CENTERSTREAM

SONGS OF THE TRAIL VOCE ACCORDI CHITARRA COWBOYS HAL LEONARD LIBRO SPARTITI

SONGS OF THE TRAIL. Per voce e accordi.

Series: Vocal
Publisher: Centerstream Publications
Arranger: Ron Middlebrook
Composer: Various Composers

Compiled by Ron Middlebrook. Cowboys have always held a special place in the hearts and imaginations of Americans. Images of riding bravely and happily into the sunset, fending off dangerous enemies, and singing around the campfire evoke a sense of pride and respect for a lifestyle nearly forgotten in this age of progress. Relive the days of the cowboys bringing the herds home in this interesting compilation of facts and music. 53 songs celebrate the life and times on the range by such noted writers as Doc Denning, Chris LeDoux, Rusty Richards, Roy Rogers Jr., and others. Their music is an actual view into their daily adventures, tribulations and entertainment. This unique publication also features articles on black cowboys, cowgirls, cowboys' Spanish ancestry, and more.

Adios Muchachos
Ballad Of Dawson Legate(Steagail
Blue Bonnet Lady (Paul W)
Call Of The Rollin Plains(Parker
A Cow Pony Friend (Clark/Thorp)
Cowboy Buckaroo (Williams M)
Cowboy Song (Paul W)
Cowboy's Christmas Ball, The
Cowboy's Got To Ride (Ledoux C)
A Cowboy's Life (Sizemore A)
Cowboy's Meditation, The
Cowboy's New Year's Dance
For Freckles Brown (Steagail R)
Ghost Of Serrano Ridge(Richards)
Great American Cowboy (Hannah J)
Gypsy Cowboy Band (Fleming M)
Hard Times Come Again No More
I Can't Ride Tony Tonight
I'd Like To Be In Texas(Clark K)
Idaho Winds (Sites E)
King Of The Cowboys (Rogers R)
Last Cattle Drive(Fleming/Bourne
Last Cowboy, The (Elman P)
Last Long Trail
Little Joe The Wrangler(Thorp N)
Mail Order Bride (Denning D)
Make Me A Cowboy Again (Haley J)
Man Walk Among Us (Robbins M)
Mountain Dunes (Elman P)
Pecos Bill
Rodeo Days (Clark/Barker)
Round-Up Day In Arizona(Hersher)
Saddle Tramp (Robbins M)
Saga Of Diamondfield Jack (Fara)
Sangre De Christo (Fleming M)
Sedona Serenade (Fara F)
Sentimental Trails (Denning D)
So Long Saddle Pals (Paul W)
Song For New Mexico (Hobbs J)
Stampede (Richards R)
Stutterin' Cowboy, The
Texas Girl (Richards R)
There's Smthing That Cowboy Know
Tips For Stage Travelers (Fara)
Trail Dust (Parker A)
Trailin Back To Old Mexico(Sites
Twilight On The Trail
Wyoming Nester, The
The Yellow Rose Of Texas
Yellow Stud (Ledoux C)

112 pages

Price: €21,99
€21,99

TANGO FOR GUITAR Jorge Polanuer Brian Chambouleyron Centerstream Publications Hal Leonard CD LIBRO

 

TANGO FOR GUITAR, Jorge Polanuer e Brian Chambouleyron. 13 titoli con base. CD

LIBRO E CD

Tango for Guitar
Series: Guitar
Publisher: Centerstream Publications
Format: Softcover with CD
Author: Brian Chambouleyron
Composer: Jorge Polanuer

At the beginning of the 20th Century, the tango was born in Buenos Aires, and it was a style that spread dramatically all over the world. Tango is a dance, a rhythm and a characteristic musical color. The 13 solos in this book were written especially for guitar by award-winning composers Jorge Polanuer and Brian Chambouleyron, and each tune is performed on the CD by Brian, one of the most popular guitarists in Buenos Aires. The solos are presented in different degrees of complexity – tune up with the tuning notes on the CD and play along with the tangos, milangos, waltzes and even a guitar duet. The songs are also repeated on the CD without the lead for you to play the solo part.

