Master craftsman tells you everythung you need to know about the maintenance, restoration and construction of acoustic and electric guitars. all steps cleary explained, from planning stages to final polish. Over 200 diagrams, photographs and tables.

Length: 160 pages
Language: English

Price: €34,99


CONSTRUCTING A SOLID-BODY GUITAR, ROGER H. Siminoff. Guida tecnica completa curata nei minimi particolari per la costruzione di una chitarra elettrica solid-body. I vari tipi di legno, il manico, la tastiera, il corpo, la posizione dei pickup, l'assemblaggio delle diverse parti, fino al colore e alla verniciatura. Il tutto illustrato da oltre 150 fotografie. Contiene anche un progetto pronto per essere realizzato a grandezza naturale. In inglese.

Whether you're a musician or a woodworking enthusiast, you'll thoroughly enjoy Roger Siminoff's book, Constructing A Solid Body Guitar. This 64-page manual uses over 150 photos, several illustrations and four life-size blueprints to assist the reader in choosing the proper materials and tools, as well as using the correct skills and techniques to produce a beautiful handmade instrment that doesn't look handmade at all! Plastic-comb bound.

Price: €39,99




388 pagine illustrate, sulla costruzione e il design della chitarra folk e della chitarra classica.


A Complete Reference for the Design & Construction of the Steel·String Folk Guitar & the Classical Guitar

William R. Cumpiano and Jonathan D. Natelson
photographs by Clyde Herlitz / line dravvings by William R. Cumpiano




These depict the width of the cross struts. To denote the fan-brace locations, we now use as an inital reference the lower parallel line for the lower cross strut. Mark on that line, at intervals of 1/4 inches, three dots on both sides of the centerseam (that is, at1 1/4 inches, 2 ½ inches, and 3/4 inches from the seam). Next, measure ½ inches up the centerseam from the bottom of the outline, and make a dot. Using the ruler, find a point on the guitar outline that is 7 inches from that dot and draw a line connecting the two points. Repeat for the other side. These lines denote the bottom V of the bracing pattern. Measuring from the centerseam on each leg of the bottom V, mark dots at intervals of 2 inches. Connecting the six dots on the lower cross with the Six dots on the bottom V completes the fanbrace layout. The rosette grafts are laid out by drawing lines tangential to the soundhole and square to the cross struts, and then drawing parallel lines I inch from each tangent. To denote the finger braces, mark a dot on the upper parallel line of the lower cross strut % inch from the outer edge of each rosette graft. Then mark a dot on the lower parallel line of the upper cross strutI ½ inches from the outer edges of the rosette grafts, and connect the dots. Measure 1 ¼ inches up along the centerseam from the upper cross strut and draw a line perpendicular to the seam. Draw a parallel line 5/16 inch further up. These lines denote the upper transverse bar. Next, draw two vertical lines connecting the upper transverse bar with the upper cross strut, each 2 1/2 inches from the centerseam. These lines indicate the boundaries of the upper transverse graft. To locate the transverse bridge pad, mark from the top of the outline down the centerseam the distance from the twelfth fret to the saddle. For a 25.6-inch scale, that will be 12.8 inches plus .10 inch compensation, or 12.9 inches. Draw a line perpendicular to the centerseam at that point, and then parallel lines ¼ inch above andI inch below. The pad will actually be shaped as shown in Fig. 7-10 (scale drawings), but it will be positioned using the horizontal lines1 1 /4 inches apart. Finally, draw a line perpendicular to the centerseam tangent to the top of the outline. This will be a guideline for cutting off the top of the sound board squarely. Steel-string Bracing Layout The template outline and centerline have been marked on the undersurface of the soundboard. Refer to Fig. 7-10 (scale drawings) while reading the following steps. The headblock is represented by a 2 x 2l /2-inch rectangle, which is located at the upper center of the template outline. Draft the rectangle so that it is bisected by the sound board centerline. The top line of the rectangle must be set back 3/32 inch from the template outline (the thickness of the sides) and accurately perpendicular to the centerline. The accuracy of this line is vital, since we will alig the actual headblock to it when it is glued to the soundboard. If the headblock is crooked, the neck will be also. The bridge outline must be drafted on the undersurface of the sound board. Refer to Chapter 15 to make a bridge outline template, and locate its outline as shown in the layout drawing in Chapter 3. The upper face brace is just above the soundhole. Its closest edge is1/4 inch above the soundhole rim. Draw two parallel lines1/2 inch apart, perpendicular to the centerline. Extend the lines till they reach the template outline. The upper face graft is between the head block and the upper face brace. Draw two parallel lines 7/8 inch apart, perpendicular to the centerline. Center them in the space allotted. Connect the ends with angled lines as shown. The X-brace is represented by two sets of two parallel lines 5/16 inch apart, which cross at the centerline. You may copy the splay of the X brace from the diagram, paying particular attention to the distance between the ends of ...

