LIBRO

ATKINS CHET, PLAYS BACK HOME HYMNS TABLATURE FINGERPICKING SPARTITI CHITARRA LIBRO

ATKINS CHET, PLAYS BACK HOME HYMNS. Take my hand precious lord -amazing grace -will the circle be unbroken -in the garden -when they ring the golden bells -just as i am -further along -just a closer walk with thee -the old rugged cross -lonesome valley -God be with you -were you there. TABLATURE

LIBRO DI MUSICA FINGERPICKING.

SPARTITI PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE.

Product Description:
This book of hymn arrangements as recorded by Chet Atkins was done in hopes that other guitarists will benefit from the availability of beautiful hymns for guitar, both for use in worship services and for personal enjoyment as well. The arrangements are given in notation and tablature just as Chet played them. They have not been simplified, and are intended for use by those who know and appreciate Chet's style of guitar technique. Fingerings and performance notes have been added by the transcriber.

Transcribed by Jerry R. Ozee, arranged by Chet Atkins. Guitar tablature songbook for guitar. 56 pages. With guitar tablature, standard notation, chord names, performance notes, introductory text and black & white photos. Traditional Country and Hymns. 8.75x11.75 inches.

Contents:
Take My Hand Precious Lord G Major, composed by T. Dorsey
Amazing Grace G Major, composed by John Newton
Will The Circle Be Unbroken E Major, composed by traditional
In The Garden G Major, composed by C. Austin Miles
When They Ring The Golden Bells G Major, composed by Dion DeMarbelle
Just As I Am C Major, composed by C. Elliot, W. Bradbury
Further Along E Major, composed by J.R. Baxter, W.B. Stevens
Just A Closer Walk With Thee G Major, composed by traditional
The Old Rugged Cross E Major, composed by George Bennard
Lonesome Valley E Major, composed by traditional
God Be With You C Major, composed by Jeremiah Rankin
Were You There D Major, composed by traditional

Prezzo: €21,99
€21,99

ATKINS CHET VINTAGE FINGERSTYLES GUITAR TABLATURE SPARTITI CHITARRA LIBRO FINGERPICKING

ATKINS CHET, VINTAGE FINGERSTYLES. GUITAR TABLATURE

LIBRO DI MUSICA PER CHITARRA FINGERPICKING.
SPARTITI CON ACCORDI, PENTAGRAMMA E TABLATURE. 

Arkansas traveler -blue echo -chinatown, my chinatown -the claw -lady madonna -lover, come back to me -my little waltz -slinkey -trambone -when you wish upon a star -wobegon -yankee doodle dixie -oh by jingo, oh by gee, you're the only girl for me. 
Series: Guitar Recorded Version TAB
Artist: Chet Atkins

Features 14 fingerstyle favorites transcribed in notes & tab from this unparalleled player, Includes a note from Chet Atkins, tips on playing his music, photos and a guitar notation legend. 80 pages.

Arkansas Traveler
Blue Echo
Chinatown, My Chinatown
The Claw
Lady Madonna
Lover, Come Back To Me
My Little Waltz
Oh By Jingo, Oh By Gee, You're The Only Girl For Me
Slinkey
Trambone
When You Wish Upon A Star
Wobegon (The Way It Used To Be)
Yankee Doodle Dixie

Prezzo: €28,99
€28,99

ATKINS CHET GUITAR FOR ALL SEASONS TABLATURE FINGERPICKING SPARTITI CHITARRA LIBRO HAL LEONARD

ATKINS CHET, GUITAR FOR ALL SEASONS. GUITAR TABLATURE

LIBRO DI MUSICA FINGERPICKING.  
SPARTITI PER CHITARRA CON: ACCORDI, PENTAGRAMMA, TABLATURE.

Guitar tablature songbook for guitar. Series: Hal Leonard Guitar Recorded Versions. 96 pages. With guitar tablature, standard notation, chord names and guitar notation legend. Instructional.

14 songs, including:
Also includes performance notes detailing Chet's techniques.

About Hal Leonard Guitar Recorded Versions
Guitar Recorded Versions are note-for-note transcriptions of guitar music taken directly off recordings. This series, one of the most popular in print today, features some of the greatest guitar players and groups from blues, rock, and heavy metal. Guitar Recorded Versions are transcribed by the best transcribers in the business. Every book contains notes and tablature.