Inventory #HL 00000379
ISBN: 9781574241464
UPC: 073999329162
Width: 9.0"
Length: 12.0"
32 pages

The guitar is a charasteristic musical instrument in Argentine culture. Since the arrival of Spaniards to South America, it has had a key role in our folk music. Its sound has been the composers and interpreters' favorite. At present there is a broad and comprehensive catalog of songs and instrumental pieces, which encompasses early genres of the 19th century as well as the latest pop creations. At the beginning of the 20th century (around the time of the blues), the tango was born in Buenos Aires: a style arising from immigration and the melting pot which was going to spread dramatically all over the world. Tango is a dance, a rhythm and a charasteristic musical color. It is in tango where the guitar reaches a remarkable level of technical and expressive development. Today I propose an approach in the 'tanguero' style of playing the guitar, with some pieces specially composed by Jorge Polanuer, a composer and a friend, and myself. The tangos in this book are accompained by valses-tango and milonga-tango, similar and complementary genres also played in ballrooms. For each piece I suggest fingering based on the criterion of economy of movements. The numbers on the notes indicate the finger with which that note must be played, and the encircled number refers to the string. There can be other ways of fingering which might be more practical for you; that being the case, feel free to modify it accordingly. There's a way to play for every instrumentalist! The pieces present different degrees of complexity; therefore, they could also make an excellent complement in learning how to play the instrument. I hope you find this approach useful and you feel like filling yourselves withtango.

Brian Chambouleyron became a musician studying several disciplines (guitar, singing, composition, musical analysis, arrangements and orchestration). Always fascinated with popular music, he traveled to different Latin American countries to learn their traditions. He began his professional activity as a music teacher in 1990.Teaching led to the creation of children's shows. As a composer of popular songs, he participated in the Buenos Aires' Young Artists biennial exhibition. In 1993he went on his first professional tour to Europe, going all over France and Switzerland for two months and performing as both soloist and together with other musical bands. He also gave courses on Argentine popular music. From then on, his activities in European countries became regular. In 1996 he was in charge of the musical direction of the successful show Recuerdos son recuerdos (which received 5 ACE awards nominations). Brian Chambouleyron was nominated for 'male revelation'. (CD Recuerdos son recuerdos - La Trastienda Records). In 1998 he participated in the show Glorias Portenas (1998ACE award) together with Soledad Villamil, which was given an excellent reception by the critics and the public. The show toured continuously throughout Argentina, Latin America and Europe for two years, and participated in prestigious international festivals (CD Glorias Portenas vol. I and II - Epsa Music). Brian Chambouleyron was given the 1999Trinidad Guevara award for 'male revelation of the year' by the Department of Culture of Buenos Aires City. In 2000 he created the show Patio de Tango with Esteban Morgado, which also had a wonderful reception at a national level, and he started a long international tour (Paris, Rome, Madrid, Barcelona, etc). (CD Patio de Tango - BAM records, Department of Culture). With his last show, Tangos, valses and Milongas, he has performed in several cultural events and toured abroad, being highly acclaimed by audiences and critics. Brian has also composed the music for several theatre plays: "La firecilla domada" , 2004; "Pequena historia del tango", 2002; "Granadina", 2003; ect. In 2004 recorded the CD "Chambouleyron sings GardeI", a selection of the finest compositions by Gardel, arranged by B. Ch. (Random records, Buenos Aires). In 2005 recorded the CD "Voiceand Guitar", Twenty tradicional tango and argentinian popular music pieces, arranged by Chambouleyron. (Random records, Buenos Aires) on Ie canta a Gardel (Chambouleyron sings Gardel). This work is a selection of the finest compositions by Gardel-plus a few jewels from his songbook - recreated in an intimate and romantic atmosphere.

Blanca

Childhood Memories

Don't Kill Me Or I'll Die

If Mamma Says So

It's Raining

My Friend

Nobody Left In Town

Nothing To Lose

Pretty Buenos Aires

Rainy Day Waltz

Strolling

The Farewell Waltz

Without Realizing It

Price: €26,99
€26,99

FINGERPICKING FIDDLE TUNES, Arranged for Fingerstyle Guitar. Ken Perlman. Centerstream Publications CD TABLATURE

FINGERPICKING FIDDLE TUNES, Arranged for Fingerstyle Guitar. K. Perlman. CD TAB.

