LIBRO

GOOD CHARLOTTE THE CHRONICLES OF LIFE AND DEATH GUITAR TABLATURE LIBRO CHITARRA hal leonard

GOOD CHARLOTTE, THE CHRONICLES OF LIFE AND DEATH. TAB.

Series: Guitar Recorded Version TAB
Artist: Good Charlotte

All 15 tracks from the 2005 release by this East Coast post-grunge group. Includes:
128 pages

Table of contents
The Chronicles Of Life & Death
Falling Away
Ghost Of You
I Just Wanna Live
In This World (Murder)
It Wasn't Enough
Meet My Maker
Mountain
Predictable
S.O.S.
Secrets
The Truth
Walk Away (Maybe)
We Believe
The World Is Black

Price: €49,99
€49,99

QUEEN BEST OF TRANSCRIBED SCORES TABLATURE SPARTITI CHITARRA Crazy Little Thing Called Love

 

QUEEN, BEST OF. TRANSCRIBED SCORES. TABLATURE
 
Series: Transcribed Score TAB
Artist: Queen
 
Play 15 Queen classics note-for-note with these detailed transcriptions that match every instrument used on the original recordings. Songs include: Bohemian Rhapsody - Crazy Little Thing Called Love - I Want It All - I Was Born to Love You - Killer Queen - Somebody to Love - Stone Cold Crazy - Tie Your Mother Down - We Are the Champions - We Will Rock You - and more. 224 pages.
 
Inventory #HL 00672538
ISBN: 9780634087943
UPC: 073999725384
Width: 8.5"
Length: 11.0"
224 pages
 
Songs include:
Bohemian Rhapsody
Crazy Little Thing Called Love
Hammer To Fall
Headlong
I Want It All
I Was Born To Love You
Keep Yourself Alive
Killer Queen
Now I'm Here
Seven Seas Of Rhye
Somebody To Love
Stone Cold Crazy
Tie Your Mother Down
We Are The Champions
We Will Rock You
 
 
 
Songs include:
Bohemian Rhapsody - Words and Music: Freddie Mercury - 1975
Crazy Little Thing Called Love - Words and Music: Freddie Mercury - 1979
Hammer To Fall - Words and Music: Brian May - 1984
Headlong - Words and Music: Freddie Mercury, Brian May, Roger Taylor, John Deacon - 1991
I Want It All - Words and Music: Freddie Mercury, Brian May, Roger Taylor, John Deacon - 1989
I Was Born To Love You - Words and Music: Freddie Mercury - 1995
Keep Yourself Alive - Words and Music: Brian May - 1972
Killer Queen - Words and Music: Freddie Mercury - 1974
Now I'm Here - Words and Music: Brian May - 1974
Seven Seas Of Rhye - Words and Music: Freddie Mercury - 1973
Somebody To Love - Words and Music: Freddie Mercury - 1976
Stone Cold Crazy - Words and Music: Freddie Mercury, Brian May, Roger Taylor, John Deacon - 1974
Tie Your Mother Down - Words and Music: Brian May - 1976
We Are The Champions - Words and Music: Freddie Mercury - 1977
We Will Rock You - Words and Music: Brian May - 1977
Price: €31,99
€31,99

OLD TIME COUNTRY GUITAR BACKUP BASICS, Joseph Weidlich. Hal Leonard TABLATURE

OLD TIME COUNTRY GUITAR BACKUP BASICS, Joseph Weidlich. 
Based on commercial recordings of the 1920's & early 1930's. TABLATURE 

Old Time Country Guitar Backup Basics
Series: Guitar
Publisher: Centerstream Publications
Author: Joseph Weidlich

This instructional book uses commercial recordings from 70 different “sides” from the 1920s and early 1930s as its basis to learn the principal guitar backup techniques commonly used in old-time country music. Topics covered include: boom-chick patterns • bass runs • uses of the pentatonic scale • rhythmic variations • minor chromatic nuances • the use of chromatic passing tones • licks based on chords or chord progressions • and more.

