GUNS N' ROSES

GUNS N' ROSES LIVE ERA '87-'93 guitar TABLATURE Sweet Child O' Mine-Welcome To The Jungle LIBRO

 

GUNS N' ROSES, LIVE ERA '87-'93 HIGHLIGHTS. 11 canzoni dal doppio live, 120 pagine: Don't cry -it's so easy -Mr. brownstone -nightrain -november rain -paradise city -patience -sweet child o' mine -welcome to the jungle -yesterdays -you could be mine. SHEET MUSIC BOOK WITH GUITAR TABLATURE .

LIBRO DI MUSICA ROCK / METAL ,

SPARTITI PER CHITARRA E VOCE :

ACCORDI, PENTAGRAMMA, E TABLATURE .

 

Guns N' Roses - Live Era '87-'93 Highlights
Series: Play It Like It Is
Publisher: CHERRY LANE MUSIC TAB
Artist: Guns N' Roses

Note-for-note transcriptions with tab for 11 hits from the GN'R double-disc live release: Don't Cry - It's So Easy - Mr. Brownstone - Nightrain - November Rain - Paradise City - Patience - Sweet Child O' Mine - Welcome to the Jungle - Yesterdays - You Could Be Mine.

Inventory #HL 02500299
ISBN: 9781575603872
UPC: 073999342314
Width: 9.0"
Length: 12.0"
120 pages

Don't Cry
It's So Easy
Mr. Brownstone
Nightrain
November Rain
Paradise City
Patience
Sweet Child O' Mine
Welcome To The Jungle
Yesterdays
You Could Be Mine

Don't Cry - Words and Music: IZZY STRADLIN', W. AXL ROSE - 1991
It's So Easy - Words and Music: IZZY STRADLIN', W. AXL ROSE, SLASH, DUFF McKAGAN, STEVEN ADLER, WEST ARKEEN - 1987
Mr. Brownstone - Words and Music: IZZY STRADLIN', W. AXL ROSE, SLASH, DUFF McKAGAN, STEVEN ADLER 1987
Nightrain - Words and Music: IZZY STRADLIN', W. AXL ROSE, SLASH, DUFF McKAGAN, STEVEN ADLER - 1987
November Rain - Words and Music: W. AXL ROSE - 1987
Paradise City - Words and Music: IZZY STRADLIN', W. AXL ROSE, SLASH, DUFF McKAGAN, STEVEN ADLER - 1987
Patience - Words and Music: IZZY STRADLIN', W. AXL ROSE, SLASH, DUFF McKAGAN, STEVEN ADLER - 1988
Sweet Child O' Mine - Words and Music: IZZY STRADLIN', W. AXL ROSE, SLASH, DUFF McKAGAN, STEVEN ADLER - 1987
Welcome To The Jungle - Words and Music: IZZY STRADLIN', W. AXL ROSE, SLASH, DUFF McKAGAN, STEVEN ADLER - 1987
Yesterdays - Words and Music: W. AXL ROSE, WEST ARKEEN, BILLY McCLOUD, DEL JAMES - 1991
You Could Be Mine - Words and Music: IZZY STRADLIN', W. AXL ROSE - 1991

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GUNS N' ROSES PIANO SELECTIONS FROM USE YOUR ILLUSION I & II VOCAL CHORDS

GUNS N' ROSES, SELECTIONS FROM USE YOUR ILLUSION I & II. 14 Years -Civil War -Don't Cry -Dust N' Bones -Knockin' On Heaven's Door -Live And Let Die -November Rain -So Fine -Yesterdays -You Ain't The First. Per pianoforte.

Guns N' Roses - Selections From Use Your Illusion I & II
Series: Personality
Publisher: Cherry Lane Music
Artist: Guns N' Roses

This collection contains the best songs from both of Guns N' Roses' Use Your Illusion albums, arranged for piano. Included are the mega-hits 'November Rain ' and 'Don't Cry,' plus nine more.

