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REED JERRY COLLECTION BY CRAIG DOBBINS SHEET MUSIC TABLATURE CHITARRA SPARTITI LIBRO

REED JERRY, COLLECTION. Craig Dobbins. 10 Titoli: baby's Coming home -Blues Land -Hellacious -Honkin -Lottie -My Gypsy Heart -My Priscilla -Reed's Rag -Sassy -The Claw. SHEET MUSIC BOOK WITH GUITAR TABLATURE.

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The "sequel" to The Guitar Style of Jerry Reed features ten more great Reed tunes, including five classics from the 1960's and 1970's, and all the instrumentals from Jerry's 1999 CD Pickin'.

Includes: Baby's Coming Home; Blues Land; Hellacious; Honkin'; Lottie; My Gypsy Heart; My Priscilla; Reed's Rag; Sassy; The Claw.

In notation and tab, with performance tips, background notes, and chord diagrams. In-depth interview with Jerry Reed by Acoustic Guitar magazine contributor Jim Ohlschmidt, photos, and discography. 78 pages.

"Craig, I'm flattered that you consider my compositions worthy enough to go in your publications. I'm really grateful for that, and if you don't get this quote right, I'm gonna break both your thumbs!" - Jerry Reed

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REED JERRY GUITAR STYLE TABLATURE Seidina First Born-Stumpwater-LIBRO SPARTITI CHITARRA

REED JERRY, THE GUITAR STYLE OF. TABLATURE

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Jerry Reed is one of country music's guitar pioneers. His unique instrumental approach has strongly influenced the current generation of Nashville players. Now, you can learn from the source. Here are 15 transcriptions, plus an in-depth analysis of Jerry's style and approach to the guitar. 80 pages.

Since the product description above is so brief, info from Guitarists The best book ever on Jerry Reed's incredible style, featuring 12 great songs in Music/TAB: Swingin' 69 / Swarmin' / Stump Water / Nut Sundae / The Mad Russian / Jerry's Breakdown / Picky, Picky, Picky / Two Timin' / Steeplechase Lane / Funky Junk / A Major Attempt At A Minor Thing / Seidina (First Born) Also includes an interesting, candid interview with Jerry, plus a bonus 'Off The Record' section the features excerpts from the intros, fills, breaks, or endings of 17 additional tunes, including: Guitar Man / Woman Shy / A Thing Called Love / Today Is Mine / Amos Moses / Hellacious / Lord, Mr. Ford / Honkin' / Red Hot Picker.

The definitive book on Jerry Reed's innovative and unique guitar style, featuring twelve of his classic instrumentals from the 1960's to the 1990's.

Includes: Swingin' '69; Swarmin'; Stump Water; Nut Sundae; The Mad Russian; Jerry's Breakdown; Pickie, Pickie, Pickie; Two Timin'; Steeplechase Lane; Funky Junk; A Major Attempt At A Minor Thing; Seidina (First Born).

In notation and tab, with performance tips, background notes, and chord diagrams. Interview with Jerry Reed, letters from Chet Atkins and Paul Yandell, Reed backup style, licks from classic Reed recordings like Amos Moses, Lord Mr. Ford, and Red Hot Picker, photos, and discography. 79 pages.

 

The Guitar Style of Jerry Reed
Series: Guitar Recorded Version
Format: Softcover - TAB
Author: Craig Dobbins
Artist: Jerry Reed

JERRY REED, THE GUITAR STYLE OF. GUITAR RECORDED VERSION. TAB.

 

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Format: Softcover - TAB

Author: Craig Dobbins

Artist: Jerry Reed

Jerry Reed is one of country music's guitar pioneers. His unique instrumental approach has strongly influenced the current generation of Nashville players. Now, you can learn from the source! Here are a dozen songs transcribed in notes & tab, plus an in-depth analysis of Jerry's style and approach to the guitar. Includes: Funky Junk • Jerry's Breakdown • The Mad Russian • A Major Attempt at a Minor Thing • Nut Sundae • Picky, Picky, Picky • Seidina (First Born) • Steeplechase Lane • Stumpwater • Swarmin' • Swingin' '69 • Two-Timin'.

