HAL LEONARD

PENTATONIC SCALES FOR BASS, FINGERINGS, EXERCISES FIVE-NOTE SCALES. Ed Friedland. CD TABLATURE

PENTATONIC SCALES FOR BASS, FINGERINGS, EXERCISES AND PROPER USAGE OF THE ESSENTIAL FIVE-NOTE SCALES. Ed Friedland. CD TABLATURE

Pentatonic Scales for Bass

Fingerings, Exercises and Proper Usage of the Essential Five-Note Scales
Series: Bass Builders
Format: Softcover with CD - TAB
Author: Ed Friedland

The pentatonic is one of the most widely used scales in music. This book teaches fingerings for these essential five-note scales all over the neck, and how to use them to create solid, functional bass lines. The CD contains 56 tracks and features full-band demonstration examples. Covers: major and minor pentatonic scales; one- and two-octave scale patterns; pentatonic modes and their applications; soloing with pentatonic scales; and much more ! 64 pages

 

The Pentatonic is one of the most nwidely used scales in the world of music. In pentatonic scales for bass, you'll learn fingerings for these essential five-note scales all over the neck and see how you can use them to create solid, functional bass lines. The CD included contains 56 tracks and features full-band demostration examples.

MAJOR AND MINOR PENTATONIC SCALES

ONE AND TWO-OCTAVE SCALE PATTERNS

DOVENS OF TECHNICAL EXERCISES

PENTATONIC MODES AND THEIR APPLICATION

HANDLING COMMON CHORD PROGRESSIONS WITH PROPER PENTATONIC SCALES

SOLOING WITH PENTATONIC SCALE

AND MORE

By definition, a pentatonic scale is simply a group of five consecutive notes within the

range of an octave. With this loose framework, there can be many variations of five-note

patterns that fit this description. Throughout this book, we will focus on the two most

common variations: the major pentatonic (1-2-3-5-6-S) and minor pentatonic (1-h3-4-

5-~7-S). These pentatonic scales are undoubtedly the most commonly used musical

elements in the world. Cultures as far-flung as Africa, Europe, Asia, the South Pacific,

and the North and South Americas use these five-note patterns as the basis of their

musical traditions, and their influence on contemporary music is just as far-reaching. As

the primary building blocks of the rock and roll musical vocabulary, the pentatonic scale

can be traced directly to West Africa, Ireland, and Scotland. When African captives were

brought to the Western world, they carried with them a deep musical tradition whose

rhythmic basis morphed over time into shuffle and swing feels. Melodically, the minor

pentatonic scale (1-h3-4-5-h7-S) was at the core of their music-eventually evolving into

the blues scale (1-h3-4-#4-5-h7-S), the melodic foundation of the blues. The journey from

the blues to rock and roll has been well-documented.

But the pentatonic scale's influence on popular music can also be traced back to the music of

Ireland and Scotland. As Celtic people settled in the New World, they brought their

songs, reels, jigs, and sea shantys-many of which were based on the pentatonic scale.

This music became the seed of the Appalachian folk tradition, which over the years

evolved into Old Timey, Bluegrass, and Country. Between the late 1940sand 1950s,these

styles crossbred with the emerging "boogie" genre to create rockabilly as well as rock

and roll. When you look at this crosscurrent of influence, the differences between artists

like Muddy Waters and Hank Williams seem less significant.

The pentatonic scale (in its major form) is simply a major scale without scale degrees 4

and 7. The interval created between the 4th and 7th scale degrees is known as the tritone, and it

is the principle source of dissonance in Western music. By removing these two degrees,

we have a scale that is void of any potential dissonance. German composer Carl Orff

(best known as the composer of Carmina Burana) devised a system of music education

for children based on the use of pentatonic scales for this very reason. Since there are no

"bad" notes, children can improvise freely on pentatonic-based instruments to develop

their creativity. It has been said that in medieval times, the use of the tritone in musical composition

was banned due to its disharmonious quality. It is documented that the tritone was once

referred to as Diablo en Musica, or the "Devil in Music," and considering most music of the

time was composed for use in church, it is not hard to see why the pentatonic scale might

have been favored.