Song List:

Civil War
Don't Cry
Dust N' Bones ( Stradlin / Mckagan / SLASH )
Estranged
14 Years
Knockin' On Heaven's Door
Live And Let Die
November Rain
So Fine (Mckagan)
Yesterdays
You Ain't The First (Stradlin)

Inventory #HL 02502072
ISBN: 9780895247346
UPC: 073999982121
Publisher Code: 2072
Width: 9.0"
Length: 12.0"
68 pages

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€29,99

GUNS N' ROSES, CLARKE GILBY, THE HANGOVER. OFF THE RECORD GUITAR TABLATURE

GUNS N' ROSES, CLARKE GILBY, THE HANGOVER. OFF THE RECORD TABLATURE

 

"The Hangover"
1997 Paradigm Records

Wasn't Yesterday Great
It's Good Enough For Rock 'n' Roll
Zip Gun / Higher / Mickey Marmalade
Blue Grass Mosquito
Happiness Is a Warm Gun
Hang On To Yourself
The Worst / Captain Chaos
Punk Rock Pollution 

Prezzo: €99,00
€99,00

GUNS N' ROSES GN'R LIES BAND SCORE GUITAR TABLATURE CHITARRA LIBRO SPARTITI BASS

GUNS N' ROSES, GN'R LIES. BAND SCORE . SHEET MUSIC BOOK with BASS and GUITAR TABLATURE .

 

LIBRO DI MUSIC A ROCK .

SPARTITI PER OGNI STRUMENTO : VOCE, CHITARRA , BASSO, BATTERIA, ECC. 

ACCORDI, PENTAGRAMMA, BASSO E CHITARRA CON TABLATURE.  

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€99,99

GUNS N' ROSES GN'R LIES BASS TABLATURE SHEET MUSIC BOOK LIBRO SPARTITI BASSO Reckless Life

GUNS N' ROSES, GN'R LIES. BASS . SHEET MUSIC BOOK WITH TABLATURE .

LIBRO DI MUSICA ROCK. 

SPARTITI PER VOCE E BASSO CON: 

ACCORDI, PENTAGRAMMA, TABLATURE. 

 

The matching folio to the album songs include; Reckless Life, Mama Kin and You're Crazy.

Includes these songs:

Mama Kin
Move To The City
Nice Boys
One In A Million
Patience
Reckless Life
Used To Love Her
You're Crazy

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GUNS N' ROSES, GN'R LIES. DRUM.

GUNS N' ROSES, GN'R LIES. Per batteria.

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GUNS N' ROSES GN'R LIES LIBRO GUITAR TABLATURE Patience-Reckless Life-Mama Kin-One In A Million

GUNS N' ROSES, GN'R LIES. SHEET MUSIC BOOK , GUITAR TABLATURE

LIBRO DI MUSICA HARD ROCK.

SPARTITI PER VOCE E CHITARRA,

ACCORDI, PENTAGRAMMA, NOTE, TABLATURE.

 

PLAY IT LIKE IT IS 

OUT OF PRINT - ULTIMA COPIA DISPONIBILE

 

