHANGED THE WORLD. Jim Roberts.

HOW THE FENDER BASS CHANGED THE WORLD. Jim Roberts.

How the Fender Bass Changed the World
Series: Book
Publisher: Backbeat Books
Format: Softcover
Author: Jim Roberts

This book by the founding editor and former publisher of Bass Player magazine not only celebrates the 50-year history of Fender's revolutionary Precision Bass, it also – for the first time – illuminates the full scope of its profound impact on music and society. Focusing on the bass' artistic influence, it details the technical milestones that gave the bass its musical power. This book also describes the impact of the bass in the hands of such visionaries as James Jamerson; cheers the innovations of rockers like Jack Bruce, Paul McCartney, John Entwistle and Sting; and honors the inspired work of such virtuosos as Jaco Pastorius. Loaded with black & white and 100 stunning color photos.

Inventory #HL 00330737
ISBN: 9780879306304
UPC: 073999307375
Publisher Code: 0879306300
Width: 8.5"
Length: 11.0"
208 pages

The initial inspiration for this book came when Nicky Orta and Matt Bonelli invited me to give a lecture at their 1993 Jazz Bass Conference in Miami, Florida. Not knowing what to talk about, I began to consider the largely unchronided history of the electric bass. The outline I developed for that lecture was later expanded in a series of Bass Player magazine columns published in 1998; they became the starting point for this book.
For the most part this is a book of analysis and opinion, not primary history, so I'm grateful to all of the writers whose hard work has contributed to my knowledge of musical instruments and the musicians who play them. They're all listed in Sources, but lowe special thanks to Chris Jisi, Richard R. Smith, Mikael Jansson, Allan Slutsky, and Tom Wheeler. Special thanks also to Christian Fabian, who contacted me with the story of Leo Fender's 1952 meeting with Lionel Hampton, and Dan Lakin of Lakland Basses,who heard me give a short talk about the electric bass at a trade-show event and said, "Hey, Jim, why don't you write a book?" And, of course, lowe a great deal to the staff of Bass Player, past and present, and to the folks at Backbeat Books, especially Matt Kelsey and Dorothy Cox. As a bass historian, I must acknowledge all of the help I have gotten from my colleague Tony Bacon. We've swapped information about the electric bass for years, and our ongoing dialogue has greatly enhanced my understanding of the development of the instrument. We've also had some memorable Italian dinners together in the unlikely locale of Frankfurt, Germany. Tony is unfailingly witty and gracious, and I am indebted to him in many ways. Many thanks to Tom Wheeler, Chris Jisi, and my wife, Susan Strahosky, for reading the manuscript and offering dozens of good suggestions for improving the material. I shudder to think what this book might have ...

Table of Contents
Foreword by Marcus Miller
Overture
Chapter 1: Long Before Leo
Chapter 2: Just Before Leo
Chapter 3: A Bass Is Born
Chapter 4: Butterflies & Basses
Chapter 5: Jail Break
Chapter 6: Ride the Wild Bass
Chapter 7: Carol & Joe
Chapter 8: St. James
Chapter 9: All You Need Is Bass
Chapter 10: The Big Boing
Chapter 11: S.F. Giants
Chapter 12: Jack It Up
Chapter 13: Thumbslingers
Chapter 14: The World's Greatest Bass Player
Chapter 15: Battleships & B Strings
Chapter 16: Dance, Dance, Dance
Chapter 17: Miles Ahead
Chapter 18: Forward Into the Past
Finale
Sources
Photo Credits
Index

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