CHAPTER 1 The Guitars Anatomy
CHAPTER 2 Materials & Tools
CHAPTER 3 Preparation & Planning
CHAPTER 4 The Neck & the Headpiece
CHAPTER 5 The Plates
CHAPTER 6 The Soundhole Rosette II
CHAPTER 7 Soundboard Bracing
CHAPTER 8 Side Bending
CHAPTER 9 Assembly I
CHAPTER 10 Assembly II
CHAPTER 11 Purf1ing & Binding
CHAPTER 12 The Fingerboard
CHAPTER 13 Final Carving & Finiting
CHAPTER 14 Finishing
CHAPTER 15 The Bridge & Pinning the Steel-String Neck
AFTERWORD Troubleshooting & Guitar Care

Price: €49,99


MAKING AN ARCHTOP GUITAR. R. Benedetto. 260 pagine.

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover
Author: Robert Benedetto

The definitive work on the design and construction of an acoustic archtop guitar by one of the most talented luthiers of the twentieth century. Benedetto walks the reader through all aspects of construction through to marketing your finished work. Includes a list of suppliers to acquire all the tools and materials listed; a list of serial numbers for Benedetto guitars; full-color plates featuring the author's models; photos from the author's personal scrapbook of players who endorse his guitars; and fold-out templates for construction. 8-1/2? x 11. 279 pages.

Price: €49,99

THE LUTHIER'S HANDBOOK A Guide to Building Great Tone in Acoustic Stringed Instruments Roger H. Siminoff

THE LUTHIER'S HANDBOOK, A Guide to Building Great Tone in Acoustic Stringed Instruments. Siminoff.

Series: Book
Publisher: Hal Leonard
Medium: Softcover
Author: Roger H. Siminoff

An essential item for the instrument builder, The Luthier's Handbook explores the secrets and science behind making good-sounding acoustic stringed instruments. Renowned author Roger H. Siminoff brings to the table more than four decades of luthiery experience and shares the time-tested philosophies, tips and technology of the craft. As the ideal complement to other books on building instruments, this text describes the structural and acoustical attributes of air chambers; what to listen for when tap-tuning; selecting a good piece of wood; placement of the braces and tone bars and how to tune them; how to select the right strings; what to consider in bridge design concepts; and much more. Includes a free String Gauge Calculator for determining the right set of strings. 96 pages.

Price: €31,99




An exciting new series of 12 instrumental instruction books. Includes complete music for all riffs, licks, hints and tips, plus easy-to-follow instructions, tips and advice. Accompanying CD allows you to listen and play along to the matching audio tracks. Essential information on how to get all the great rock guitar sounds, from classic 1950s lick to pull-offs, hammer-ons, bends and the slide. Plus, how to get the very best effects from your pedal, and inside tips and tricks on scales and position playing.

Price: €21,99

THE GUITAR COOKBOOK Guide to Rhythm Melody Harmony Technique & Improvisation Jesse Gress TABLATURE

THE GUITAR COOKBOOK, The Complete Guide to Rhythm, Melody, Harmony, Technique & Improvisation. 246 pagine. TAB.

Series: Book
Publisher: Backbeat Books
Softcover - TAB
Author: Jesse Gress

Spice up your playing with The Guitar Cookbook! Written by Guitar Player magazine music editor Jesse Gress, this collection of "recipes" for satisfying a wide variety of musical appetites is for beginning to advanced guitarists. It covers all the ingredients for cooking up great music on the guitar: music notation, tuning, intonation, rhythm, melody, scales, motifs, harmony, ear-training, technique, improvisation and much more. Players will develop a personalized musical vocabulary; learn how to apply it to many different styles; master basic guitar techniques; and let the musical ideas sizzle! 246 pages.

