LIBRO CON CD BACKING TRACKS

FAST FORWARD, GUITAR SCALES. CD TABLATURE

Play along with the CD!
Hear how scales are used for every guitar style ...
You'll find a matching audio track to every music example in the book

In the matching book ...
Complete music for all the chords, riffs and solos plus easy-to-follow instruction, tips & advice

Listen & Learn then play along ... Each track is recorded twice:
first with the guitar, then with backing tracks so you can play the guitar part!

Omnibus Records & Tapes

FastForward. Guitar Scales
on the pro-quality CD... 94 audio tracks, featuring author Rikky Rooksby Refer to accompanying book for track details with Rikky Rooksby

Scales, Riffs & solos you can learn today!

The enjoyable way to learn and use scales ...
- Discover how great lead phrases, licks and melodies are derived from scales
- Re-create the sounds of Thin Lizzy, Metallica, Chuck 8erry, Santana, Eric Clapton and other top acts
- Learn useful scale tips and tricks to help you solo with more confidence

Description :

Play along with the tracks on the CD while you learn with this user-friendly book, packed with riffs, licks and tricks. An in-depth look at pentatonic, major and minor scales and the modes. Playing scales has never been easier!

Introduction
Hello, and welcome to FastForward. Congratulations on purchasing a product that will improve your playing and provide you with hours of pleasure. All the music in this book has been specially created by professional musicians to give you maximum value and enjoyment. If you already know how to 'drive' your instrument, but you'd like to do a little customising, you've pulled in at the right place. We'll put you on the fast track to playing the kinds of riffs and patterns that today's professionals rely on. We'll provide you with a vocabulary of riffs that you can apply in a wide variety of musical situations, with a special emphasis on giving you the techniques that will help you in a band situation.
FastForward Guitar Scales presents the most important and commonly used guitar scales. In it you can find vital information about pentatonics - the scales behind a huge amount of rock and blues playing. You will learn about the major scale, upon which most Western music is based, and the several types of minor scale. You will also encounter some of the more exotic scales used in music. All players and bands get their sounds and styles by drawing on the same basic building blocks. With FastForward you'll quickly learn these, and then be ready to use them to create your own style.
Guitar Scales
Whatever type of music you play, and whether you play acoustic or electric, it's good to have some knowledge of scales. Knowing your way around a few scales enhances the pleasure of playing the guitar. Scales improve your technique. A few minutes each day running through these patterns will increase the mobility of your fingers. This makes it easier to play any single-note lines - whether solos or melodies - and to change chords if you play rhythm guitar. Most professionals use scales to warm up their hands before a gig or recording session. If you play lead guitar, then scales are the essential raw material out of which solos are built. A little knowledge of scales can also help you to understand more about keys and chords. Any way you look at it, it's worth knowing about scales. If you have tried other scale books, prepare to be surprised. This book won't confuse you with loads of numbers so you feel you are trying to play music from a telephone directory.

FastForward Guitar Scales keeps the emphasis on the musical e.fJect of scales. 'What do they sound like?', and 'How and where should I use them?' are the kind of questions this book will answer for you. The book shows how scales work in a range of styles, and in every case the scale is experienced through a piece of music. Each example in this book is given in musical score, guitar tablature (TAB), and has a corresponding CD track. If you're not too familiar with TAB, it's pretty simple: each number indicates the fret at which the note is played, and each line is a string, going from low to high, i.e. the lowest line on the TAB corresponds to the lowest string on your guitar. Suggestions for fretting fingers are given under the TAB with the scale patterns. If you find it hard to remember which way up they go, think always of pitch: high notes are above low notes, therefore the highest-sounding string (E) is at the top. Other TAB symbols will be explained as we go along, and there's also a handy reference guide to the most common of these, on pages 4 and 5. Each musical example is played once with your guitar part, and once without. The first is for you to learn by listening, the second 'play-along' track is for you to practise. There are no backing tracks for the scales themselves.

Guitar Tablature Explained
Introduction
Guitar Scales
1. The Pentatonic Minor

A Pentatonic Minor
Five Note Rock
Five Note Blues
The Blues Scale
2. The Pentatonic Major

The Major Blues Scale
Major Blues Boogie
3. The Major Scale

Pentatonic/Major Scale Table
The Bebop Major
4. The Minor Scales

The Natural Minor
A Natural Minor
The Harmonic Minor
The Melodic Minor
Minor Scale Table
5. The Modes
Modes Table
The Blues/Rock Scale (Mixolydian)
The Speed Metal Scale (Lydian)
The Latin/Folk Scale (Dorian)
The Spanish Scale (Phrygian)
The Odd One Out (Locrian)
6. Unusual Scales
The Whole Tone Scale
The Chromatic Scale
The Diminished Scale
The Kumoi Scale
The Byzantine Scale
Get More Out Of Your Scales!
Scale Tips And Tricks
Further Reading 

ROCK LEAD TECHNIQUE. Musicians Institute.

licks, scales, soloing concepts for guitar

Picking technique, string skipping, sweep picking, armonici. CD TABLATURE

Rock Lead Techniques

Techniques, Scales and Fundamentals for Guitar
Series:  Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Danny Gill
Composer: Nick Nolan

Jam along with Danny Gill and Nick Nolan as they present material from this MI elective course. Covers: licks, scales, soloing concepts, picking technique, three-note-per-string scales, sweep picking, string skipping, harmonics and more. The CD includes 97 full-demo tracks.

