LIBRO

BAROQUE ANTHOLOGY LIBRO SPARTITI CHITARRA BAROCCA CIACCONA-FRASCOBALDA-BACH-WEISS

 

BAROQUE ANTHOLOGY. SHEET MUSIC BOOK FOR GUITAR. 

 

EDITOR: ABE KUBO

 

LIBRO DI MUSICA BAROCCA.  

SPARTITI PER CHITARRA CON: PENTAGRAMMA

 

 

Instrumentation: guitar

Series: guitar library

 

Content

 

G. Sanz: Pavanas

Espanoletas

5 Pieces

L. Roncalli: Passacaglia

Gavotta

Giga

R.de Visée: Suite in D Minor

S.L. Weiss: Tombeau sur la Mort de M. Comte d'Logy

Tombeau sur la Mort de M. Cajetan Baron

Ciaccona "Suite No. 10"

Passacaille "Suite No. 14"

Fantasie

Menuet

Capricio

Giga "Suite No. 2"

Suite No. 21

K. Kohaut: Adagio "Sonata for Lute"

Allegro "Sonata for Lute"

E. Reusner: Paduana "Suite No. 4"

Courante "Suite No. 1"

G. Frescobaldi: Aria detta la Frescobalda

H. Purcel: 7 Pieces

G.F. Händel: Sarabande

J.-P. Rameau: Menuet

M. Albéniz: Sonata in D Major

D. Scarlatti: Sonata K.380/L. 23

Sonata K.1/L.366

Sonata K.11/L.352

Sonata K.146/L:349

Sonata K.159/L.104

Sonata K.175/L.429

Sonata K.208/L.238

Sonata K.213/L.108

Sonata K.322/L.483

Sonata K.391/L.79

J.S. Bach: Largo "Sonate No. 3 (BWV 1005)"

Fuga for Lute (BWV 1000) 

Price: €49,99
€49,99

A CHORDAL CONCEPT FOR JAZZ GUITAR PETER O'MARA LIBRO METODO ARMONIA JAZZ

A CHORDAL CONCEPT FOR JAZZ GUITAR. 

AUTHOR: PETER O'MARA

LIBRO METODO DI MUSICA JAZZ. 

SPARTITI PER CHITARRA CON: ACCORDI, PENTAGRAMMA.

STUDIO, ARMONIA / ACCORDI.

(Revised Edition)

Instrumentation: guitar
Edition: method
Language: English

Description

The idea behind this book is to provide the progressive guitarist with a comprehensive overview of chordal structures on the guitar fingerboard. Starting with triads, then working through 7th and 9th chords and further extensions, chord substitution relationships and practical examples over standard chord progression, the book presents a chordal concept based on logic rather than just memorized shapes.
In addition the book includes complete guitar arrangements of: Georgia, Body And Soul, In Your Own Sweet Way, All Blues, Secret Love (John Scofield interpretation), Very Early (Bill Frisell interpretation), Lakes and Omaha Celebration by Pat Metheny, and Costa Del Sol, Expressions, Three, The Gift, and Stairway by Peter O'Mara.
This book will make it easier for today's guitarists to understand the complex chordal structures used in contemporary jazz.

 

 

 

Price: €29,00
€29,00

POP-HITS FOR CLASSICAL GUITAR TABLATURE FINGERSTYLE LIBRO SPARTITI CHITARRA

POP-HITS FOR CLASSICAL GUITAR. SHEET MUSIC BOOK WITH GUITAR TABLATURE. 

LIBRO DI MUSICA POP, PER CHITARRA FINGERSTYLE.
SPARTITI PER CHITARRA CON:
ACCORDI, PENTAGRAMMA, TABLATURE.