 

Funky Junk

Jerry's Breakdown

The Mad Russian

A Major Attempt At A Minor Thing

Nut Sundae

Picky, Picky, Picky

Seidina (First Born)

Steeplechase Lane

Stumpwater

Swarmin'

Swingin' '69

Two-Timin'

 

78 pages

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GATTON DANNY-88 ELMIRA St. Guitar Recorded Version TABLATURE LIBRO SPARTITI SIMPSON CHITARRA

GATTON DANNY, 88 ELMIRA St. .Con una trascrizione del tema dei Simpson. BOOK WITH GUITAR TABLATURE

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Series: Guitar Recorded Version TABLATURE
Artist: Danny Gatton

Danny's work was a brilliant combination of blues, rockabilly, and rock 'n' roll. This collection features 11 transcriptions from his album, including: Funky Mama - In My Room - The Simpsons - Slidin' Home, and more. 96 pages

Blues Newburg
Elmira St. Boogie
Fandingus
Funky Mama
In My Room
Muthaship
Pretty Blue
Quiet Village
Red Label
Theme From The Simpsons
Slidin' Home

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BLUEGRASS SONGBOOK. Peter Wernick GUITAR TABLATURE Blue Ridge Mountain Blues-Daddy Sang Bass-Bury Me Beneath The Willow-Knoxville Girl

BLUEGRASS SONGBOOK. Peter Wernick. TABLATURE

Over 130 songs in several styles from old-time, traditional, and newgrass, top gospel, and novelty tunes. Includes Ballad Of Jed Clampett, Blue Ridge Mountain Blues, Daddy Sang Bass, Bury Me Beneath The Willow, and Knoxville Girl.

Bluegrass Songbook. (Melody/Lyrics/Chords). For voice and guitar (or banjo). Music Sales America. Bluegrass and Americana. Difficulty: easy-medium. Fake book (simplified 3 string guitar tablature). Vocal melody (simplified 3 string guitar tablature), lyrics, chord names, performance notes, introductory text and black & white photos. 128 pages. Oak Publications #OK63198. Published by Oak Publications (HL.14004665).
ISBN 0825601649. With vocal melody (simplified 3 string guitar tablature), lyrics, chord names, performance notes, introductory text and black & white photos. Bluegrass and Americana. 9x12 inches.
Over 130 songs in several styles--from old-time, traditional, and newgrass, top gospel, and novelty tunes. Includes Ballad Of Jed Clampett, Blue Ridge Mountain Blues, Daddy Sang Bass, Bury Me Beneath The Willow, and Knoxville Girl.

Ain't Gonna Work Tomorrow
All The Good Times Are Past And Gone
Amazing Grace
Angel Band
Ballad Of Jed Clampett
Banks Of The Ohio
(A) Beautiful Life
Before I Met You
Big Ball In Boston
Blue Ridge Mountain Blues
(The) Bluebirds Are Singing For Me
Bluegrass Express
Bound To Ride
Brand New Shoes
Bringing Mary Home
Bury Me Beneath The Willow
(The Children Are Crying And) Calling Your Name
Close By
Columbus Stockade Blues
Daddy Sang Bass
Dark Hollow
Darling Corey
Detroit City
Don't Let Your Deal Go Down
Don't Put Her Down, You Helped Put Her There
Don't This Road Look Rough And Rocky
Down In The Willow Garden
Down The Road
Eating Out Of Your Hand
Face Lost In The Crowd
Fair And Tender Ladies
Foggy Mountain Top
Footprints In The Snow
Fox On The Run
Free Born Man
Freight Train
Give Me Your Hand
Handsome Molly
He Will Set Your Fields On Fire
Heaven
Hello City Limits
Highway Of Regret
Hot Corn, Cold Corn
How Mountain Girls Can Love
I'm A Pilgrim
I Know You're Married But I Love You Still
I'm Using My Bible For A Roadmap
If I Lose
In The Pines
(It's A Long Way) To The Top Of The World
It's In My Mind To Ramble
Jesse James
John Hardy
John Henry
Katy Daley
Knoxville Girl
(The) Last Song
Late Last Night (Way Downtown)
(The) Legend Of The Rebel Soldier
Life Is Like A Mountain Railroad
Listening To The Rain
Little Bessie
Little Birdie
(The) Little Girl And The Dreadful Snake
Little Glass Of Wine
Little Joe
Little Maggie
Little White Church
(The) Lonesome River
Lonesome Road Blues
Long Black Veil
Long Journey Home (Two Dollar Bill)
Lord, I'm Coming Home
Love, Please Come Home
Making Plans
Man Of Constant Sorrow
Maple On The Hill
Matterhorn
Memories Of Mother And Dad
(The) Memory Of Your Smile
Midnight On The Stormy Deep
Milwaukee Here I Come
Mr. Engineer
Mountain Dew
My Better Years
My Dying Bed
New Freedom Bell
New River Train
Nine Pound Hammer
(The) Old Old House
Ole Slew Foot
On The Jericho Road
Out On The Ocean
Pallet On Your Floor
Paradise
Poor Ellen Smith
Precious Memories
Pretty Polly
Rabbit In The Log (Feast Here Tonight)
Rank Stranger
Roll In My Sweet Baby's Arms
Roll Muddy River
Roll On Buddy
Roving Gambler
Satisfied Mind
Short Life Of Trouble
Singing All Day And Dinner On The Ground
Sitting On Top Of The World
(She Left Me) Standing On The Mountain
Steppin' Stones
Stone Walls And Steel Bars
Sweet Little Miss Blue Eyes
Sweet Sunny South
Swing Low Sweet Chariot
Teardrops In My Eyes
Tennessee
Tennessee Stud
That's How I Can Count On You
Things In Life
Think Of What You've Done
This Is The Girl I Love
Tragic Romance
Two Little Boys
Victim To The Tomb
Wabash Cannonball
We Need A Whole Lot More Of Jesus
Wear A Red Rose
What Would You Give In Exchange For Your Soul
When The Golden Leaves Begin To Fall
Where The Soul Never Dies
White House Blues
Widow Maker
Wildwood Flower
Will The Circle Be Unbroken
With Care From Someone
Working On A Building
Worried Man Blues
Wreck Of The Old Ninety-seven
Y'all Come
You Go To Your Church (And I'll Go To Mine)