Inventory #HL 00695146
ISBN: 9780793573806
UPC: 073999951462
Width: 9.0"
Length: 12.0"
40 pages

STRAY CATS, SETZER BRIAN WITH. Basi per voce e per chitarra. Contiene: rock this town -stray cat strut -runaway boys -(she's) sexy and 17 -rumble in Brighton -fishnet stockings -double-talkin' baby -built for speed. CD TAB.

MORE SOUNDS... Plath Thorsten. 10 Canzoni in fingerstyle: Spice Girls, Ciccone, Aerosmith, Don Cherry, Janet Damita Jackson, Oasis, Celine Dion, Metallica, Des'ree, Alanis Morissette. CD TABLATURE

ROCK POP for guitar

LIBRO PER CHITARRA CON TABLATURE

Product Description:

Ten songs for acoustic guitar that sound like they've been written for Aerosmith, Celine Dion, Metallica, Alanis Morissette, etc. You can either expand your solo repertoire by playing the etudes unaccompanied, or play along with the tracks on the enclosed CD and get valuable experience practicing in a band situation. For each etude, the author includes preliminary technical exercises for the right and left hands to help eliminate any technical difficulties you may encounter. For the more adventurous or advanced player, the author provides the scales or notes from the songs which can be used for a few years. Those who have been playing longer can have fun with improvisation and chordal accompaniment. In notation and tablature.

Forword
Welcome to the second volume of Rock Pop Studies for
acoustic guitar. Again we have ten studies from ten of the
world's greatest pop stars: from Celine Dion to Eagle Eye
Cherry to Aerosmith. You can either expand your solo
repertoire by playing the etudes unaccompanied, or play
along with the tracks on the enclosed CD and get
valuable experience practicing in a band situation.
I hope again, through the varied working methods in this
book, to be able to offer something to guitarists of every
level. Slowly played, these studies could be the first solo
pieces for someone who has been playing guitar for a
few years. Those who have been playing longer can
have fun with improvisation and chordal accompaniment.
Here I would like to thank AMA Publishing, Konni, and
Juergen Kumlehn, whose skillfull programming of the
playbacks will help guitarists everywhere make the most
of these songs.

Vorwort
Willkommen beim zweiten Band der Rock-Pop-EWden
fUr akustische Gitarre. Wieder standen zehn PopgrbBen
Pate fUr zehn weitere EWden: von Celine Dion Ober
Eagle Eye Cherry bis hin zu Aerosmith. Solo oder mit
dem Play-back auf der beiliegenden CD bieten diese
EWden eine hervorragende Mbglichkeit, das Solorepertoire
zu erweitern oder Erfahrungen im Zusammenspiel
mit einer Band (CD) zu machen.
Durch die verschiedenen Arbeitsmbglichkeiten, die
dieses Buch bietet, hoffe ich wieder, viele Gitarristinnen
und Gitarristen auf unterschiedlichstem Niveau anzusprechen.
Wer ein bis zwei Jahre Gitarre spielt, der findet
hier schon die ersten SolosWcke, wenn auch vielleicht
langsamer gespielt als auf der CD. Diejenigen, die schon
langer musizieren, werden ihre Freude neben den EtOden
auch mit der Akkordbegleitung oder Improvisation haben.
An dieser Stelle mein Dank an den AMA Verlag, an Konni
und an JOrgen Kumlehn, der wiederum wunderbare Playbacks
programmiert hat, so dass viele Gitarristinnen und
Gitarristen aufs neue Neue viel SpaB an den Songs haben
werden.
 