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover with CD
Artist: Ken Perlman

With this book/CD pack, Ken Perlman presents a systematic approach to playing classic fiddle tunes fingerstyle on the guitar. Learn hoedowns, reels, set tunes, marches, hornpipes, jigs, strathspeys and airs from a pioneer of the style! 112 pages

Price: €20,00
€20,00

MODERNE Gibson Holy Grail of Vintage Guitars Ronald Lynn Wood libro 208 pagine Flying V-Explorer-Korina-electric

MODERNE, Holy Grail of Vintage Guitars, R. Lynn Wood. 208 pagine.

Series: Guitar
Publisher: Centerstream Publications
Medium: Softcover
Author: Ronald Lynn Wood

The Moderne is an electric guitar designed by Gibson in 1957 alongside the Flying V and Explorer as part of a stylistically advanced line. Sources claim that Gibson made a handful of prototypes, but an original has yet to surface. The Moderne was eventually put into production in 1982. Because of their very limited production and forward design, Modernes are highly sought by collectors. Here is the story, explained in interviews and photos, of this curious development associated with the golden era of guitar making. 208 pages

Price: €36,99
€36,99

LATIN STYLES FOR GUITAR Brian Chambouleyron TABLATURE DVD-BOLERO-VALS-GUAJIRA-SAMBA-TANGO

LATIN STYLES FOR GUITAR. Brian Chambouleyron. TAB. DVD

LATIN STYLES FOR GUITAR
SERIES: GUITAR
PUBLISHER: CENTERSTREAM PUBLICATIONS
TAB
ARTIST: BRIAN CHAMBOULEYRON

AWARD-WINNING ARGENTINEAN GUITARIST BRIAN CHAMBOULEYRON GIVES YOU AN OVERVIEW OF VARIOUS STYLES OF LATIN AMERICAN MUSIC, EXPLAINING HOW IT HAS EVOLVED AND BEEN EMBRACED AROUND THE WORLD. THE MIXING OF SPANISH, PORTUGUESE, AFRICAN, EUROPEAN AND NATIVE INFLUENCES HAS BLENDED INTO MANY DISTINCT GENRES. BRIAN HAS SPECIALLY COMPOSED SAMPLE PIECES WHICH HE PLAYS (SOLO OR WITH A BAND) IN THIS DVD. FEATURES DOWNLOADABLE PRINTED MUSIC IN STANDARD NOTATION AND TABLATURE SO GUITARISTS CAN PLAY ALONG WITH: A BOLERO FROM MEXICO, VALS FROM PERU, GUARANIA FROM PARAGUAY, GUAJIRA FROM CUBA, SAMBA FROM BRAZIL, AND A TANGO FROM ARGENTINA. YOU CAN ALSO JUST VIEW THE PERFORMANCES WITHOUT THE TEXT. 50 MIN.

Price: €29,00
€29,00

ULTIMATE BASS EXERCISES, Over 700 easy step-by-step exercises for finger building, Max Palermo. TABLATURE

ULTIMATE BASS EXERCISES. Max Palermo

Series: Bass
Publisher: Centerstream Publications
Medium: Softcover
Author: Max Palermo

Bassist and educator Max Palermo takes you through more than 700 easy, step-by-step exercises for finger building, based on the 24 possible fingering combinations. 148 pages

Price: €20,99
€20,99

ASAP TWO-HAND TAPPING Learn How to Tap the Celentano Way TABLATURE DVD Toccata Fugue D minor Bach

 

ASAP, As Soon As Possible, con il significato di: Imparare "il più presto possibile". TABLATURE

Con la celebre Toccata dalla Toccata e Fuga in Re minore di Bach.

ASAP Two-Hand Tapping
Learn How to Tap the Celentano Way
intermediate to advanced

Series: Guitar
Publisher: Centerstream Publications
Format: DVD - TAB
Author: Dave Celentano

Dave Celentano teaches many new and innovative ways to use tapping with pentatonic and diatonic scales, sequences, and arpeggios. Features great tips and pointers, lessons on soloing over chord changes, and an intense two-hand tapping arrangement of the “toccata” section from J.S. Bach's famous “Toccata and Fugue” in D minor. All examples are in standard notation and tablature on a printable PDF file on the DVD. 85 min.

Inventory #HL 00001292
ISBN: 9781574241822
UPC: 884088407926
Width: 5.25"
Length: 7.5"
Run Time: 1:25:00

 

Impress your guitar players friends !

