FINGERSTYLE

FINGERPICKING PATTERN ENCYCLOPEDIA. CD TABLATURE

FINGERPICKING PATTERN ENCYCLOPEDIA. CD TABLATURE

Music by Lou Manz
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD
In addition to over 200 useful fingerstyle patterns, lessons on fingerstyle technique, reading music and 13 original fingerstyle compositions are included. Examples are shown in easy-to-read TAB and standard music notation. The CD includes performances of each pattern and the original compositions.

 

 

Introduction

This book is a collection of fingerpicking patterns that will hopefully be a resource, and a source of inspiration, for any guitarist, regardless of style. Since you have picked up this book, you probably already know how exciting and expressive fingerstyle guitar can be. Fingerstyle guitar is not really a style of music; rather it is an approach to guitar that transcends anyone particular style. Many acoustic singer/songwriters, and folk, blues and country players play fingerstyle guitar. Many jazz players also "comp" chords and improvise picking with their fingers, rather than a pick. Of course, fingerstyle technique is also the basis of most contemporary acoustic instrumental playing. Diverse guitarists from leadbelly to Eric C1apton, Merle Travis to Mark Knopfler and Elizabeth Cotton to Joe Pass have used fingerstyle techniques to create their original music.

One of the most definitive aspects of fingerstyle guitar is the use of picking patterns. This is especially true for singer/songwriters and folk/country players. Also, many of our leading acoustic instrumentalists, such as leo Kottke and Adrian legg, have used picking patterns as starting points for their innovative and melodic pieces. In fact, it would be difficult to think of an acoustic singer/guitarist or instrumentalist in folk, blues or country style who does not incorporate picking patterns into their music. This book is appropriate for guitarists of any style or level. Beginners should start with the classic patterns from each chapter and move on to other examples as they progress. Intermediate players will add interesting variations and entirely new patterns to their fingerstyle vocabulary. Even advanced players will find sequences that are new to them in this collection.

WHY FINGERSTYLE PATTERNS ARE USEFUL

They will give you a multitude of options for accompanying songs. You may want to learn a song by one of your favorite artists. Perhaps you have been able to "figure out" the chords by listening to the recording or you may learn the chords from a songbook. If the song was originally recorded using a fingerpicking pattern, you will probably find that pattern or something very close to it, in this book. Even when a song is not originally played fingerstyle, you can be creative and find a pattern that may match the style and rhythmic feel of the recording. Even piano-based pieces, such as Simon and Garfunkel's Bridge Over Troubled Water or Sarah Maclachlan's Angel can work in a fingerstyle setting. They are useful as technique exercises for fingerstyle players. Jazz guitarists practice a multitude of scales, modes and chord voicings. Since fingerstyle players use many picking patterns, it is valuable to practice both common and new patterns as exercises.They will help you develop strength, flexibility, speed and independence in the picking fingers. They can help you create original songs and instrumental pieces. Even well-worn chord progressions sound fresh with new and interesting patterns. Improvise with your favorite fingerpicking patterns and see what develops. The patterns in this encyclopedia are grouped according to type, time signature and special characteristics, such as the inclusion of an alternating bass, syncopation or double stops. A sample piece is provided at the end of each section to suggest some ideas for practical application, and to provide further inspiration. Use the book in any order and in any way that you like.  

 

 

Contents:

 

ABOUT THE AUTHOR

INTRODUCTION

HOW TO USETHIS BOOK

 

GETTING STARTED

Music Notation

Technique

The Left Hand

The Right Hand

 

4/4 PATTERNS PART ONE

Easy Going

 

4/4 PATTERNS PART TWO

Suspended Animation

 

THREE-NOTE CHORDS

The Blues In E

 

TRAVIS PICKING

Travis Time

 

4/4 PATTERNS PARTTHREE 35

Seaside Sounds

 

SINGLE-NOTE PATTERNS IN 3/4

Etude in 3/4

 

DOUBLE STOP & CHORD PATTERNS IN 3/4

Etude in G

 

4/4 PATTERNS PART FOUR

Pedal Power

 

SINGLE-NOTE ALTERNATING PATTERNS

Rainy Day Blues

 

MULTIPLE·NOTE ALTERNATING BASS PATTERNS

Etude in A Mixolydian

 

DOUBLE STOPS ON UPPER STRINGS

Minor Memories

 

SYNCOPATION

E For Elvis

 

PATTERNS IN 6/8 AND 12/8

Study in 6/8

 

The CD that accompanies this book can make learning with the book easier and more enjoyable. The symbol shown above will appear next to every example that is on the CD. Use the CD to help insure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on. The track numbers below the symbols correspond directly to the examples on that page. Track 1 will help you tune your guitar to this CD.