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ATKINS CHET, PLAYS BACK HOME HYMNS TABLATURE FINGERPICKING SPARTITI CHITARRA LIBRO

ATKINS CHET, PLAYS BACK HOME HYMNS. Take my hand precious lord -amazing grace -will the circle be unbroken -in the garden -when they ring the golden bells -just as i am -further along -just a closer walk with thee -the old rugged cross -lonesome valley -God be with you -were you there. TABLATURE

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Product Description:
This book of hymn arrangements as recorded by Chet Atkins was done in hopes that other guitarists will benefit from the availability of beautiful hymns for guitar, both for use in worship services and for personal enjoyment as well. The arrangements are given in notation and tablature just as Chet played them. They have not been simplified, and are intended for use by those who know and appreciate Chet's style of guitar technique. Fingerings and performance notes have been added by the transcriber.

Transcribed by Jerry R. Ozee, arranged by Chet Atkins. Guitar tablature songbook for guitar. 56 pages. With guitar tablature, standard notation, chord names, performance notes, introductory text and black & white photos. Traditional Country and Hymns. 8.75x11.75 inches.

Contents:
Take My Hand Precious Lord G Major, composed by T. Dorsey
Amazing Grace G Major, composed by John Newton
Will The Circle Be Unbroken E Major, composed by traditional
In The Garden G Major, composed by C. Austin Miles
When They Ring The Golden Bells G Major, composed by Dion DeMarbelle
Just As I Am C Major, composed by C. Elliot, W. Bradbury
Further Along E Major, composed by J.R. Baxter, W.B. Stevens
Just A Closer Walk With Thee G Major, composed by traditional
The Old Rugged Cross E Major, composed by George Bennard
Lonesome Valley E Major, composed by traditional
God Be With You C Major, composed by Jeremiah Rankin
Were You There D Major, composed by traditional

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ATKINS CHET VINTAGE FINGERSTYLES GUITAR TABLATURE SPARTITI CHITARRA LIBRO FINGERPICKING

ATKINS CHET, VINTAGE FINGERSTYLES. GUITAR TABLATURE

LIBRO DI MUSICA PER CHITARRA FINGERPICKING.
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Arkansas traveler -blue echo -chinatown, my chinatown -the claw -lady madonna -lover, come back to me -my little waltz -slinkey -trambone -when you wish upon a star -wobegon -yankee doodle dixie -oh by jingo, oh by gee, you're the only girl for me. 
Series: Guitar Recorded Version TAB
Artist: Chet Atkins

Features 14 fingerstyle favorites transcribed in notes & tab from this unparalleled player, Includes a note from Chet Atkins, tips on playing his music, photos and a guitar notation legend. 80 pages.