Inventory #HL 00000389
ISBN: 9781574241488
UPC: 073999501247
Width: 9.0"
Length: 12.0"
84 pages

In the rural setting of the South the singing of old songs was often unaccompanied. When music was played away from the home it tended to be for dancing or some kind of contest. The" core" instruments used were usually the fiddle and banjo, where the banjo "seconded" the fiddle. This style goes back to the early 19th century minstrel show [ca. 1843] whose standard instrumentation were the fiddle, banjo, bones and tambourine.

Fiddle. The principal instrument of the old-time music genre was the fiddle, seemingly always the lead instrument. The fiddle served several functions: to provide dance music, to provide accompaniment to the voice, or solo fiddle music without a particular social function, e.g., for their own enjoyment. The fiddle was particularly important in accompanying vocal music as it could be used to imitate, i.e., "double" the vocal line, thereby reinforcing the primary contours of the melody or to provide ornamentation, based on the melodic line. As the melodies of the songs became simpler, in the sense of using less vocal ornamentation, the fiddle style likewise became simpler. This transition was aided by the addition of the banjo and guitar, which provided additional decorative elements, thus freeing the fiddle to focus primarily on lead melodic functions.

Banjo. Besides the fiddle, the mountain banjo was the most important ensemble instrument, as it was used to reinforce the main notes of the melodies played by the fiddle. The banjo introduced a steady, strong rhythm to maintain the beat, so important when playing for dances. In fact, the clawhammer banjo style, in particular, was, and still is, highly regarded for this role. While the 19th century minstrel banjoists traditionally used two basic tunings (what today would be equivalent to the natural C tuning and open G tuning) an interesting feature of the Southern mountain banjo was the development of several additional tunings to suit the modal character of the traditional melodies being sung and played. Scholars seem to think that these systems of altered tunings HLP 8005 may have been worked out by the turn of the 19th century, perhaps influenced by open guitar tunings needed for playing certain parlor guitar songs (e.g., the Spanish fandango) and the beginning of the African-American blues guitar styles. These modal melodies would then be accompanied on the banjo so that the principal melodic notes could be played without the need to play harmonic chords or shift up and down the fingerboard, whose chord voicings would not be practical most of the time playing in these altered tunings (the newly introduced guitar would now supply this harmonic accompaniment). Occasionally, the banjo was used as a solo instrument on early commercial recordings (e.g., by Charlie Poole using fingerstyle techniques); however, its usual role was to support the fiddler. Guitar. While guitars had been available in the United States for most of the 19th century, principally in urban industrialized areas, e.g., by c.P. Martin, Ashborn, 55. Stewart, and Washburn, by the end of that century guitars were beginning to become available in even greater numbers, aided in part by a much improved mass transportation system, the advent of the industrial revolution, and mail-order houses like Sears Roebuck. In the last decade of that century the guitar was gaining rapidly in mass popularity due to its usage in mandolin bands, glee clubs, and university banjo bands, thus not just for use in its traditional 19th century environment, the parlor.

String Bands. From the 1920s, with the introduction of the guitar into the string band ensemble, the emphasis, at least in terms of recording, shifted from providing music for dances to the accompaniment of vocal songs and fiddle tunes. That necessarily changed the function of the string band instruments, freeing up the ensemble for various duties. The guitar was now used to mark out the...


