PRIVATE LESSONS

Acoustic guitar magazine, SWING GUITAR ESSENTIALS. 90 Fraseggi, accordi fondamentali, la melodia, lo stile ritmico di Freddie Green e la big-band, Texas swing, Minor swing di Reinhardt, Avalon e altri 3 titoli. CD TAB.

Acoustic Guitar Private Lessons Series
Series: Guitar Educational
Publisher: String Letter Publishing
Softcover with CD - TAB
Author: Various Authors

This comprehensive book/CD pack includes 5 full songs (including Minor Swing and Avalon) and 10 in-depth lessons for players of all levels, taught and recorded (slowly and up to tempo) by the master teachers at Acoustic Guitar magazine. It introduces guitarists to swing's essential styles and pioneering players from Eddie Lang to Count Basie's rhythm master Freddie Green to Hot Club virtuoso Django Reinhardt, and covers topics such as jazz chord basics, movable chord forms, swing soloing, and more. Instructors include Dix Bruce, Hal Glatzer, David Hamburger, John Jorgenson, John Lehmann-Haupt, Tony Marcus, Scott Nygaard and Michael Simmons.

Avalon
Been There, Dunn That Blues
Dominant Seven Swing
Leather Britches
Minor Swing

80 pages

JAZZ-ROCK TRIAD IMPROVISING FOR GUITAR, Jean Marc Belkadi. Mus. Inst. CD TABLATURE
50 LICKS AND LESSONS FOR CREATING RED HOT LEAD PHRASES

Jazz-Rock Triad Improvising for Guitar
Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Jean Marc Belkadi

In this “private lesson,” MI instructor Jean Marc Belkadi reveals the secrets to creating interesting, over-the-top, red-hot licks and lead phrases! He covers: modal and tonal usage, triad substitution and superimposition techniques, and much more. The book is in standard notation and tab, and the CD features 50 full-band tracks.

Inventory #HL 00695361
ISBN: 9780634001581
UPC: 073999953619
Width: 9.0"
Length: 12.0"
24 pages

PRIVATE LESSONS

JAZZ-ROCK TRIAD IMPROVISING for Guitar
50 LICKS AND LESSONS FOR CREATING RED HOT LEAD PHRASES

Jean Marc Belkadi reveals the secrets to creating interesting, over-the-top phrases.

- CD Includes 50 Full-Band Tracks
- Modal and Tonal Usage
- Triad Substitution and Superimposition Techniques
- Standard Notation and Tablature

ISBN 0-634-00158-2

Introduction
In contemporary music, the use of triads is an important element in improvisation and composition.
They are as prevalent as scales, modes, arpeggios, rhythms, and intervallic ideas.
Like scales and modes, triads can be substituted in tonal and modal music. They can also be
superimposed, creating bitonality or polytonality. Superimposed triads give us synthetic scales
such as hexatonic (6 note scales = 2 triads), or nonatonic scales (9 note scales = 3 triads).
What Is a Triad?
A triad is a three-note chord made up of a root, third, and fifth. There are four triad families:
Major triad: 1-3-5
Minor triad: 1-b3-5
Diminished triad: 1-b3-b5
Augmented tri ad: 1-3-# 5
Of course, in everyday applications triads are played with different inversions:
Root position
1-3-5

Inversion possibilities
3-5-1, 5-1-3, 3-1-5, etc.

Sometimes triads are played with one degree dispersed an octave higher:

regular triads
open triads

This dispersement procedure creates what is referred to as an open triad, and can be applied
to minor, diminished, and augmented triads, as well as major.

Triad Substitution
Triad substitution is where one triad is substituted in place of another. One of the most common
is flat-five-or tri-tone substitution. This is when a triad a flat-fifth degree (tri-tone) away is
substituted for a chord. For example: instead of playing a G major triad over a G7 chord, a Db
major triad (Db is a flat-fifth away from G) is "substituted."

Triad Superimposition
Triad superimposition is where two or more triads are played one after the other, creating a
"dispersed scale" effect of bitonality or polytonality. Of course all triads can be substituted or superimposed
in both tonal and modal music, either using the single-note approach or voiced in chord form.
 

About this Book
The purpose of this book is to help you to create your own ideas using triad concepts. It is
divided into two parts: tonal music (II-V-I chord progressions, Chapters 1 and 2) and modal
music (Chapters 3 and 4). Keep in mind that the examples do not follow a specific order
of difficulty; you can jump in anywhere and work with the licks you like best. You also might want
to listen to the CD first to locate the examples that appeal to you the most.

About the Audio
Throughout this book, the numbers in the audio symbols (+) indicate the CD track number
where each example will be found on the accompanying CD.
Each example is played at full tempo, and most are repeated at half speed. In addition, short
introductory phrases (which are not transcribed in the examples) are sometimes included to provide
a better sense of context and to maintain an improvisational feel.