Learn multi-finger two hand tapping with guitar instructor Dave Celentano as he shows many new and innovative ways to use tapping with pentatonic and diatonic scales, sequences, and arpeggios. Also included are several tips and pointers, how to solo over chord changes, and an intense two hand tapping arrangement of the 'Toccata' section from J.S. Bach's famous 'Toccata and Fugue' in D minor.

Price: €29,99
€29,99

ASAP CLASSICAL GUITAR Learn How to Play the Classical Way James Douglas Esmond LIBRO CD TABLATURE gymnopedie

ASAP CLASSICAL GUITAR, Learn How to Play the Classical Way, James Douglas Esmond. CD TABLATURE.

LIBRO PER CHITARRA CON CD E TABLATURE


Per chi incomincia a suonare la chitarra classica, ASAP, As Soon As Possible, con il significato di: "al più presto possibile".

Serie: Guitar
Editore: Centerstream Publications
Copertina morbida con CD - TAB
Autore: James Douglas Esmond

Teacher-friendly or for self-study, this book/CD pack for beginning to intermediate guitarists features classical pieces and exercises presented progressively in notes and tab, with each explained thoroughly and performed on the accompanying CD. A great way to learn to play ASAP! 36 pages.

 

List of piece playing tips and explanations of exercises

R.H.Exercise Group #1
An easy introduction to the most basic finger patterns used in these pieces as well as good reading for the open strings.

R.H.Exercise Group #2
Moreindex and middle combinations. Start slowly and work for balance in the hand and an even tone.

L.H.Exercise #1
Stay on one string for as long as necessary to get perfect. Moving each finger deliberately and independent of others.

L.H.Exercise #2
Work to keep fingers down until they absolutely need to move.

Spanish Theme
Use this as a reinforcing piece for first position reading by saying notes out loud while playing. Index and Middle throughout for the top line. Work this line separately for awhile before adding the Bassline.

Ode to Joy
This piece, like the last is introduced in two parts and the Bassline will require a bit more attention.

Minuet in C
This piece should be approached like the last two but the parts require even more attention. Follow the left hand fingerings very closely. Get the left hand and the Bassline very good before adding together.

R.H.Exercise Group #3
These arpeggiations will be useful and comprehensive in regards to learning the next pieces in the book. Take one at at a time and practice very slowly.

L.H.Exercise #3
The L.H. and RH. should be practiced equally in this exercise. Practice the right hand alone and don't go too fast.

Pastoral Theme
Feel the left hand being free even thought the 3rd finger is rooted to the low G. Practice the top line by itself as well.

Gymnopedie #1
This is the first Chordal piece and therefore working on it by "Blocking" the left hand and just practicing the motions that the left hand uses from ms. to ms. will be beneficial. Also practice the Bassline and right hand motions alone.

New World Theme
Approach this piece the same way as the first three "Break-Down" pieces.

Etude in C
For this piece just looking at the tablature and practicing the arpeggio patterns by themselves with no left hand is a good way to start. Then incorporate blocking the left hand motions as well before putting together slowly.

Etude in A minor
Approach this piece the same way as the Etude in C.

Musette
Approach this piece by breaking up the two lines, but pay very close attention to the top line. De-emphasize the
Bass notes as much as possible. A light touch when holding down the repeated C and G is good for the other fingers.

Academic Festival Overture
Practice the chords that happen on every other beat to start. Try to de-emphasize the middle voices as well.

A Dance
Get familiar with the repeating Bassline in this piece so it can be put into the background while the top voice and middle voices can focused on more. Follow the fingering strictly.

Simple Lamentation
Practice the Bassline a lot by itself, being careful to shape it and work on having a good volume and even tone.

Soldier's March
Practice the chords without worrying about the rhythm at first and then after working the RH. motions, combine.

Sunrise
Approach this piece in the same way as Musette, being careful to have a light left hand, especially when moving up
the neck.

Reflections
Practice the RH. arpeggio pattern by itself before learning the L.H. Focus on some of the harder chord changes.

Adagio
Practice the melody by itself a lot to get a very good, even sound. Make sure to de-emphasize the middle voices.

Musetta's Waltz
Use the same approach as with Adagio, take your time to plant the L.H./ RH. fingers on the ending 8th note run

Cannon
Practice the repeating Bassline first to get it very solid, then work on each 4 measure piece before connecting them.

Eine Kleine Nachtmusic
Special care on the opening octaves should be taken. Be careful not to tense up the right hand on repeated fingerings throughout.

