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PATITUCCI JOHN 60 MELODIC ETUDES Acoustic Electric Bass major scale minor dominant 7 LIBRO

PATITUCCI JOHN, 60 MELODIC ETUDES. 

About 60 Melodic Etudes
(for Acoustic and Electric Bass) By John Patitucci. Instructional book for string bass. 128 pages.
With fingerings. Instructional, Etudes and Scales. 9x12 inches.

This new book from one of the most popular bass players in the business brings players great tools to improve their skills. Bass players can advance their knowledge of the fingerboard, improve intonation and time, develop flexibility and work though modes and scales presented in the book. This work combines music and technique in one powerful package!

Contents:
John Patitucci Biography
Foreword
PART I:
PART II:

 


This book is designed for acoustic bassists, electric bassists and cellists who want to:

• Improve their knowledge of the fingerboard.
• Practice interpreting and phrasing melodies.
• Improve their intonation and time.
• Learn to play with more flexible time by practicing rubato passages.
• Strengthen their ears to hear the five basic chord sounds within the diatonic
major scale: major, minor 7, dominant 7,minor 7b5and major 7#11.
• Learn to hear and use various diatonic modes and scales against these five
basic chords: Major, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and
Locrian.
• Gain valuable experience on the use of the melodic-minor scale over the
minor-seventh b5chord.
As far as I know, this is the first book to have a separate melodic etude for each
of these five chord sounds in all twelve keys. I also left room on a few occasions
for you to try your hand at improvising for a few measures within an etude. The
etudes have tempo markings, but should be practiced at different tempos and
even rubato (i.e., elastic and flexible time with room for speeding up and
slowing down to enhance the freedom of the artist's expression). These etudes
also help the bassist and cellist tackle the common technical problems that all
must deal with, such as shifting on one string, string crossing and alternating
right-hand plucking and bowing. For acoustic bassists and cellists, every etude
can be played pizzicato and/or arco. I deliberately shied away from providing
fingerings and bowings because I would rather you explore many alternatives
for each passage.
In Part II of the book (pp. 69-128), I have included a complete fingering chart
for both acoustic and electric bass for all the scales. The scale examples are
given in two ways: 1) Starting on the root note and 2) starting on the lowest
note available on the fingerboard. The second example is provided to foster a
more comprehensive knowledge of the instrument.
If you have a teacher-which I feel is extremely important-s/he may want to
write down ideas for you as well. Also, as you vary the tempo of each etude, you
may have to alter fingerings and bowings.
In closing, I sincerely hope and believe that this book will help you grow as a
musician and be a useful tool for many years to come.
-John Patitucci


John Patitucci has been at the forefront of the jazz world for the last twenty
years and active in all styles of music. He is a two-time Grammy award winner
and has been nominated eleven times. He has won many magazine polls and
awards as a double bassist and bass guitarist, most recently as a member of
the Wayne Shorter Quartet which won the 2003 Downbeat critics' poll for Best
Acoustic Jazz Group and Best Jazz Recoding for Footprints - Live!. He has
performed and/or recorded with jazz giants such as Dizzy Gillespie, Wayne
Shorter, Herbie Hancock, Chick Corea, Stan Getz, Freddie Hubbard, Roy
Haynes, Wymon Marsalis, Michael Brecker, John Scofield, Joe Lovano, Kenny
Garrett, Victor Feldman and countless others.
John has been active as a composer with eleven solo recordings of his own. He
has also been commissioned to write for various chamber music groups, most
recently the New York-based string quartet Elements. John was nominated for
a Grammy in 2003 for Best Instrumental Arrangement Accompanying a Vocal
for his arrangement of In the Bleak Midwinter from his CD Song, Stories and
Spirituals. He was nominated for a Grammy in 2002 for Best Instrumental
Composition for a piece entitled Communion that featured Branford Marsalis,
Brad Mehldau and violist Lawrence Dutton of the Emerson String Quartet.
Mr. Patitucci has been involved in education for many years, writing books,
making instructional videos and giving master classes around the world. He
was formerly the Artistic Director of The Bass Collective, a specialized school
in New York. In 2002, he began teaching at The City College of New York
(CUNY) and was named Associate Professor of Music there in 2003.


I would like to thank God, my wife Sachi, and my daughters-Gracie
and Bella, and all the other members of my family especially my
brother Thomas, my Mom and Dad, and sisters. Thanks are also
due to Chris Poehler, David Baker and all of the other teachers I
have had in my musical journey to this point (whose names could
take up as many pages as this book). Thanks also to the many
musicians I have worked with who have inspired me and taught me
(another very long list) and to Sandy Feldstein and John Castellano
for urging me to write this book.
Special Thanks to Mindy Sax, for the preliminary music copying.
Finally, thanks also to all the folks at Carl Fischer for the fine work
and support, especiallyAlexTeploff.
Cover photo by Bill Bytsura.