 

Introduction

 Using the CD

 Learning the Pentatonic Scale
 Minor Pentatonic

 Major Pentatonic

 Two-Octave Pentatonic Scales

 Technical Exercises

 Pentatonic Modes
  - Using Pentatonic Modes

 Common Out-of-Scale Chords

 Other Chord Movements

 Soloing with Pentatonic Scales
 - Major 7th Chords
 - Minor 7th Chords
 - Dominant 7th Chords

 In Closing

Price: €20,99
€20,99

BONAMASSA JOE COLLECTION PLAY IT LIKE IT IS GUITAR TABLATURE LIBRO-Last Kiss-Lonesome Road Blues

 

BONAMASSA JOE, COLLECTION. PLAY IT LIKE IT IS. TABLATURE

 

ARTIST APPROVED

 

THIS BOOK WAS APPROVED BY JOE BONAMASSA IN PERSON

Joe Bonamassa Collection

Series: Play It Like It Is

Publisher: Cherry Lane Music TAB

Artist: Joe Bonamassa

 

Artist-approved, note-for-note transcriptions in standard notation and tab for a dozen of the best from this formidable blues rocker. Includes: Asking Around for You - The Ballad of John Henry - Ballpeen Hammer - Black Night - Bridge to Better Days - Dirt in My Pocket - The Great Flood - Last Kiss - Lonesome Road Blues - One of These Days - Sloe Gin - So Many Roads, So Many Trains.

 

TITLE - AUTORE- ALBUM - ANNO

 

Asking Around For You - WORDS AND MUSIC BY: JOE BONAMASSA, MICHAEL HIMELSTEIN - YOU & ME - 2006

The Ballad Of John Henry - WORDS AND MUSIC BY: JOE BONAMASSA - SLOE GIN - 2009

Ballpeen Hammer - WORDS AND MUSIC BY: CHRIS WHITLEY - THE BALLAD OF JOHN HENRY - 1998

Black Night - WORDS AND MUSIC BY: JESSIE MAE ROBINSON - SLOE GIN - 1951

Bridge To Better Days - WORDS AND MUSIC BY: JOE BONAMASSA - YOU & ME - 2006

Dirt In My Pocket - WORDS AND MUSIC BY: JOE BONAMASSA, JIM HUFF - SLOE GIN - 2007

The Great Flood - WORDS AND MUSIC BY: JOE BONAMASSA - THE BALLAD OF JOHN HENRY - 2009

Last Kiss - WORDS AND MUSIC BY: JOE BONAMASSA - THE BALLAD OF JOHN HENRY - 2009

Lonesome Road Blues - WORDS AND MUSIC BY: JOE BONAMASSA - THE BALLAD OF JOHN HENRY - 2009

One Of These Days - WORDS AND MUSIC BY: JOE BONAMASSA - SLOE GIN - 2007

Sloe Gin - WORDS AND MUSIC BY: BOB EZRIN, MICHAEL KAMEN - SLOE GIN - 1978

So Many Roads, So Many Trains - WORDS AND MUSIC BY: PAUL MARSHALL - YOU & ME - 

 

160 pages

 

 

 

Joe Bonamassa performs at the Kravis Center on Tuesday.

 

Guitarist Joe Bonamassa doesn’t just play the blues - he is a student of the form.

 

For example, here’s how he describes Rory Gallagher, an Irish blues guitarist who never got nearly as well-known in the United States as he did in Europe: "Think of Rory like this - what you see is what you get. He comes out in a flannel shirt, blue jeans, playing a battered old Strat. He walks up to the mic, and he just plays, and it’s honest, the music’s honest."

 

Bonamassa, who’ll be performing at the Kravis Center on Tuesday, is not just interested in knowing the blues. He wants to pass along his knowledge - so he started Keeping the Blues Alive, where he visits with groups of middle-school and high-school students to keep the fire of the blues burning.

 

"That’s the whole point, how do we get through the next hundred years?" Bonamassa said in a telephone interview. "Blues is 100 years old, essentially, so how do we get to the next hundred years? We get the kids interested in it. A lot of blues guys tend to play the victim - that the music doesn’t get covered by the media, it gets ignored. But at the end of the day, you have to be proactive about it."

 

Directions, invite a friend, nearby dining

So Bonamassa will be taking his love of the blues to the kids - including a session before his show at the Kravis.

 

"As it happens, it’s about self-preservation for the blues, but it’s also about giving a little back to the community," he said. "I get to do this nightly, playing music and a couple thousand people show up, so I feel indebted to the community."

 

These days, it’s just one more thing on a busy slate for Bonamassa - he’s just wrapped up a pair of albums and tours with the supergroup Black Country Communion, which also features bassist/vocalist Glenn Hughes, drummer Jason Bonham and keyboardist Derek Sherinian; he’s worked on an album with singer/songwriter Beth Hart that he calls the project he’s most proud of; and he’s touring in support ofDust Bowl, his latest solo record.

