LIBRO

ELECTRIC LIGHT ORCHESTRA GUITAR COLLECTION Recorded Version TABLATURE SPARTITI LIBRO

ELO, GUITAR COLLECTION. TAB.

ELECTRIC LIGHT ORCHESTRA GUITAR COLLECTION
Series: Guitar Recorded Version TAB
Artist: Electric Light Orchestra

In 1970, four blokes from Birmingham formed ELO "to pick up where 'I Am the Walrus' left off." This GRV collection features note-for-note transcriptions with tab for 13 top hits from guitarist Jeff Lynne & crew:

Can't Get It Out Of My Head
Don't Bring Me Down
Evil Woman
Four Little Diamonds
Hold On Tight
Livin' Thing
Mr. Blue Sky
Rock 'N' Roll Is King
Shine A Little Love
Strange Magic
Sweet Talkin' Woman
Turn To Stone
Xanadu

96 pages

Price: €26,99
€26,99

FINGERSTYLE LOVE SONGS-15 Classic Arranged for Solo Guitar-Bill Piburn CD TABLATURE SPARTITI

FINGERSTYLE LOVE SONGS, 15 Classic Songs Arranged for Solo Guitar. CD TAB.

Arranger: Bill Piburn
Artist: Various

"Bill Piburn is one of the best players, arrangers and teachers I have known." Chet Atkins

15 love songs masterfully arranged by Bill Piburn, editor of Fingerstyle Guitar magazine. Includes:

Always On My Mind
And I Love You So
Beauty And The Beast
Dream A Little Dream Of Me
How Deep Is Your Love
I Love How You Love Me
I Will
Just The Way You Are
My Cherie Amour
Only You (And You Alone)
Our Day Will Come
This Guy's In Love With You
True Love
Unchained Melody
The Very Thought Of You

48 pages

Price: €24,99
€24,99

NICKELBACK ALL THE RIGHT REASONS GUITAR TABLATURE CHITARRA SPARTITI LIBRO

NICKELBACK, ALL THE RIGHT REASONS. TAB.

By Nickelback. Guitar tablature songbook for guitar and voice. Series: Authentic Guitar-Tab Editions. 88 pages. With guitar tablature, standard notation, vocal melody, lyrics, chord names, guitar chord diagrams, guitar tab glossary and color photos. Metal and Hard Rock. 9x12 inches.

Alfred is pleased to present the Authentic Guitar TAB edition of the album-matching folio for Nickelback's CD "All the Right Reasons." "All the Right Reasons" is Nickelback's fourth release, containing 11 new songs crafted in the band's well-known post-grunge/heavy rock style. The first single from the record, "Photograph," reached the No. 1 spot on Billboard's Pop 100 Charts (2006) and the album's second single, "Animals," has already reached the No. 1 spot on Billboard's Mainstream Rock Charts (2006). The album also includes "Side of a Bullet," written about the murder of guitarist Dimebag Darrell (featuring a Dimebag guitar solo overdubbed posthumously). This book provides authentic guitar TAB for all the songs on the record. Titles are: Follow You Home * Fight for All the Wrong Reasons * Photograph * Animals * Savin' Me * Far Away * Next Contestant * Side of a Bullet * If Everyone Cared * Someone That You're With * Rockstar.

About Authentic Guitar-Tab Editions

Contents:
Animals
Far Away
Fight For All The Wrong Reasons
Follow You Home
If Everyone Cared
Next Contestant
Photograph
Rockstar
Savin' Me
Side Of A Bullet
Someone That You're With

Price: €27,99
€27,99

PORCUPINE TREE DEADWING GUITAR TABLATURE BOOK CHITARRA LIBRO SPARTITI Authentic Guitar TAB

PORCUPINE TREE, DEADWING. TAB.

CATEGORY: Guitar Personality
VERSION: Authentic Guitar TAB
FORMAT: Book

Includes the Following Selections:
Title Composer
ARRIVING SOMEWHERE BUT NOT HERE
WILSON, STEVEN
DEADWING
WILSON, STEVEN
GLASS ARM SHATTERING
HARRISON, GAVIN/WILSON, STEVEN/BARBIERI, RICHARD/BALCH, COLIN
HALO
HARRISON, GAVIN/WILSON, STEVEN/BARBIERI, RICHARD/BALCH, COLIN
LAZARUS
WILSON, STEVEN
MELLOTRON SCRATCH
WILSON, STEVEN
OPEN CAR
WILSON, STEVEN
SHALLOW
WILSON, STEVEN
START OF SOMETHING BEAUTIFUL
HARRISON, GAVIN/WILSON, STEVEN

Price: €24,99
€24,99

RACONTEURS-CONSOLERS OF THE LONELY-GUITAR TABLATURE LIBRO SPARTITI CHITARRA JACK WHITE

RACONTEURS, CONSOLERS OF THE LONELY. TAB.