Acknowledgments
I wish to give special thanks to Marie-Christine Belkadi, Kevin Holmes for editing assistance, all at Hal Leonard Corporation, Frank Gambale and Mike Stern for their support, Keith Wyatt from Musicians Institution, Steve Blutcher from DiMarzio, HHHrrernst Homeyer for his good advice, Marco Biasella and Pierre Pichon for letting me use their equipment, Alain Lasseube-Le frere
Gagarine, Olivier Hermitant for his friendship, and Chris Jero of Yamaha.
This book is dedicated to my dear Grandma, Georgette Bach.

About the Author
Jean-Marc Belkadi started playing guitar at age 14. He graduated from the Toulouse Music
Conservatory in his hometown. In 1984, he left France for the U.S. to study at Musicians
Institute in Los Angeles where he received the Best Guitarist of the Year award.
In 1989 and 1992, he was awarded third and second prize at the Billboard Song Contest.
For three years, he was musical director of the Johnny Hune TV show. He has written three guitar
method books-A Modern Approach to Jazz, Rock, & Fusion Guitar, The Diminished Scale for
Guitar, and Advanced Scale Concepts and Licks for Guitar-and has recorded one solo album.

Table of Contents
About this Book
About the Audio
Introduction

Chapter 1: Substitution and Superimposition Techniques in Tonal Music
Major Key II-V-I Progressions Using Substitution
Major Key II-V-I Progressions Using Superimposition
Minor Key II-V-I Progressions Using Substitution
Minor Key II-V-I Progressions Using Superimposition
Major Key IImi7b5-V-1 Progressions Using Substitution
Major Key IImin5-V-1 Progressions Using Superimposition
Major Key 117-V-1Progressions Using Substitution
Major Key 117-V-1Progressions Using Superimposition

Chapter 2: Open Triad Techniques in Tonal Music
Major Key II-V-I Progression Using Open Triads .
Minor Key II-V-I Progression Using Open Triads
Major Key Ilmi7b5-V-1 Progression Using Open Triads
Major Key II7-V-1Progression Using Open Triads

Chapter 3: Substitution and Superimposition Techniques in Modal Music
Ma7 Chord Examples
Ma7#11 Chord Examples
Mi7 Chord Examples
Mi(ma7) Chord Examples
Dominant7 Chord Examples

Chapter 4: Open Triad Techniques in Modal Music
Ma7 Chord Examples
Mi7 Chord Examples
Mi(ma7) Chord Examples
Mi6 Chord Examples
Dominant7 and Altered Dominant7 Chord Examples
Acknowledgments
About the Author
Guitar Notation Legend
Note: Track to tune up. 

A MODERN APPROACH TO JAZZ, ROCK & FUSION GUITAR. Jean Marc Belkadi, Musicians Institute. Le scale maggiori, i cromatismi, triadi e tapping, arpeggi e sweep picking, fusione di idee. CD TABLATURE

Series: Musicians Institute Press
Publisher: Musicians Institute Press
Format: Softcover with CD - TAB
Composer: Jean Marc Belkadi

Jean Marc Belkadi gives you over 30 great lines using a variety of techniques and melodic ideas. Covers: alternate, sweep, and skip picking; major scale, chromaticism, arpeggios, superimposing triads; legato, wide intervals, alterations; and much more. Includes standard notation and tablature.

Inventory #HL 00695143
ISBN: 9780793573776
UPC: 073999951431
Width: 9.0"
Length: 12.0"
24 pages

A Modern Approach to JAZZ, ROCK, & FUSION GUITAR

Jean Marc Belkadi gives you over 30 great lines using a variety of techniques and melodic ideas

- Major scale, chromaticism, arpeggios, superimposing triads
- Alternate picking, sweep picking, and string skipping
- Legato, wide intervals, alterations
-Standard notation and TABLATURE

HL00695143

MUSICIAN INSTITUTE PRESS
is the official series of Southern California's renowned music school. Musicians Institute
MI instructors, some of the finest musicians in the world, share their vast knowledge and
experience with you nomatter what your current level.
Whether your instrument is guitar, bass, drums, vocals, or keyboards, MI PRESS
offers the finest music curriculum for higher learning through a variety of series:

Essential Concepts – designed from MI core curriculum program

Master Class - designed from MI elective courses

Private Lessons - tackle avariety of topics "one-on-one" with MI faculty instructors

Pocket Guide - handy reference to the basics

Video - in-depth lessons with many of Ml's well-known instructors

Workshops - transcribed scores of music's greatest songs, designed from Ml's performance workshop classes.