John Patitucci Biography .
Foreword
Part I: 60 Melodic Etudes
C Major Scale
F Major Scale
Bb Major Scale
Eb Major Scale
Ab Major Scale
Db Major Scale
Gb Major Scale
B Major Scale
E Major Scale
A Major Scale
D Major Scale
G Major Scale
C Aeolian Scale (Ballad) (Cm7)
F Dorian Scale (Ballad) (Fm7)
Db Aeolian Scale (Bbm7)
Eb Dorian Scale (Ebm7)
G# Phrygian Scale (G#m7)
C# Phrygian Scale (C#m7)
F# Phrygian Scale (F#m7)
B Phrygian Scale (Bm7)
E Dorian Scale (Em 7)
Aeolian Scale (Am 7)
D Dorian Scale (Dm7)
G Phrygian Scale (Gm7)
C Lydian Scale (Cmaj7# 11)
F Lydian Scale (Fmaj7#l1)
Bp Lydian Scale (Bbmaj7# 11)
Eb Lydian Scale (Ebmaj7# 11)
b Lydian Scale (Abmaj7#11)
Db Lydian Scale (Dbmaj7# 11)
Gb Lydian Scale (Gbmaj7#l1) .
B Lydian Scale (Bmaj7# 11) .
E Lydian Scale (Emaj7# 11) .
A Lydian Scale (Amaj7# 11) .
D Lydian Scale (Dmaj7# 11) .
G Lydian Scale (Gmaj7#11) .
C Mixolydian Scale (C7)
F Mixolydian Scale (F7) .
Bb Mixolydian Scale (Bb7)
Eb Mixolydian Scale (Eb7)
Ab Mixolydian Scale (Ab7) .
Db Mixolydian Scale (Db7)
Gb Mixolydian Scale (Gb7)
B Mixolydian Scale (B7)
E Mixolydian Scale (E7) .
A Mixolydian Scale (A7)
D Mixolydian Scale (D7)
G Mixolydian Scale (G 7)
C Loerian Scale (Cm7b5) .
Ab Melodic-minor Scale (Fm7b5)
Db Melodic-minor Scale (Bbm7b5)
Gb Melodic-minor Scale (Ebm7b5) .
G# Loerian Scale (G#m7b5) .
C# Loerian Scale (C#m7b5) .
F# Loerian Scale (F#m7b5) .
B Loerian Scale (Bm7b5) .
G Melodic-minor Scale (Em7b5) .
C Melodic-minor Scale (Am7b5) .
F Melodic-minor Scale (Dm7b5) .
G Loerian Scale (Gm7b5) .

Part II: 60 Melodic Scales
C Major Scale
F Major Scale
Bb Major Scale
Eb Major Scale
Ab Major Scale
Db Major Scale
Gb Major Scale
B Major Scale
E Major Scale
A Major Scale
D Major Scale
G Major Scale
C Aeolian Scale (Ballad) (Cm7)
F Dorian Scale (Ballad) (Fm7)
Db Aeolian Scale (Bbm7)
Eb Dorian Scale (Ebm7)
G# Phrygian Scale (G#m7)
C# Phrygian Scale (C#m 7)
F# Phrygian Scale (F#m7)
B Phrygian Scale (Bm7)
E Dorian Scale (Em7)
Aeolian Scale (Am 7)
D Dorian Scale (Dm7)
G Phrygian Scale (Gm 7)
C Lydian Scale (Cmaj7h1)
F Lydian Scale (Fmaj7# 11)
Bb Lydian Scale (Bbmaj7# 11)
Eb Lydian Scale (Ebmaj7# 11)
Ab Lydian Scale (Abmaj7# 11)
Db Lydian Scale (Dbmaj7#1)
Gb Lydian Scale (Gbmaj7#11) .
B Lydian Scale (Bmaj7#11) .
E Lydian Scale (Emaj7# 11) .
A Lydian Scale (Amaj7# 11) .
D Lydian Scale (Dmaj7# 11) .
G Lydian Scale (Gmaj7#11) .
C Mixolydian Scale (C7) .
F Mixolydian Scale (F7) .
Bb Mixolydian Scale (Bb7) .
Eb Mixolydian Scale (Eb7) .
Ab Mixolydian Scale (Ab7) .
Db Mixolydian Scale (Db7) .
Gb Mixolydian Scale (Gb7) .
B Mixolydian Scale (B7) .
E Mixolydian Scale (E7) .
A Mixolydian Scale (A7)
D Mixolydian Scale (D7) .
G Mixolydian Scale (G7) .
C Locrian Scale (Cm7b5) .
Ab Melodic-minor Scale (Fm7b5) .
Db Melodic-minor Scale (Bbm7b5) .
Gb Melodic-minor Scale (Ebm7b5) .
G# Locrian Scale (G#m7b5) .
C# Locrian Scale (C#m7b5) .
F# Locrian Scale (F#m7b5) .
B Locrian Scale (Bm7b5) .
G Melodic-minor Scale (Em7b5) .
C Melodic-minor Scale (Am7b5) .
F Melodic-minor Scale (Dm7b5) .
G Locrian Scale (Gm7b5) .
 

Price: €99,99
€99,99

HOW THE FENDER BASS CHANGED THE WORLD Jim Roberts BOOK LIBRO BASSO

HOW THE FENDER BASS CHANGED THE WORLD. Jim Roberts.

