LIBRO

PUMPING NYLON INTERMEDIATE TO ADVANCED REPERTOIRE Scott Tennant CD GUITAR CHITARRA METODO LIBRO

PUMPING NYLON, INTERMEDIATE TO ADVANCED REPERTOIRE. SHEET MUSIC BOOK WITH CD. METHOD FOR GUITAR.  

LIBRO METODO DI MUSICA CLASSICA CON CD.

SPARTITI PER CHITARRA CON PENTAGRAMMA. 

Supplemental Repertoire for the Best-Selling Classical Guitarist's Technique Handbook

By Scott Tennant
Item: 00-18490
UPC: 038081174266
ISBN 10: 0739000748
ISBN 13: 9780739000748
Series: Pumping Nylon Series
Category: Classical Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
 
The pieces in this book are selected and designed around the various techniques addressed in the best-selling book Pumping Nylon. They are offered as an extension of the excercises presented in that book, and to provideconcert pieces in which to apply the various techniques discussed. The emphasis here is technique-building repertoire appropriate for study and concert performance.
 
Classic Works by Coste, Dowland, Narvaez, Giuliani, Luis Milan, eccetetera ... 
 
New compositions included are by Adam del Monte, Joe Diorio, Brian Head and Carlos Rivera.
 
Technique-building repertoire appropriate for study and concert performance.
 
Also included is the Cadenza from Rodrigo's Concierto de Aranjuez.
 
The CD is beautifully played by Scott Tennant and Adam del Monte.

 

“PRACTICE DOES NOT MAKE PERFECT.

PERFECT PRACTICE MAKES PERRFECT”

Welcome to the second installment of the repertoire supplements to Pumping Nylon. As the subtitle indicates, these pieces are more advanced than the repertoire in the previous installment. They are primarily concert pieces instead of the shorter, more pedagogical etudes presented in the wy to EarLy Intermediate book. Therefore, the pieces tend to be longer and much more substantial. Consider this book to be a brief representation of the types of pieces that contain specific technique-building elements (such as concentrated scales, left-hand slurs, arpeggios, tremolo and the like). When practiced correctly and with the proper intent, they will aid in developing your guitar-playing skills. In our continuing quest to serve you something new and tasty to consume, we have made an effort to put some newer pieces on your plate. We hope to not only help you enjoy significant progress, but to also open your eyes and ears to new, delightful concert pieces to perform for the enjoyment of others. A "checklist" of specific issues upon which to focus-such as technical and/or musical challenges, fingering and practicing tips-precedes each piece. If taken to heart, these pieces should be of great benefit to you. As always, it is a good idea to check your progress with a teacher when problems arise, as there is no ideal substitute for expert advice. As in Pumping Nylon, I encourage you to take the ideas presented in each piece and expand on them yourself. Find other pieces that will further help you overcome any obstacles. You have what it takes to play anything, and with some mindful practice, you will!

"Love overcomes fear. Fear cannot exist in the presence of love" Pepe Romero

About the Author

Scott Tennant's reputation as a performer and teacher is known worldwide. His accolades include becoming the first American ever to win the first prize in the Tokyo International Guitar Competition in 1989, and silver-medal performances in both the 1988 Concours International de Guitare of Radio France in Paris and the 1984 Toronto International Competition. He is recording the complete solo guitar works of Joaquin Rodrigo for GHA records, including the concertos with Leo Brouwer conducting the Cordoba Symphony Orchestra. His debut solo release for Delos, "Wild Mountain Thyme," is a recording of Celtic music for the classical guitar. Born in Detroit in 1962, Scott began playing the guitar at six years of age. During his junior high and high school years, he studied classical guitar with Lee Dyament and Joe Fava. Also while growing up in Detroit, he began taking flamenco lessons with Juan Serrano. When Maestro Serrano moved to California, Scott replaced him as the accompanist for the Maria del Carmen Dance Company. He also played the bass trombone in his high school concert band and the violin in the school orchestra. Scott moved to Los Angeles in 1980 to attend the University of Southern California, where he studied with Pepe Romero and James Smith. It was during this time that the Los Angeles Guitar Quartet was formed (then the U.S.C. Guitar Quartet), and he has been touring and recording with the group ever since. As a student there, he performed in the master classes of such luminaries as Joaquin Rodrigo and Andres Segovia. He now teaches as a member of the faculty at U.S.C. The Quartet can be heard on their recordings for GHA, Delos and Sony Classical.