HAL LEONARD

by Jean Marc Belkadi

Contents

Dedication
About the Author
Introduction
Introduction to the Recording
Tuning
Chapter 1: The Major Scale and Chromatism
Chapter 2: Triads
Chapter 3: Arpeggios
Chapter 4: Additional Ideas
Closing
Guitar Notation Legend

ISBN 0-7935-7377-7
HAL-LEONARD

DEDICATION
This book is dedicated to Marie Christine Belkadi, my brother Patrick, and my
parents whose love, strength, and faith has been a source of inspiration and
growth.
Special thanks to:
Karen Segal for transcribing, copying, editing, and for all your positive
suggestions.
Vasso Dimitriou for producing, recording, and for your supportive attitude.
Ted Green for editing and positive advice.
Thanks to Frank Gambale, Michael Komitchisk, Francois and Fred from LAG
guitars and Steve Butcher from Dimarzio pick-ups.

ABOUT THE AUTHOR
Jean Marc Belkadi started playing guitar at age 14. He graduated from the
Toulouse Music Conservatory in his hometown. In 1984,he left France for the
u.s. to learn at the Musicians Institute of Technology in Los Angeles where he
received the Best Guitar of the Year Award.
In 1989 and 1992he was awarded third and second prize at the Billboard Song
Contest. For three years he was musical director of the Johnny Hune TV show.
He has written two guitar method books addressing Jazz, Fusion and Rock
soloists and recorded one solo album.

INTRODUCTION
The purpose of this book is not to be a guitar method book with a captalIM."
Rather, it is intended as a source of inspiration to help you develop your own
ideas. The three key areas that I focus on and encourage you to explore are:

Melody
In any style of music you are into, the melodic direction, sound, and phrasing
are the first and most important things to consider. For this reason-and to
develop the connection between your ear and fingers-I recommend that you
sing all the lines (slowly at first).

Harmony
All of the lines are performed against a certain chordal background. However,
they can also be used with other chords and will sound different in each context.
I encourage you to experiment by playing them in different chordal contexts using
a tape recorder, a synthesized background, a friend, or whatever you may have
available.

Technique
This book is geared for guitar players and makes use of various techniques that
are unique to the guitar, including alterna te, sweep, and skip picking, hammer-ons,
pull-offs, and tapping. Play the lines very slowly and accurately at first and
gradually speed up. Don't forget that the melody should sound natural to you at
any tempo. The harmony should be implicit, your phrasing clean, and timing
perfect.
Let's begin now! I hope you will enjoy this as much as l do ...

Editor's notes:
Follow the audio icons in the book to keep your spot on the CD.
A short "introductory" solo portion may sometimes precede the main lick of each
figure, to give it a better sense of context. However, only the main lick itself
appears transcribed in each case.

EARLY JAZZ & SWING SONGS, Acoustic Guitar Method Songbook. CD TAB.

Series: String Letter Publishing
Publisher: String Letter Publishing
Softcover with CD - TAB
Artist: Various Artists

Add to your repertoire with this collection of early jazz and swing standards! The companion CD features a two-guitar recording of each tune, and the book includes full guitar parts in standard notation and tab with chord diagrams, plus detailed notes on the song origins and arrangements.

Includes 15 songs: After You've Gone - Avalon - Baby, Won't You Please Come Home - Ballin' the Jack - Hindustan - I Ain't Got Nobody (And Nobody Cares for Me) - Indiana (Back Home Again in Indiana) - Limehouse Blues - Poor Butterfly - Rose Room - Saint James Infirmary - St. Louis Blues - Tain't Nobody's Biz-ness If I Do - Till the Clouds Roll By - Whispering. 38 pages

After You've Gone
Avalon
Baby, Won't You Please Come Home
Ballin' The Jack
Hindustan
I Ain't Got Nobody (And Nobody Cares For Me)
Indiana (Back Home Again In Indiana)
Limehouse Blues
Poor Butterfly
Rose Room
Saint James Infirmary
St. Louis Blues
Tain't Nobody's Biz-ness If I Do
Till The Clouds Roll By
Whispering

CLASSICAL THEMES FOR ELECTRIC GUITAR, 25 Solo Guitar Arrangements, Jean Marc Belkadi. CD TAB.

Series: Musicians Institute Press
Publisher: Musicians Institute Press
Softcover with CD - TAB
Author: Jean Marc Belkadi

This book/CD package contains 25 timeless classical themes from the Renaissance to the Romantic Era and beyond. It includes works by J.S. Bach, Bartok, Beethoven, Brahms, Chopin, Dowland, Guiliani, Handel, Haydn, Mozart, Purcell, Satie, Stravinsky, Tchaikovsky. A bio for each composer is also included and the CD features demo tracks of each piece.
48 pages