Price: €27,99



A must-have for any bass player! This outstanding 200-song collection features note-for-note bass transcriptions with tab, straight from the original recordings. All styles of music are represented in this massive, 1024-page compilation. Includes:


Killing In The Name performed by Rage Against The Machine
Fly Away performed by Lenny Kravitz
All Apologies performed by Nirvana
Into The Great Wide Open performed by Tom Petty
No Excuses performed by Alice In Chains
Mr. Jones performed by Counting Crows
Breadfan performed by Metallica
She performed by KISS
Come Out And Play performed by The Offspring
Woke Up This Morning performed by B.B. King
Ain't Nothing Like The Real Thing performed by Marvin Gaye, Tammi Terrell
Get Ready performed by Rare Earth
Time performed by Pink Floyd
Astronomy performed by Metallica
See all contents
Walk On The Wild Side performed by Lou Reed
Seventeen performed by Winger
Hey Man Nice Shot performed by Filter
One Thing Leads To Another performed by The Fixx
Hide Away performed by Freddy King
Pure Massacre performed by Silverchair
Thunderbird performed by ZZ Top
Lonesome Whistle Blues performed by Freddie King
Wonderwall performed by Oasis
Crossfire performed by Stevie Ray Vaughan
Got To Hurry performed by The Yardbirds
The Story In Your Eyes performed by Moody Blues
All I Wanna Do performed by Sheryl Crow
Bulls On Parade performed by Rage Against The Machine
Led Boots performed by Jeff Beck
Sugar performed by System Of A Down
Counting Blue Cars performed by Dishwalla
Smoke On The Water performed by Deep Purple
All Shook Up performed by Elvis
Pride And Joy performed by Stevie Ray Vaughan
I Just Want To Celebrate performed by Rare Earth
Love Rollercoaster performed by Red Hot Chili Peppers
Sitting On Top Of The World performed by Cream
Semi-Charmed Life performed by Third Eye Blind
The Impression That I Get performed by Mighty Mighty Bosstones
If You Could Only See performed by Tonic
That's All Right performed by Elvis
Can't You See performed by Marshall Tucker Band
Monkey Wrench performed by Foo Fighters
Down performed by Stone Temple Pilots
Blue On Black performed by Kenny Wayne Shepherd
I Want You Back performed by Jackson 5
Iris performed by Goo Goo Dolls
No More Tears performed by Ozzy Osbourne
My Own Worst Enemy performed by Lit
What's My Age Again? performed by Blink 182
Crush 'Em performed by Megadeth
When Worlds Collide performed by Powerman 5000
Smooth performed by Santana, Rob Thomas
Wait And Bleed performed by Slipknot
Learn To Fly performed by Foo Fighters
Come Original performed by 311
In 2 Deep performed by Kenny Wayne Shepherd
Meet Virginia performed by Train
Jerry Was A Race Car Driver performed by Primus
Never Let You Go performed by Third Eye Blind
Come As You Are performed by Nirvana
Maria Maria performed by Santana
Take A Look Around (Theme From 'M:I-2') performed by Limp Bizkit
I Wish It Would Rain performed by Phil Collins
(Bang Your Head) Metal Health performed by Quiet Riot
Everything To Everyone performed by Everclear
Another One Bites The Dust performed by Queen
Baby Love performed by The Supremes
Bad Medicine performed by Bon Jovi
Badge performed by Cream
Barracuda performed by Heart
Beast Of Burden performed by Rolling Stones
Blue Suede Shoes performed by Carl Perkins
Blueberry Hill performed by Fats Domino
Boom Boom (Out Go The Lights) performed by Little Walter
California Girls performed by Beach Boys
(They Call It) Stormy Monday (Stormy Monday Blues) performed by Allman Brothers Band
Carry On Wayward Son performed by Kansas
Change It performed by Stevie Ray Vaughan
Cherry Pie performed by Warrant
Come Together performed by The Beatles
Couldn't Stand The Weather performed by Stevie Ray Vaughan
Crazy Little Thing Called Love performed by Queen
Crazy Train performed by Ozzy Osbourne
Crosscut Saw performed by Eric Clapton
Dancing In The Street performed by Martha & The Vandellas
Day Tripper performed by The Beatles
Detroit Rock City performed by KISS
Don't Be Cruel (To A Heart That's True) performed by Elvis
Down Boys performed by Warrant
Dream On performed by Aerosmith
Drive My Car performed by The Beatles
Eight Days A Week performed by The Beatles
Emotional Rescue performed by Rolling Stones
Far Beyond The Sun performed by Yngwie J. Malmsteen
Free Ride performed by Edgar Winter Group
Great Balls Of Fire performed by Jerry Lee Lewis
Gypsy Road performed by Cinderella