Prezzo: €22,99
€22,99

FINGERSTYLE EXPLORATIONS, JONAS MOLLBERG Book/CD GUITAR standard notation & TABLATURE mel bay

FINGERSTYLE EXPLORATIONS, JONAS MOLLBERG. CD TABLATURE

The purpose of this material is to create a bridge between pop and rock music and the traditional guitar repertoire. As a guitar instructor, the author has often wished there was material based on classical guitar technique but at the same time sounding more like modern, popular music. He also felt a need for a body of literature which is idiomatic and really makes use of the possibilities of the guitar, so he created these pieces. The pieces frequently use open strings as one way of releasing the magic of the guitar. Another prominent element is the use of arpeggio technique, which provides a continuous and natural flow of music. The book is aimed at guitar students as well as people who take delight in music that is melodious and easy to play but doesn't require too much technical skill to perform. The book is written in standard notation and tablature.

Prezzo: €76,00
€76,00

EMMANUEL TOMMY FINGERSTYLE GUITAR METHOD CD TABLATURE LIBRO METODO CHITARRA FINGERPICKING

EMMANUEL TOMMY, FINGERSTYLE GUITAR METHOD. CD TABLATURE

LIBRO METODO PER CHITARRA ACUSTICA, CON CD. 

SPARTITI PER CHITARRA:

ACCORDI, PENTAGRAMMA E TABLATURE. 

The incomparable Australian guitarist Tommy Emmanuel presents four fingerstyle exercises plus an arrangement of the classic tune Freight Train and two signature compositions- Mister Guitar and Dixie McGuire. This book would serve either as a reference text for one of Tommy's workshops or as a helpful guide to developing fingerstyle guitarists working on their own. All selections are written in notation and tablature for the guitar in standard tuning. A convenient chord chart is provided in the appendix. All of the selections in the book appear on the companion CD.

Intermediate to advanced in difficulty, playing these tunes literally involves the thumbs of both hands! Gaining flexibility and control of your left thumb, you too can play like TE!

 

Dictation Notes with Tommy Emmanuel Getting Started on Fingerstyle ...

GETTING PREPARED

• Make sure your guitar is set up so it is comfortable for you to play.
• Choose a good set of strings
• Get in tune ...
TUNING
• If you have an electronic tuner and you just tune acoustically, that is fine.
• If you plug into a tuner, make sure you turn the microphone off.
• When you have a pick up in your guitar and you plug into the tuner, put the midrange flat out or on the lever,
whichever you understand. That gives the tuner, a real accurate tuner, a sparky signal and you will be able
to get your guitar really and truly in tune.
• It is always a good idea to practice tuning up as well as playing the guitar so you can get use to your guitar
sounding in tune. After a while you will find that you will end up training your own ear into what the sound
of being in tune really is.
NAILS ... ACRYLIC NAILS, NO NAILS OR FINGERPICKS
• What works for you?
• What sound are you going for?
CHOICE OF THUMBPICK
• I use Dunlop medium thumb pick ... not too big, small, thin, or thick ... it is right in the middle, like a
plectrum, but it is wrapped around your thumb.
• Some people use the slick picks, which are thinner.
• It depends on what kind of dynamic or strength you play with. Personally, if I use a slick pick, it would
probably fly across the room after the first bass note.
• I like something that hangs on to my thumb, doesn't make it turn blue on the end and it sticks on your thumb
properly.
• The thumb pick ~hould be pushed back so when you look at your thumb it is covering the end of your nail,
where it meets the flesh, first knuckle joint. When I look down at my thumb, it looks like there is 1/2 inch
of thumb sticking out.
• The thumb has to be independent to the fingers. It is important that you develop the thumb first before you
do anything with the fingers. You have to start training it. This takes time and dedication.
• In the key C. pick C, F, and G to play. Put your fingers down on the place of the guitar where the fret guard
is, down at the mouth. I rest the heal of my palm, the corner of the heal down and I take a little bit of
resonance out of the string to give it that music sound. Leave your fingers down and start with the A string
on the 3rd fret of the C chord. When you can get this slow and steady and use to it, go to C, G, and C.
• It is very important that with each chord change, I start the bass note on the root note. When I am playing
in C, the first note you play is C. Whatever chord you are playing, the first bass note should be the root note,
the note of that chord.
• Practice slowly. Keep the fingers down. Do in any key, E, A, G, B, A ...
• Practice until you can get a good feel, groove going and playing the thumb without the fingers coming up.
Get the thumb going first.
• It is important for you to become good at tapping your foot when you play. Chet use to say, pat your foot. It
will help you with your groove and your time. It will put a bit of bounce and confidence into your playing
and timing. You need to have a good time.
• I always tap my foot on 1 and 3. The only time I don't tap on 1 and 3 is in an extreme situation where I
would playa song where for me to get the right feel on it I would tap on the other beat or where I would tap
like a bass drummer. 
(CONTITUA)
 