Joseph Weidlich [b. 1945] began his formal musical studies on the classic guitar. He moved to Washington, D.C. in 1972, from his native St. Louis, to teach classic guitar. He performed in several classic guitar master classes conducted by notable students of Andres Segovia (i.e., Sr. Jose Tomas [Spain], Oscar Ghiglia [Italy] and Michael Lorimer [U.s.]). He has also played renaissance guitar, renaissance lute, and baroque guitar.
In 1978,he completed research on and writing of an article on Battuto Performance Practice in Early
Italian Guitar Music (1606-1637), for the Journal of the Lute Society of America, 1978 (Volume XI). This
article outlines the various strumming practices, with numerous examples, found in early guitar
methods published in Italy and Spain in the early 17th century. In the late 1970she published a series
of renaissance lute transcriptions for classic guitar, published by DeCamera Publishing Company,
Washington, D.C., which were distributed by G. Schirmer, New York/London. The American Banjo
Fraternity published an article Joe wrote on James Buckley's New Banjo Book [1860]in their newsletter,
the Five-Stringer, #185, Double Issue, Fall-Winter 2000-01.
The banjo has also been no stranger in Joe's musical life. He began learning folk styles in the early
1960s during the folk music boom, later playing plectrum and classic banjo styles as well. His extensive
research in the history of minstrel banjo demonstrates how that style formed the foundation of
clawhammer banjo. Alan Jabbour, noted old-time fiddler, musicologist and former long-time director
of the Library of Congress' American Folklife Center, has said of Joe's book, The Early Minstrel Banjo:
Its Technique and Repertoire, that "our understanding of the minstrel banjo in the 19th century is greatly enhanced by the long labors you have devoted to the subject and the fine understanding you have brought to it."
Joe has collaborated with banjo builder Mike Ramsey (Chanterelle Workshop, Appomattox,
Virginia) in designing two prototype minstrel banjos based on the dimensions described in Phil Rice's
Correct Method [1858], as well as similar instruments made by William Boucher in Baltimore in the 1840s.
Also published by Centerstream Publishing are Joe's editions of a flatpicking guitar edition of
George Knauff's Virginia Reels [1839],believed to be the only substantial extant compilation of nineteenth-
century Southern fiddle tunes published prior to the Civil War (which includes songs later featured
in the early minstrel shows), Minstrel Banjo-Brigg's Banjo Instructor [1855],More Minstrel Banjo-
Frank Converse's Banjo Instructor, Without A Master [1865], Guitar Backup Styles of Southern String
Bands from the Golden Age of Phonograph Recordings, which features the guitar backup styles of Ernest
Stoneman's Dixie Mountaineers, the Carter Family, Charlie Poole and the North Carolina Ramblers,
Gid Tanner and the Skillet Lickers, and Jimmie Rodgers, often acknowledged as lithe father of country
music" and Painless Arranging for Old-Time Country Guitar.

 

TABLE OF CONTENTS
Biography .
A Brief Introduction To "Old-Time Music" .
Introduction to Old-Time Country Guitar Backup Basics .
 
PART ONE: BACKUP BASICS .
Lesson 1 Boom-Chick Patterns .
Lesson 2 Alternating Between Root and Fifth of a Chord .
Lesson 3 6-7-8 Bass Run Connectors .
Lesson 4 Golden Age Lick ,
Lesson 5 Third of the Chord in Back-Ups .
Lesson 6 3-2-1 Bass Run Connector .
Lesson 7 Pentatonic Scale .
Lesson 8 Ascending and Descending Triad Usage .
Lesson 9 Reinforce Melodic Line .
Lesson 10 Scales .
Lesson 11 Chord Progression Lick .
Lesson 12 5-6-7-8Bass Run Connector .
Lesson 13 Varied Golden Age Lick .
Lesson 14 Leading Tone Usage .
Lesson 15 Concluding Thoughts .
 
PART TWO: .
Variations On Backup Basics
Transcribed from Commercial Recordings of the 1920s and Early 1930s
Epilogue.
Song Reference List 
Price: €16,99
€16,99

METHENY PAT GROUP, THE WAY UP GUITAR Transcribed score LYLE MAYS

METHENY PAT GROUP, THE WAY UP. Transcribed score.

Artist: Pat Metheny
This is the complete score for the four-part composition from this new release by the Pat Metheny Group. NPR says the album has an ambitious compositional style that amounts to an epic journey. 256 pages, NO TAB.

Songlist:
Opening
Part One
Part Three
Part Two

Price: €21,00
€21,00

VAI STEVE DAVID LEE ROTH EAT 'EM AND SMILE Guitar Recorded Version TABLATURE LIBRO SPARTITI

VAI STEVE, DAVID LEE ROTH, EAT 'EM AND SMILE. TAB.

This songbook matches Diamond Dave's first full-length album featuring Steve Vai, Billy Sheehan, and Gregg Bissonette as his back-up band. 10 songs. 104 pages.