GUNS N' ROSES

Introdudion
Hard rock hasn't been the same since Guns N' Roses made their impact last year. In a
decade dominated by over-produced power pop, extremely stylized glam metal and synthesizerladen
new wave, the Gunners have broken every rule-returning to the essence and core of rock
'n' roll itself. With their well-turned blues riffs or their solid rhythm grooves or the inescapable
emotion lurking in every track, they are irreverent, inconsistent and uncompromising, but
irresistible, incalculable and unavoidable. However, like their predecessors-The Stones, The
Who, Aerosmith and AC/DC, they have transcended the role of music-maker/trend setter to
become the most visible and most compelling voice of youth, rebellion and counterculture
lifestyle. They have become a phenomenon to be experienced, not just sounds to be heard--a
necessary prerequisite for rock 'n' roll greatness.
Hard rock hasn't been the same in Los Angeles since Guns N' Roses' Appetite for Destruction
attained multi-platinum status. Their blues-based compactness, simplicity and riff-oriented nononsense
songwriting approach have spearheaded a movement towards the rock of the 90's.
The signings of Faster Pussycat, L.A. Guns (at one time, half of Guns N' Roses), Jet Boy and
even Jane's Addiction indicate a perceptible industry response to the phenomena. Like the
attention accorded to post-Van Halen bands (Motley Crue, Quiet Riot, Ratt and Dokken) in the
early 80's or the fascination with everything English following the Beatles' arrival in the 60's, the
focus these days is on the music pouring out of the underground street scene in Hollywood.
Hard rock won't be the same now that Guns N' Roses have released Lies in 1988. The LP
combines the early independent set Live Like a Suicide (1986) with newer tracks recorded in
1988. The contrast of the high-energy punk-cum-metal mood of the Live ... cuts with the gentler
informal acoustic moments is typical of Guns N' Roses: surprising, unusual, striking ... and never
boring. In their unmistakable iconoclastic fashion, they have echoed the individualistic intentions
of their forebears-The Beatles, The Stones, The Kinks, The Who. Led Zeppelin. They operate
without the restraint imposed by cliche formulas, and succeed in presenting an authentic glimpse
of their musical world ... they are real. The true aficionado of rock will appreciate, indeed relish,
every subtle nuance of their performance-which hasn't been punched in, cleaned up, tweaked or
edited out.
The Live ... tracks, "Reckless Life," "Nice Boys," "Move to the City" and "Mama Kin," capture
the sort of excitement Guns N' Roses produce on stage. These are sounds which got the band
noticed in the competitive and overcrowded L.A. club circuit. The eclectic blues/rock-metal-punk

element runs through each song as a unifying thread-an element clearly recognized now as
Guns N' Roses' style. Check out the heavy riff of "Reckless Life" (Rhy. Fig. 1) which rivals the
output of AC/DC, or the blazing intensity of the song's guitar solo with its odd modal mixtures (B
Mixolydian and B major penatonic versus B blues and B Dorian). The notes blur the major/minor
relationship and defy categorization. Another point of musical interest in the Live ... tunes is the
singular chemistry between Slash and Izzy resulting in that elusive, loose-but-tight, two-guitar
interaction. This type of interaction is what also distinguishes some of the best work of The
Stones and Aerosmith. Evident throughout Guns N' Roses repertoire, a definitive example of this
rapport can be heard in "Move to the City." Here, the two guitars are foils for each otherconverging
and diverging with overlapped and contrasting riff figures of double stops, diad bends,
single-note phrases (as in the verse figures) and muted lines. The use of wah-wah pedal in the
solo is characteristic of the sparse but effective processing of Guns N' Roses' guitar sound. Note
also the gutsy slide guitar employed in "Nice Boys" and the tremolo bar phrasing in "Reckless
Life" (Solo) and "Move to the City" (Solo). The slide guitar has remained a staple in Slash's style
("Welcome to the Jungle" and "Rocket Queen," for example) but the tremolo bar is gone-Slash
swears by stock Gibson Les Pauls.
The remaining four numbers, "Patience," "Used To Love Her," "You're Crazy" and "One in a
Million," might be described as Guns N' Roses' answer to Rubber Soul (The Beatles) or Beggar's
Banquet (The Stones). The setting is distinguished by a shift to an acoustic guitar-based texture
and the mood is almost folksy country-rock. This is in stark opposition to the relentless hard rock
of the Live ... tracks. There is overt acknowledgement of the acoustic guitar motor-drive rhythm
playing of Pete Townshend and Keith Richards, as well as coy references to the music of The
Eagles, Crosby, Stills and Nash, and Creedence Clearwater Revival. The guitar orchestration of
"You're Crazy" (compare this version to the faster punk-inflected rendition on Appetite for
Destruction) and "One in a Million" combines electric- and acoustic- guitar timbres skillfully. In the
former, a clean twangy electric tone is blended with the brisk acoustic strumming (largely a
propulsive sixteenth-note groove) of the rhythm guitar, and in the latter, a distorted electric guitar
provides the driving rock 'n' roll background part, with the acoustic guitar taking the solo spot.
"Patience" (a genuine rock ballad) explores the signature two-guitar interaction with purely
acoustic colors and offers a melodic country-blues flavored acoustic solo (a la Joe Walsh). "Used
To Love Her" (a tongue-in-cheek sardonic "modern folk song") tastefully joins electric (clean tone)
and acoustic rhythm-guitar work with a gutsy "chicken pick in'" approach in the overdubbed
acoustic solo lines. This solo seems to have more in common with Albert Lee, Roy Flacke or
Jerry Reed than Angus Young, Joe Perry or Jimmy Page.
Hard rock hasn't been the same since Guns N' Roses ... but it has been alive and well.