Arkansas Traveler
Blue Echo
Chinatown, My Chinatown
The Claw
Lady Madonna
Lover, Come Back To Me
My Little Waltz
Oh By Jingo, Oh By Gee, You're The Only Girl For Me
Slinkey
Trambone
When You Wish Upon A Star
Wobegon (The Way It Used To Be)
Yankee Doodle Dixie

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ATKINS CHET GUITAR FOR ALL SEASONS TABLATURE FINGERPICKING SPARTITI CHITARRA LIBRO HAL LEONARD

ATKINS CHET, GUITAR FOR ALL SEASONS. GUITAR TABLATURE

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Guitar tablature songbook for guitar. Series: Hal Leonard Guitar Recorded Versions. 96 pages. With guitar tablature, standard notation, chord names and guitar notation legend. Instructional.

14 songs, including:
Also includes performance notes detailing Chet's techniques.

About Hal Leonard Guitar Recorded Versions
Guitar Recorded Versions are note-for-note transcriptions of guitar music taken directly off recordings. This series, one of the most popular in print today, features some of the greatest guitar players and groups from blues, rock, and heavy metal. Guitar Recorded Versions are transcribed by the best transcribers in the business. Every book contains notes and tablature.

Contents:
Chaplin In New Shoes
Country Champagne
Dizzy Fingers
Both Sides Now
Honolulu Blue
I Still Can't Say Goodbye
Londonderry Air
Mother Of Ireland
Sails
Sneakin' Around
Some Leather And Lace
Waltz For The Lonely
Yellow Bird
Swedish Rhapsody
(anche il chitarrista dei Deep Purple, RITCHIE BLACKMORE ha suonato questo tema in LAZY, nel LIVE IN JAPAN)

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ATKINS CHET IN THREE DIMENSIONS VOLUME 1: 50 YEARS OF LEGENDARY GUITAR TABLATURE SPARTITI LIBRO

ATKINS CHET, IN THREE DIMENSIONS VOLUME 1: 50 YEARS OF LEGENDARY GUITAR. TABLATURE

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By John McClellan and Deyan Bratic. For Guitar (Fingerpicking). Transcribed solos. Country. Book. 208 pages. Level: Advanced.

This tribute contains twenty-two of Chet's greatest solos and duets along with interviews with his daughter, Merle Atkins Russell and close friends such as Jerry Reed, Vince Gill, Eddy Arnold, Don Mclean and many others. This book offers touching insight into the character of an American original, who did much to shape the course of music history and the guitar. Most importantly, Chet Atkins helped thousands of people over the course of his life through kindness and generosity. To quote Jerry Reed, "There is only one." This book is a tribute to a special man, a special artist... a hero to the millions of lives he touched. The Atkins Family has shared many rare photographs which are presented in a special eight-page color insert. Selections include, Heartaches, Caravan, When You Wish Upon a Star (live version), Music to Watch Girls by, Stars and Stripes Forever, Jerry's Breakdown, Nashtown Ville and many others. All music is in standard notation and in tablature.

 

Introduction to the Music

Thoughts About Chet's Musicianship

In the words of Chet Atkins, "This is my opinion and it oughta be yours!" When you see a legitimate artist, you know it right away. Chet's core musicianship can be summed up succinctly. Rhythm, sound, color, counterpoint, and intonation were everything to Chet. Oftentimes, guitarists that play Chet's material make the mistake of playing too fast, out of tune, and with no regard for timbre or tone. To play Chet's music in this way is disrespectful to his artistry. We have an obligation to his memory to observe the following:

Play in tune! Chet never played out of tune.

Relax. Play in time, he never rushed his tempos, even when he played fast, the tempo was relaxed. He rode the beat, rather than pushing it.

Make a beautiful sound ... the quality of tone is important. Chet always had a beautiful fundamental in his sound. Listen to his old "Gretsch Country Gentlemen" on Chester and Lester, or his nylon sound on Chet Atkins Picks on Jerry Reed or The Night Atlanta Burned! Someone once said, "You will never produce a beautiful sound, if you don't first know what one is." Chet was all about playing pretty. Sound was everything.

He thought it was important to play to the strength of the guitar rather than to its weaknesses. He also felt the need to improve. I think we get set in our ways and stop growing, something Chet never did. Think about it! Don't arbitrarily make fingerings easier if it destroys the timbre of the phrase. When Chet fingered a passage a certain way, it was because the color of the notes was important to him! He used the color or timbre of the guitar better than any guitarist who ever lived. Chet also conceptualized music vertically and horizontally in a contrapuntal way, this influenced his fingerings, usage of color and his overall musical vision.