Contents

Holding Position

Fingerstyle Notation

Learning to Read Tablature

Dictation Notes with Tommy Emmanuel

Getting Started On Fingerstyle Guitar

Tom's Thumb

Freight Train (simple version)

Freight Train

Mr. Guitar

Dixie McGuire

Thumbpickers Chord Chart  

Prezzo: €24,99
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DOBBINS CRAIG HYMNS FOR FINGERSTYLE GUITAR CD TABLATURE BOOK LIBRO SPARTITI

DOBBINS CRAIG, HYMNS FOR FINGERSTYLE GUITAR. SHEET MUSIC BOOK with CD GUITAR TABLATURE .

Complete note-for-note transcriptions of twelve best-loved traditional hymns and gospel songs.

Includes: O for a Thousand Tongues to Sing, At the Cross, Tis So Sweet to Trust in Jesus, Sweet Hour of Prayer, The Old Rugged Cross, What a Friend We Have in Jesus, Since Jesus Came into My Heart, Amazing Grace, Leaning on the Everlasting Arms, There is a Fountain, In the Garden, and Jesus, Keep Me Near the Cross.

All songs are fully transcribed in standard notation and tablature, plus performance notes and background information on each song. 46 pages, CD included.

"Craig Dobbins' beautifully played and richly harmonized arrangements sound so perfect on the guitar, you wonder why every church doesn't retire its organist and hire a really good fingerpicker."
-Jim Ohlschmidt, writer, Acoustic Guitar magazine

Acoustic Masters. (Craig Dobbins' Hymns for Fingerstyle Guitar). By Craig Dobbins. For Guitar. Guitar Method or Supplement. Acoustic Masters Series. Acoustic; Fingerstyle. Book & CD. 52 pages. Published by Alfred Music Publishing (AP.0011B).

 

ISBN 1576239748. Acoustic; Fingerstyle.

Craig Dobbins has tastefully arranged this beautiful collection of hymns to be easily playable and yet worthy of concert and solo recital performance. All the music is written in standard notation and tablature, and performed beautifully on the included CD. Selections include: Amazing Grace * In the Garden * O for a Thousand Tongues to Sing * The Old Rugged Cross * Sweet Hour of Prayer * There Is a Fountain and more.

 

Amazing Grace
In the Garden
O for a Thousand Tongues to Sing

The Old Rugged Cross

Sweet Hour of Prayer

There Is A Fountain

Prezzo: €99,99
€99,99

DYKES DOYLE VIRTUOSO FINGERSTYLE GUITAR LIBRO CD TABLATURE CHITARRA-GIRL-COUNTRY FIED PICKIN'

DYKES DOYLE, ACOUSTIC MASTERS SERIES VIRTUOSO FINGERSTYLE GUITAR. SHEET MUSIC BOOK with CD & GUITAR TABLATURE .