Big Trouble
Bump And Grind
Elephant Gun
Goin' Crazy
I'm Easy
Ladies' Nite In Buffalo?
Shy Boy
That's Life
Tobacco Road
Yankee Rose

Price: €26,99
€26,99

METHENY PAT-ONE QUIET NIGHT-GUITAR RECORDED VERSION TABLATURE LIBRO SPARTITI CHITARRA BOOK

METHENY PAT, ONE QUIET NIGHT. TAB.

Series: Guitar Recorded Version
All 12 songs from the 2003 acoustic guitar recording by Metheny: Another Chance -Don't Know Why -Ferry 'Cross The Mersey -I Will Find The Way -Last Train Home -My Song -North To South, East To West -One Quiet Night -Over On 4th Street -Peace Memory -Song For The Boys -Time Goes On. 88 pages.

Another Chance
Don't Know Why
Ferry 'Cross The Mersey
I Will Find The Way
Last Train Home
My Song
North To South, East To West
One Quiet Night
Over On 4th Street
Peace Memory
Song For The Boys
Time Goes On

Price: €26,99
€26,99

CROCE JIM, THE VERY BEST OF. Guitar Recorded Version TABLATURE

CROCE JIM, THE VERY BEST OF. TAB.

104 pages.
Bad, Bad Leroy Brown
Careful Man
I Got A Name
I'll Have To Say I Love You In A Song
It Doesn't Have To Be That Way
One Less Set Of Footsteps
Operator (That's Not The Way It Feels)
Photographs And Memories
These Dreams
Time In A Bottle
Workin' At The Car Wash Blues
You Don't Mess Around With Jim

Series: Guitar Recorded Version
Softcover - TAB
Artist: Jim Croce

12 timeless classics from the late Jim Croce: 104 pages

Price: €19,95
€19,95

CROSBY, STILLS & NASH, BEST OF Guitar Recorded Version Hal Leonard LIBRO TABLATURE CHITARRA

CROSBY, STILLS & NASH, BEST OF. Carry Me -Carry On -Change Partners -Chicago -Dark Star -Deja Vu -Got It Made -Guinnevere -Helplessly Hoping -Just A Song Before I Go -Long Time Gone -Love The One You're With -Marrakesh Express -Our House -Shadow Captain -Southern Cross -Suite: Judy Blue Eyes -Teach Your Children -Wasted On The Way. 160 pages. TAB.

Series: Guitar Recorded Version TAB
Artist: Crosby, Stills & Nash

19 of CSN's best in note-for-note guitar notation with tablature. 160 pages

Price: €29,99
€29,99

ACOUSTIC GUITAR Composition, Construction Evolution One World's Most Beloved Instruments chitarra

ACOUSTIC GUITAR, The Composition, Construction, and Evolution of One of World's Most Beloved Instruments.

Series: Guitar Reference
Medium: Softcover
Author: Frank Ford
Author: Michael Simmons
Author: Richard Johnston
Author: Teja Gerken

Foreword by C.F. Martin IV. This comprehensive guide explains how to buy and maintain the guitar that matches your needs. From its beginning in European classical music, through American innovations like blues, jazz, country, and all the way to rock, pop and folk, the acoustic guitar's versatility is remarkable. This book covers all types of models with an emphasis placed on steel-string flattops, archtops and classical guitars. Topics covered include: How to tell the difference between a good sounding and bad sounding instrument; How much of the sound is determined by the wood; How to amplify and maintain its natural sound; How much money to spend in order to get an instrument that matches your level of playing; A color section illustrates historically significant instruments. 396 pages.

Price: €28,99
€28,99

3 DOORS DOWN SEVENTEEN DAYS GUITAR TABLATURE SPARTITI CHITARRA LIBRO ACCORDI BOOK

3 DOORS DOWN, SEVENTEEN DAYS. TABLATURE

Be Somebody
Behind Those Eyes
Father's Sons
Here By Me
It's Not Me
Landing In London
Let Me Go
Live For Today
My World - Bigger Than Me
Never Will I Break
The Real Life
Right Where I Belong

Price: €29,00
€29,00
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