Hair Of The Dog performed by Nazareth
Heart Shaped Box performed by Nirvana
Hello Mary Lou performed by Ricky Nelson
Hey Joe performed by Jimi Hendrix
Higher Ground performed by Red Hot Chili Peppers
Hound Dog performed by Elvis Presley
The House Is Rockin' performed by Stevie Ray Vaughan
I Can See For Miles performed by The Who
I Can't Help Myself (Sugar Pie, Honey Bunch) performed by The Four Tops
I Can't Quit You Baby performed by Led Zeppelin
I Fought The Law performed by Bobby Fuller Four
I Heard It Through The Grapevine performed by Marvin Gaye
I Love Rock 'N Roll performed by Joan Jett & The Blackhearts
I Second That Emotion performed by Smokey Robinson & The Miracles
I Want You To Want Me performed by Cheap Trick
I'm Your Hoochie Coochie Man performed by Muddy Waters
Iron Man performed by Black Sabbath
Jessica performed by Allman Brothers Band
Killing Floor performed by Howlin' Wolf
Lady Madonna performed by The Beatles
Lay Down Sally performed by Eric Clapton
Little Miss Strange performed by Jimi Hendrix
Living After Midnight performed by Judas Priest
The Loco-Motion performed by Grand Funk Railroad
Look At Little Sister performed by Stevie Ray Vaughan
Love Struck Baby performed by Stevie Ray Vaughan
Maggie May performed by Rod Stewart
Mama Kin performed by Aerosmith
The Man Who Sold The World performed by David Bowie
Matchbox performed by Carl Perkins
Message In A Bottle performed by Police
Miss You performed by Rolling Stones
Money performed by Pink Floyd
My Generation performed by The Who
My Girl performed by The Temptations
Mystery Train performed by Elvis
One Way Rider performed by Ray Flacke
Over The Mountain performed by Ozzy Osbourne
Owner Of A Lonely Heart performed by Yes
Oye Como Va performed by Santana
Paperback Writer performed by The Beatles
Paranoid performed by Black Sabbath
Peggy Sue performed by Buddy Holly
Ramblin' Man performed by Allman Brothers Band
Reach Out, I'll Be There performed by The Four Tops
Rock And Roll All Nite performed by KISS
Rock Around The Clock performed by Bill Haley & His Comets
Rock Me Baby performed by Johnny Winter
Route 66 performed by Rolling Stones
Roxanne performed by Police
Say It Isn't So performed by Hall & Oates
School's Out performed by Alice Cooper
Shake Me performed by Cinderella
Shake, Rattle And Roll performed by Bill Haley & His Comets
She's So Fine performed by Jimi Hendrix
Shy Boy performed by David Lee Roth
Sir Duke performed by Stevie Wonder
Sixteen Candles performed by The Crests
Smells Like Teen Spirit performed by Nirvana
Somebody To Love performed by Queen
Space Oddity performed by David Bowie
Start Me Up performed by Rolling Stones
Stone Cold Crazy performed by Metallica
Stop! In The Name Of Love performed by The Supremes
Strutter performed by KISS
Suffragette City performed by David Bowie
Sultans Of Swing performed by Dire Straits
Sunshine Of Your Love performed by Cream
Surfin' U.S.A. performed by Beach Boys
Sweet Child O' Mine performed by Guns N Roses
Sweet Emotion performed by Aerosmith
Sweet Little Angel performed by B.B. King
Synchronicity II performed by Police
Takin' Care Of Business performed by Bachman-Turner Overdrive
That'll Be The Day performed by Buddy Holly
The Things That I Used To Do performed by Guitar Slim
Turn! Turn! Turn! (To Everything There Is A Season) performed by The Byrds
Two Princes performed by Spin Doctors
Under Pressure performed by Queen
Walk Of Life performed by Dire Straits
Walk This Way performed by Aerosmith
Welcome To The Jungle performed by Guns N Roses
What's Going On performed by Marvin Gaye
White Room performed by Cream
Hard To Handle performed by Black Crowes
Riding With The King performed by B.B. King & Eric Clapton
Addicted To That Rush performed by Mr. Big
Would? performed by Alice In Chains
I Don't Believe In Love performed by Queensryche
Hangar 18 performed by Megadeth
Mississippi Queen performed by Mountain
Tragic Comic performed by Extreme
Brass In Pocket performed by Pretenders
Are You Gonna Go My Way performed by Lenny Kravitz
You Give Love A Bad Name performed by Bon Jovi
You Really Got Me performed by Van Halen
You Shook Me performed by Led Zeppelin
You've Got Another Thing Comin' performed by Judas Priest
Statesboro Blues performed by Allman Brothers Band
Bombtrack performed by Rage Against The Machine
War Pigs (Interpolating Luke's Wall) performed by Black Sabbath
Eat The Rich performed by Aerosmith