There is a compact disc available for this book. It includes performances of all the pieces by Scott Tennant except Rasgueado Exercise in Solea and Alzapua and Thumb Study in Solea, which are performed by Adam del Monte. Use it to help insure that you are interpreting the rhythms correctly and capturing the style of each work. The symbol above will appear to the left of each piece. The track numbers below the symbols correspond to the piece you want to hear. Enjoy!

 

Preface

About the author

Glossary of Signs and terms

The Frog Galliard - John Dowland

Fantasia n.18 - Luis Milan - 1536

Fantasia n.16 - Luis Milan - 1536

Veintidos diferencias de Conde Claros - Luis de Narvaez

Variations sur les "Folies d'Espagne" Op. 45 - Mauro Giuliani

  Tema

  Variation I

  Variation II

  Variation III

  Variation IV

  Variation V

  Variation VI

Etude n.11 - Napoléon Coste

Fantasia Original, Capricho a imitation del Piano, tecnica del Tremolo - Jose Vinas

Rasgueado Exercise in Solea - Adam del Monte

Alzapua and Thumb Study in Solea - Adam del Monte

Ispired by Villa Lobos etude n.1 - Joe Diorio

Study n.1 - Carlos Rafael Rivera

Plainte - Brian Head

Concerto de Aranjuez, Cadenza from Adagio  2nd movement - Joaquin Rodrigo - 1939

Prezzo: €25,99
€25,99

PAGANINI 24 CAPRICES for Guitar VOL.1 ELIOT FISK master series SPARTITI CHITARRA LIBRO

PAGANINI NICCOLO', 24 CAPRICCI OP.1. VOL.1. L'opera completa dei 24 capricci trascritti per chitarra da Eliot Fisk. Dal n.1 al n.12. Vi ricordate la sfida tra Steve Vai e il giovane ragazzo nel film "crossroads" uscito in Italia con il titolo "Mississippi adventures"? Quelle scale e quegli arpeggi sono presi dal Capriccio n. 5.

LIBRO DI MUSICA CLASSICA.

SPARTITI PER CHITARRA CON PENTAGRAMMA. 

TRASCRITTO E DITEGGIATO DA ELIOT FISK.

PAGANINI, NICCOLO
24 Caprices, Volume 1 (Fisk)
Caprices 1-12
"These Caprices should be heard more often on guitar for the sake of the guitar. This is a musical feat well worth the effort&any one of the 24 could provide material for masses of practice&such a schedule should improve even the very best players. With comments, fingerings, exercises and advice from Fisk on these masterworks.&the editor has worked hard to present the reader with a solution&I can only recommend this sturdy issue to all of the Paganini devotees out there." Neil Smith, Classical Guitar Magazine

"I'm sure many of you were blown away when you listened to the Fisk CD of Paganini Caprices, but now the transcriptions of his arrangements are now published!" Guitar Magazine

"Finally, we have the book to accompany Fisk's wonderful CD. This publication is exemplary!" Gitarre & Laute Magazine

"Now with these transcriptions, the definition of a guitar virtuoso is at a new level." D.B., American String Teacher Magazine