Artist: The Raconteurs
Matching folio to the second album from Jack White's "other" band. Includes 14 songs including: 96 pages

Attention
Carolina Drama
Consoler Of The Lonely
Five On The Five
Hold Up
Many Shades Of Black
Old Enough
Pull This Blanket Off
Rich Kid Blues
Salute Your Solution
The Switch And The Spur
These Stones Will Shout
Top Yourself
You Don't Understand Me

Price: €26,99
€26,99

RACONTEURS THE-BROKEN BOY SOLDIERS-GUITAR TABLATURE LIBRO SPARTITI CHITARRA JACK WHITE

RACONTEURS THE, BROKEN BOY SOLDIERS. TAB.

Notes & tab for all 10 tunes off the debut from Jack White and Brendan Benson's side-project band. Includes the title track, the hit single "Steady, as She Goes"

Blue Veins
Broken Boy Soldier
Call It A Day
Hands
Intimate Secretary
Level
Steady, As She Goes
Store Bought Bones
Together
Yellow Sun

Price: €26,99
€26,99

LED ZEPPELIN MOTHERSHIP LIBRO GUITAR TABLATURE Jimmy Page Whole Lotta Love-Stairway to Heaven

LED ZEPPELIN, MOTHERSHIP. TABLATURE

It was a modest announcement, a two-page press release issued in November 1968: "Atlantic Records has signed the hot, new English group Led Zeppelin to a long-term exclusive recording contract. Although the exact terms of the deal are secret, it can be disclosed that it is one of most substantial deals Atlantic has ever made."
Most of what followed was quick biography-Jimmy Page's history with The Yard birds, where he had succeeded Eric C1apton and Jeff Beck as lead guitarist, and as one of the best and busiest session musicians in Britain; bassist John Paul Jones' success as an arranger of hit records for Donovan and The Rolling Stones, among many others. There were references to drummer John Bonham's already notorious solos as a member of American singer Tim Rose's touring band and to Robert Plant's blooming reputation as "one of England's outstanding young blues singers."
There was a promise too. "Top English and American rock musicians who have heard the tracks," the release said, referring to Zeppelin's imminent debut album, "have compared the LP to the best of Cream and Jimi Hendrix and have called Led Zeppelin the next group to reach the heights achieved by Cream and Hendrix."
That was audacious talk, a fat power chord in the face, at a time when Hendrix still walked the Earth and Cream were a fresh memory-the latter played their farewell shows that ,'ery month at London's Royal Albert Hall. In comparison, when Lcd Zeppelin opened their first North American tour in Denver, Colorado, on December 26, 1968, they were third on a bill to Vanilla Fudge and Spirit and treated like a doormat. The promoter, Plant told me years later, deducted the cost of the backstage grub" this four-Ioaves-and-fivc-fishes thing"-from the band's pay.
At other dates, Plant operated Zeppelin's PA. system himself, onstage, and Bonham often played without miking his kit (a minor annoyance as he was loud enough without electricity). In Detroit a local newspaper ad for Zeppelin's three-night stand at the Grande Ballroom announced the appearance of "Led Zeptlin." But as Page said later, recalling that tour, "You could feel something happening-first this row, then that row. It was like a tornado, and it went rolijng across the country." By the end of 1969, Page, Plant, Jones, and Bonham had torn through North America four times, each time to bigger, sold-out audiences. In Britain, where they had been in clubs as The ew Yard birds as late as October 1968, Zeppelin quickly followed Cream into the Royal Albert Hall, ftlling it in June 1969 (and again in January 1970).
In that first whiplash year, Led Zeppelin also released two of the most exciting and important rock albums ever made, Led Zeppen fill and Led Zeppelin II-together, the fundamental bones of hard rock and heay\ metal for the next four decades.
From the start, Led Zeppelin were working warriors. They toured like dogs-albeit in wild-boy luxury, fiercely protected by their manager, Peter Grant-and made eight studio albums (one a double LP) at a pace that now seems superhuman. Page claimed the total recording time for Led Zeppelin was 30 hours. The band made II on rare off days berwcen shows in the summer of '69, in nearly a dozen different studios. "I remember we did vocal overdubs in an eight-track studio in Vancouver where they didn't even have proper headphones," Page rccalled in a 1977 interview with Dave Schulps for the American magazine Trails-Oceanic Trouser Press. "Can you imagine that?"
Actually, yes. Even the band's harshest critics-and there were armies of thcm at the time-could not deny that Led Zeppelin had a rare drive to excel and conljuer. "So many people are frightened to take a chance in life," Page told Rolling Stone's Cameron Crowe in 1975, "and there's so many chances you have to take." Jones did not hesitate to give up the regular, lucrative checks from his studio gigs to be in Led Zeppelin; as soon as he heard about Page's plans for a new group, in the late summer of '68, he called Page and asked to join. Page himself was throwing dice when, on the recommendation of Terry Reid (who turned down Page's offer to be vocalist), he checked out and hired Plant, just 20 and unknown beyond the club grind in England's industrial Midlands. Page then took Plant's advice and grabbed the singer's friend, Bonham.
"It was a series of intense, dynamic crescendos, one right after the other;' Plant told me, describing Zeppelin's first American shows in 1968 and '69. "There was no room for the letdown."
That is also a perfect description of the power, confidence, and desire-the lust for liftoff-in these songs and performances. Led Zeppelin wanted everything, in record time. And they were afraid of nothing. Mothership--the peak of their canon-is what No Fear sounds like.
The first four songs here, all from Led Zeppelin, are the work of a new band racing against clock and budget to connect their individual histories and collective passions into a new, huge music.
The roots are unmistakeable, the combination unprecedented: the blues, twang, and holler of America's Deep South and black urban neighborhoods, especially anything bearing the classic Chess, Sun, and Atlantic labels; the British folk renaissance; California Day-Glo psychedelia.
So are the ambitions. "Good Times Bad Times" and "Communication Breakdown" are as tightly arranged as any candy-pop 45 Page and Jones played on as hired guns. But the details are explosive: Bonham's ayalanche rolls and Jones' pummeling bass outbursts in "Good Times Bad Times"; the nuclear buckshot of Page's chords behind Plant's arcing wail in ...