Contents:
Chaplin In New Shoes
Country Champagne
Dizzy Fingers
Both Sides Now
Honolulu Blue
I Still Can't Say Goodbye
Londonderry Air
Mother Of Ireland
Sails
Sneakin' Around
Some Leather And Lace
Waltz For The Lonely
Yellow Bird
Swedish Rhapsody
(anche il chitarrista dei Deep Purple, RITCHIE BLACKMORE ha suonato questo tema in LAZY, nel LIVE IN JAPAN)

Prezzo: €49,99
€49,99

ATKINS CHET IN THREE DIMENSIONS VOLUME 1: 50 YEARS OF LEGENDARY GUITAR TABLATURE SPARTITI LIBRO

ATKINS CHET, IN THREE DIMENSIONS VOLUME 1: 50 YEARS OF LEGENDARY GUITAR. TABLATURE

LIBRO DI MUSICA FINGERSTYLE.
SPARTITI PER CHITARRA.
ACCORDI, PENTAGRAMMA E TABLATURE

By John McClellan and Deyan Bratic. For Guitar (Fingerpicking). Transcribed solos. Country. Book. 208 pages. Level: Advanced.

This tribute contains twenty-two of Chet's greatest solos and duets along with interviews with his daughter, Merle Atkins Russell and close friends such as Jerry Reed, Vince Gill, Eddy Arnold, Don Mclean and many others. This book offers touching insight into the character of an American original, who did much to shape the course of music history and the guitar. Most importantly, Chet Atkins helped thousands of people over the course of his life through kindness and generosity. To quote Jerry Reed, "There is only one." This book is a tribute to a special man, a special artist... a hero to the millions of lives he touched. The Atkins Family has shared many rare photographs which are presented in a special eight-page color insert. Selections include, Heartaches, Caravan, When You Wish Upon a Star (live version), Music to Watch Girls by, Stars and Stripes Forever, Jerry's Breakdown, Nashtown Ville and many others. All music is in standard notation and in tablature.

 

Introduction to the Music

Thoughts About Chet's Musicianship

In the words of Chet Atkins, "This is my opinion and it oughta be yours!" When you see a legitimate artist, you know it right away. Chet's core musicianship can be summed up succinctly. Rhythm, sound, color, counterpoint, and intonation were everything to Chet. Oftentimes, guitarists that play Chet's material make the mistake of playing too fast, out of tune, and with no regard for timbre or tone. To play Chet's music in this way is disrespectful to his artistry. We have an obligation to his memory to observe the following:

Play in tune! Chet never played out of tune.

Relax. Play in time, he never rushed his tempos, even when he played fast, the tempo was relaxed. He rode the beat, rather than pushing it.

Make a beautiful sound ... the quality of tone is important. Chet always had a beautiful fundamental in his sound. Listen to his old "Gretsch Country Gentlemen" on Chester and Lester, or his nylon sound on Chet Atkins Picks on Jerry Reed or The Night Atlanta Burned! Someone once said, "You will never produce a beautiful sound, if you don't first know what one is." Chet was all about playing pretty. Sound was everything.

He thought it was important to play to the strength of the guitar rather than to its weaknesses. He also felt the need to improve. I think we get set in our ways and stop growing, something Chet never did. Think about it! Don't arbitrarily make fingerings easier if it destroys the timbre of the phrase. When Chet fingered a passage a certain way, it was because the color of the notes was important to him! He used the color or timbre of the guitar better than any guitarist who ever lived. Chet also conceptualized music vertically and horizontally in a contrapuntal way, this influenced his fingerings, usage of color and his overall musical vision.

Sing. Chet was always singing! Singing through the guitar! He stressed the importance of knowing the lyrics to the songs you play, as this will help you create a more complete legato in your musical lines or phrases.

Listen to all types of music as Chet did. For example, he loved the jazz pianist Erroll Garner's Concert by the Sea. (available on CD at most record stores). Chet was very deep musically, he learned from everybody!

Jorge Morel called Chet, "The pure artist of the guitar!" I often think Chet is under appreciated. By considering the points I have just stated, we can all further Chet Atkins' memory and musical legacy.

About the Transcriptions

If you want to really learn from the master, listen carefully to a given piece several hundred times. This is the level of dedication given to Chet and his music within these pages! Every attempt has been made to transcribe " hat Chet really played into notes in a musical score. But how can one accurately translate so many nuances?