ELIOT FISK
Since his first solo recital at the age of thirteen, Eliot Fisk has performed in major concert halls on four continents. He has devoted considerable energy to expanding the repertoire of the guitar-first through his transcriptions of literally hundreds of compositions by masters of the past (Frescobaldi, Froberger, Scarlatti, ].S. Bach, Soler, Haydn, Mozart, Schubert, Schumann, Mendelssohn, Paganini, Granados, and others) and second, through intense collaboration with contemporary composers such as Robert Beaser, Luciano Berio, Nicholas Maw, and George Rochberg, all of whom have written major works for him. In addition to his numerous recordings, he performs regularly in recital and as soloist with orchestra. Mr. Fisk has sustained a life long passion for chamber music, working frequently with flutist Paula Robison, and also performing with Victoria de los Angeles and Hermann Prey, cellist Steven Isserlis, double bassist Gary Karr, and violinists Gidon Kremer and Dmitri Sitkovetsky among others. Eliot Fisk is also active as a teacher. He has taught at Yale University (where he founded the guitar department upon earning his M.M.A. in 1977), the Hochschule fur Musik in Koln (where he was Professor from 1982 - 1990), and was recently appointed Professor of Guitar at the "Mozarteum" in Salzburg where he founded the Andres Segovia Institute, as a tribute to the great Spanish guitarist who was his teacher and mentor. The Institute seeks to develop new and creative solutions to problems in performance practice, instrumental technique, and career development facing young musicians today. Eliot's 1992 Music Masters release of Paganini's Caprices climbed to 18th place on the Billboard classical charts, and elicited awe and astonished praise from around the country.  

For me there are three great landmarks along the Gradus ad Pamassum of guitar technique: the

essential Etudes of Fernando Sor, the 12 Etudes of Heitor Villa-Lobos, and a final peak of truly daunting
proportions, the 24 Cap ricci, Gp. 1, of Niccolo Paganini. John Williams opened the door to this final
possibility some years back when he showed so superbly that the Capriccio 24 could be played on the
guitar. I began to experiment with others in the set around 1977, and slowly became convinced that
a way could be found to play all 24 on the guitar in the original keys. I often felt like Dante at the start
of the Divina Commedia: lost in a dark wood with no idea how to get out: "mi ritrovai per una selva
oscura che la diritta via era smarrita."
At times this feeling approached that famous inscription over the gates of the same author's inferno:
"Lasciate ogni speranza, voi ch'entrate" ("Abandon all hope, ye who enter here!"). Nevertheless, little
by little I found ways of negotiating what had seemed impossible. Along the way a lot of people gave
encouragement. I would like to single out Antonio de Innocentis of Caserta, Italy, who, in addition
to his careful proofreading of the engravings for this edition shared with me some of his tricks of the
trade, particularly in Capricci 11, 15, and 17. Enormous artistic inspiration came from maestro
Ruggiero Ricci who graciously shared the wisdom of over half a century's experience of performing
and living with these works of genius and who even made some specific practical suggestions on how
to transcribe some intransigent passages in parallel octaves in the first part of Capriccio 23!
At this writing, after 15 years of playing these pieces on the guitar, I can still say, time permitting, I
would happily spend an entire day practicing any single Capriccio of the 24. So rich are their
instrumental and musical possibilities. I'd like to share a few tips that have helped me along the way:
1) Isolate the difficulties: Even in the most difficult passages most of the notes are not hard to play.
It's the 10 - 20% that are truly hard to get to or from that can make an entire passage sound sloppy.
Therefore: Analyze through slow practice exactly where the difficulties lie. Practice what's difficult.
Don't be scared by what is not difficult! When you lose your fear, you play better.
2) Transpose difficult passages in the order of the cycle of fifths until you have played the difficult
passage in 12 keys. (A "passage" may be as short as 4 notes!)
3) Experiment with various rhythmic alterations of difficult passages. ... (continua)
 
24 CAPRICES, OP. 1,
Volume 1

 

I E major: Andante
II B minor: Moderato
III E minor: Sostenuto; Presto; Sostenuto
IV C minor: Maestoso
V A minor: Agitato
VI G minor: Lento
VII A minor: Posato
VIII Eb major: Maestoso
IX E major: Allegretto
X G minor: Vivace
XI C major: Andante; Presto; Primo tempo
XII Ab major: Allegro
VI (addendum)

 

Paganini originally divided the Caprices into three books: I - VII VII - XIII and XIII - XXIV
Prezzo: €29,95
€29,95

PAGANINI NICCOLO 24 CAPRICES for guitar VOL.2 The Eliot Fisk master series CHITARRA SPARTITI

PAGANINI NICCOLO', 24 CAPRICCI OP.1. VOL.2. Dal n.13 al n.24. Trascrizione di Eliot Fisk.
Caprices 13-24

LIBRO DI MUSICA CLASSICA,

SPARTITI PER CHITARRA CON PENTAGRAMMA.


