BLUES LEGENDS, WITH. Basi per voce e chitarra con preascolto: couldn't stand the weather (Stevie Ray Vaughan) -crossroads blues (Cream) -he don't play nothing but the blues (Robben Ford) -hideaway (John Mayall and the bluesbreakers, con Eric Clapton) -killing floor (Jimi Hendrix) -the stumble (John Mayall and the bluesbreakers con Peter Green) -thrill is gone (B.B.King). CD TAB.

Play guitar on seven great songs from Jimi Hendrix, Stevie Ray Vaughan, B.B. King, Robben Ford, Peter Green, Eric Clapton and Cream with these specially recorded CD backing tracks plus matching music book. The music book features both guitar tab and standard notation of each song, with complete lyrics.

The CD contains two specially recorded backing tracks of each song. The first is a full demo with guitar, showing you how it should sound, and a backing for vocals. The second is a backing track without guitar for you to play along with on your guitar. Both versions are without vocals and have instrumental cues so you can sing along too, with or without guitar.

Couldn't Stand The Weather [Vaughan, Stevie Ray]
Crossroads Blues [Cream]
He Don't Play Nothing But The Blues [Ford, Robben]
Hideaway [John Mayall And The Bluesbreakers Feat. Eric Clapton]
Killing Floor [Jimi Hendrix Experience, The]
The Stumble [John Mayall And The Bluesbreakers Feat. Peter Green]
The Thrill Is Gone [King, B. B.]

Price: €39,95

JAMES SKIP BLUES COLLECTION Hal Leonard Guitar Recorded Versions TABLATURE Crow Jane-I'm So Glad


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The Skip James Blues Collection by Skip James. For guitar and voice. Hal Leonard Guitar Recorded Versions. Delta Blues. Difficulty: medium. Guitar tablature songbook. Guitar tablature, vocal melody, lyrics, chord names and guitar tab glossary. 62 pages. Published by Hal Leonard (HL.690167).
ISBN 0793570433. With guitar tablature, vocal melody, lyrics, chord names and guitar tab glossary. Delta Blues. 9x12 inches.

Thirteen great tunes from the highly influential Delta bluesman Skip James. Includes: Be Ready When He Comes - Cherry Ball Blues - Crow Jane - Devil Got My Woman - Hard Luck Child - Hardtime Killing Floor Blues - I'm So Glad - Illinois Blues - more.

Devil Got My Woman
I'm So Glad
Hard Luck Child
Drunken Spree
Be Ready When He Comes
Cherry Ball Blues
Hard Time Killing Floor Blues
Four O'Clock Blues
I'm Gonna Yola My Blues Away
Special Rider Blues
Illinois Blues
Cypress Grove Blues
Crow Jane

Price: €149,99



If you love me -the thrill is gone -rock me baby (Grt.1 B.B. King, Gtr.2 Eric Clapton) -please send me someone to love -baby i love you (Gtr.1 Bonnie Raitt, Gtr.2 B.B. King) -ain't nobody home -there must be a better world somewhere (with Dr. John) -confessin' the blues (Grt.1 B.B. King, Gtr.2 Marty Stuart) -paying the cost to be the boss (Gtr.1 B.B. King, Gtr.2 Ron Wood, Gtr.3 Keith Richard) -dangerous mood (with Joe Cocker) -keep it coming -cryin' won't help you babe (Gtr.1 B.B. King, Gtr.3 D. Gilmour) -night life (with W. Nelson).

Price: €79,99


KING FREDDIE, COLLECTION. Full Time Love -Have You Ever Loved A Woman -Heads Up -Hide Away -I'm Tore Down -If You Believe (In What You Do) -In The Open -Lonesome Whistle Blues -San-Ho-Zay -See See Baby -Side Tracked -The Sad Nite Owl -The Stumble -Wash Out -You've Got To Love Her With A Feeling 80 pages. TAB.

Series: Guitar Recorded Version TAB
Artist: Freddie King

An outstanding collection of 15 of this blues legend's best, including:

Full Time Love
Have You Ever Loved A Woman
Heads Up
Hide Away
I'm Tore Down
If You Believe (In What You Do)
In The Open
Lonesome Whistle Blues
The Sad Nite Owl
See See Baby
Side Tracked
The Stumble
Wash Out
You've Got To Love Her With A Feeling

80 pages

Price: €29,99

KING B.B. PLAY GUITAR WITH... CD TABLATURE BASI SPARTITI-Every day I have the blues-Lucille-rock me baby

KING B.B., PLAY GUITAR WITH... . Backing tracks. Jam per voce e per chitarra. Every day I have the blues -Lucille- please love me -rock me baby -the thrill is gone -woke up this morning. CD TAB.