FINGERPICKING, 

 

EDITOR: PETER ANSORGE - BRUNO SZORDIKOWSKI

23 BELIEBTE SONGS VON ELVIS BIS PHIL COLLINS

LIBRO CON TABLATURE

inkl. Tabulatur & Akkorde

Description

Die Konzertgitarre verfügt nicht nur über ein reichhaltiges klassisches Repertoire, sondern ist auch in den verschiedensten populären Stilen zu Hause – die Spanne reicht dabei von sanften Jazz-Evergreens bis zu unsterblichen Popsongs.
Die überarbeitete und erweiterte Neuausgabe der "Pop-Hits" präsentiert die 23 bekanntesten Melodien aus Folk, Pop, Jazz und Film in leichten bis mittelschweren Arrangements für klassische Gitarre.
Die ergänzende Tabulatur unterstützt Gitarristen, die bei der Erarbeitung der Songs die Griffschrift bevorzugen.
Die beigefügten Akkordsymbole über dem Text ermöglichen einem zweiten Gitarristen das Mitspielen.
Und schließlich fasst eine Akkordtabelle im Anhang alle verwendeten Akkorde übersichtlich zusammen.

Content

Lady In Black - 
Wake Me Up When September Ends - GREEN DAY
Aura Lee (Love Me Tender) - 
Amazing Grace
House Of The Rising Sun
Autumn Leaves
He´s A Pirate
Streets Of London
You Are Not Alone - MICHAEL JACKSON
My Way - FRANK SINATRA
Right Here Waiting
Classical Gas
Those Were The Days
Killing Me Softly
Over The Rainbow
What A Wonderful World - LOUIS ARMSTRONG
The Entertainer
My Heart Will Go On - CELINE DION
Another Day In Paradise - PHIL COLLINS
Scarborough Fair
Take Five
Bourrée (goes Pop) - 
Morning Has Broken - 

Price: €25,99
€25,99

CAT STEVENS TEA FOR THE TILLERMAN GUITAR TABLATURE CHITARRA SPARTITI LIBRO Father And Son

CAT STEVENS, TEA FOR THE TILLERMAN. SHEET MUSIC BOOK WITH GUITAR TABLATURE

LIBRO DI MUSICA POP ROCK. 

SPARTITI PER VOCE E CHITARRA CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

Series: Guitar Recorded Version
Publisher: Music Sales America
Format: Softcover - TAB
Artist: Cat Stevens

Cat Stevens' triple platinum 1970 album made the list of “The Definitive 200 Albums of All Time,” released by the National Association of Recording Merchandisers and the Rock and Roll Hall of Fame. Here are transcriptions in notes & tab for all 11 classics: But I Might Die Tonight • Father and Son • Hard Headed Woman • Into White • Longer Boats • Miles from Nowhere • On the Road to Find Out • Sad Lisa • Tea for the Tillerman • Where Do the Children Play • Wild World.

Inventory #HL 14041588
ISBN: 9781458413659
UPC: 884088599393
Width: 9.0"
Length: 12.0"
88 pages

Song List:

 

But I Might Die Tonight

Father And Son

Hard Headed Woman

Into White

Longer Boats

Miles From Nowhere

On The Road To Find Out

Sad Lisa

Tea For The Tillerman

Where Do The Children Play

Wild World

Price: €21,99
€21,99

PARADIES PIETRO DOMENICO-SONATA VIII-2 GUITARS DUO CHITARRE SPARTITI PARADISI

PARADIES, PIETRO DOMENICO, SONATA VIII. 2GIT - 2 GUITARS

LIBRO DI MUSICA CLASSICA, 

SPARTITI PER 2 CHITARRE. 

 

EDITOR: ZEHM, FRIEDRICH

EDITOR: KREIDLER, DIETER

Prodotto: Guitar Archive

Difficile: advanced

pagine: 16

Price: €13,99
€13,99

WEISS SILVIUS LEOPOLD-GUITAR WORKS LIBRO SPARTITI CHITARRA BAROCCA CIACONA FANTASIA

WEISS SILVIUS LEOPOLD, GUITAR WORKS.

LIBRO DI MUSICA CLASSICA. 

SPARTITI PER CHITARRA CON PENTAGRAMMA. 