 

Bonamassa set out to make Dust Bowl a much more American album than what he’s done before - he said his guitar work was closer to that of Duane Eddy, the great surf guitarist of the 1950s and ’60s, than anyone else. He also had the chance to work with singer/songwriter John Hiatt and Vince Gill, a country legend who also happens to be a highly respected guitarist in his own right. Bonamassa first met Gill at the Crossroads Guitar Festival just outside Chicago in the summer of 2010, and from there, it just took off.

 

"I saw him from afar, but I didn’t really approach him," Bonamassa said. "But he came up to me, and he said, ‘My wife and I watched your concert at Albert Hall on DVD and we really like it,’ and he asked, ‘Do you know me?’ I said, ‘I know exactly who you are!’

 

"I’m not one to go up to famous people, I don’t enjoy the experience, it’s very daunting to me. I probably wouldn’t have approached him, but he approached me, and it’s Vince freakin’ Gill! Two months later we’re doing a session with John Hiatt, and then he’s on stage with me at the Beacon Theater in New York. My Rolodex has changed a bit in the last 10 years - used to be my mom and dad and a couple of friends!"

 

 

 

As Joe Bonamassa grows his reputation as one of the world’s greatest guitar players, he is also evolving into a charismatic blues-rock star and singer-songwriter of stylistic depth and emotional resonance. His ability to connect with live concert audiences is transformational, and his new album, Black Rock, brings that energy to his recorded music more powerfully than ever before. The tenth solo album and eighth studio release of his career - as well as his fifth consecutive with producer Kevin Shirley (Led Zeppelin, Black Crowes, etc.) - the disc adds an enlivening dose of ‘world’ vibes to Bonamassa’s virtuoso mix of ‘60s-era British blues-rock (à la Beck and Clapton) and roots-influenced Delta sounds.

 

The album was recorded at Black Rock Studios in Santorini, Greece. "With this album, we wanted to explore a ‘world’ feeling, and this was the inspiration behind going to record in Greece and using some of the best Greek musicians to add a little flavor to a couple of the tracks. But it’s by no means a ‘world’ album. We wanted Joe’s usual youthful and energetic tones to play alongside the worldly vibes of the Greek bouzouki and clarino," said Shirley. Bonamassa adds, "It was the kind of record Kevin and I wanted to make. We needed to rock again a bit like on my first album. It’s youthful, like going back to your childhood." Throughout, Bonamassa is again backed by the stellar players Carmine Rojas (bass), Anton Fig, Bogie Bowles (both on drums) and Rick Melick (keyboards).

 

2009 was a big year for Bonamassa. He was awarded the Breakthrough Artist of the Year Award at the U.K.’s prestigious Classic Rock Roll of Honour Awards and Classic Rock magazine has said, "They’re calling him the future of blues, but they’re wrong - Joe Bonamassa is the present; so fresh and of his time that he almost defines it." He was also named Best Blues Guitarist in Guitar Player Magazine’s 2009 Readers’ Choice Awards for the third consecutive year. Guitar Player writer Matt Blackett has said, "He’s an old soul, and that comes through in his bends, vibrato, singing voice, and note choices, which - which each passing year - get more restrained and refined."

 

In May ’09, he played to a sold out crowd at London’s Royal Albert Hall, arguably the most prestigious concert venue in the world. During the show, Bonamassa’s hero, Eric Clapton, joined him on stage for a joint-performance of Clapton’s hit "Further On Up The Road." London’s The Independent said about the show, "The man has arrived, and there’s no turning back." Shortly after, Bonamassa released a 2-DVD live set " Joe Bonamassa - Live From The Royal Albert Hall - which captures the night in full. Guitar Edge gave it five stars and also said, "It is the wallop of his emotional expression, fueled by the rocking energy he derives from that trans-Atlantic connection and driven by his devastating technical ability, that elevates him about his peers and makes him a certifiable blues guitar hero and the face of his blues generation."

 

Last year also coincided with Bonamassa’s twentieth year as a professional musician, an extraordinary timeline for a young artist just into his ’30s. A child prodigy, Bonamassa was finessing Stevie Ray Vaughan licks when he was seven and by the time he was ten, had caught B.B. King’s ear. After first hearing him play, King said, "This kid’s potential is unbelievable. He hasn’t even begun to scratch the surface. He’s one of a kind." By age 12, Bonamassa was opening shows for the blues icon and went on to tour with venerable acts including Buddy Guy, Foreigner, Robert Cray, Stephen Stills, Joe Cocker and Gregg Allman.