Price: €36,99

CLARKE STANLEY, COLLECTION. Bass Recorded Versions TABLATURE -rock 'n' roll jelly -school days


CLARKE STANLEY, COLLECTION BASS. Bass folk song -christmas in rio -dayride -east river drive -i wanna play for you -life is just a game -lopsy lu -the magician -rock 'n' roll jelly -school days -silly putty -song to john (part ll) -stories to tell -time exposure -vulcan worlds -what if i forget the champagne. TABLATURE


Bass Recorded Versions
Series: Bass Recorded Versions TAB
Artist: Stanley Clarke

Features authentic, note-for-note transcriptions with tab for 16 super tunes from this eclectic bass master, 96 pages.

Stanlev Clarke
Performer, Bandleader, Arranger,
Producer and Composer
Stanley Clarke is one of the most celebrated bassists in the world today. During his career, he has received virtually every honor that can be bestowed upon a musician, including Rolling Stone's "Jazzman of the Year," Playboy magazine, "Jazz Bassist of the Year" for ten consecutive years, and Guitar Player magazine's "Gallery of Greats." A seven-time Grammy nominee, Clarke received a Grammy for his critically-acclaimed album No Mystery in 1975 and his score for Boyz N The Hood received an Oscar nomination. In 1989, he returned to his native Philadelphia where his name was placed in cement on the "Walk of Fame," and where Mayor Wilson Goode presented him with a Philadelphia Music Foundation Hall of Fame award.
His albums continue to top a variety of charts; not only Jazz, but the R&B, New Adult Contemporary and Top Pop charts. Born in 1951, Clarke was encouraged from an early age to study music by his mother, who sang opera. Though he initially studied violin and cello, he literally outgrew both instruments. With his long, lean frame, he was a natural to play the acoustic bass. Equally interested in jazz, classical, and rock music, Clarke started playing in bands in junior high. By the time he'd reached the twelfth grade he became a serious student of the bass, practicing and playing for eight hours a day. At 16, he bought an electric bass for $29.00, a Kent hollow body, so he could get after-school jobs playing bass. His jobs ranged from a blues combo, a country group and a Top-40 band that rolled into the Holiday Inn circuit. He then enrolled in the prestigious Philadelphia Musical Academy, studying string bass and composition, but continuing to be influenced by Jimi Hendrix, Jack Bruce and Charles Mingus, as well as Bach, Beethoven and Wagner. In 1970, Clarke moved to New York City where he played with such jazz greats as Horace Silver, Stan Getz, Dexter Gordon, Art Blakey, and Gil Evans. He came into international prominence as a founding member of the groundbreaking jazz rock fusion band, Return to Forever. Though initially a jazz purist devoted exclusively to the acoustic bass, Clarke went electric and electrified the music world during his eight-album collaboration with members Chick Corea, Lenny White and AI Di Meola. In 1975, Return to Forever's No Mystery album won the Grammy for Best Jazz Performance by a Group. His slap and pop playing with this group had a powerful influence on the jazz-funk styles to come.
Clarke remembers those times: "The Return to Forever years were important for me... RTF was really one of the only times in my playing career that I got to use some of the skills I'd worked on in college-through composition, writing for orchestra and things like that. Because before we did an album, we'd always take off for a month or so to compose music."