Series: Guitar Personality
Matching folio to their second smash album, 56 pages

Mama Kin
Move To The City (Stradlin'/D.J.
Nice Boys
One In A Million
Patience
Reckless Life (Mckagan/Slash/Str
Used To Love Her
You're Crazy

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GUNS N' ROSES GREATEST HITS CHERRY LANE TRANSCRIBED FULL SCORES TABLATURE CHITARRA LIBRO

GUNS N' ROSES, GREATEST HITS. TRANSCRIBED SCORES.
SHEET MUSIC BOOK. TRANSCRIBED FULL SCORES: VOCAL, GUITAR, GUITAR II, BASS, DRUMS, PIANO, OTHERS, ECC. 

BASS & GUITARS with TABLATURE .

 

LIBRO DI MUSICA ROCK.
SPARTITI DI OGNI STRUMENTO: VOCE, CHITARRA 1, CHITARRA 2,  BASSO, BATTERIA, PIANOFORTE, ECC. ACCORDI, PENTAGRAMMA, CHITARRA E BASSO CON TABLATURE

 

TITLES :

-Don't cry

-locomotive

-my michelle

-nightrain

-paradise city

-patience

-since i don't have you

-sweet child o' mine

-welcome to the jungle

-you could be mine.

BAND SCORE, BASS & GUITAR WITH .TABLATURE

 