 

Bonamassa reunites with King for a duet on Black Rock. The song they perform together is a rendition of the Willie Nelson-penned song, "Night Life," which appeared on King’s 1967 album Blues Is King. Shirley says about the experience, "This is a rollicking Stonesy-vibe version of the Willie Nelson song on which B.B. duets with Joe, both vocally and on his famous Lucille guitar. What a joy and an honor to work with the legend who is possibly the pivot point and unifying musician between blues and rock."

 

Other tracks appearing on Black Rock include Jeff Beck’s "Spanish Boots," a lively version of Leonard Cohen’s poetic "Bird On A Wire," Otis Rush’s "Three Times A Fool," as well as Bobby Parker’s "Steal Your Heart Away," a song recommended by Robert Plant, who said Led Zeppelin rehearsed it in their earliest days. Also, Blind Boy Fuller’s "Baby, You Gotta Change Your Mind," John Hiatt’s "I Know A Place," and James Clark’s "Look Over Yonder’s Wall," as well as the Bonamassa-penned originals "When The Fire Hits The Sea," "Wandering Earth,"

 

"Athens To Athens," and "Blue and Evil."

 

Bonamassa’s recording career began in the early ’90s with Bloodline, a hard-charging rock-blues group also featuring Robby Krieger’s son Waylon and Miles Davis’ son Erin. His 2000 solo debut, A New Day Yesterday, was produced by the legendary Tom Dowd; Bonamassa’s rendering of the title track, originally a Jethro Tull hit, was called, "a jaw-dropping performance" by allmusic.com.

 

His last studio album, The Ballad Of John Henry - with no shortage of its own jaw-dropping moments - debuted at #1 on the Billboard blues chart and stayed there for six months. The album marks a more confessional approach to songcraft than he’s previously employed. "Making the first half of the album," Bonamassa says, "I was in the happiest place I’d ever been in my life. The second half found me in completely the opposite state. I’ve come to the conclusion that experience makes for better art. I had more to say, and it’s the first time I’ve personally opened up the book on my life."

 

Previous studio sets include 2007’s Sloe Gin, which debuted at #1 on Billboard’s blues chart and received a 2008 nod for Album Of The Year from the Classic Rock Roll Of Honour Awards. Sloe Gin careens between heavy electric blues-rockers and acoustic, folk-etched cuts in a flow that Bonamassa says was partly inspired by Rod Stewart’s classic 1969 solo debut LP. Modern Guitars Magazine wrote, "If calling Sloe Gin a Bonamassa sampler isn’t graphic enough, think of the album as a musical buffet in which unrelated entrees share a single trait: they taste good."The Boston Phoenix called it, "an elegant and brawny guitar-hero album."

 

In 2008, he released the 2-CD set Live From Nowhere In Particular, which Guitar Player said, "finds Joe playing with soul, intensity and savage tones." It features 13 songs recorded live in concert on the artist’s 2007 North American tour - at shows like the one at New York’s Westhampton Beach Performing Arts Center reviewed by Lon S. Cohen: "In a thousand years, when archeologists dig out Joe Bonamassa’s guitar from the strata of the earth, it will still be smoking... He holds the guitar like a shotgun but what comes out of it is poetry, color, and a story is told in notes." A review of a show at Alexandria, VA’s Birchmere drew similar sentiments from writer Paul Roy on blogcritics.org: "I have flirted with the opinion that Bonamassa may be the overall best guitarist on the planet these days, and after seeing him perform live again... I am now totally comfortable with that opinion. He is simply mesmerizing to watch."

 

Bonamassa circles the globe playing an average of 200 shows a year, and his mind-blowing guitar wizardry and electrifying stage presence are selling out progressively larger venues all the time. The OC Register’s Robert Kinsler has written, "Whether in a club or outdoors at a festival, something magnetic happens when Bonamassa steps to the front of the stage, leans his head back and simply lets loose."

 

Ongoing journeyman touring is a given, and looking beyond Black Rock, Bonamassa will continue his recording collaboration with producer Kevin Shirley, who says, "It’s great working with Joe and seeing him enjoy the discovery of all these places he can go. He’s an artist who can play anything, there are so many facets to him." Bonamassa adds, "Kevin comes up with fantastic ideas outside the box. He appreciates the blues, but pushes me, the only person besides Tom Dowd who’s done that."