"These Caprices should be heard more often on guitar for the sake of the guitar. This is a musical feat well worth the effort&any one of the 24 could provide material for masses of practice&such a schedule should improve even the very best players. With comments, fingerings, exercises and advice from Fisk on these masterworks.&the editor has worked hard to present the reader with a solution&I can only recommend this sturdy issue to all of the Paganini devotees out there." Neil Smith, Classical Guitar Magazine

For me there are three great landmarks along the Gradus ad Parnassum of guitar technique: the
essential Etudes of Fernando Sor, the 12 Etudes of Heitor Villa-Lobos, and a final peak oftruly daunting
proportions, the 24 Cap ricci, Gp. 1, of Niccolo Paganini. John Williams opened the door to this final
possibility some years back when he showed so superbly that the Capriccio 24 could be played on the
guitar. I began to experiment with others in the set around 1977, and slowly became convinced that
a way could be found to play all 24 on the guitar in the original keys. I often felt like Dante at the start
of the Divina Commedia: lost in a dark wood with no idea how to get out: "mi ritrovai per una selva
oscura che la diritta via era smarrita."
At times this feeling approached that famous inscription over the gates of the same author's inferno:
"Lasciate ogni speranza, voi ch'entrate" ("Abandon all hope, ye who enter here!"). Nevertheless, little
by little I found ways of negotiating what had seemed impossible. Along the way a lot of people gave
encouragement. I would like to single out Antonio de Innocentis of Caserta, Italy, who, in addition
to his careful proofreading of the engravings for this edition shared with me some of his tricks of the
trade, particularly in Capricci 11, 15, and 17. Enormous artistic inspiration came from maestro
Ruggiero Ricci, who graciously shared the wisdom of over half a century's experience of performing
and living with these works of genius and who even made some specific practical suggestions on how
to transcribe some intransigent passages in parallel octaves in the first part of Capriccio 23!
At this writing, after 15 years of playing these pieces on the guitar, I can still say, time permitting, I
would happily spend an entire day practicing any single Capriccio of the 24. So rich are their
instrumental and musical possibilities. I'd like to share a few tips that have helped me along the way:
1) Isolate the difficulties: Even in the most difficult passages most of the notes are not hard to play.
It's the 10 - 20% that are truly hard to get to or from that can make an entire passage sound sloppy.
Therefore: Analyze through slow practice exactly where the difficulties lie. Practice what's difficult.
Don't be scared by what is not difficult! When you lose your fear, you play better.
2) Transpose difficult passages in the order of the cycle of fifths until you have played the difficult
passage in 12 keys. (A "passage" may be as short as 4 notes!)
3) Experiment with various rhythmic alterations of difficult passages.
 
 
24 CAPRICES, OP. 1

Volume 2

XIII Bb major: Allegro

XIV Eb major: Moderato

XV E minor: Posato

XVI G minor: Presto

XVII Eb major: Sostenuto; Andante

XVIII C major: Corrente; Allegro

XIX Eb major: Lento; Allegro assai

XX D major: Allegretto

XXI A major: Amoroso; Presto

XXII F major: Marcato

XXIII Eb major: Posato

XXIV A minor: Quasi Presto

Paganini originally divided the Caprices into three books: I - VI, VII - XII, and XIII - XXIV

Prezzo: €29,95
€29,95

MUSSORGSKY PICTURES AT AN EXHIBITION GUITAR Kazuhito Yamashita-Promenade-Gnomes-Vecchio Castello-Tuileries-Bydlo-Gate of Kiev

MUSSORGSKY, PICTURES AT AN EXHIBITION FOR GUITAR. GUITAR SCORE

LIBRO DI MUSICA CLASSICA.  

SPARTITO PER CHITARRA. 

PENTAGRAMMA CON DITEGGIATURA DI YAMASHITA.