... pochi giorni dopo il batterista e il bassista dei Guns se ne sono andati, lasciandoci nella fogna. Nel frattempo, Izzy era riuscito a organizzare un importante concerto al "Troubador" per gli Hollywood, ma anche loro erano mezzi sfasciati. Cosi abbiamo deciso di mettere insieme i due mezzi gruppi, ed in pratica cosi che sono nati i Guns n' Roses, che all'inizio abbiamo chiamato Guns & Roses ...». Ma dalle due "meta" casualmente unite, si stacca subito Tracii Guns: «io e Izzy ci odiavamo», ricorda Guns, «erano scontri continui ...Con gIi altri avrei potuto benissimo conviverci, ma con Izzy proprio no - lui era un po' scorbutico e un po' egocentrico, un classico schizofrenico: un campagnolo vaccaro che si dava arie da rockstar ...». Guns viene subito rimpiazzato da Slash, e anche DuffMcKagan e Steve entrano a far parte della band. «Noi cinque siamo arrivati a Los Angeles in momenti e periodi differenti», ricorda Slash, «con aIle spalle un punto in comune: nessuno di noi aveva avuto un'infanzia normale, e volevamo tutti fare dell'hard rock in una band ...AlIa fine ci siamo messi insieme in un modo strano, come per una predestinazione all'insegna dell'hardcore ...» II fortunoso esordio degIi improvvisati Guns n' Roses è i 16 giugno 1985, al "Troubador" di Los Angeles - un locale dal glorioso passato, ormai votato all'heavy metal. L'esordio funziona, e i cinque decidono di insistere. C'è la possibiIità di un breve tour con tappe a Seattle, Portland, Eugene, Sacramento e San Francisco, e loro si mettono in cammino: hanno i1 miraggio di qualche dollaro, e di corsa lasciano la loro quallida realta di Los Angeles. Ma il loro programma si ferma a Fresno, quando la scassata automobile sulla quale si sono messi on the road Ii lascia appiedati nel deserto. Ricorda Izzy: «Quella nostra fottuta macchina si é bloccata in mezzo a1 deserto, e noi abbiamo dovuto caricarci gli strumenti in spalla, e sotto un sole assassino ci siamo fatti chilometri a piedi... E nessuno ci voleva dare un passaggio! Due giomi dopo, un miracolo: due ragazze hippy di San Francisco ci hanno raccolto e ci hanno salvato la vita, perchè oltre all'auto erano carine, e siamo arrivati a Seattle in piena forma!». A Seattle, i Guns n' Roses si esibiscono davanti a...venti spettatori. Dopo, il proprietario del locale si rifiuta di pagarli. «Da quel giorno, it nostro motto e stato "Fotti, fotti tutti, prima che ti fottano gli altri" ...», ricorda Izzy. «Abbiamo lasciato Seattle depressi e incazzati, e a colpi di autostop siamo riusciti a tornarcene a Los Angeles, che ci sembrava essere diventato il nostro Paradiso ...». Ma per Axl, Steve, Slash, Duff e Izzy, Los Angeles non é un paradiso. Vivono di espedienti, e non hanno nemmeno un'abitazione. «Vivevamo come dei barboni agli angoli delle strade e sui marciapiedi», ricorda Slash, «e in attesa di sfondare, camminavamo su e giu per Hollywood Boulevard - ogni tanto ci riposavamo nei pornoshops, che erano aperti giorno e notte ...». Finalmente trovano alloggio in una sala-prove di Gardener Street - una squallida stanza senza servizi ne cucina, dove i cinque vivono e suonano. Ricorda Slash: «In quella stanza incasinata col soffitto che quando pioveva colava l'acqua, il nostro sound era eccezionale ...Potevamo suonare a tutto volume - c'erano due amplificatori "Marshall" che facevano bene il loro dovere...». Di Ii a qualche settimana, la sala-prove occupata dai Guns n'Roses e diventato un centro di ritrovo per stranissimi "party" ...«Durante i fine-settimana, le più belle feste di Los Angeles si tenevano da noi, nella nostra "casa" in Gardener Street... Ci venivano tutti i "marginali" del Sunset Boulevard, e tutte le giovani band cittadine ...», ricorda Ax!. «Nel vicolo dove c'era la sala-prove, la sera, c'erano anche cinquecento giovani, tanto che c'era qualcuno che vendeva birre e faceva il barista con bottiglie di liquori e alcolici messe sul cofano di una macchina ...La da noi tutti potevano fare quello che volevano - suonar, scopar, drugars, ubriacarsi, litigare ... Quando arrivava la polizia, cioe tutte le notti, portavano sempre via qualcuno, qualcuno nudo e rovinato tenendolo per i capelli ... Era il posto della perdizione, il posto più folle, sfrenato e libero del mondo. E era la casa dei Guns n' Roses ...». Dopo un po', la situazione diventa da claustrofobia – in quèlla stessa stanza, i cinque mangiano, bevono, dormono, fanno tutto, suonano, litigano ...Provano a cercare il loro sound, ma quello che sempre gli manca sono i soldi - quei pochi che riescono a guadagnare se ne vanno in cibo, droga e alcol. La situazione è difficile, ma da quelle parti non manca la fantasia. Provano con i lavori più disparati (Steve fa il lavapiatti, il giardiniere, il pizzaiolo, il buttafuori in un bowling; Izzy lavora per qualche giorno in un negozio di chitarre; Slash prova da operaio in una fabbrica di orologi; Ax1vende telefoni; Slash e Ax1fanno le volontarie cavie per alcuni test medici dell'Ucla, fumando sigarette a 8 dollari l'ora ...), ma arrivano anche alle marchette, allo "spaccio", ai furti ...Ricorda Slash: «Facevamo lavori "onesti" e "disonesti", pur di resistere ...Il costo della vita a Los Angeles è pazzesco, e i soldi, anche se con uno stipendio, non bastano mai ... Spendevamo per mangiare 45 cents in tutto - una zuppa al fottuto "Denny's Coffee Shop" ...». Chiedevano anche dei "prestiti", come ricorda Duff: «Si abbordava una ragazza e con una scusa qualsiasi le si chiedeva un prestito di 20 dollari ...». Oppure andavano a scrocco ... «Avevamo bisogno di amplificatori, corde per le chitarre, bacchette, tamburi, vestiti, un mezzo di trasporto ... Non avevamo niente, e avevamo bisogno di tutto ...». Izzye Slash, in particolare, hanno anche bisogno di eroina, che per loro è già unl bisogno continuo. Ricorda Slash: «Dovevamo sopravvivere a tutti i costi, perché volevamo essere una rock-band - per la musica saremmo stati capaci di morire ...». La scena rock della Los Angeles di metà anni Ottanta è talmente affollata di giovani band alla ricerca di uno spazio