 

On top of touring, recording and overseeing the independent label J&R Adventures with his entrepreneurial partner and manager Roy Weisman, Bonamassa is a spokesperson for the Blues Foundation’s respected Blues In The Schools program, volunteering his time during tours to speak with groups of high school students about the heritage of blues music - the first pure American music form. Recently, he was chosen by Channel One, the largest in-school news network, to host an ongoing segment called "Know Your Roots with Joe Bonamassa" in which he traces the musical roots of Channel One’s weekly "Hear It Now" featured artist.

 

And, 2010 has already started with a bang - Guitar World dubbed Bonamassa "The Blues Rock Titan" and his song, "Lonesome Road Blues," is a part of Guitar Hero V’s New Blues Masters Track Pack. Keeping with his blues roots but fluently moving between rock n’ roll and international sounds, 2010 is not only a new decade but a new era for Bonamassa.

 

Price: €25,99
€25,99

HENDRIX JIMI VALLEYS OF NEPTUNE Guitar Recorded Version TABLATURE SPARTITI CHITARRA

HENDRIX JIMI, VALLEYS OF NEPTUNE. Guitar Recorded Version. TABLATURE

 

Jimi Hendrix - Valleys of Neptune
Series: Guitar Recorded Version
Format: Softcover - TAB
Artist: Jimi Hendrix

This compilation matches the highly anticipated album of 12 previously unreleased Hendrix recordings. Includes: Bleeding Heart • Crying Blue Rain • Fire • Hear My Train a Comin' (Get My Heart Back Together) • Lover Man • Lullaby for the Summer • Mr. Bad Luck • Red House • Ships Passing Through the Night • Stone Free • Sunshine of Your Love • Valleys of Neptune.

Width: 9.0"
Length: 12.0"
168 pages

Fire

Bleeding Heart
Valleys Of Neptune
Lullaby For The Summer
Ships Passing Through The Night
Crying Blue Rain
Hear My Train A Comin' (Get My Heart Back Together)
Lover Man
Mr. Bad Luck
Red House
Stone Free
Sunshine of Your Love

Price: €399,99
€399,99

BLUES INSTRUMENTALS Guitar Play-Along Volume 91 CD TABLATURE The Stumble SPARTITI CHITARRA

BLUES INSTRUMENTALS, Guitar Play-Along Volume 91. CD TABLATURE

Guitar Play-Along Volume 91

Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist: Various

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

8 songs: Blue Guitar • Honky Tonk (Parts 1 & 2) • Just like a Woman • Okie Dokie Stomp • Scuttle Buttin' • Steppin' Out • The Stumble • Wham.

Blue Guitar
Honky Tonk (Parts 1 & 2)
Just Like A Woman
Okie Dokie Stomp
Scuttle Buttin'
Steppin' Out
The Stumble
Wham

56 pages

Price: €20,99
€20,99

AEROSMITH CLASSICS Guitar Play-Along Volume 48 CD TABLATURE SPARTITI CHITARRA BASI

AEROSMITH, CLASSICS Guitar Play-Along Volume 48. CD TABLATURE

Aerosmith Classics

Guitar Play-Along Volume 48
Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist: Aerosmith

The Guitar Play-Along series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player, and also enhanced so PC & Mac users can adjust the recording to any tempo without changing pitch!

8 songs: Back in the Saddle • Draw the Line • Dream On • Last Child • Mama Kin • Same Old Song and Dance • Sweet Emotion • Walk This Way.

Back In The Saddle
Draw The Line
Dream On
Last Child
Mama Kin
Same Old Song And Dance
Sweet Emotion
Walk This Way

Width: 9.0"
Length: 12.0"
72 pages

 

 

Price: €24,99
€24,99

VENTURES Guitar Play-Along Volume 116 CD TABLATURE SPARTITI CHITARRA LIBRO BASI PIPELINE

VENTURES, Guitar Play-Along Volume 116. CD TABLATURE

 

The Ventures

Guitar Play-Along Volume 116
Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist: The Ventures

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player, and also enhanced so PC & Mac users can adjust the recording to any tempo without changing pitch!

8 songs: Diamond Head • Hawaii Five-O Theme • James Bond Theme • Perfidia • Pipeline • Secret Agent Man • Walk Don't Run • Wipe Out.