Kazuhito Yamashita. Magistrale trascrizione per chitarra di una delle composizioni più note della musica classica. Come registrato nel disco dal fenomeno della chitarra, Kazuhito Yamashita. Grandioso! Promenade -gnomus -promenade -Il vecchio castello -the tuileries -bydlo -promenade -ballet of the little chickens -Samuel Goldenberg und Schmuyle -a market place in Limonges -catacombae -the hut of baba-yaga -the bohatyr gate of Kiev.

KAZUHITO YAMASHITA
guitar MUSSORGSKY / PICTURES AT AN EXHIBITION (Transcribed for classical guitar by Yamashita)

Artist: Kazuhito Yamashita
Title Of Album: Pictures at an Exhibition (Mussorgsky)
Year Of Release: 1981
Genre: Classical Guitar 


Just as Franz Liszt created new repertoire and technique for the piano by transcribing Symphonies 
and Operas and then developing new techniques with which to play them, Kazuhito Yamashita took a 
similar path in the early 1980's and so revolutionised the world of possibilities on the guitar. 

By transcribing well known pieces of orchestral music for solo guitar he has encouraged a trend 
which could make classical guitar much more appealing and accessible to concert programmers and 
the general concert going audience.

The guitar is a wonderful instrument. There are infinite possibilities in its expression. I am very lucky to have found such a rich instrument and put my heart into creating music with it. The excellence of the guitar has been mentioned since old times, but it was rapidly proven by great artists who appeared in this century such as maestro Andres Segovia. Moreover, its world is still expanding: the music played on the guitar extends from Renaissance to the present age, and the value of the guitar is recognized little by little in the fields of solos, concertos, chamber music, ensembles and accumpaniments. The problem of limited repertoire is gradually being solved by the works of modern composers and excellent arrangements. The art of performance also extends its possibilities. Furthermore, the works include not only small ones, but large pieces are appearing as well. And it seems that the guitar is going tn occupy an important place also in classical music. Under such circumstance, I have always sought, from childhood, possibilities of more large-scale expression than that which exists. I employed the manner of dynamic and symphonic expression, and tried many other ways in order to give a performance filled with a modern sense and to play longer pieces on the guitar, this most expressive solo instrument. Consequently, I strongly desire now to create the music more closely approaching the essence of art. From these thoughts, an idea was born: to play 'on the guitar, for the first time ever, the whole of "Pictures at an Exhibition", a representative piano work of M.P. Mussorgsky, a great Russian composer. This idea occured to me the spring before last. Then, I decided to challenge first by myself a real guitar arrangement of Mussorgsky's work, which took enormous effort. Through this very fascinating music, I wanted to realize my childhood wish. Certainly, I met with various problems beyond expression caused by my inexperience. Since the decision to publish was very difficult for me, 1 followed the precious advice of my father, my most familiar teacher, and Prof. Kajiro Kobune, composer and conductor. Afterwards, with the help of the persons concerned, many recitals were held, plus recordings and my first publication. I express here my gratitude for their kindness. 1981

Pictures at an Exhibition

I Promenade 
I Gnomes 
Promenade  
Il Vecchio Castello 
III The Tuileries 
IV Bydlo 
Promenade
V Ballet of the Little Chickens
VI Samuel Goldenberg und Schmuyle 
VII A Market Place in Limonges 
VIII Catacombae, Con mortuis in lingua mortua 
IX The Hut of Baba-Yaga 
X The Bahatyr Gate of Kiev 

Prezzo: €49,99
€49,99

IRISH MARCH ANONYMOUS (CA. 11Th CENTURY) EDITION NARCISO YEPES CHITARRA LIBRO SPARTITI

IRISH MARCH, ANONYMOUS (CA. 11Th CENTURY) EDITION NARCISO YEPES.

SPARTITO DI MUSICA CON PENTAGRAMMA.