Musical notation isn't enough. It's like trying to explain the secret to producing a painting by Monet or a fine wine. It is impossible! You will find errors, and that is a good thing. It means you're listening and you care. Any mistakes that exist are made because we are human, not because of complacency. Our criteria for transcribing Chet's music was baser upon the diversity of the music and the diversity of Chet's fans. The musical elements that made each piece unique include sound/timbre, phrasing, rhythm, and technique. All these elements were given an extra degree of scrutiny during the transcribing and final proofing. We also used current computer technology to assure accuracy in translating the notes from the recording to the guitar, and finally, to paper...

... ou doing up here?" I told him. In order for him to sign my book, he had to give me his guitar, there was just no where to put it. He said, "Hold this!" He took the book; he was looking for suitable page to sign; he never did anything in a hurry. He was very careful. As he was looking at the book, he said, "Play me a little something!" So I put my foot up on the rung of the stool, I played, "Quiet Nights," that Jobim tune. He signed the book and we swapped back. All this is happening in a few seconds. He said, "You got a nice touch there ... you want to play on this show with me tonight?" Meanwhile, I could hear them start the introduction of Chet. He is getting off the stool, and I turned and said, "I don't have anything prepared, I better not!" Then, they were saying, "Here he is ... Chet Atkins!!" And walking away he says, "You'll be fine, sit there until I call you." And that was it. So then I got a choice, stay there like he told me to do, because he is going to call me, and if I'm not there, then that embarrasses him. I wasn't so stupid that I didn't know that! I am kind of stuck ... it is ice cold in there, I was freezing, my hands were pouring sweat. I was scared to death, but I didn't dare do something as rude as not play. Eventually, Boyce Hawkins, the host, is holding this cheap Gibson CO classical, asking Chet questions you would ask Chet Atkins. He asked Chet to play another one. Chet said, "Well Boyce, I found a kid out there in the studio. His name is David Conrad, he is from North Carolina ... " He remembered everything I said to him in those few seconds back stage, he just tossed it off! So he said, " Let's get him out here, he'll pick a tune for us!" ow, this Boyce fellow, freaked ... this was a live show shot to tape. He was looking from left to right, right to left, like a dog watching television. There I am, Chet kind of waving to me to come on in. I walked across the front and shook their hands and sat down between them. Boyce proceeds, now he is profesional and he cannot allow dead air space, so he jumps right in and says, "So you're from North Carolina. Are you in school? I said, "No sir, I am about to start college, I am visiting friends here. He said, "Chet says you're a pretty good guitar player, but I need you to play for the folks. You have got to prove it!" He shoves that little neo-classic into my hands, I'm trying to tune while he is asking me what I was going to play! The action was bad, not unplayable, mind you, but not ideal. Chet is sitting there and Boyce is looking at me and I am trying to tune this piece of junk of a guitar, Boyce says, "What are you going to play for us?" I said, "I would like to play "One Note Samba," by Jobim. I like Bossa Nova a lot!" Now keep in mind, As I'm still trying to tune ... something inside of me is telling me this is not what they are wanting to hear. The instant it became awkward, Chet gets up and went around and took the guitar from me and handed me his. Chet said, "I think he would rather play this one." It was a Juan Estruch, a beautiful guitar. I think this one was stolen while he was on one of his tours, it just never showed up at the airport. What a wonderful guitar, and personally at seventeen years old, I had never played a guitar that fine, never held one. The action was really low, perfect for me, of course, it came tuned and it played itself. It was just like velvet! I shouted, "A-flat," the band set up a groove, and away I went. Chet was sitting over there just noodling and tuning that bad guitar. I was very comfortable with the piece. When it came time for the bridge (sings the bridge), I just knew the chord progression there. It dawned on me, I had never done any chord melody there. So when I arrived at the bridge, I yelled, "Take the bridge!" I leaned over into Chet's face and he just ripped on through it, and played the heck out of it. On the bad guitar, of course the tone was all together different with Chet playing. From that point on, we were a duet. When we finished that one, we did "Satin Doll" and "Girl from Ipanema." Man, there were as many people coming up to me after the show as there was for Chet. At this point, I'm thinking, "I am not going home. I am not going to college. Momma can just send all my stuff over here!" We finally made our way to each other. I said, "This was one of the most wonderful things of my life, I'm committed to this! What can I say? Were do we go from here? Chet looked at me, then said, "Well, you're going back home to North Carolina and go to college, and I am going to go get a haircut! [laughs] He could see I was pretty disappointed and said, "Nah!, you go back home, I'm going to be here anytime you want or need me. Stay in touch, I'm not going anywhere! Go to school and come back and I'll be here ... we will pick another one!" Back then, there were a lot of golf tournaments throughout the South, still are, Pro-Am and Pro-Celebrity etc ... Chet, Jerry Reed, Boots Randolph and Floyd Cramer had a show called the All Stars. The whole deal with them, they made X. Cosse [Chet's manager] book these shows around golf tournaments. They would come and play, ...