Six of his greatest hits' backing tracks specially recorded on this CD plus matching music book which features both standard and guitar tab notation of each song, plus chord symbols and complete lyrics for vocalists. Specially performed soundalike instrumental tracks simulate the original recordings. Includes Every Day I Have The Blues, The Thrill Is Gone and Woke Up This Morning.

Price: €29,99


WATERS MUDDY, DEEP BLUES. Contiene: baby, please don't go -blow wind blow -the blues had a baby and they named it rock and roll -champagne and reefer -close to you -deep down in Florida -evil -good news -got my mojo working -honey bee -I can't be satisfield -I feel like going home -I just want to make love to you -I want to be loved -I'm Ready -I'm your hoochie coochie man -long distance call -Luisiana Blues -mannish boy -my home is on the Delta -my love strikes like lightning -rollin' and tumblin' -rollin' stone -sad, sad day -the same thing -screamin' and cryin' -she's nineteen years old -still a fool -streamline woman -you can't lose what you ain't never had -you schook me. TABLATURE

Series: Guitar Recorded Version TAB
Artist: Muddy Waters

30 tunes: Evil • Got My Mojo Working • Honey Bee • I'm Your Hoochie Coochie Man • more.

Produced in Cooperation with the estate of McKINLEY MORGANFIELD

Inventory #HL 00694789
ISBN: 9780793509553
UPC: 073999947892
Width: 9.0"
Length: 12.0"
184 pages

Through 1953, the small group (sans piano, and sometimes sans bass) persisted
with classics like "Long Distance Call" and "Still A Fool." September of that year
saw the release of "Blow Wind Blow" with Muddy: guitar and vocals, Jimmy Rogers:
guitar, Otis Spann: piano, Walter "Shakey" Horton: harp, and Elgin Evans: drums.
A new element of swinging, rhythmic drive had been added to the down-home feel
of the original group. Then in 1954, "I'm Your Hoochie Coochie Man" was sprung
on an unsuspecting music world (with the magic Little Walter back), and a new
direction in blues was heralded. Master blues composer Willie Dixon wrote the opus
and played bass, freeing Rogers to play rhythm and fill guitar. The first (and
perhaps best) classic Muddy Waters band had arrived, and the music rocked with the
energy of big-city dynamism and real-life country soul.
A hand injury took the guitar out of Muddy's hands in the late fifties and early
sixties. The recordings continued with two guitars, however as a first-class stable of
guitarists was established to fill the positions. Besides Jimmy Rogers, there was Pat
Hare, Luther Tucker, and Andrew Stephens to choose from. Earl Hooker, and
Buddy Guy also left their highly individual stamps on "modern" Chicago blues
standards like "You Shook Me" and "The Same Thing."
Around the mid sixties, Muddy's axe was appearing again in the clubs and in the
studio. He was playing better than ever, as the acoustic sides "Good Morning Little
Schoolgirl" and "My Home In The Delta" and the fierce electric slide of "You Can't
Lose What You Ain't Never Had" attest.
The late sixties saw Muddy riding the crest of the blues revival on stage, but his
recorded output was checkered. Electric Mud and After The Rain were low-water
marks, with their ridiculous sounding wah-wahs and fuzztones. Fathers And Sons,
though, with the young turks Michael Bloomfield, Paul Butterfield, and Duck Dunn,
was a sweetly satisfying, authentic survey of Muddy's choice material. Such a loving,
empathetic approach to recording Muddy would not occur again until Johnny
Winters' successful collaborations from 1977 through 1981 for Blue Sky Records.
Plans were taking shape for more recordings when Muddy died on April 30, 1983.
Muddy Waters' influence on electric guitar music is rivaled only by that of B.B.
King. Though never a virtuoso soloist, he had an intuitive sense of the power and
expressive possibilities of amplifier distortion. Those Aristocrat and early Chess sides
glowed with the thumping, growling bass and fat, sustaining treble licks afforded by
over-driven vacuum tubes. He clearly said it with his sound as well as his choice of
notes. Muddy's guitar's voice was big and bad enough to go toe-to-toe with any
guitar picker who played with him.
Muddy's approach to equipment was as direct and simple as his music. After a
string of hollow-body Stellas, Harmonys, and Gretches, he was seen with a Les Paul
Standard with single-coil pickups. When he got his red Tele in the late fifties, it
became his main instrument for over 30 years. Strung with knuckle-busting
.012-.056 gauge strings, he paired it with a pre-CBS Fender Super Reverb Amp (all
knobs on "9") and the little metal pinky slide made for him by a friend in the forties.
Muddy didn't listen to guitarists other than the men from his generation. He
most certainly was not impressed by fast, flashy players, though he respected those
like Johnny Winter and Bob Margolin who could play his style. \Vhat he looked for
in any blues musician was the ability to play "snap rhythm" - short, fast
embellishments around the chord changes, like Robert Johnson.
When asked, in his later years, if he ever felt the urge to practice, he said, "No,
I've been playing the blues for 50 years; it's in my hands. I don't need to practice it."
Special thanks to Bob Margolin, who played with Muddy for 10 years beforeforming The
Legendary Blues Band and leading his own group, for his invaluable assistance.
Dave Rubin