To Plant, the essence and promise of Led Zeppelin was in "the quest, the travels and explorations that Page and I went on to far climes well off the beaten track," he told me in a 1988
inten·iew. \X'orld domination obvioush' had its benefits. "I had a dream/Crazy dream/Anything I wanted to know, any place I needed to go," Plant crowed in "The Song Remains The Same" on
1973's Houses Of The Holy'. Except it was no dream. By then, Bron-Yr-Aur, a remote cottage in southern Wales,was famous for the songs Page and Plant wrote there in 1970 and '71; Page and
Plant had also recorded in India with members of the Bombay Symphony. "D'yer Mak'er" may have been tongue-in-cheek reggae (say the title real fast), but the blunt-instrument treble of Jones'
bass was authentic homage to the trull- heavy bottom and primitive fidelity of Jamaican records and rhythm sections. (page often put Jones way up in Zeppelin mixes; in "I houses Of The
Holy," originally cut for that album, the chugging bass is louder and dirtier than Page's guitar.)
"Of course, we only touched the surface," Plant said of those excursions with Page between records and tours. "W'e weren't anthropologists. But we were allowed, because we were musicians, to be invited in societies that people don't normally witness, It was quite a remarkable time, to open your eyes and see how Berber tribesmen lived in the northern Sahara"-a memorable trip that
inspired the thundering march and orchestral sandstorm of "Kashmir" on the 1975 double album Phpica! Graffiti.
Jones' skills as an orchesrrator and multi-instrumentalist, rarely mentioned even in ra\'e reviews of the band's records, were pivotal in Zeppelin's songs of pilgrimage (real and imagined). The
mounting doom of "No Quarter" on Houses Of The Holy starts with the simple, compelling black-liquid ripple of his electric piano.
In "Kashmir" staccato strings march alongside Page's climbing guitar, and long mellotron chords roll O\'er the horizon like clouds of dust. \X'hen I asked Plant, in 1988, about "Stairway To Heaven"
and its status as the definitive Zeppelin song, he immediately corrected me, "It's not," he said, "'Kashmir' is."
Ultimately, everything here is definitive Zeppelin, in some way: the rude, thundering funk of "Trampled Under Foot," driven by Jones' percolating c1a\'inet and Bonham's merciless drumming;
the ferocious, prolonged assault of "Achilles Last Stand" (page told Dave Schulps that he meticulously orchestrated the song's horde of guitars "in my mind," then recorded "all the overdubs in one night"); and the elegant sweep and memorial tenderness of "All My Love."
Then, suddenly, there was no Zeppelin, On September 25, 1980, a day after the group convened to rehearse for yet another Korth American tour, Bonham was found dead at Page's home,
following a mammoth drinking binge. "The band didn't exist," Plant said later, "the minute Bonzo died."
The music and history were left unfinished. On December 4 Atlantic Records issued a one-sentence press release: "We wish it to be known that the loss of our dear friend and the deep respect we have for his family, together with the sense of undi\'ided harmony felt by ourselves and our manager, have led us to decide that we could not continue as we were," It was simply signed "Led Zeppelin."
The end came with ironic timing-12 years almost to the day after Atlantic sent out that first announcement in 1968. It also scaled the purity and power of everything Jimmy Page, Robert
Plant, John Paul Jones, and John Bonham wrote and played together in what now seems like a very short time. Led Zeppelin did not last long enough to faiLInstead, they have a unique, eternal life in this music that can never be tainted and will never be topped.
The band is gone. The thrill is not.
 