Diamond Head

Hawaii Five-O Theme

James Bond Theme

Perfidia

Pipeline

Secret Agent Man

Walk Don't Run

Wipe Out

Width: 9.0"
Length: 12.0"
32 pages

Price: €21,99
€21,99

BON JOVI-Guitar Play-Along Volume 114-Ritchie Sambora CD TABLATURE SPARTITI CHITARRA BASI

BON JOVI, Guitar Play-Along Volume 114. CD TABLATURE

Guitar Play-Along Volume 114

Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist: Bon Jovi

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player, and also enhanced so PC & Mac users can adjust the recording to any tempo without changing pitch!

8 songs: Bad Medicine • Have a Nice Day • In and Out of Love • It's My Life • Lay Your Hands on Me • Livin' on a Prayer • Runaway • Wanted Dead or Alive.

Bad Medicine
Have A Nice Day
In And Out Of Love
It's My Life
Lay Your Hands On Me
Livin' On A Prayer
Runaway
Wanted Dead Or Alive 

Width: 9.0"
Length: 12.0"
64 pages

Price: €21,99
€21,99

ALLMAN DUANE, Guitar Play-Along Volume 104. Hal Leonard CD TABLATURE

DUANE ALLMAN, Guitar Play-Along Volume 104. CD TABLATURE

Duane Allman

Guitar Play-Along Volume 104
Series: Guitar Play-Along
Format: Softcover with CD - TAB
Artist: Duane Allman

The Guitar Play-Along Series will help you play your favorite songs quickly and easily! Just follow the tab, listen to the CD to hear how the guitar should sound, and then play along using the separate backing tracks. The melody and lyrics are also included in the book in case you want to sing, or to simply help you follow along. The audio CD is playable on any CD player. For PC and Mac computer users, the CD is enhanced so you can adjust the recording to any tempo without changing pitch!

8 songs: Blue Sky • In Memory of Elizabeth Reed • Little Martha • Midnight Rider • Revival • Statesboro Blues • Trouble No More (Someday Baby) • Whipping Post.

Blue Sky
In Memory Of Elizabeth Reed
Little Martha
Midnight Rider
Revival
Statesboro Blues
Trouble No More (Someday Baby)
Whipping Post

Width: 9.0"
Length: 12.0"
72 pages

Price: €16,99
€16,99

MCKEE ANDY JOYLAND Guitar Recorded Version TABLATURE SPARTITI LIBRO CHITARRA TAPPING

Andy McKee - Joyland
Series: Guitar Recorded Version
Format: Softcover - TAB
Artist: Andy McKee

Andy McKee has become known as one of the world's best acoustic guitar players, through millions upon millions of views on YouTube. At one point he held the three top spots in the Top-Rated Videos section of the website! Joyland is his third release, and our matching folio features note-for-note transcriptions supervised by Andy himself of 10 songs: Away • Blue Liquid • Everybody Wants to Rule the World • For Now • Hunter's Moon • Joyland • Layover • My Life As a CPA (Parallel Universe #43) • Never Grow Old • Upward Mobility.

Width: 9.0"
Length: 12.0"
58 pages

 

Away

Blue Liquid
Everybody Wants To Rule The World
For Now
Hunter's Moon
Joyland
Layover
My Life As A CPA (Parallel Universe #43)
Never Grow Old
Upward Mobility
 

Price: €26,99
€26,99

JOHNSON JACK-TO THE SEA-Play It Like It Is-TABLATURE-LIBRO SPARTITI CHITARRA-PENTAGRAMMA NOTE ACCORDI

 

JOHNSON JACK, TO THE SEA. Play It Like It Is. TABLATURE

Jack Johnson - To the Sea
Series: Play It Like It Is
Publisher: Cherry Lane Music
Format: Softcover - TAB
Artist: Jack Johnson

Johnson says the title of his fifth studio CD is “a reference to a father leading his son to the sea – with the water representing the subconscious, so it's about trying to go beneath the surface and understand yourself.” The 2010 album dropped in June and debuted at #1. Our folio features notes & tab for all 13 tunes: Anything but the Truth • At or with Me • From the Clouds • My Little Girl • No Good with Faces • Only the Ocean • Pictures of People Taking Pictures • Red Wine, Mistakes, Mythology • To the Sea • Turn Your Love • The Upsetter • When I Look Up • You and Your Heart.

Anything But The Truth
At Or With Me
From The Clouds
My Little Girl
No Good With Faces
Only The Ocean
Pictures Of People Taking Pictures
Red Wine, Mistakes, Mythology
To The Sea
Turn Your Love
The Upsetter
When I Look Up
You And Your Heart

Width: 9.0"
Length: 12.0"
68 pages
 

Price: €29,95
€29,95
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