During his tenure with Return to Forever, Clarke launched his highly-successful solo career. On his 1972 solo album, Children of Forever, he played acoustic exclusively. The 1975 release of Stanley Clarke with Tony Williams and Jan Hammer put him into the fusion scene. His 1976 album School Days became a crossover hit. His crossover R&B/pop Clarke/Duke Project in collaboration with keyboardist George Duke resulted in three best-selling albums and a Top 20 single, "Sweet Baby." Their 1990 album 3 garnered the duo an NAACP Image Award nomination for Best Jazz Artists. His solo East River Drive featured an all-star ensemble including Duke, Hubert Laws, Jean-Luc Ponty, Poncho Sanchez and Gerald Albright, plus big names in bass: Abe Laboriel, Armand Sabal-Lecco, Alphonso Johnson and Jimmy Earl. Clarke's independent label, Slamm Dunk Records, has released a variety of recordings including his own Live at the Greek, and the soundtrack album for Passenger 57. Live at the Greek features Clarke with Larry Carlton, Billy Cobham and Najee. Clarke's rock projects included working with Jeff Beck, Stewart Copeland, and Deborah Holland with the group Animal Logic, the New Barbarians (which featured The Rolling Stones' Ron Wood and Keith Richards) and scoring the opening sequence of Michael Jackson's video Remember the Time, which was directed by John Singleton. He has co-written with Paul McCartney, recorded with Quincy Jones, Carlos Santana and Aretha Franklin, and produced records for Brenda Russell, Ramsey Lewis, Shalamar, and Natalie Cole. In the television arena Clarke has received three Emmy nominations for television scoring. He started out by sending tapes to everyone in the field, and got his first break doing Pee- Wee's Playhouse. That's when he bought his first Mac and MIDI keyboard, and got his first Emmy nomination. It was while scoring an episode of Tales from the Crypt that his desire to score was fueled, when he became aware of how powerful music can be in a scene. With this turn in composing, Clarke has been in constant demand to score films and television since the mid '80s. His films include John Singleton's Boyz N The Hood, Panther, Passenger 57, Book of Love, Poetic Justice, Higher Learning, Little Big League, Tap, Dangerous Ground, Cherokee Kidd, and the acclaimed score for What's Love Got To Do With It, the drama based on the life of Tina Turner. He loves the challenge of composition and orchestration, the exposure to rapidly changing music technology, and the new sense of freedom, noting that "Underscoring, in particular, takes away all the constraints of producing music that must have commercial potential." Clarke claims that film composing has influenced his solo writing-"When you do as much film composing as I've done lately, you just kind of get oiled as far as writing melodically is concerned." 

Bass Folk Song - STANLEY CLARKE - 1973
Christmas In Rio - STANLEY CLARKE - 1993
Dayride - STANLEY CLARKE - 1977
East River Drive - STANLEY CLARKE - 1993
I Wanna Play For You - STANLEY CLARKE - 1979
Life Is Just A Game - STANLEY CLARKE - 1976
Lopsy Lu - STANLEY CLARKE - 1977
The Magician - STANLEY CLARKE - 1976 
Rock 'N' Roll Jelly - STANLEY CLARKE - 1978
School Days - STANLEY CLARKE - 1980
Silly Putty - STANLEY CLARKE - 1977
Song To John - STANLEY CLARKE - 1975
Stories To Tell - STANLEY CLARKE - 1988
Time Exposure - STANLEY CLARKE - 1983
Vulcan Worlds - STANLEY CLARKE - 1974
What If I Forget The Champagne - STANLEY CLARKE - 1993

Price: €19,99


MILLER MARCUS, BASS. Rio Funk (In Rio, Lee Ritenour) -liquid fingers -unicorn -could it be you (suddenly) -hideaway (straight to the heart, David Sanborn) -straight to the heart (straight to the heart, David Sanborn) -run for cover (straight to the heart, David Sanborn) -shake dance (healing the wounds, The Crusaders) -maputo (healing the wounds, The Crusaders) -benny (upfront, David Sanborn) -crossfire (upfront, David Sanborn) -panther (The sun don't lie) -steveland (The sun don't lie) -rampage (The sun don't lie) -the sun don't lie (The sun don't lie) -Mr. Pastorius (The sun don't lie) -moons (The sun don't lie). TAB.

Price: €129,99
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