LIBRO DI MUSICA CON CD,

SPARTITI PER CHITARRA CON :

ACCORDI, PENTAGRAMMA E TABLATURE. 

 

Doyle Dykes / transcr. Jon Chappell
SERIES: Acoustic Masters Series
CATEGORY: Guitar Method or Supplement
FORMAT: Book & CD

Doyle Dykes is the natural heir to Chet Atkins' throne. This Nashville-based virtuoso fingerstyle guitarist plays solo guitar arrangements of originals, hymns, and secular pop music with astounding feel and unheard-of technique. This volume includes Doyle's original guitar compositions and his hugely popular arrangement of The Beatles' song "Girl." Songs are:

Includes the Following Selection:
Title Composer

ANGEL'S DESIRE
DOYLE DYKES

BIRMINGHAM STEELE
DOYLE DYKES

CALEB'S REPORT
DOYLE DYKES

CELTIC COWBOY
DOYLE DYKES

CHANGING OF THE GUARD, THE
DOYLE DYKES

COUNTRY FIED PICKIN'
DOYLE DYKES

GIRL
LENNON, JOHN / MCCARTNEY, PAUL

HOWLING OF THE WOOD
DOYLE DYKES

JAWBONE, THE
DOYLE DYKES

MARTHA'S KITCHEN
DOYLE DYKES

MISS HALEY'S MUSIC BOX
DOYLE DYKES

MISTY NIGHTS IN TOKYO
DOYLE DYKES

ROAD BACK HOME, THE
DOYLE DYKES

SELF PORTRAIT ON ACOUSTIC GUITAR
DOYLE DYKES

VISITATION, THE
DOYLE DYKES

WABASH CANNON BALL (PRINT ONLY)
A.P. CARTER

WHITE ROSE FOR HEIDI
DOYLE DYKES

Prezzo: €39,99
€39,99

DYKES DOYLE DYKESOLOGY LIBRO CD GUITAR TABLATURE LIBRO Jazz In the Box-Zaccheus-Amazing Grace

DYKES DOYLE, DYKESOLOGY. CD TABLATURE

LIBRO DI MUSICA, SPARTITI PER CHITARRA CON CD E TABLATURE. 

 

- Jazz In the Box

- Zaccheus

- Twin Six Shooters

- The Lord's Prayer 

- Laguna Sand

- Mission of St. Holli

- Loving Rita

- Gitarre 2000 

- Amazing Grace

- And Can It Be?

 

Paperback: 79 pages
Publisher: Mel Bay; MB98626BCD edition (1999)
Language: English
ISBN-10: 078665063X
ISBN-13: 978-0786650637

Prezzo: €149,99
€149,99

COMPLETE FINGERSTYLE GUITAR METHOD MASTERING Steve Eckels CD TABLATURE CHITARRA

COMPLETE FINGERSTYLE GUITAR METHOD, MASTERING. Eckels. CD TABLATURE

Complete Fingerstyle Guitar Method: Mastering Fingerstyle Guitar
By Steve Eckels
Item: 00-17814
UPC: 038081158594
ISBN 10: 0739016555
ISBN 13: 9780739016558

Category: Guitar Method or Supplement
Format: Book & CD
Instrument: Guitar
This advanced volume in the comprehensive method for fingerstyle guitar is perfect for experienced players who want to add greater variety, refinement, and creativity to their playing. Develops skillful tone production and dynamic control, and covers the free-stroke, rest-stroke, shifting, tremolo, planting, and inventive techniques used by contemporary fingerstyle masters like left-hand tapping, right-hand tapping, drumming, and "the scrape." Also includes unusual alternate tunings, ideas for creating your own new tunings, and arranging. All music is shown in standard notation and TAB, and the CD demonstrates all the examples in the book. 96 pages. 

 

ABOUT THE AUTHOR

 

Steve Eckels received his Bachelor's degree in guitar from Berklee College of Music and his Master's degree in guitar and jazz at New England Conservatory. His teachers have included Robert Paul Sullivan, Gene Burtoncini, William Leavitt, Chuck Wayne, Barry Galbraith, Gary Burton and Pat Metheny. In addition to concert and public engagements, he now teaches guitar at New Mexico State University at Las Cruces. He is the author of seven guitar folios, and has recorded 18 albums and Cds.