Guns N' Roses Greatest Hits
Series: Guitar Personality
Publisher: Cherry Lane Music TAB
Artist: Guns N' Roses


Full transcriptions of each instrument part on ten of the best from this hard-rocking band: Don't Cry • Locomotive • My Michelle • Nightrain • Paradise City • Patience • Since I Don't Have You • Sweet Child O' Mine • Welcome to the Jungle • You Could Be Mine. Includes lyrics, tab and a notation legend.

Inventory #HL 02500361
ISBN: 9781575604435
UPC: 073999421057
Width: 8.5"
Length: 11.0"
Cover Photo: Ross Halfin
192 pages

 

Song List:

1991 - Don't Cry (Original) - Parole e musica di: Izzy Stradlin, W. Axl Rose 
1991 - Locomotive - Parole e musica di: Slash, W. Axl Rose 
1987 - My Michelle - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler
1987 - Nightrain - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler
1987 - Paradise City - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler
1988 - Patience - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler
1959 - Since I Don't Have You - Parole e musica di: James Beaumont, Janet Vogel, Joseph Verscharen, Walter Lester, Lennie Martin, Joseph Rock, John Taylor
1987 - Sweet Child O' Mine - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler
1987 - Welcome To The Jungle - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler
1991 - You Could Be Mine - Parole e musica di: Izzy Stradlin', W. Axl Rose

Prezzo: €139,99
€139,99

GUNS N' ROSES LEGENDAY LICKS CD GUITAR TABLATURE LIBRO SPARTITI CHITARRA TECNICA SLASH

GUNS N' ROSES, LEGENDAY LICKS. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE.

LIBRO DI MUSICA ROCK, METAL, CON CD. 

SPARTITI PER CHITARRA CON : 

ACCORDI, PENTAGRAMMA, TABLATURE.  

TECNICA, METODO, 

TRANSCRIBED By Toby Wine

The Legendary Licks series presents the music of a band or artist in a comprehensive play-along package. Each book contains detailed performance notes on how to play a multitude of classica likes, fills, riffs, and solos - complete with recorded demonstrations. Slowed-down versions are also on the CD for the fast and tricky passages. The recording is split-channel, so you can listen to all the instruments or play along with the band. Also includes tab, gear setups, and a historical retrospective.

This pack examines 12 GN'R classics, including:

Knockin' on Heaven's Door
November Rain
Paradise City
Patience
Sweet Child O' Mine
Welcome to the Jungle
Mr. Brownstone
and more!

Prezzo: €26,99
€26,99

GUNS N' ROSES APPETITE FOR DESTRUCTION. PLAY IT LIKE IT IS BASS TABLATURE LIBRO

GUNS N' ROSES, APPETITE FOR DESTRUCTION. SHEET MUSIC BOOK FOR VOCAL & BASS WITH TABLATURE .