Contents:

Preface
Acknowledgements
Introduction to the Music
David Conrad - "It's a Wonderful Life"
Caravan
Black Mountain Rag
Minuet - J.S. Bach
Eddy Arnold - "Make the World Go Away"
Heartaches
Cy Coben on Chet - "Chet's Tune"
Streets of Laredo
Tony Brown - "The King of Nashville"
Lagrima
Johnny Smith - "Walk Don't Run, Chet..."
Take Five
Going Home
Bob Beckham - "I know That's Right!"
Music to Watch Girls By
Vince Gill - "I Was in Guitar Heaven"
Avalon
Minute Waltz
Mainstreet Breakdown
Merle Atkins Russell - "Thank You Very Little"
The Stars and Stripes Forever
Jerry Reed on Chet - "Hail to the Chief"
Drive In
Jerry's Breakdown
Jorge Morel - "The Pure Artist of the Guitar"
Choro da Saudade
Recuerdos de la Alhambra
When you Wish Upon a Star
John McClellan - "A Boy's Tale"
Ray Stevens - "I Haven't Got the Carrot Yet!"
Oh By Jingo
Don Light - "He Nailed it Again!"
Nashtown Ville
Harry Warner - "They Called Him, Sir"
La Vie en Rose
Don McLean - "Starry, Starry Night"
Vincent (Starry, Starry Night)

Prezzo: €46,99
€46,99

ATKINS CHET ALMOST ALONE GUITAR TABLATURE CHITARRA SPARTITI ACCORDI LIBRO FINGERPICKING

ATKINS CHET, ALMOST ALONE. GUITAR TABLATURE

LIBRO DI MUSICA PER CHITARRA FINGERPICKING.
SPARTITI PER CHITARRA CON ACCORDI, PENTAGRAMMA E TABLATURE.

Series: Guitar Recorded Version TAB. 80 pages

Ave Maria e
Big Foot
Cheek To Cheek
Happy Again
I Still Write Your Name In The Snow
Jam Man
A Little Mark Musik
Maybelle
Mr. Bojangles
Pu, Uana Hulu (Remembering Gabby)
Sweet Alla Lee
Waiting For Susie B.
You Do Something To Me

Prezzo: €27,99
€27,99

ATKINS CHET CONTEMPORARY STYLES Guitar Recorded Version LIBRO TABLATURE Imagine KNOPFLER

ATKINS CHET, CONTEMPORARY STYLES. Includes duets with Dire Straits' Mark Knopfler. Con anche la parte della chitarra di Mark Knopfler in "cosmic square dance " e in "imagine". TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON TABLATURE. 

Series: Guitar Recorded Version TAB
Artist: Chet Atkins
Chet Atkins is one of guitar's living legends. In this book you will find the best of Chet's contemporary recordings completely transcribed in both tablature and standard notation, including several duets with Dire Straits' Mark Knopfler. 14 songs in all, including. 104 pages.

Alisha - DARRYL DYBKA
Avalon (ATKINS & LES PAUL)
Blue Angel
Cascade
Chinook Winds
Cosmic Square Dance (ATKINS & MARK KNOPFLER)
Imagine (ATKINS & MARK KNOPFLER)
Jethreaux
Knuckle Busters
Mockingbird Variations
My Song - KEITH JARRET
Please Stay Tuned (ATKINS & STEVE LUKATHER)
Which Way Del Vecchio
Windy And Warm

Prezzo: €26,99
€26,99

I DO, I DO! 14 wedding songs flute & guitar TABLATURE LIBRO SPARTITI CHITARRA FLAUTO

I DO, I DO! 14 Traditional wedding songs. Tutti i brani per una cerimonia al completo, per flauto e chitarra. TABLATURE 

LIBRO DI MUSICA CLASSICA PER FLAUTO E CHITARRA.
SPARTITI PER CON PENTAGRAMMA E TABLATURE. 