How To Use This Book
For all of those who didn't read, or more accurately, didn't
play through the first volume of Rock Pop Studies for
Guitar, here are a few tips for using this book.
Try playing the studies alone on the guitar. If you can
read music, use the music provided. Otherwise you can
try the tabulature notation. You can play along with the
band or the CD. Unfortunately, we couldn't send the band
along with this book, the drums were too heavy!
For each etude I've included preliminary technical
exercises for the right and left hands to help eliminate
any technical difficulties you may encounter. We've
printed chord diagrams and the harmony for each song
before each study. So, for example, if you can't
remember how to play Bm7, just look at the diagrams
above the music. We've also listed many different ways
to playa chord, an F for example, so that you can start
collecting them for your musical future. Most chords are
kept to three- or four-part voicings. Maybe we'll see
Fmaj7/9 # 11 the next time!
Lastly, for the more adventurous, we've provided the
scale or notes from the song which can be used for
improvisation. There is a great deal of literature available
for learning improvisation. In this book we want to
concentrate on fully utilizing the playbacks. Try improvising
using the given scales. You can notate your own
improvised melodies on the tab and music paper
provided after the tab version of each song.
If something doesn't work the first time, try it again a few
times. This is called practice, a word we sometimes fear.
Let me help you to enjoy practicing with these studies!

Was kann man mit diesem
Buch machen?
Fur aile, die den ersten Band nicht gelesen, oder besser
gesagt, nicht gespielt haben - bitte schnell nachholen -
gebe ich hier noch einmal ein paar Arbeitshinweise oder
besser Spielhinweise, weil an dieser Stelle das Wort
Arbeit merkwurdig klingt.
Zunachst kannst du die EtUden einfach nur solo spielen.
Wer die Notenschrift beherrscht, nimmt die Notenversion,
dagegen konnen die anderen die Tabulaturnotation benutzen.
Dann kannst du das Ganze mit Band bzw. CD
spielen. Wir haben leider keine Band beilegen konnen,
das Schlagzeug war einfach zu groB.
Damit die EtUden keine technischen Probleme bereiten,
werden in kurzen Vorubungen fUr die linke und die rechte
Hand die Schwierigkeiten der jeweiligen StUcke vorweggenommen.
Weiterhin gibt es Akkorddiagramme der
einzelnen Songs, deren Akkordablaufe direkt darunter
stehen. Falls also einem Hm7 wieder nicht einfallt, Augen
einfach nach oben. Die Akkorde habe ich, wie zum
Beispiel bei F-Dur, verschiedenartig dargestellt und du
kannst dich freuen, denn in deiner gitarristischen Zukunft
wird es hundert weitere Moglichkeiten geben F-Dur zu
greifen. Da ich in diesem Buch niemanden verwirren
mochte, habe ich mich meist auf Drei- bzw. Vierklange
beschrankt. Fj7/91,l11 gibt es dann nachstes Mal - vielleicht.
Um die Transparenz in dem zweisprachigen Buch
zu erhalten, wird, auBer im Text, bei Tonen und Akkorden
die internationale Bezeichnung (v. a. h= b und b = bb)
verwendet.
Zuletzt werden noch fUr die Mutigen immer einige Tone
des Songs notiert, die sich zur Improvisation eignen. Zum
Erlernen der Improvisation erschien bereits sehr viel
Literatur. In diesem Buch soil Flber nur die Moglichkeit
geschaffen werden, die Play-backs in ihren Funktionen
voll auszunutzen. Probiere einfach, mit den vorgegebenen
Tonleitern zu improvisieren. Hinter der Tabulatur
findest du wieder ein freies Noten- und Tabulaturblatt, auf
dem du improvisierte Melodien aufschreiben kannst.
So lite das Eine oder Andere nicht gleich auf Anhieb
funktionieren, wiederhole es ofters. Wir benutzen dafUr in
der Musik das grassliche Wort "uben". Aber wenn schon
uben, dann mit SpaB, und den hoffe ich mit diesen
Rock-Pop-EtUden erneut vermitteln zu haben.
 

"Little Alanis", Alanis Morissette, was already performing
on American TV at the age of ten. At the tender age of
eleven she precociously took the money she had made
performing and financed her first single, "Fate Stay With
Me", which sold 2000 copies. Ten years later Flea and
Dave Navarro, the string virtuosos from the Red Hot Chili
Peppers played on her 1995 album "Jagged Little Pill",
and on the hit single "You Oughta Know". With this song
and "Ironic" she had two smash hits.
We would like to honor this exceptional career with
LITTLE ALANIS, the last and most difficult study in this
volume. The rhythm and some of the guitar voicings are
not easy. That's why it's good that there are preliminary
exercises and a CD to listen to. Bar five, which begins
with a pickup, is studied in a left- and right-hand exercise.
When you understand both studies, apply the finger
positions to bar five. Bar 17 is also not easy. There is also
a left- and right-hand exercise for this bar. Separating the
left and right hands is generally a good way to overcome
difficulties. Often it's not the left but the right hand which
causes the problems in difficult sections. Be careful with
the right hand because it's responsible for your tone.
Have fun switching between your left and right hands,
and of course with LITTLE ALANIS!