 

ACKNOWLEDGEMENTS

I would like to express a special thank you to those authors from whom I have learned so much: Joseph Schillinger, Yehudi Menuhin, Ivan Galamian, George Van Eps, Vincent Persichetti, Lee F.Ryan, Mark Hanson, Mick Goodrick and John Stropes. Special thanks to my violin teacher, Dr. Frank McDonald, to my friend Joe Mancilla for assistance with alternate tunings and to my editor, Nat Gunod, for his meticulous attention to detail and pedagogy.

 

INTRODUCTION

Greetings, and welcome to Mastering Fingerstyle Guitar. Most of you have already traveled the trail of Beginning Fingerstyle Guitar and Intermediate Fingerstyle Guitar, and are ready for the next step in your fingerstyle adventure. This book will introduce you to new musical ideas and subtle techniques that will help you reach your potential as a fingerstyle player, arranger and composer. To help guide you along your way, I have prepared examples that are musical, educational and enjoyable. Since my approach is based in art and nature, which are things common to us all, you may find yourself saying, "Of course, why didn't I think of that?" Don't worry, you don't have to reinvent the wheel. Contained in the following pieces of music are gems of wisdom that I have gathered from studying the masters of guitar, violin and composition for the past thirty years. One of the most satisfying parts of this book was composing the examples for the sections on alternate tunings and modern tapping and drumming techniques. If your background is in the traditional approach to guitar, as mine was, you might find yourself a bit hesitant about venturing into these areas. The good news is that the learning approach presented here is based on what you already know. You can and should learn to perform in alternate tunings and incorporate drumming and tapping into your playing. Primordially speaking, I think we are all drummers at heart. These modern techniques are satisfying and can greatly expand your creative potential. Another component of this book that I feel will be very helpful to you is the chapter on developing your sense of touch. In learning guitar, touch is one of the most neglected areas of discussion. It is assumed that you just press down on the fret, and that's it. There are some subtleties involved can make your playing more effortless and flowing. One of the advantages of studying out of a book such as this is that you can make steady progress, page by page. Nevertheless, be open to the idea of making a giant step forward in your playing. It can happen.

TABLE OF CONTENTS:

 

About the Author 

Introduction .

Review .

 

CHAPTER 1-Tone and Balance .

Fingernail Care .

The Free Stroke .

The Rest Stroke .

The Thumb .

Alternating Rest and Free Stroke .

Planting .

Balanced Control .

 

CHAPTER 2-Exploring the Harp .

Harp Finger Pattern on Individual String .

Harp Finger Pattern Using Two Strings .

Harp Finger Pattern Using Three Strings .

Harp Finger Pattern Using Four Strings .

Harp Finger Pattern Using Five Strings .

Harp Finger Pattern Using Six Strings .

 

CHAPTER 3-Chord Formulas .

Chords in 2nds .

Chords in 3rds .

Chords in 4ths .

Mixed Intervals .

Drop-Two Voicings .

Drop-Three Voicings .

 

CHAPTER 4-Sense of Touch

Gray Tones .

Gray Tones Into Clear Tones .

Relaxing The Left Arm .

Shifting Technique: Impulse and Momentum .

Pussy Footing .

Square and Diagonal Frames .

Vibrato .

Bending Vibrato .

 

CHAPTER 5-Fingerstyle Speed .

Right Hand Preparation for Tremolo .

Coordinating Left-Hand Patterns With Right-Hand Tremolo .

Four-Note Left-Hand Patterns With Right-Hand Tremolo .

Three-Note Left-Hand Patterns With Right-Hand Tremolo .

Two-Note Left-Hand Patterns With Right-Hand Tremolo .

One-Note Left-Hand Patterns With Right-Hand Tremolo .

Speed Bursts .

Sequences .

 

CHAPTER 6 -Modern Techniques

Expression And Invention .

Left-Hand Tapping .

Left-Hand Tapping With Pull-Offs .

Left-Hand Tapping With Right-Hand Drumming .

Left-Hand Tapping With Left-Hand Drumming .

Left-Hand Tapping In Double Stops .