31 tunes
184 pages

OPEN G TUNING, first position E blues, the backup guitarist

Table of contents :

Baby, Please Don't Go - 1953
Blow, Wind, Blow - 1953
The Blues Had A Baby And They Named It Rock And Roll - 1977
Champagne And Reefer - 1981
Close To You (I Wanna Get) - 1959 
Deep Down In Florida - 1977
Evil - 1957
Good News - 1957
Got My MoJo Working - 1956
Honey Bee - 1950
I Can't Be Satisfied - 1948
I Feel Like Going Home - 1948
I Just Want To Make Love To You - 1954
I Want To Be Loved - 1977
I'm Ready - 1978
I'm Your Hoochie Coochie Man - 
Long Distance Call - 1951
Louisiana Blues - 1950
Mannish Boy - 1977
My Home Is On The Delta - 1963
My Love Strikes Like Lightning - 1963
Rollin' Stone (Catfish Blues) - 1950
Rollin' And Tumblin' - 1944
Sad, Sad Day - 1981
The Same Thing - 1964
Screamin' And Cryin' - 1977
She's Nineteen Years Old - 1979
Still A Fool - 1950
Streamline Woman - 1948
You Can't Lose What You Ain't Never Had - 1964
You Shook Me - 1962

Price: €32,99



Featuring Hubert Sumlin on Guitar
Series: Guitar Recorded Version TAB
Artist: Howlin' Wolf