 

Silvius Leopold WEISS
Anthology

- Ouverture in A
- Courante in A
- Sonata no.II(London) in d minor
- Suite XXV(London) L'infidele in a minor
- Suite XIV in D
- Fantasie in d minor
- Fuga in d minor
- Capriccio in D
- Ciacona in a minor
- Tombeau sur la mort de Logy (in b minor)
- Tombeau sur la mort de M.Cajetan Baron d'Hartig (in e minor)

Includes commentary on ornamentation, Baroque performance practice, vibrato, tempo etc. 

Price: €41,99
€41,99

GITARREN-TECHNIK FÜR DEN ANFANG-WOLFGANG LENDLE METODO CHITARRA CLASSICA SPARTITI LIBRO

GITARREN-TECHNIK FÜR DEN ANFANG, WOLFGANG LENDLE.

EDITOR: DIETER KREIDLER

Ein Kompendium zur Ausbildung einer gitarristischen Elementartechnik

Language: German
Series: Kreidler Guitar StudioDetails

Difficulty: easy
40 Pages
 

Price: €18,00
€18,00

MURIEL ANDERSON-SELECTED GUITAR WORKS-CHITARRA SPARTITI LIBRO GREENSLEEVES

MURIEL ANDERSON, SELECTED GUITAR WORKS. SHEET MUSIC BOOK WITH GUITAR TABLATURE.  

LIBRO DI MUSICA CLASSICA, ACUSTICA. 

SPARTITI PER CHITARRA CON: 

PENTAGRAMMA E TABLATURE. 

 

Instrumentation: guitar

Description

‘Selected guitar works’ contains 11 pieces of the American guitarist Muriel Anderson in standard notation and tablature. The pieces are taken from the albums ‘Heartstrings’, ‘Christmas in Nashville’ and ‘Guitar Muse’. Familiar tunes like ‘O Tannenbaum’ or classics like ‘Greensleeves’ are to be found in this edition as well as ‘Irish Medley’ or ‘Simple Gifts’. Included are notes from Muriel about the music and the playing techniques.

Details

Volume number: Vol. 1
64 Pages - Paperback/Soft Cover

Content

Irish Medley: Shebig and Shemoor
Rosin the Bow
The Twin Reel
Saint Anne's Reel
Simple Gifts
Kojo No Tsuki
Rondelet
Rosa Lee
Parisian Waltz
The Minstrel's Courtyard
O Tannenbaum
Hymn For All The Answered Prayers
Greensleeves
Jesu, Joy Of Man's Desiring
 

Price: €42,99
€42,99

GUSTAV HOLST-THE PLANETS-SUITE OP.32 FOR SOLO PIANO MARTE-LIBRO SPARTITI GIOVE-VENERE-SATURNO

HOLST GUSTAV, THE PLANETS. SUITE PER SOLO PIANO. Mars, the Bringer of War - Venus, the Bringer of Peace - Mercury, the Winged Messenger - Jupiter, the Bringer of Jollity - Saturn, the Bringer of Old Age - Uranus, the Magician - Neptune, the Mystic. I Black Sabbath nell'omonima canzone ''rapinano'' le prime note di Marte per il loro famoso riff con la quinta bemolle: Sol-Re-Reb. 

MUSIC BOOK, 

SHEET MUSIC FOR SOLO PIANO. 

The suite has seven movements, each named after a planet and its corresponding astrological character (see Planets in astrology):

Mars, the Bringer of War
Venus, the Bringer of Peace
Mercury, the Winged Messenger
Jupiter, the Bringer of Jollity
Saturn, the Bringer of Old Age
Uranus, the Magician
Neptune, the Mystic