Sing. Chet was always singing! Singing through the guitar! He stressed the importance of knowing the lyrics to the songs you play, as this will help you create a more complete legato in your musical lines or phrases.

Listen to all types of music as Chet did. For example, he loved the jazz pianist Erroll Garner's Concert by the Sea. (available on CD at most record stores). Chet was very deep musically, he learned from everybody!

Jorge Morel called Chet, "The pure artist of the guitar!" I often think Chet is under appreciated. By considering the points I have just stated, we can all further Chet Atkins' memory and musical legacy.

About the Transcriptions

If you want to really learn from the master, listen carefully to a given piece several hundred times. This is the level of dedication given to Chet and his music within these pages! Every attempt has been made to transcribe " hat Chet really played into notes in a musical score. But how can one accurately translate so many nuances?

Musical notation isn't enough. It's like trying to explain the secret to producing a painting by Monet or a fine wine. It is impossible! You will find errors, and that is a good thing. It means you're listening and you care. Any mistakes that exist are made because we are human, not because of complacency. Our criteria for transcribing Chet's music was baser upon the diversity of the music and the diversity of Chet's fans. The musical elements that made each piece unique include sound/timbre, phrasing, rhythm, and technique. All these elements were given an extra degree of scrutiny during the transcribing and final proofing. We also used current computer technology to assure accuracy in translating the notes from the recording to the guitar, and finally, to paper...

... ou doing up here?" I told him. In order for him to sign my book, he had to give me his guitar, there was just no where to put it. He said, "Hold this!" He took the book; he was looking for suitable page to sign; he never did anything in a hurry. He was very careful. As he was looking at the book, he said, "Play me a little something!" So I put my foot up on the rung of the stool, I played, "Quiet Nights," that Jobim tune. He signed the book and we swapped back. All this is happening in a few seconds. He said, "You got a nice touch there ... you want to play on this show with me tonight?" Meanwhile, I could hear them start the introduction of Chet. He is getting off the stool, and I turned and said, "I don't have anything prepared, I better not!" Then, they were saying, "Here he is ... Chet Atkins!!" And walking away he says, "You'll be fine, sit there until I call you." And that was it. So then I got a choice, stay there like he told me to do, because he is going to call me, and if I'm not there, then that embarrasses him. I wasn't so stupid that I didn't know that! I am kind of stuck ... it is ice cold in there, I was freezing, my hands were pouring sweat. I was scared to death, but I didn't dare do something as rude as not play. Eventually, Boyce Hawkins, the host, is holding this cheap Gibson CO classical, asking Chet questions you would ask Chet Atkins. He asked Chet to play another one. Chet said, "Well Boyce, I found a kid out there in the studio. His name is David Conrad, he is from North Carolina ... " He remembered everything I said to him in those few seconds back stage, he just tossed it off! So he said, " Let's get him out here, he'll pick a tune for us!" ow, this Boyce fellow, freaked ... this was a live show shot to tape. He was looking from left to right, right to left, like a dog watching television. There I am, Chet kind of waving to me to come on in. I walked across the front and shook their hands and sat down between them. Boyce proceeds, now he is profesional and he cannot allow dead air space, so he jumps right in and says, "So you're from North Carolina. Are you in school? I said, "No sir, I am about to start college, I am visiting friends here. He said, "Chet says you're a pretty good guitar player, but I need you to play for the folks. You have got to prove it!" He shoves that little neo-classic into my hands, I'm trying to tune while he is asking me what I was going to play! The action was bad, not unplayable, mind you, but not ideal. Chet is sitting there and Boyce is looking at me and I am trying to tune this piece of junk of a guitar, Boyce says, "What are you going to play for us?" I said, "I would like to play "One Note Samba," by Jobim. I like Bossa Nova a lot!" Now keep in mind, As I'm still trying to tune ... something inside of me is telling me this is not what they are wanting to hear. The instant it became awkward, Chet gets up and went around and took the guitar from me and handed me his. Chet said, "I think he would rather play this one." It was a Juan Estruch, a beautiful guitar. I think this one was stolen while he was on one of his tours, it just never showed up at the airport. What a wonderful guitar, and personally at seventeen years old, I had never played a guitar that fine, never held one. The action was really low, perfect for me, of course, it came tuned and it played itself. It was just like velvet! I shouted, "A-flat," the band set up a groove, and away I went. Chet was sitting over there just noodling and tuning that bad guitar. I was very comfortable with the piece. When it came time for the bridge (sings the bridge), I just knew the chord progression there. It dawned on me, I had never done any chord melody there. So when I arrived at the bridge, I yelled, "Take the bridge!" I leaned over into Chet's face and he just ripped on through it, and played the heck out of it. On the bad guitar, of course the tone was all together different with Chet playing. From that point on, we were a duet. When we finished that one, we did "Satin Doll" and "Girl from Ipanema." Man, there were as many people coming up to me after the show as there was for Chet. At this point, I'm thinking, "I am not going home. I am not going to college. Momma can just send all my stuff over here!" We finally made our way to each other. I said, "This was one of the most wonderful things of my life, I'm committed to this! What can I say? Were do we go from here? Chet looked at me, then said, "Well, you're going back home to North Carolina and go to college, and I am going to go get a haircut! [laughs] He could see I was pretty disappointed and said, "Nah!, you go back home, I'm going to be here anytime you want or need me. Stay in touch, I'm not going anywhere! Go to school and come back and I'll be here ... we will pick another one!" Back then, there were a lot of golf tournaments throughout the South, still are, Pro-Am and Pro-Celebrity etc ... Chet, Jerry Reed, Boots Randolph and Floyd Cramer had a show called the All Stars. The whole deal with them, they made X. Cosse [Chet's manager] book these shows around golf tournaments. They would come and play, ...