Series: Guitar Book
Medium: BOOK
Artist: Led Zeppelin
232 pages
24 of their biggest hits from the mult-platinum collection, spanning their entire career. Good Times Bad Times - Communication Breakdown - Dazed and Confused - Babe I'm Gonna Leave You - Whole Lotta Love - Ramble On - Heartbreaker - Immigrant Song - Since I've Been Loving You - Rock and Roll - Black Dog - When The Levee Breaks - Stairway to Heaven - The Song Remains the Same - Over the Hills and Far Away - D'yer Mak'er - No Quarter - Trampled Under Foot - Houses of the Holy - Kashmir - Nobody's Fault but Mine - Achilles Last Stand - In the Evening - All My Love.

Price: €35,70
€35,70

MOTLEY CRUE HOOKS THAT KILL THE BEST OF MICK MARS & TABLATURE LIBRO SPARTITI CHITARRA

MOTLEY CRUE, HOOKS THAT KILL, THE BEST OF MICK MARS &. TAB.

artist: MÖTLEY CRÜE
Series: Play It Like It Is TAB
Artist: Mick Mars

Notes & tab for 15 songs from the legendary guitarist of Mötley Crüe. Includes:

Bad Boy Boogie
Dr. Feel Good
Don't Go Away Mad (Just Go Away)
Girls, Girls, Girls
Hell On High Heels
Home Sweet Home
Kick Start My Heart
Looks That Kill
Primal Scream
Same Ol' Situation
Shout At The Devil '97
Smokin' In The Boys Room
Too Fast For Love
Wild Side
Without You

154 pages

Price: €39,99
€39,99

PAISLEY BRAD-BEST OF GUITAR RECORDED VERSION TABLATURE LIBRO CHITARRA SPARTITI COUNTRY

PAISLEY BRAD, BEST OF. TAB.

Series: Guitar Recorded Version
Softcover - TAB
Artist: Brad Paisley

This collection features note-for-note guitar transcriptions with tab for 13 of Paisley's greatest, including:

Alcohol
I'm Gonna Miss Her (The Fishin' Song)
Me Neither
Mr. Policeman
Mud On The Tires
The Nervous Breakdown
Online
She's Everything
Ticks
Time Warp
Two Feet Of Topsoil
Whiskey Lullaby
The World

206 pages

Price: €31,99
€31,99

AC/DC RIFFOLOGY GUITAR TABLATURE SPARTITI-CHITARRA-Hells Bells-You Shook Me All Night Long

AC/DC, RIFFOLOGY. TABLATURE

96 pages. Since exploding out of Sydney, Australia in 1973, AC/DC have been at the very forefront of heavy metal. Built around the central core of Glaswegian-born brothers Malcolm and Angus Young, whose brutal dual guitar assaults almost immediately set the rock world aflame, the band's awesome live battery has since passed into legend. Now you can learn to play over 70 high voltage AC/DC riffs, including Back In Black, Hells Bells, Let There Be Rock, and Highway To Hell. Complete with hints and tips on how to create the AC/DC sound, plus band history and discography, this is a must for any fan!

Contents:
The Info
Introduction
A Brief History Of AC/DC
Discography
Gear
Tone
Influences
Songwriting
The Code
Transcription
Legend
The Riffs
Back In Black
Ballbreaker
Bad Boy Boogie
Beating Around The Bush
C.O.D.
Dirty Deeds Done Dirt Cheap
Big Balls
Dog Eat Dog
Downpayment Blues
Flick of the Switch
For Those About To Rock (We Salute You)
Get It Hot
Given The Dog A Bone
Hard As Rock
Have A Drink On Me
Heatseeker
Hell Ain't A Bad Place To Be
Hells Bells
High Voltage
Highway to Hell
If You Want Blood (You've Got It)
It's a Long Way to the Top (If You Wanna Rock 'n' Roll)
The Jack
Jailbreak
Let Me Put My Love Into You
Let's Get It Up
Let There Be Rock
Love Hungry Man
Night Prowler
Overdose
Problem Child
Rock And Roll Ain't Noise Pollution
Rock 'n' Roll Damnation
Riff Raff
Rocker
Shake a Leg
Shoot to Thrill
Shot Down in Flames
Shake Your Foundations
Sink the Pink
Sin City
Stiff Upper Lip
T.N.T.
That's the Way I Wanna Rock 'n' Roll
Touch Too Much
Thunderstruck
Two's Up
Whole Lotta Rosie
Who Made Who
You Shook Me All Night Long

Price: €27,99
€27,99
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