Guitar Solo
Composer: Anonymous
Editor or Arranger: Narcisio Yepes

Sono giorni che il cielo sta piangendo; è mattino presto e l'anziano impiegato della biblioteca sta spolverando distrattamente tra gli scaffali, abbassando il piumone fa cadere un tomo miniato, che aprendosi lascia sul pavimento un'ingiallito manoscritto di musica oramai dimenticato. Appoggiato sul tavolo della sala di lettura, è fortunosamente notato da un piccolo uomo in impermeabile che seduto, alza lo sguardo pensando che gli abbiano portato un documento che aveva richiesto, e che invece non sarà trovato. L'uomo iberico che si trova in quell'archivio irlandese per consultare alcune Tablature originali per liuto, si alza dalla sedia e va a prendere quel foglio quasi illeggibile, e si accorge che è un'altra pagina di musica, si gira di qua e di là seccato, cercando l'addetto per restituirglielo, ma non ode fiatare nessuno, allora riprende ad osservare più attentamente quel foglio che è tra le sue 10 dita, e canticchiandolo si accorge con stupore di una melodia bellissima, lontana, mai ascoltata. Quell'uomo in impermeabile era Narciso Yepes, e a lui si deve la scoperta di questo pezzo medievale e la sua suggestiva interpretazione. Yepes nato a Lorca in Spagna nel 1927, scomparso nel 1997, con la sua chitarra a 10 corde ha registrato numerosissimi e importanti dischi, facendoci innamorare alla chitarra classica.

Prezzo: €13,99
€13,99

JARRETT KEITH KOLN CONCERT PART IIC FOR CLASSICAL GUITAR MANUEL BARRUECO SPARTITI

JARRETT KEITH, THE KOLN CONCERT PART IIc, FOR CLASSICAL GUITAR. Manuel Barrueco.

LIBRO DI MUSICA JAZZ PER CHITARRA CLASSICA. 
SPARTITI PER CHITARRA, PENTAGRAMMA.

THE KÖLN CONCERT: PART IIC
from Jazz Classics for Classical Guitar
Series: Schott
Medium: BOOK
Guitar

Composer: Keith Jarrett
Editor or Arranger: Manuel Barrueco

The celebrated guitarist Manuel Barrueco here presents an arrangement authorised by Keith Jarrett of the legendary "Concert in Cologne" Part IIc, an arrangement recorded by Barrueco on CD for EMI. A treat for jazz lovers and a valuable addition to the classical guitar concert repertoire. 8 pages

 

Preface
With my CD "Sometime Ago" Iventured for the first time outside the strictly classical repertoire. What I could not have predicted then, is that it would also become one of my most favorite guitar albums ever. I meant "Sometime Ago" as a tribute to my adoptive country of America, and included in it were compositions by Paul Simon, Chick Corea, Lou Harrison and included also was my transcription of Koln Concert Part lIc by Keith Jarrett. Ever since its release, I have received innumerable requests for the score of the KOln Concert from other guitarists wishing to play it. The question of "why" play someone else's improvisation, even if it is the composer's own, has also been brought up from time to time. The way that I see it, I don't know how else to interpret the composer's publication of the score but as an open invitation for other musicians to play his music. Besides, if it is music as beautiful as this is, perhaps a better question is "why not?".
THE KOLN CONCERT was first performanced and recorded by Keith Jarrett in the opera house of Koln (Cologne), Germany, 24 January 1975. The original piano version was published by Schott in 1991 (Schott ED 7700), the metronom marking is = 74. This is a bit fast for the guitar, but I think it is a good idea to have it as a reference.
Manuel Barrueco 

Prezzo: €18,99
€18,99

HANON FOR GUITAR-RON MANUS TABLATURE LIBRO SPARTITI METODO CHITARRA ACCORDI PENTAGRAMMA

HANON FOR GUITAR, MANUS. BOOK IN TABLATURE
ALSO FOR BANJO AND MANDOLIN. 

LIBRO METODO DI MUSICA. 

SPARTITI PER CHITARRA CON : 

ACCORDI, PENTAGRAMMA E TABLATURE.  

Now guitarists can benefit from these essential exercises that have helped pianists for centuries. This book will aid in the development of finger strength and playing speed. Players at all levels will benefit from this collection.