Contents:

Preface
Acknowledgements
Introduction to the Music
David Conrad - "It's a Wonderful Life"
Caravan
Black Mountain Rag
Minuet - J.S. Bach
Eddy Arnold - "Make the World Go Away"
Heartaches
Cy Coben on Chet - "Chet's Tune"
Streets of Laredo
Tony Brown - "The King of Nashville"
Lagrima
Johnny Smith - "Walk Don't Run, Chet..."
Take Five
Going Home
Bob Beckham - "I know That's Right!"
Music to Watch Girls By
Vince Gill - "I Was in Guitar Heaven"
Avalon
Minute Waltz
Mainstreet Breakdown
Merle Atkins Russell - "Thank You Very Little"
The Stars and Stripes Forever
Jerry Reed on Chet - "Hail to the Chief"
Drive In
Jerry's Breakdown
Jorge Morel - "The Pure Artist of the Guitar"
Choro da Saudade
Recuerdos de la Alhambra
When you Wish Upon a Star
John McClellan - "A Boy's Tale"
Ray Stevens - "I Haven't Got the Carrot Yet!"
Oh By Jingo
Don Light - "He Nailed it Again!"
Nashtown Ville
Harry Warner - "They Called Him, Sir"
La Vie en Rose
Don McLean - "Starry, Starry Night"
Vincent (Starry, Starry Night)

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ATKINS CHET ALMOST ALONE GUITAR TABLATURE CHITARRA SPARTITI ACCORDI LIBRO FINGERPICKING

ATKINS CHET, ALMOST ALONE. GUITAR TABLATURE

LIBRO DI MUSICA PER CHITARRA FINGERPICKING.
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Series: Guitar Recorded Version TAB. 80 pages

Ave Maria e
Big Foot
Cheek To Cheek
Happy Again
I Still Write Your Name In The Snow
Jam Man
A Little Mark Musik
Maybelle
Mr. Bojangles
Pu, Uana Hulu (Remembering Gabby)
Sweet Alla Lee
Waiting For Susie B.
You Do Something To Me

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ATKINS CHET CONTEMPORARY STYLES Guitar Recorded Version LIBRO TABLATURE Imagine KNOPFLER

ATKINS CHET, CONTEMPORARY STYLES. Includes duets with Dire Straits' Mark Knopfler. Con anche la parte della chitarra di Mark Knopfler in "cosmic square dance " e in "imagine". TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: Chet Atkins
Chet Atkins is one of guitar's living legends. In this book you will find the best of Chet's contemporary recordings completely transcribed in both tablature and standard notation, including several duets with Dire Straits' Mark Knopfler. 14 songs in all, including. 104 pages.

Alisha - DARRYL DYBKA
Avalon (ATKINS & LES PAUL)
Blue Angel
Cascade
Chinook Winds
Cosmic Square Dance (ATKINS & MARK KNOPFLER)
Imagine (ATKINS & MARK KNOPFLER)
Jethreaux
Knuckle Busters
Mockingbird Variations
My Song - KEITH JARRET
Please Stay Tuned (ATKINS & STEVE LUKATHER)
Which Way Del Vecchio
Windy And Warm

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