Bereits mit zehn Jahren schauspielerte die "kleine Alanis",
Alanis Morissette, im amerikanischen Fernsehen. 1m
zarten Alter von elf Jahren nahm sie wie selbstverstandlich
das mit dieser Rolle verdiente Geld und
bezahlte damit ihre erste Singleaufnahme. "Fate Stay
With Me" hieB dieser Song und verkaufte sich immerhin
2000-mal. Zehn Jahre spater, 1995, zupften auf ihrer CD
"Jagged Little Pill" schon die Saitenvirtuosen der Red Hot
Chili Peppers, Flea und Dave Navarro, und zwar auf der
Hitsingle "You Oughta Know". Mit diesem Song und mit
"Ironic" erzielte sie zwei groBe Erfolge.
Diese sprunghafte Karriere wurdigen wir mit LITTLE
ALANIS, der letzten und zugleich wohl auch schwersten
EtUde in diesem Band. Der Rhythmus wie auch manche
Griffverbindungen sind nicht einfach. Wie gut, dass es
Vorubungen und eine CD gibt, auf der man sich dieses
StUck anhbren kann. Zu Takt 5, der mit einem Auftakt
beginnt, findst du jeweils eine Vorubung fOr die linke wie
fOr die rechte Hand. Wenn du jede fOr sich verstanden
hast, ubertrage die Fingersatze auf Takt 5. Auch Takt 17
ist nicht leicht. Hierfur hast du ebenfalls zwei Vorubungen,
eine fOr die Iinke und eine fOr die rechte Hand.
Die Trennung beider Hande ist generell eine gute
Methode, um gitarristische Schwierigkeiten in den "Griff"
zu bekommen. Haufig sorgt nicht die linke, sondern die
rechte Hand bei schwierigen Stellen fOr Unruhe.
AuBerdem macht die rechte Hand den Ton und
deswegen sollte man sie schon mal gesondert betrachten.
Dann viel SpaB beim Hin- und Herschauen
zwischen linker und rechter Hand und natUrlich bei
LITTLE ALANIS!
 

CD Track List
How to use this book

ROSEMARY (SPICE GIRLS)
Introduction, Preliminary exercises, Chords
ROSEMARY - Music
ROSEMARY - Tab

SUBSTITUTE (LOUISE VERONICA CICCONE)
Introduction, Preliminary exercises, Chords
SUBSTITUTE - Music
SUBSTITUTE - Tab

MOUTH (AEROSMITH)
Introduction, Preliminary exercises, Chords
MOUTH - Music
MOUTH - Tab

WINGS OF AN EAGLE (DON CHERRY)
Introduction, Preliminary exercises, Chords
WINGS OF AN EAGLE - Music
WINGS OF AN EAGLE - Tab

AGAIN AND AGAIN (JANET DAMITA JACKSON)
Introduction, Preliminary exercises, Chords
AGAIN AND AGAIN - Music
AGAIN AND AGAIN - Tab

MAYBE (OASIS)
Introduction, Preliminary exercises, Chords
MAYBE - Music
MAYBE - Tab

DON'T GO DOWN (CELINE DION)
Introduction, Preliminary exercises, Chords
DON'T GO DOWN - Music
DON'T GO DOWN - Tab

LARS' GARAGE (METALLICA)
Introduction, Preliminary exercises, Chords
LARS' GARAGE - Music
LARS' GARAGE - Tab

NATURAL (DES'REE)
Introduction, Preliminary exercises, Chords
NATURAL - Music
NATURAL - Tab

LITTLE ALANIS (ALANIS MORISSETTE)
Introduction, Preliminary exercises, Chords
LITTLE ALANIS - Music
LITTLE ALANIS - Tab

Glossary

U2, 1980-1983 PLAY GUITAR WITH... . CD TAB.
Complete tab and standard notation to seven of U2's earliest hits from the albums Boy, October and War, complete with full lyrics. The accompanying CD features two specially recorded backing tracks for each song, the first being a full demonstration performance, and the second intended for you to take the place of The Edge as you play along. Gloria -I Will Follow -New Year's Day -Out Of Control -Sunday Bloody Sunday -The Electric Co. -Two Hearts Beat As One.

PLAY GUITAR WITH U2 (1980-1983)
Series: Guitar Jams Series
BOOK W/CD - TAB
Artist: U2

Jam with U2's early hits with this collection of 7 songs in standard notation and tablature with accompanying CD featuring full performance and separate backing tracks. Includes:

The Electric Company
Gloria
I Will Follow
New Year's Day
Out Of Control
Sunday Bloody Sunday
Two Hearts Beat As One
56 pages

Complete tab and standard notation to seven of U2's earliest hits from the albums Boy, October and War, complete with full lyrics. The accompanying CD features two specially recorded backing tracks for each song, the first being a full demonstration performance, and the second intended for you to take the place of The Edge as you play along. Gloria -I Will Follow -New Year's Day -Out Of Control -Sunday Bloody Sunday -The Electric Co. -Two Hearts Beat As One.