LIBRO DI MUSICA ROCK,

SPARTITI PER VOCE E CHITARRA BASSO :

ACCORDI, PENTAGRAMMA, TABLATURE . 

Series: Bass Guitar Series
PLAY IT LIKE IT IS with TABLATURE
Authorized Edition Guitar for the Practicing Musician
note-for-note transcriptions

Introduction by Wolf Marshall
The matching folio to the hit album arranged for bass with tab. Twelve songs in all, 86 pages

Anything Goes 
It's So Easy
Mr. Brownstone
My Michelle
Nightrain
Out Ta Get Me 
Paradise City
Rocket Queen
Sweet Child O' Mine
Think About You 
Welcome To The Jungle
You're Crazy

 

Guns N' Roses emerged from the turbulent yet fertile L.A. club scene which was the spawning
ground for Van Halen, Quiet Riot/Randy Rhoads, Motley Crue, Ratt and Poison. Beginning
with a smalilocai underground following, they rapidly garnered a greater public awareness with
their raw no-nonsense sound and energetic rock 'n' roll feel. Their appearance and subsequent
popularity in 1987 was concurrent with a perceptible shift in audience taste towards more direct
and more emotional forms of rock-a reaction against the slick over-calculated pop/rock and
the technicallydemanding metal fusion ofthe early and mid 80's. In this regard, Guns N' Roses
advocate and deliver a musical presence which is the very essence of rock-rebellious,
immediate and evocative. The music invites, indeed insists on, audience participation and
involvement on a purely gut level.
The sound of Appetite for Destruction reveals an evolutionary Iink with the beginnings of
modern rock. Sprinkled throughout the Guns N' Roses offerings are allusions to wellestablished
and unmistakable 60's blues roots. The vocabulary of the blues/rock tradition of
the British dynasty of the Yardbirds, Cream, and Led Zeppelin is apparent in the guitar work
of lead guitarist Siash, while the rough, aggressive rhythm work and powerhouse song riffs
show the influence of the Kinks, early Stones and Aerosmith. These centrai elements coexist
with hints of punk rock (in the pronounced chant-talk vocal approach of the verse in "It's So
Easy" and the unabashed expletives found in the Iyrics of "You're Crazy" and "Out Ta Get Me"),
60's psychedelic music (in the raveup jamming of the rideout outro solo of "Paradise City" and
guitar-generated sound effects in the second guitar solo/interlude of "Welcome to the Jungle,"
in which stratospheric si ide guitar adds a spacey quality to the proceedi ngs) and vi ntage heavy
metal (in the driving rhythm grooves, sustained distorted guitar tones and visceral power
chords throughout).
In this volume, there is a wealth of material for bassists of ali levels. For the beginning or
intermediate bass player, the arrangements present an accessible and enjoyable repertoire of
bass lines which is not particularly intimidating or technically demanding. For the advanced
bassist, the music of Guns N' Roses provides an insight into the groove factor of hard driving
contemporary rock. Ali players will benefit from the study of Duff "Rose" McKagan's solid riffbased,
song-conscious bass style. This willlead to a greater appreciation and understanding
of the role of the bass player in a modern rock band.
 

1987 - Anything Goes - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler, Chris Weber

1987 - It's So Easy - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler, West Arkeen

1987 - Mr. Brownstone - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler

1987 - My Michelle - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler

1987 - Nightrain - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler

1987 - Out Ta Get Me - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler

1987 - Paradise City - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler

1987 - Rocket Queen - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler

1987 - Sweet Child O' Mine - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler

1987 - Think About You - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler 

1987 - Welcome To The Jungle - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler

1987 - You're Crazy - Parole e musica di: W. Axl Rose, Slash, Izzy Stradlin', Duff McKagan, Steven Adler

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