 

Foreword - How to use the Book
This book, while organized progressively, is constituted of all pieces that are developmental in nature for a beginner's technique. It is therefore recommended but not necessary to go through the book in a stepwise fashion. In addition the pieces can be broken in to several technique categories( i,m studies, arpeggio studies, chordal, etc.) and some pieces fall in to several of these categories. To ease the student into reading on the guitar the pieces have been arrange in very manageable keys, no more than 1# used.
I strongly suggest following all the fingerings that are suggested, however, if there are places in the book where a teacher or student wishes to change a fingering then that should be fine as long as the student adheres to it. There are many options for fingerings on the guitar and the important thing to remember is that the student is building what I like to call a "Technique Memory" and that each piece, or section of a piece can be seen as a set of directions that will, if practiced carefully, be absorbed and adhered readily to the next similar piece. As Guitarists, we are always building towards more difficult pieces but in a way always dealing with some of the same as well so it makes sense to stick closely to fingerings for some time.
Write in even more if necessary.
The exercises and 1st section of Broken-Down pieces are meant to really help the student ease into the book. The exercises do not have to be mastered before studying the pieces, especially due to the reading aspect, but should be incorporated into a daily practice routine.
I hope you enjoy the pieces and find this to be fun and helpful on your journey as a Classical guitarist.

 

Biography
James Douglas Esmond started playing the guitar
seriously in his teens. He received his Bachelor's
of Music Theory and Classical Guitar performance
from Ithaca College, Ithaca, N.Y.Upon graduating
he became involved in church music. He has held
positions in various churches, as a guitarist, organist,
singer and conductor. In addition to his church
work, he also teaches Guitar and Piano at Blue Sky
Studios in Delmar, N.Y., and writes and arranges
compositions in various genres and styles. He currently
serves as the Organist/Music Coordinator at
Newtonville Methodist Church in Loudonville, N.Y.
He resides in Albany N.Y.with his wife Meighan.

 

Table of Contents and C.D. Track List

Exercises and Pieces in graded order, with playing Tips

Foreword and Biography

Track 1. -R.H.Exercise Group #1
Track 2. - R.H.Exercise Group #2 .
Track 3. -L.H.Exercise #1 .
Track 4. -L.H.Exercise #2 .
Track 5. -Spanish Theme (Melody and Bassline) .
Track 6. -Spanish Theme .
Track 7. - Ode to Joy (Melody and Bassline) .
Track 8. - Ode to Joy .
Track 9. - Minuet in C (Melody and Bassline) .
Track 10. - Minuet in C .
Track 11. -R.H.Exercise Group #3 .
Track 12. -L.H.Exercise #3 .
Track 13. - Pastoral Theme .
Track 14. - Gymnopedie #1 .
Track 15. - New World Theme .
Track 16. -Etude in C .
Track 17. -Etude in A minor .
Track 18. -Musette .
Track 19. - Academic Festival Overture .
Track 20. - A Dance .
Track 21. - Simple Lamentation .
Track 22. - Soldier's March .
Track 23. - Sunrise .
Track 24. - Reflections .
Track 25. - Adagio .
Track 26. - Musetta's Waltz .
Track 27. - Cannon .
Track 28. - Eine Kleine Nachtmusic .

Price: €16,99
€16,99

HAWAIIAN STEEL GUITAR-Lorene Ruymar-LIBRO CHITARRA HAWAII TECNICA ACCORDATURE MUSICA

HAWAIIAN STEEL GUITAR. Lorene Ruymar.

Series: Fretted
Publisher: Centerstream Publications
Format: Softcover
Author : Lorene Ruymar

The term "steel guitar" can refer to instruments with multiple tunings, 6 to 14 strings, and even multiple fretboards. To add even more confusion, the term "Hawaiian guitar" refers to an instrument played flat on the lap with a steel bar outside of Hawaii, but in Hawaii, it is the early term for the slack key guitar. Lorene Ruymar clears up the confusion in her new book that takes a look at Hawaiian music; the origin of the steel guitar and its spread throughout the world; Hawaiian playing styles, techniques and tunings; and more. Includes hundreds of photos, a foreword by Jerry Byrd, and a bibliography and suggested reading list. 216 pages

NON CONTIENE PAGINE DI MUSICA

Price: €41,99
€41,99
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