Left-Hand Tapping In Double Stops With Pull-Offs .

Left-Hand Tapping In Double Stops With Right-Hand Drumming .

Left-Hand Tapping In Double Stops With Left-Hand Drumming .

Right-Hand Tapping .

Left- And Right-Hand Tapping in Triple Stops .

TappingTriple Stops With Right- and Left-Hand Drumming & Introducing "The Scrape" .

Tapping Triple Stops in Triplets With Pull-Offs .

Tapping And Slapping The Blues In E .

Tapping And Drumming An A Minor Blues .

Tapping A Walking Bass Line For A Blues In E .

The Ostinato Pattern, Right-Hand String Stopping

and Slap Harmonics .

Tapping With Pull-Offs In Triplets .

Tapping With Pull-Offs In Sixteenth Notes .

Harmonics Combined In Intervals With Non-Harnmonics .

Artificial Harmonics .

Harmonics In Alternation With Non-Harmonics .

 

CHAPTER 7-Alternate Tunings .

Dorian Tunings: C, G, Eb,A, D .

Phrygian Tuning: C, G, Db, F,G, C .

Lydian Tuning: C, G, D, E, F#, B .

Mixolydian Tuning: C, G, Bb, E, G, C .

Major #5Tuning: D, G, D, G, B, D# .

Pentatonic Tunings: C, F,C, G,A, D .

Creating Your Own Arrangements In Altered Tunings .

Alternate Tunings Summary .

Alternate Tuning Note Guide .

 

CHAPTER 8 - Arranging And Composing .

The Creative Process-The Seed Metaphor .

Methodology .

A "To Do " List For Composers And Arrangers .

Arranging Scarborough Fair .

Rhythmic Variations .

Motivic Variations .

Melodic Elasticity .

Same Rhythm, Different Melody .

Harmonic Variations .

Modulation .

Structural And Rhythmic Mapping .

Playful Melodic Variation .

 

A compact disc is available for this book. This disc can make learning the examples in this book easier and more enjoyable. The symbol will appear at the beginning of every example or song:

Use the CD to make sure that you are capturing the feel of the examples, interpreting the rhythms correctly, and so on.

The track number below the symbol corresponds directly to the example or song you want to hear. Track I will help you tune to the CD. 

 

MASTERING FINGERSTYLE ECKELS


MASTERING FINGERSTYLE

ALL THREE BOOKS ARE LOADED WITH:
- Examples in standard music notation and TABLATURE
- Tons of fingerpicking patterns
- Plenty of complete songs in a variety of styles for you to learn
- Lessons on alternate tunings
- Lessons on every imaginable fingerstyle technique
- Techniques and theory for making your own fingerstyle arrangements


BEGINNING FINGERSTYLE GUITAR
by Lou Manzi
With this comprehensive book, you will enjoy getting started on fingerstyle guitar.
It's also great for more experienced players who want to "fill in the gaps" and enhance their knowledge. It teaches everything from basic chord theory and pattern picking to putting the melody in the bass, alternating bass, modes, "drop D" tuning and more. Loaded with fun examples to play,the final chapter also provides a selection of complete pieces in a variety of styles.


INTERMEDIATE FINGERSTYLE GUITAR
by Lou Manzi and Nat Gunod
The perfect continuation of Beginning Fingerstyle Guitar, this book is great for fingerstyle guitarists who know the basics and are ready to take the next step. Topics include alternate tunings, modes, fingerpicking patterns, barre chords, diatonic harmony, special techniques, bass lines and an exploration of styles ranging from Celtic and country blues to contemporary "new age" styles.
Also included is an essential chapter on arranging with a clever step-by-step approach.