Holst's original title (clearly seen on the handwritten full score) was "Seven Pieces for Large Orchestra". The composer's name was given as 'Gustav von Holst' — by the time he wrote "Mercury" in 1916 he had dropped the 'von', for he signed the score of that movement separately as 'Gustav Holst'. The movements were called only by the second part of each title (I "The Bringer of War", II "The Bringer of Peace" and so on). The present titles were added in time for the first (incomplete) public performance in September 1919, though they were never added to the original score.[19] It is perhaps instructive[original research?] to realise Holst attended an early performance of Schoenberg's Five Pieces for Orchestra in 1914 (the year he wrote "Mars", "Venus" and "Jupiter") and owned a score of it,[19][20] the only Schoenberg score he ever owned.[21]

A typical performance of all seven movements lasts for about fifty minutes though Holst's own electric recording from 1926 lasted just over forty-two and a half minutes. Some commentators have suggested that the ordering is structural, with the anomaly of Mars, Venus, Mercury, instead of the reverse, being a device to make the first four movements match the form of a symphony.[citation needed] An alternative explanation may be the ruling of astrological signs of the zodiac by the planets: if the signs are listed along with their ruling planets in the traditional order starting with Aries, ignoring duplication, Pluto (then undiscovered) and the luminaries (the Sun and Moon), the order of the movements corresponds. Another possibility, this time from an astronomical perspective, is that the first three movements, representing the inner terrestrial planets, are ordered by decreasing distance from the Sun; the remaining movements, representing the gas giants, are ordered by increasing distance from the Sun. Critic David Hurwitz offers an alternative explanation for the piece's structure: that "Jupiter" is the centrepoint of the suite and that the movements on either side are in mirror images. Thus "Mars" involves motion and "Neptune" is static; "Venus" is sublime while "Uranus" is vulgar, and "Mercury" is light and scherzando while "Saturn" is heavy and plodding. This hypothesis is lent credence by the fact that the two outer movements, "Mars" and "Neptune", are both written in rather unusual quintuple meter.

A more prosaic explanation may simply be that Holst wrote the movements in the order they stand, with one exception, and that the only structural change was to place "Mercury" third. "Mars", "Venus" and "Jupiter" were from 1914, "Saturn", "Uranus" and "Neptune" from 1915 and "Mercury" from 1916.

It has been speculated that "Mars" was a response to the outbreak of World War I, but Holst denied this, saying that "Mars" was completed before war was expected, and in August 1914 he was half-way through "Venus". Nevertheless, "Mars" is seen as prescient of mechanical warfare, something that was not a reality until after the entire suite was complete. Contrary to what is also sometimes said, Holst was not a pacifist but wanted to enlist as his friend Vaughan Williams did, but he was rejected as unfit: he suffered neuritis in his right arm—something that caused him to seek help from several amanuenses in scoring The Planets. This is clear from the number of different hands apparent in the full score.[19]

"Neptune" was one of the first pieces of orchestral music to have a fade-out ending, although several composers (including Joseph Haydn in the finale of his Farewell Symphony) had achieved a similar effect by different means. Holst stipulates that the women's choruses are "to be placed in an adjoining room, the door of which is to be left open until the last bar of the piece, when it is to be slowly and silently closed", and that the final bar (scored for choruses alone) is "to be repeated until the sound is lost in the distance".[22] Although commonplace today, the effect bewitched audiences in the era before widespread recorded sound—after the initial 1918 run-through, Holst's daughter Imogen (in addition to watching the charwomen dancing in the aisles during "Jupiter") remarked that the ending was "unforgettable, with its hidden chorus of women's voices growing fainter and fainter... until the imagination knew no difference between sound and silence".

Price: €39,99
€39,99

PRONTUARIO DI TUTTI GLI ACCORDI PER BANJO TENORE FERNANDO CHIERICI LIBRO CHORDS

PRONTUARIO DI TUTTI GLI ACCORDI PER BANJO TENORE DI FERNANDO CHIERICI.

LIBRO MANUALE PER BANJO A 4 CORDE.

PENTAGRAMMA IN CHIAVE DI VIOLINO CON NOME DELLE NOTE IN ITALIANO E IN INGLESE, E GRIGLIA DI TUTTI GLI ACCORDI 

52 PAGINE

Price: €22,99
€22,99
Syndicate content