I Do, I Do!
Flute & Guitar
Series: Songbook
Publisher: Cherry Lane Music TAB
Composer: Various

I DO, I DO! is a great collection of traditional wedding songs for flute and guitar. Songs included are 'Air on A G String,' 'Ave Maria' 'Canon in D' and 'Bridal Chorus.' Fourteen beautiful songs for 2 beautiful instruments. Includes standard notation and tablature.

Inventory #HL 02503480
ISBN: 9781575600055
UPC: 073999034806
Width: 9.0"
Length: 12.0"
38 pages

Air On The G String - BACH
Ave Maria - SCHUBERT
Bist du bei mir (You Are With Me) - BACH
Bridal Chorus from Lohengrin- WAGNER
Canon In D - PACHELBEL
Jesu, Joy Of Man's Desiring - BACH
Prince Of Denmark's March - CLARKE
Processional - HAYDN
Rondeau - MOURET
Sheep May Safely Graze - BACH
Trumpet Tune - CLARKE
Wedding March - MENDELSSOHN
Where E'er You Walk (Handel)
Processional from royal Fireworks music - HANDEL

Prezzo: €39,99
€39,99

VILLA LOBOS HEITOR SOLO GUITAR BOOK SPARTITI CHITARRA LIBRO STUDI-SUITE BRASILIANE-PRELUDI

VILLA LOBOS HEITOR, SOLO GUITAR. 12 studi (1929), 5 preludi (1940), 5 suite popolare brasiliane (1908 1912), Chôros n.1 (1920). SHEET MUSIC BOOK FOR GUITAR.

LIBRO METODO DI MUSICA CLASSICA.
SPARTITI PER CHITARRA CON: 
PENTAGRAMMA, TABLATURE.
 
94 PAGINE 
 
 Chôros No.1
 Mazurka - Chôro (Suite Populaire Brésilienne)
 Schottish - Chôro (Suite Populaire Brésilienne)
 Valsa - Chôro (Suite Populaire Brésilienne)
 Gavotta - Chôro (Suite Populaire Brésilienne)
 Chôrinho (Suite Populaire Brésilienne)
 Études Des Arpèges (Douze Études No.1)
 Des Arpèges (Douze Études No.2)
 Allegro Moderato (Douze Études No.3)
 Des Accords Repètes (Douze Études No.4)
 Andantino (Douze Études No.5)
 Poco Allegro (Douze Études No.6)
 Très Animé (Douze Études No.7)
 Modéré (Douze Études No.8)
 Très Peu Animé (Douze Études No.9)
 Très Animé (Douze Études No.10)
 Lent (Douze Études No.11)
 Animé (Douze Études No.12)
 Prélude No.1 In E Minor (Cinq Préludes)
 Prélude No.2 In C Minor (Cinq Préludes)
 Prélude No.3 In A Minor (Cinq Préludes)
 Prélude No.4 In E Minor (Cinq Préludes)
 Prélude No.5 In D (Cinq Préludes)
Prezzo: €75,99
€75,99

TREASURES OF THE BAROQUE VOLUME 1 guitar libro chitarra barocca Silvius Leopold Weiss-Pellegrini

TREASURES OF THE BAROQUE VOLUME 1. Musica dalla chitarra e dal liuto barocco; Francesco Corbetta, Robert de Visèe, Ludovico Roncalli, Santiago de Murcia, Weiss.

LIBRO PER CHITARRA.

Product Description:
David Grimes has utilized his extensive research into Baroque music and his expertise in classical guitar solo performance to compile a truly unique and valuable collection. In addition to presenting an authoritative section on Baroque ornamentation, Mr. Grimes has notated a wealth of fascinating and beautiful guitar solos from the original tablature sources. Standard notation only. 160 pages.

Contents:

Music From Baroque Guitar Tablatures

Anonymous

Three Minuets
Gavotte
Gavotta and Double
La Forlane Gay
Johann Anton Losy
Minuet and Gavotte
Ayr and Gigue
Tombeau
Francesco Corbetta
Chiacona
Tambour de Suisse
Suite in D (Prelude, Allemande, Courante, Sarabande, Chaconne)
Robert De Visee
Gigue
Suite in C Minor (Prelude, Allemande, Courante, Sarabande I, Sarabande II, Gavotte)
Francois Campion
Air
Prelude, Sarabande and Gavotte
Air and Courante
Menuet and Gigue
Sarabande
Domenico Pellegrini
Balletto Primo and Corrente
Corrente and Sarabanda
Ludovico Roncalli
Suite in A Minor (Preludio, Alemanda, Corrente, Sarabanda, Gigua, Passacaglii)
Gaspar Sanz
Passacalles in D Minor
Passacalles in A Minor
Passacalles in D (por cruzado)
Antonio De Santa Cruz
Jacaras
Canario in G
Francisco Guerau
Canario
Jacaras
Santiago De Murcia
Paspied Viejo and Paspied Nuevo (Feuillet)
Passacalles in D
Suite in C (Preludio, Allemanda, Correnta, Zarabanda, Ayre, Rondo, Gavota, Rigodon, Giga, Menuet de Estas Piezas, Otra Giga)
Payssanos
Music From Baroque Lute Tablatures
Ernst Gottlieb Baron
Sonata in A Minor (Allemande, Courante, Menuet I, Aria, Bouree, Menuet II, Siciliana, Gigue)
Sonata in G (Prelude, Allemande, Courante, Menuet, Bouree, Polonaise, Gigue)
Esaias Reusner
Suite in G (Allemanda, Couranta, Sarabanda, Gavotte, Gigue)
Suite in G Minor (Allemanda, Couranta, Sarabanda, Gigue)

 

Contents:

Song Title: Composer/Source:
Air - Francois Campion
Ayr - Johann Anton Losy
Balletto Primo - Domenico Pellegrini
Canario - Francisco Guerau
Canario In G - Antonio De Santa Cruz
Chiacona - Francesco Corbetta
Corrente - Domenico Pellegrini
Corrente Sesta - Domenico Pellegrini
Courante - Francois Campion
Courante - Silvius Leopold Weiss
Gavotta And Double
Gavotte
Gavotte - Francois Campion
Gigue - Francois Campion
Gigue - Johann Anton Losy
Gigue - Robert De Visee
Jacaras - Antonio De Santa Cruz
Jacaras - Francisco Guerau
La Forlane Gay
Menuet - Silvius Leopold Weiss
Menuet And Gigue - Francois Campion
Minuet - Johann Anton Losy
Paspied Nuevo
Paspied Viejo Feuillet - De Murcia
Passacalles In A Minor - Gaspar Sanz
Passacalles In D - Gaspar Sanz
Passacalles In D - Santiago De Murcia
Passacalles In D Minor - Gaspar Sanz
Payssanos - Santiago De Murcia
Prelude - Francois Campion
Sarabanda - Domenico Pellegrini
Sarabande - Francois Campion
Sonata In A Minor - Ernst Gottlieb Baron
Sonata In C - Silvius Leopold Weiss
Sonata In G - Ernst Gottlieb Baron
Sonata In G Major - Silvius Leopold Weiss
Suite In A Minor - Ludovico Roncalli
Suite In C - Santiago De Murcia
Suite In C Minor - Robert De Visee
Suite In D - Francesco Corbetta
Suite In E Minor - Jacque Bittner
Suite In G - Esaias Reusner
Suite In G Minor - Esaias Reusner
Suite In G Minor - Jacque Bittner
Tambour - De Suisse Francesco Corbetta
Three Minuets
Tombeau - Johann Anton Losy
Tombeau - Silvius Leopold Weiss  

Prezzo: €26,99
€26,99

THE GUITAR MUSIC OF SPAIN VOL. 3-El noi de la mare-Aire de milonga-Capricho arabe Tarrega-Joaquin Rodrigo

THE GUITAR MUSIC OF SPAIN VOL. 3.

LIBRO DI MUSICA, SPARTITO PER CHITARRA.

Superba raccolta di musica Spagnola per chitarra. Sono presenti titoli di F. Moreno Torroba, Joaquin Rodrigo, Francisco Tarrega, e molti altri di non facile reperibilità.

Contiene: Aire de milonga -Jorde cardoso (Eduardu Falu) -Bolero -Campanas de alba -Capricho arabe (F. Tarrega -Dos piezas para guitarra, Bolero El Majo -El noi de la mare (Llobet) -Madronos (Torroba) -Pajaros de prima vera (Joaquin Rodrigo) -Paseo -Petenera -Preludio en Mi Mayor -Romance (Torroba) -Scherzo (Llobet) -6 variationes sobre un tema de Milan -Tango y zapateado (Romero) -Vals Venezolano -Zapateado.

Prezzo: €29,99
€29,99
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