Prezzo: €13,99
€13,99

GRANADOS DANZAS ESPANOLAS COMPLETE GUITAR JOSE DE ASPIAZU LIBRO ANDALUZA-VILLANESCA-

GRANADOS, DANZAS ESPAÑOLAS COMPLETE. SHEET MUSIC BOOK IN STANDARD NOTATION. 

LIBRO DI MUSICA CLASSICA,

SPARTITI PER CHITARRA.

PENTAGRAMMA. 

Le struggenti 12 "danze spagnole" di Granados, nella trascrizione di Azpiazu.

DANZA ESPAGNOLA N.1 - Galante
DANZA ESPAGNOLA N.2 - Oriental 
DANZA ESPAGNOLA N.3 - Fandango
DANZA ESPAGNOLA N.4 - Villanesca 
DANZA ESPAGNOLA N.5 - Andalzua O Playera
DANZA ESPAGNOLA N.6 - Rondalla Aragonesa
DANZA ESPAGNOLA N.7 - Calesera 
DANZA ESPAGNOLA N.8 - Sardana 
DANZA ESPAGNOLA N.9 - Romantica 
DANZA ESPAGNOLA N.10 - Melancolica 
DANZA ESPAGNOLA N.11 - Arabesca
DANZA ESPAGNOLA N.12 - Bolero 

Prezzo: €26,99
€26,99

DVORÀK ANTONIN, "FROM THE NEW WORLD" SYMPHONY N.9 OP.95 FOR GUITAR YAMASHITA

DVORÀK ANTONIN, "FROM THE NEW WORLD" SYMPHONY N.9 OP.95. La trascrizione completa per chitarra che Yamashita ha usato per il suo disco. 

GUITAR SCORE BOOK - SHEET MUSIC BOOK. 

ARRANGED FOR GUITAR SOLO BY KAZUHITO YAMASHITA 

FROM THE NEW WORLD OP. 95 FULL LENGHT

I ADAGIO - ALLEGRO MOLTO

II LARGO

III SCHERZO - MOLTO VIVACE

IV ALLEGRO CON FUOCO

 

68 PAGES

Prezzo: €107,99
€107,99

CLASSICAL MASTERPIECES FOR GUITAR TABLATURE libro chitarra ADAGIO ALBINONI-PER ELISA-STRAUSS

CLASSICAL MASTERPIECES FOR GUITAR. Con 28 brani tra i quali: "Adagio" (Albinoni), "bourrèe" (Bach), "per Elisa" (Beethoven), "marcia turca" (Beethoven), "il bel Danubio blu" Strauss). TABLATURE

LIBRO DI MUSICA PER CHITARRA, SPARTITI CON PENTAGRAMMA E TABLATURE. 

Series: Guitar Book TAB
Composer: Various Composers

27 works by Bach, Beethoven, Handel, Mendelssohn, Mozart and more transcribed with standard notation and tablature. Now anyone can enjoy classical material regardless of their guitar background. Also features stay-open binding.

Contents
Adagio by Tommaso Albinoni
Gavotte by Archangelo Corelli
Minuet by Johann Sebastian Bach
Blue Danube Waltz by Johann Strauss
Bourree by Johann Sebastian Bach
Emperor Waltz by Johann Strauss
Etude Op 10 #3 by Frederic Chopin
Fur Elise by Ludwig van Beethoven
Greensleeves by Anonymous
Largo by Georg Fredric Handel
Liebestraum (Dream Of Love) by Franz Liszt
Mazurka by Frederic Chopin
Minuet From Don Giovanni by Wolfgang Amadeus Mozart
The Organ Grinder by Franz Schubert
Prelude by Frederic Chopin
Serenade From Don Giovanni by Wolfgang Amadeus Mozart
Sicilienne by Giovanni Pergolesi
Tambourin by Jean Philippe Rameau
Theme-Son. No. 11 by Wolfgang Amadeus Mozart
Traumerai by Robert Schumann
The Trout by Franz Schubert
Turkish March by Ludwig van Beethoven
Venetian Boat Song No. 1, Op. 19, No. 6 by Felix Mendelssohn
Waltz by Johannes Brahms

112 pages

Prezzo: €22,99
€22,99
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