MASTERING FINGERSTYLE GUITAR
by Steve Eckels
This advanced method for fingerstyle guitar is perfect for experienced players who want greater variety, refinement and creativity in their playing.You will start with an in-depth look at essential techniques such as tone production and dynamic control, free-stroke, rest-stroke, shifting, tremolo and planting. Moving on, you'll discover all the inventive techniques of the contemporary fingerstyle masters such as left-hand tapping, right-hand tapping, drumming and "the scrape." Topics also include unusual alternate tunings and ideas for creating your own new tunings. The arranging section from Intermediate Fingerstyle Guitar is continued with even more creative and interesting ideas. This one-of-a-kind book is a must for any serious fingerstyle player.
BooK and CD 

Prezzo: €23,99
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Acoustic guitar MAGAZINE FINGERSTYLE GUITAR MASTERPIECES VOL.5 CD TABLATURE CHITARRA LIBRO

Acoustic guitar magazine 5, FINGERSTYLE GUITAR MASTERPIECES VOL.5. 12 titoli: -Jorma Kaukonen: Embryonic journey -John Williams: Sakura variations -Adrian Legg: Queenie's waltz -Ed Gerhard: The water is wide -Martin Simpson: Jock o'hazeldean -John Renbourn: Bourree l & ll -Leo Kottke: Three quarter north -Preston Reed: A day at the races -Jacques Stotzem: Never enough -Peppino D'Agostino: Bella donna -Duck Baker: Opening the eyes of love, e una suggestiva california dreamin'/paint it black, riarrangiate da Proctor. SHEET MUSIC BOOK WITH CD & GUITAR TABLATURE. 

LIBRO DI MUSICA PER CHITARRA ACUSTICA, CON CD.

SPARITIT PER CHITARRA CON:

ACCORDI, PENTAGRAMMA, TABLATURE.  

Series: String Letter Publishing
Publisher: String Letter Publishing
Softcover with CD - TAB
Composer: Various Composers

ORIGINAL ARTIST RECORDINGS
12 original album tracks collected on 1 CD, with complete guitar transcriptions

12 instrumental compositions and arrangements from Acoustic Guitar magazine by today's best fingerstyle players. Hear all the original artist performances on the CD and then use the clear, accurate song transcriptions in notes & TAB to bring their songs to life on guitar. Includes artist bios and photos, plus detailed performance notes with tips from the artists themselves. Includes works by Duck Baker, Peppino D'Agostino, Ed Gerhard, Leo Kottke, Jorma Kaukonen, Adrian Legg, Chris Proctor, Preston Reed, John Renbourn, Martin Simpson, Jacques Stotzem, and John Williams. 72 pages.

Fingerstyle Guitar Masterpieces, the fifth songbook-and-CD package in our Artist Songbooks series, features a dozen of the best fingerstyle transcriptions presented in Acoustic Guitar magazine over the last ten years. Here you'll find Leo Kottke, John Renbourn, and Jorma Kaukonen, pioneers who helped fuel the current explosion of contemporary fingerstyle guitar, alongside Preston Reed, Chris Proctor, Adrian Legg, and Peppino D'Agostino, some of their most talented proteges. Reflecting the broad stylistic palette of all of these guitarists you'll find jazz colors in the playing of Duck Baker and Jacques Stotzem, some beautiful traditional folk tunes from Martin Simpson and Ed Gerhard, and a lovely theme and variations on the Japanese folk tune "Sakura" played by classical guitarist John Williams. These 12 songs use a variety of tunings and techniques, from classic alternating-bass fingerpicking to special effects like slap harmonics. You will definitely have plenty to keep your fingers busy with these transcriptions, and when a break is needed to untangle the knots in your fingers, you can sit back, listen to the accompanying CD, and enjoy the gorgeous sounds of fingerstyle guitar at its best. Scott Nygaard Editor

 

Contents:

Introduction

Music Notation Key

Three Quarter North - LEO KOTTKE - 1999

Embryonic Journey - JORMA KAUKONEN - 1967

Bella Donna - PEPPINO D'AGOSTINO - 1988

The Water Is Wide - ED GERHARD - 1996

Queenie's Waltz - ADRIAN LEGG - 1993

California Dreamin' / Paint it Black - Mamas and Papas / Rolling Stones - CHRIS PROCTOR - 1965

Jock O'Haze/dean - MARTIN SIMPSON - 1989

Bourree I and II - JOHN RENBOURN - 1979

Sakura Variations - JOHN WILLIAMS - 1971

Opening the Eyes of Love - DUCK BAKER - 1993

A Day at the Races - PRESTON REED - 1982

Never Enough - JACQUES STOTZEM - 1995

CD Track Listings

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