Series: Book
Publisher: Backbeat Books
Medium: Softcover
Author: Jim Roberts

This book by the founding editor and former publisher of Bass Player magazine not only celebrates the 50-year history of Fender's revolutionary Precision Bass, it also – for the first time – illuminates the full scope of its profound impact on music and society. Focusing on the bass' artistic influence, it details the technical milestones that gave the bass its musical power. This book also describes the impact of the bass in the hands of such visionaries as James Jamerson; cheers the innovations of rockers like Jack Bruce, Paul McCartney, John Entwistle and Sting; and honors the inspired work of such virtuosos as Jaco Pastorius. Loaded with black & white and 100 stunning color photos. 208 pages.

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BAILEY STEVE-FRETLESS BASS-TABLATURE DVD SPARTITI-LIBRO-BASSO-METODO-MUSICA-

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Consummate musician and bassist Steve Bailey presents one of the most comprehensive fretless bass technique methods available. Having performed and recorded with everyone from Dizzy Gillespie to Kitaro, Victor Wooten and Metallica, Steve is a true master of the fretless bass. This book will help you successfully make the transition from fretted to fretless bass. The exercises within have both studio and live-playing applications and cover such topics as intonation, sliding, string blending, and fretless effects. Develop your ear and left-hand technique using the methodically written examples, which cover intervals as well as triads; then put it all to use in the songs and etudes provided. This book will help any bassist develop the necessary technique to master this difficult but beautifully melodic instrument.

Price: €26,99
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FUNK/R&B BASS LICKSAMPLES. Jerry Barnes. TAB. DVD

Jerry Barnes, bassist for Roberta Flack, Chaka Khan, Whitney Houston and others, shows you 27 of the ultimate funk/R&B bass patterns in this lesson filmed in 1999. He covers classic patterns from the 1960s to '80s, plus exciting performances with bass, drums and a full band. Includes a lesson booklet with complete transcriptions with tab. 53 minutes.

Price: €26,99
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HAMM STU SLAP POP AND TAP FOR THE BASS TABLATURE DVD VIDEO DIDATTICO BASSO

HAMM STU, SLAP, POP, AND TAP FOR THE BASS. TAB. DVD

STU HAMM - SLAP, POP, AND TAP FOR THE BASS
Series: DVD
Medium: DVD

Artist: Stuart Hamm

You'll get into left-hand stretching exercises, major and minor arpeggios, playing chords, slapping & popping, funk, hammer-on slaps, triplets, right-hand flamenco strums, two-handed polyphonic tapping, percussive tapping, playing a melody with the right hand while the left hand plays a bass pattern, classical techniques and styles, and more.

Price: €39,99
€39,99

MCKAGEN DUFF INSTRUCTIONAL DVD BASS LEZIONE BASSISTA GUNS N' ROSES VELVET REVOLVER

MCKAGEN DUFF, INSTRUCTIONAL. DVD

Former Guns & Roses and current Velvet Revolver bassist Duff McKagen gives you a personal lesson.

Duff McKagan is the legendary bass player for Velvet Revolver and formerly Guns N' Roses. In his IMV Behind the Player DVD, Duff gives an intimate behind-the scenes look at his life as a professional musician - including rare photos and video footage.

Duff then gives in-depth bass lessons for how to play "Slither" and "Set Me Free" by Velvet Revolver and jams the tracks with Jane’s Addiction drummer Stephen Perkins.

VideoTab shows exactly how Duff plays the two tracks. The video-game-style animated tablature is similar to GuitarHero, but shows how to play the tracks for real.

Duff McKagan is the legendary bass player for VELVET REVOLVER and formerly GUNS N’ ROSES. His raw punk approach and melodic riffs lay the foundation of some of the most influential songs of all time.

Instrument: Bass
Lesson #1: "Slither" by Velvet Revolver
Lesson #2: "Set Me Free" by Velvet Revolver
Special Guest: Jane's Addiction drummer
Stephen Perkins
Run Time: Approx. 72 Minutes

Duff talks about his background, influences and gear

Duff gives in-depth bass lessons for how to play the two tracks

Animated VideoTab shows you how Duff plays his bass parts

Duff jams the tracks with Jane's Addiction drummer Stephen Perkins

Bonus footage & more

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Chuck Sher (author of "The Improviser's Bass Method")

The only comprehensive book ever published on how to play bass in authentic Afro-Cuban, Brazilian, Caribbean, Latin Jazz & South American styles.
Over 250 pages of transcriptions of Oscar Stagnaro playing each exercise. Learn from the best!

Includes: 3 Play-Along CDs to accompany each exercise, featuring world-class rhythm sections:

Oscar Stagnaro - bass
Rebeca Mauleón - piano
Orestes Vilató - percussion
Dario Eskenazi - piano
Mark Walker - drums and others

Price: €36,99
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Publisher: Backbeat Books
Medium: Softcover with CD
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BACH J.S., INVENTIONS, Transcriptions for 2 Four-String Electric Basses. CD-ROM TAB.

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Price: €19,99
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Series: Bass Method
Softcover with CD - TAB
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