In West Memphis, Wolf put together a dynamic band that consisted of Willie Johnson and Matt
Murphy on guitars, Willie Steel on drums, Junior Parker on harmonica and a pianist called Bill
"Destruction" Johnson. Wolf blew harp and played electric guitar, and his combo swung as loud
and hard as any band in the Delta. Along with Muddy Waters and Elmore James, he was inventing
the modem blues-rock genre.
Willie Lee Johnson, (born March 4, 1923 in Senatobia, Mississippi,) came to Wolf's band with a
distinct, powerful style. His electric sound was raw and distorted, like Wolf's voice. His singlenote
solos and slashing chords raised the excitement quotient of the band. On "House Rockin'
Boogie" Wolf cried out, "Play that guitar, Willie Johnson, 'til it smoke ...Blow your top!" His
raunchy tone and aggressive solos established him as a pioneer in rock guitar history. (Paul
Burlison, rockabilly pioneer who played with Johnny Burnette and the Rock and Roll Trio,
learned to get tube distortion playing Johnson's amp; he sometimes sat in for Johnson on Wolf's
KWEM daytime radio show, because Johnson had to plow the fields in the daytime!
Wolf's band played all over the South for years, and performed regularly on radio, building a
following. In 1951, Sam Phillips heard Wolf on the radio and declared "This is for me. This is
where the soul of man never dies." Sun Records, Phillips' company that first recorded Elvis
Presley, Carl Perkins, Roy Orbison, Jerry Lee Lewis and other rock legends, did not yet exist,
but Phillips was recording "race" artists and leasing the masters to companies like Chess in
Chicago and the Bihari Brothers' RPM Records in Los Angeles. A visionary where American
roots music is concerned, Phillips singled out Wolf as one of his favorite deep, soulful singers.
Wolf and his band came to Memphis and recorded "Moanin' At Midnight" and "How Many
More Years," with pianist Ike Turner sitting in on the session. It was a double-sided hit. At the
age of forty-one, Wolf had his first top ten R&B record ...on the Chess label.
Ike Turner was a band leader, talent scout and A&R man for the Biharis, and Wolf became the
object of a dispute between RPM and Chess that ended when he signed with Chess and, soon
after, moved to Chicago. Muddy Waters introduced him to the club owners, and before long
Waters and Wolf were fierce rivals. They were the two most dynamic blues singers in Chicago,
both fronting seminal blues/rock bands, and both, incidentally, recording Willie Dixon tunes as
well as originals and blues standards. Their rivalry continued for decades: Willie Dixon once
said that if Wolf ever balked at recording a Dixon song, the songwriter would mention that
Waters was interested in cutting it (or vice versa).
At first, Wolf recorded with Chess regulars like pianist Otis Spann, bassist/songwriter/ arranger
Willie Dixon and drummer Earl Phillips. After a few years and many personnel changes, Wolf
recruited Willie Johnson from West Memphis, along with the other main guitarist in the Wolf
story, Hubert Sumlin.
Born in Greenwood, Mississippi on November 16, 1931, Sumlin was just a boy when he first
met Wolf and saw him perform. In 1954, he was working with blues harpist James Cotton, when
Wolf's job offer lured him to Chicago. Sumlin remained with Wolf (outside of a brief stint with
Muddy Waters) for twenty years, in an unusually close, almost father-son relationship. At first he
played rhythm guitar to Jody Williams' lead (his first recording with Wolf was the 1953 session
that produced "All Night Boogie"), but gradually Sumlin took over as lead guitarist and found
that he could think like Wolf, musically, and perfectly complement Wolf's voice and persona.
Robbie Robertson, Eric Clapton and many other artists have acknowledged Sumlin's impact on
their musical development. His taut, angular solos and backup licks are part of blues/rock
Includes transcriptions, performance notes and lessons for 13 classic blues songs, including, 72 pages

Table of contents
All Night Boogie
Baby How Long
Going Down Slow
How Many More Years
Howlin' Blues
I'm Leavin' You
Killing Floor
Moanin' At Midnight
Poor Boy
Sitting On Top Of The World
Smokestack Lightning
Who's Been Talking

Price: €20,99


Acoustic guitar magazine, THE ROOTS AND BLUES FINGERPICKING GUITAR. Steve James presenta 25 tradizionali American blues guitar styles, per imparare il fingerpicking (suonare con le dita, senza il plettro) e la tecnica slide suonando le canzoni del repertorio di maestri come Furry Lewis, Blind Willie McTell, Sam McGee, and Mance Lipscomb. Il canto, le parole, fotografie, e altro. Take Me Back -Sugar Babe -Milwaukee Blues -Sebastopol -John Henry, e altre. CD TAB.

Acoustic Guitar Private Lessons
Series: Guitar Collection
Publisher: String Letter Publishing
Softcover with CD - TAB

Arranger: Steve James

Steve James presents a treasure trove of traditional American guitar styles in this unique book/CD pack. Guitarists will learn fingerpicking and slide techniques not through dry exercises but by playing 25 songs from James' own repertoire and from such masters as Furry Lewis, Blind Willie McTell, Sam McGee, and Mance Lipscomb. Drawing on his extensive research and first-hand experience with these guitar pioneers, James tells the stories behind the songs, too. Features authentic arrangements in notes & TAB, vocal melodies and lyrics, historic photos, and more. Songs: Take Me Back - Sugar Babe - Milwaukee Blues - Sebastopol - John Henry , more! 96 pages

Amos Johnson Rag
Bear Creek Hop
Blues In A
Buckdancer's Choice
Guitar Rag
I Got To Cross That River Of Jordan
I Will Turn Your Money Green
Jack O' Diamonds/Rye Whiskey
John Henry
Judge Harsh Blues
Milwaukee Blues
Railroad Bill
Railroad Blues
Roll And Tumble Blues
Spanish Fandango
Stack Lee's Blues
Sugar Babe
Take Me Back
Things About Comin My Way
Way Out On The Desert

Price: €24,99
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